Architecture Program Report Master of Architecture - Roger Williams ...
Architecture Program Report Master of Architecture - Roger Williams ...
Architecture Program Report Master of Architecture - Roger Williams ...
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“Making Preservation Work in the 21st Century”, Mary Means, Goody Clancy, supported by the<br />
Historic Preservation Endowed Events Fund, Co-sponsored by Grow Smart Rhode Island<br />
“Hyper-Speed Design in China, Paul Lukez, Paul Lukez <strong>Architecture</strong>, RWU Visiting Pr<strong>of</strong>essor <strong>of</strong><br />
<strong>Architecture</strong><br />
2009/10<br />
“Mouth to Mouth”, Jeff Talman Studio, New York<br />
“Freud’s Roman Fever”, Mary Bergstein, Rhode Island School <strong>of</strong> Design<br />
“Heritage in Conflict and Consensus”, University <strong>of</strong> Massachusetts, supported by the Historic<br />
Preservation Endowed Events Fund<br />
“Designing Deep Green” , Ken Yeang, Hamzah & Yeang, Kuala Lumpur/Llewelyn Davies Yeang,<br />
London<br />
“Fresh Cuts”, Rebecca Leuchak, Anne Tait, Megan & Murray McMillan, <strong>Roger</strong> <strong>Williams</strong> University<br />
“A Difficult Synthesis, Nader Tehrani, <strong>of</strong>fice dA, MIT<br />
“Out <strong>of</strong> Practice”, Gregg Pasquarelli, SHoP Architects, New York<br />
“Seeking Intersections”, Hernan Maldonado & Max Rohm, RWU Visiting Pr<strong>of</strong>essors, Spring 2010,<br />
KLM Architects & Rohm Ibarlucia, Buenos Aires<br />
“Modernization & <strong>Architecture</strong> in Latin America1, 2, 3, & 4 (four lectures), Francisco Liernur,<br />
Dean, Universidad Torcuato di Tella, Buenos Aires and RWU Visiting Pr<strong>of</strong>essor, Spring 2010<br />
“Intricacy and Elegance”, Joeb Moore, Joeb Moore + Partners, New York<br />
“From Candy to Chromosomes”, Scott Simpson, FAIA, Kling Stubbins, Boston, supported by the<br />
Historic Preservation Endowed Events Fund<br />
“China Three Gorges Dam, Joy Garnett, RWU Visiting Artist, Spring 2010<br />
“Alvar Aalto: <strong>Architecture</strong>, Modernity and Geopolitics,” Eeva Liisa Pelkonen, Yale University<br />
“Movement”, Robert Siegel, Robert Siegel Architects, New York<br />
“The <strong>Architecture</strong> <strong>of</strong> Unholy Unions”, Marlon Blackwell, Marlon Blackwell Architect, University <strong>of</strong><br />
Arkansas<br />
2008/09<br />
“Creative and Commercial; Artists, Galleries and Museums”, Marella Consolini, Artist, New York,<br />
“<strong>Architecture</strong> for Art: The Object and The Expression”, Ann Beha, FAIA, Ann Beha Architects,<br />
Boston, RWU <strong>Architecture</strong> Teaching Firm in Residence, Fall 2008<br />
“Along The Way: Charles Hagenah Paintings”, Charles Hagenah, RWU Pr<strong>of</strong>essor <strong>of</strong> <strong>Architecture</strong><br />
“More Than One Mind”, Carol J. Burns, FAIA, Principal, Taylor & Burns Architects, Boston, Fall<br />
2008 RWU Visiting Pr<strong>of</strong>essor <strong>of</strong> <strong>Architecture</strong>, Fall 2008 & Carl Rosenberg, Principal, Acentech<br />
“The Re-Configured Frame”, Gerard Smulevich, Associate Pr<strong>of</strong>essor <strong>of</strong> <strong>Architecture</strong>, Woodbury<br />
University<br />
“From Mud to Gold: Art and the Dutch Cities”, Elisabeth de Bièvre, University <strong>of</strong> East Anglia<br />
The World Art Lecture Series: John Onians, Visiting Pr<strong>of</strong>essor <strong>of</strong> Art and Architectural History,<br />
<strong>Roger</strong> <strong>Williams</strong> University, School <strong>of</strong> World Art Studies and Museology, University <strong>of</strong> East<br />
Anglia<br />
Part I: World Arts: Mapping the Hidden Connections between Art and the Brain Across Time<br />
• Origins <strong>of</strong> Prehistoric Art<br />
• Origins <strong>of</strong> Classical Art<br />
• Origins <strong>of</strong> Early Modern Art<br />
• Origins <strong>of</strong> Modernism