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SYNOPSIS<br />
Script writer Henry Lehnbach stumbles from one hapless love affair to the next, and professionally<br />
speaking, his life has hit the doldrums, too: He writes the TV-series „The Forest Warden from the<br />
Spreewald“. His unsettled way of life and his chaotic work performance drive Henry's (female) agent<br />
to the edge of a nervous breakdown. All the more surprising that he receives a sensational offer: He<br />
is intended as co-writer for the film version of a bestselling book. This assignment is owing to the<br />
writer of the original novel: Katharina Meese is not only Henry's Ex, but also the love of his life.<br />
Katharina's wish to have children had led to the split between them. But since she now insists on his<br />
collaboration, Henry is apparently getting a second chance. Working together with Katharina gets<br />
Henry's life back on track – until one day eight-year-old Magdalena pops up at his door and declares,<br />
that she is supposed to live with him until further notice. Henry hardly knows what hit him. A<br />
message from Magdalena's mother, Charlotte Walser, clears the situation, but makes it nothing<br />
easier: Magdalena is supposedly Henry's daughter – the aftereffect of a long-forgotten one night stand<br />
with Charlotte. The child's mother and her compnay have to face charges in New York and<br />
therefore she can't look after Magdalena for a while. Henry is totally taken aback. Charlotte's<br />
husband Tristan, who for eight years thought that he was the girl's father, has similar feeelings:<br />
Because of this new situation he is separated from Charlotte.<br />
To become a father helter skelter isn't easy, even less so when at the same time you have to write<br />
the book of a lifetime and win back the love of your life. Henry cannot count on the support of the<br />
deeply wounded Tristan, so he has no choice but to care for the innocent Magdalena. Now the word<br />
is to get up early, prepare a healthy breakfast, check homework and read stories out loud. Henry<br />
starts to like his role as a father. He gets a grip on his household: For him the well-being of his child<br />
comes first. But again and again, Magdalena asks about her parents. Henry finally has to make a clean<br />
sweep. He decides to tell Magdalena, who her biological father is. And Katharina needs to know that<br />
the kid is not some neighbour's daughter. But as so often in Henry's life, the right moment for an<br />
explanatory conversation never seems to come along, and pretty soon, the situation is a complete<br />
shambles. Since Tristan in the meantime is trying to get back in contact with Magdalena, and is<br />
coming to terms with Charlotte as well, Henry is in danger of losing the girl at the precise moment<br />
where he has started to love her. Katharina uncovers the deception on her own; disappointed, she<br />
ends the collaboration as well as all private contacts with Henry. Henry summons up his courage: He<br />
fights for time together with his daughter. But he also has to prove to Katharina that his love for her<br />
is sincere…<br />
ABOUT THE PRODUCTION<br />
Scriptwriter and producer Béla Jarzyk („Reine Formsache“) was until a few years ago the manager of<br />
the talent agency “Players” and Til Schweiger's agent. Early in 2010 he offered the first draft of<br />
„Kokowääh“ (= Coq au vin) to Schweiger: His subject matter, conceived as a drama, tells of a little<br />
girl who as a „cuckoo child“ has to deal with two fathers. „We thought the idea was wonderful“,<br />
states producer Tom Zickler, who for years has, alongside Schweiger, led production company<br />
Barefoot Films. „And since little Emma Schweiger has delighted audiences in ‚Rabbit Without Ears‘<br />
and ‚Rabbit Without Ears 2’, we immediately imagined her as Magdalena. But we had the impression<br />
that Béla's story would work even better as a comedy. Our approach to that was similar as with<br />
‚Knockin’ on Heaven’s Door‘: Basically, the story is very sad, but audiences perceived the film as a<br />
For further information:<br />
Beta Cinema Press, Dorothee Stoewahse, Tel: + 49 89 67 34 69 15, Mobile: + 49 170 63 84 627<br />
press@betafilm.com, www.betacinema.com.<br />
Pictures and filmclips available on ftp.betafilm.com, username: ftppress01, password: 8uV7xG3tB<br />
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