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presents

A film by 

TIL SCHWEIGER 

Produced by 

TIL SCHWEIGER, BÉLA JARZYK, TOM ZICKLER 

BAREFOOT FILMS Produktion 

in co-produktion with BÉLA JARZYK PRODUCTION and 

WARNER BROS. FILM PRODUCTIONS GERMANY 

Starring 

TIL SCHWEIGER, EMMA SCHWEIGER, JASMIN GERAT, SAMUEL FINZI, MERET 

BECKER, FRIEDERIKE KEMPTER 

Directed by 

TIL SCHWEIGER 

Written by 

BÉLA JARZYK, TIL SCHWEIGER 

CAST 

Henry 

Magdalena 

Katharina 

Tristan 

Charlotte 

Agent 

Maria 

Rob Kaufmann 

Patient 

TIL SCHWEIGER 

EMMA SCHWEIGER 

JASMIN GERAT 

SAMUEL FINZI 

MERET BECKER 

FRIEDERIKE KEMPTER 

MIRANDA LEONHARDT 

MIŠEL MATIČEVIĆ 

KATHARINA THALBACH 

CREW 

Director 

Producer 

Script 

TIL SCHWEIGER 

TIL SCHWEIGER, BÉLA JARZYK, TOM ZICKLER 

BÉLA JARZYK, TIL SCHWEIGER 

2 

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Line Producer 

Camera 

Editing 

Music 

Set Design 

Sound 

Costume 

Make up 

KLAUS SPINNLER 

CHRISTOF WAHL, Bvk 

CONSTANTIN VON SELD 

DIRK REICHARDT, MIRKO SCHAFFER 

MARTIN TODSHAROW 

SILKE BUHR, sfk 

FRANK HEIDBRINK 

GABRIELA REUMER 

PAMELA GRUJIC, BRITTA BALCKE 

GERMAN RELEASE: 3. February 2011/Warner Bros. Pictures Germany 

a division of Warner Bros. Entertainment GmbH 

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SHORT SYNOPSIS 

Henry (Til Schweiger) is an unsuccessful screenwriter, and just as unhappy going from one casual 

relationship to another. Out of the blue he gets a fantastic job offer to co-write the screenplay of a 

bestselling novel together with Katharina (Jasmin Gerat). She is not only the author of the novel, but 

Henry’s ex-girlfriend and love of his life. He now has a second chance and things couldn’t get better 

when an 8 year old girl, Magdalena (Emma Schweiger), shows up at Henry’s door and turns his life 

upside down. She’s his daughter from a long-forgotten one night stand 8 years ago and her mother 

Charlotte (Meret Becker), who’s attending a court hearing in the US, insists Henry takes care of 

Magdalena until she returns. Henry is shocked and so is Tristan (Samuel Finzi) who thought for eight 

years that he was Magdalena’s biological father. Life will never be the same for any of them. 




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3

SYNOPSIS 

Script writer Henry Lehnbach stumbles from one hapless love affair to the next, and professionally 

speaking, his life has hit the doldrums, too: He writes the TV-series „The Forest Warden from the 

Spreewald“. His unsettled way of life and his chaotic work performance drive Henry's (female) agent 

to the edge of a nervous breakdown. All the more surprising that he receives a sensational offer: He 

is intended as co-writer for the film version of a bestselling book. This assignment is owing to the 

writer of the original novel: Katharina Meese is not only Henry's Ex, but also the love of his life. 

Katharina's wish to have children had led to the split between them. But since she now insists on his 

collaboration, Henry is apparently getting a second chance. Working together with Katharina gets 

Henry's life back on track – until one day eight-year-old Magdalena pops up at his door and declares, 

that she is supposed to live with him until further notice. Henry hardly knows what hit him. A 

message from Magdalena's mother, Charlotte Walser, clears the situation, but makes it nothing 

easier: Magdalena is supposedly Henry's daughter – the aftereffect of a long-forgotten one night stand 

with Charlotte. The child's mother and her compnay have to face charges in New York and 

therefore she can't look after Magdalena for a while. Henry is totally taken aback. Charlotte's 

husband Tristan, who for eight years thought that he was the girl's father, has similar feeelings: 

Because of this new situation he is separated from Charlotte. 

To become a father helter skelter isn't easy, even less so when at the same time you have to write 

the book of a lifetime and win back the love of your life. Henry cannot count on the support of the 

deeply wounded Tristan, so he has no choice but to care for the innocent Magdalena. Now the word 

is to get up early, prepare a healthy breakfast, check homework and read stories out loud. Henry 

starts to like his role as a father. He gets a grip on his household: For him the well-being of his child 

comes first. But again and again, Magdalena asks about her parents. Henry finally has to make a clean 

sweep. He decides to tell Magdalena, who her biological father is. And Katharina needs to know that 

the kid is not some neighbour's daughter. But as so often in Henry's life, the right moment for an 

explanatory conversation never seems to come along, and pretty soon, the situation is a complete 

shambles. Since Tristan in the meantime is trying to get back in contact with Magdalena, and is 

coming to terms with Charlotte as well, Henry is in danger of losing the girl at the precise moment 

where he has started to love her. Katharina uncovers the deception on her own; disappointed, she 

ends the collaboration as well as all private contacts with Henry. Henry summons up his courage: He 

fights for time together with his daughter. But he also has to prove to Katharina that his love for her 

is sincere… 

ABOUT THE PRODUCTION 

Scriptwriter and producer Béla Jarzyk („Reine Formsache“) was until a few years ago the manager of 

the talent agency “Players” and Til Schweiger's agent. Early in 2010 he offered the first draft of 

„Kokowääh“ (= Coq au vin) to Schweiger: His subject matter, conceived as a drama, tells of a little 

girl who as a „cuckoo child“ has to deal with two fathers. „We thought the idea was wonderful“, 

states producer Tom Zickler, who for years has, alongside Schweiger, led production company 

Barefoot Films. „And since little Emma Schweiger has delighted audiences in ‚Rabbit Without Ears‘ 

and ‚Rabbit Without Ears 2’, we immediately imagined her as Magdalena. But we had the impression 

that Béla's story would work even better as a comedy. Our approach to that was similar as with 

‚Knockin’ on Heaven’s Door‘: Basically, the story is very sad, but audiences perceived the film as a 





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comedy. ‚Kokowääh‘ works the same way.“ Béla Jarzyk as writer and Til Schweiger as future 

director then worked on the script intensely for five months. „The final draft with the ‚Schweiger- 

Touch‘ was written by Til in good spirits, during the Football World Championship, after the 

German 4:1-win against England“, remembers Zickler. „Then we knew: We are on the right path.“ 

Not until early May 2010, a decision was made for the production of „Kokowääh“. The filming then 

started at rather short notice, on 21 st July. Filming went on for 38 days, until 17 th September. The 

date was preset, for the film team was dependent on the summer holidays of seven-year-old lead 

actress Emma. 

Two fathers for Magdalena: the cast 

„Casting was relatively easy this time. If you're casting a Til Schweiger film, all the most celebrated 

actors in Germany will line up, but this time the choice was simple, for Samuel Finzi was to a 100 % 

Tristan as we had imagined him; and in the screen tests with Jasmin Gerat and Til the exact affection, 

tension and chemistry evolved, which are so important for this couple. We immediately wanted for 

Jasmin to accept the part of Katharina. But Til also knew from the beginning that bestselling author 

Katharina in his film should wear her hair short, and he asked Jasmin that very day to have her long 

hair cut before filming began. Jasmin has such a beautiful, distinctive face that Til imagined it with a 

modern short haircut“. 

Many contemporary films are technically brilliant, but at the end of the day everything depends on 

the chemistry between the actors being right. In the best case, the filmmakers find out during casting, 

or at the latest during production, after the first two or three days of shooting. Tom Zickler relates 

his experiences: „Our success might basically be traced back to the fact that we manage to get actors 

together who match each other. This was the case in ‚Rabbit Without Ears‘ with Til and Nora 

Tschirner, and this time it leads to very moving and emotional scenes between Emma and her two 

film-fathers. It works, and from that arises the kind of stardust which will enchant not only a few, but 

hopefully millions of cinemagoers“. 

„For me it became clear rather quickly that Emma would have to play Magdalena“, Zickler continues. 

„Til had played two or three scenes with her as a test, and Emma showed great eagerness to make 

the film. Each week she kept asking: ‚Papa, when will we start shooting‘? She enters into it with 

enthusiasm, and Emma's 13-year-old sister Luna will also take on a cameo in ‚Kokowääh‘. 

But 28 days of filming are a great challenge for a seven-year-old kid. Then there are the legal 

restraints to be considered: Emma was only allowed to work for three hours each day. To be able to 

carry out the shooting schedule all the same, the filmmakers coordinated it with the Health and 

Safety Office. During lighting adjustments, or whenever Magdalena, e.g. during dialogue scenes, is only 

seen from behind because the camera is on her partner, one of four doubles was used. Zickler says: 

„We casted them in such a way that looked very similar to Emma. They wore the same costumes 

and the same hairdos – it was really funny, to have four versions of Magdalena romping about the 

set!“ 

About the concept of Barefoot, Zickler says: „Like in the earlier films, we wanted to show Berlin as a 

metropolis, precisely not just Kreuzberg and Linie 1, but as a city able to compete with London and 

Paris. Kirsten Niehuus, head of the Filmförderung Berlin-Brandenburg, confirmed before shooting, 

that ‚Rabbit Without Ears‘ gave Berlin as movie town an immense boost, because ever since, foreign 

productions interested in filming in the capital make inquiries, too. Therefore we stick to this 

concept, and search out attractive locations“. 





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No emotion without music: the soundtrack 

For „Kokowääh“ the soundtrack is created in cooperation with Sony Music. „Since some of our titles 

are still in the demo-stage, we can talk to the artists and have our wishes heard, before the tracks 

will eventually be produced“, Tom Zickler reports. „The music business knows, since the success 

story of ‚Apologize‘ (from ‚Rabbit Without Ears‘) and ‚I Like‘ (‚Rabbit Without Ears 2‘), what kind of 

an importance, what a snowball effect, the participation in a Til Schweiger Film can have. Therefore 

the doors of the labels are always open for us“. 

Family celebrations, on camera and off 

„We appeal to large family audiences, designing the concept to a U-rating, for young children should 

be able to watch ‚Kokowääh‘. It has become clear from the previous films how much the kids love 

our Emma“, says Tom Zickler. „We noticed at the half-way party, at other set-partys, again and 

again. Even my 15-year-old son, who is usually more into action movies, is enthusiastic about Emma. 

She is a modern-day Pippi Longstocking: All the children who have watched scenes from our film 

beforehand, are keen to have the same pyjamas like the ones Henry cuts for Magdalena”! 

Zickler continues: „Patchwork families are a part of everyday life now – for Til it is reality in his 

private life, it's the same for me, for many of our friends. The new social family structures have 

become established. In any case, it is about getting over traumas, respecting each other and always 

putting the wellbeing of the children first: That's the bottom line“. 

About working in the Barefoot team, Tom Zickler says: „For Til, creativity is always the most 

important. Occasionally it can be strenuous to enable him to do this. But the result speaks for itself“. 

There is never any doubt on set that it's Til Schweiger who holds the reins. „Til is an authoritarian 

director, who, while he may always be ready with a joke, must not be disturbed when he is working 

in concentration“, says Zickler. „There is no other way to do this, because as a director he not only 

needs to keep track of the whole, but also has to direct himself as an actor, needing to change 

constantly from behind the camera to in front of it, while he has to direct the other actors as well 

and give them cues. Emma herself is very much interested in film-making. She is irresistibly charming 

and extremely intelligent – unbelievable, how quick on the uptake she is“. 

Exactly how compelling the story of „Kokowääh“ is, can be proven by the best reassurance Til 

Schweiger – whether as a real or a cinematic dad – received from Emma during the prepping of the 

movie: Father and daughter had just finished a read-through of the whole script, and Emma 

understood that Magdalena in the film is torn between two fathers. She reflected about it and finally 

said: „Oh, Papa, I would settle for you in the long run”! 





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ACTORS 

TIL SCHWEIGER 

Henry 

Tilman Valentin Schweiger was born on 19 th December 1963 in Freiburg. He started reading German 

and wanted to become a teacher, but then he attended drama school in Cologne, gained first 

experiences on stage and in 1991 accepted the part of Jo Zenker in the cult series „Lindenstraße“. 

His TV appearances include popular series „Die Kommissarin“, „Lemgo“, „Adrenalin“, „A Girl Called 

Rosemary“ and „Die Halbstarken“. 

„Racin’ in the Streets“ made him known to cinema audiences, „Ebbies Bluff“ brought him the Max- 

Ophüls-Award as Best Newcomer. With the huge success of „Maybe… Maybe not“ he rose to 

stardom and received the „Bambi“. Hits followed in close succession: „Männerpension“ (second 

Bambi), „The Superwoman“, „Knockin’ on Heaven’s Door“ (Actor's Award in Moscow) and „The 

Devil and Mrs D“. For his first English-speaking part in „Brute“ he won the Film Award, as first 

foreign actor, at the Polish Filmfestival. 

Since then, the German superstar has gained a footing in Hollywood as well: After his debut in „The 

Replacement Killers“ there followed „Judas Kiss“ with Emma Thompson, „SLC Punk!“, „Magicians“, 

Alan Rudolph's „Investigating Sex“ and Renny Harlin's racing driver movie „Driven“ with Sylvester 

Stallone and Burt Reynolds. In Steve James’ TV-film „Joe & Max“ Schweiger embodied boxing legend 

Max Schmeling. This was followed by „Lara Croft Tomb Raider – The Cradle of Life“, „In Enemy 

Hands“, „King Arthur“, „Deuce Bigalow: European Gigolo“, his performance as the legendary Lucky 

Luke in „Les Dalton“ as well as „Body Armor“, „Already Dead“, „Far Cry“ and Quentin Tarantino's 

„Inglourious Basterds“. 

In 2011 Schweiger can be seen alongside Reese Witherspoon in the action-comedy „This Means 

War“ and in the thriller „The Courier“ with Mickey Rourke. In Germany he scored a huge success as 

space cowboy Rock in Bully Herbig's „Dreamship Surprise – Period 1 “, which won him the Bambi 

and the German Comedy Award. Further Films are: „What to Do in the Case of Fire?“, „Where is 

Fred?“, „The Red Baron“, „Phantom Pain“ and „Men in the City“. This will be followed in 2011 by the 

sequel „Men in the City 2“. He could be heard in the animated film of Janosch's „The Trip to 

Panama“ as Little Tiger. 

In 1998 Til Schweiger directed himself in „Der Eisbär“. Another hit was his second work as a 

director, „Barefoot“, where he also co-starred with Johanna Wokalek. For this achievement, 

Schweiger was awarded a further Bambi. In 2007 he registered a huge success as co-author, director 

and star with „Rabbit Without Ears“, which had more than six million viewers in cinemas. Schweiger 

won the audience award at the Bavarian Film Award ceremony, the Ernst-Lubitsch-Award, as well as 

(together with Nora Tschirner) another Bambi and the German Comedy Award. This was followed 

by action-comedy „1½ Knights - In Search of the Ravishing Princess Herzelinde“, with himself in the 

starring role, which he again saw through as director and producer. In 2009 he produced and 

directed „Rabbit Without Ears 2“. In this fast paced romantic comedy he again took on the male lead 

alongside Nora Tschirner. This sequel, too, was an outstanding success, clocking up four million 

viewers. 

Apart from this he produced Thomas Jahn's „Auf Herz und Nieren“, Lars Büchel's „Now or Never“ 

and „Peas at 5:30“, and also Reto Salimbeni's „One Way“, in which he stars as well. As co-producer 

he was involved in „Desert Flower“ and „Phantom Pain“. 





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EMMA SCHWEIGER 

Magdalena 

Emma Tiger Schweiger (born 2002) is Til Schweiger's youngest daughter and gave her screen debut 

at the age of four, as Cheyenne-Blue in the hit movie „Rabbit Without Ears“. She repeated that part 

in „Rabbit Without Ears 2“. Magdalena in „Kokowääh“ is her first leading role. 

JASMIN GERAT 

Katharina 

Jasmin Gerat was born in Berlin in 1978. In 1997 she had her first movie part in „War of 

Neighbours“ (Director: Felix Dünnemann). In 1998 starring roles followed in „I Love You, Baby“ 

(Director: Nick Lyon) and in Michel Bielawa's TV-movie „Cecile“. In 1999 she appeared a.o. in the 

ZDF-miniseries „Das Herz des Priesters“, and Sönke Wortmann cast her in his production of „The 

Cripple of Inishmaan“ at the Schauspielhaus Düsseldorf. 

In 2003 she accepted a leading part in the film „Girls on Top 2“ (Director: Peter Gersina), before 

starring in director Lars Becker's ZDF-serial „Nachtschicht“ – a part which the critics, as well as she 

herself, considered one of her most important. After that she filmed the drama „Zwischen Liebe und 

Tod“ in South Africa, with Sigi Rothemund; and with Markus O. Rosenmüller „Die Mandantin“ as 

mysterious beauty alongside Barbara Rudnik. From 2005 to 2006 she accepted a lead part in the 

series „Soko Köln“ (ZDF). In 2005 she also made Sat.1-thriller „Erased“ with Tobias Moretti and 

Wotan Wilke Möhring directed by Isabel Kleefeld. 

After giving birth to her daughter in 2007, she returned in front of the cameras in 2008. In 2009 

„Ausgerechnet Afrika“ was produced in South Africa, and was broadcast on RTL in 2010. She played 

the female lead, director was Axel Barth. The same year and also for RTL, she filmed a part in 

„Alarm für Cobra 11“; for the ZDF she played, among other things, a guest role in „Rosa Roth“ and 

Til Schweiger won her for a cameo in his hit movie „Rabbit Without Ears 2“. The following year, 

2010, she played leading roles in „Der Alte“, the ZDF-movie „Wohnungstausch“ and in a „Tatort“, 

which was directed by Zoltan Spirandelli, before starting the shoot for „Kokowääh“. 

SAMUEL FINZI 

Tristan 

Finzi hails from Bulgaria, his training took place at the National Academy for Theatre and Film in 

Sofia. In the 1990's he established himself on the German-speaking stages – he did theatrical stints in 

Düsseldorf, Cologne, Bochum, Zurich, Hamburg, at the Burgtheater in Vienna and the Deutsches 

Theater Berlin. Among his parts in films are „Headshots“, „Kill Daddy Good Night“, „In Between 

Days“, „Family Rules“, „Measures to Better the World“, „Ein ganz gewöhnlicher Jude“, „The Miracle 

of Bern “ and „Now or Never.“ November 2009 saw the start of police procedural series 

„Flemming“ with Finzi in the part of profiler Vincent Flemming. 

MERET BECKER 

Charlotte 

Meret Becker has worked with notable directors like Sönke Wortmann, Doris Dörrie, Caroline Link, 

Dominik Graf, Helmut Dietl, Joseph Vilsmaier, Dani Levy, Neele Leana Vollmar and Steven Spielberg. 

In 1991 she received the Adolf-Grimme-Award as Best Newcomer for her part in „Fremde, liebe 





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Fremde“. For her efforts in „The Promise“ and „The Invincibles“ she was awarded the Bavarian Film 

Award in 1995. She won the 1997 German Film Award as best supporting actress for „Comedian 

Harmonists“, which also brought her the German Golden Camera Award as best actress. In 2004 

she received the Max-Ophüls-Preis for the soundtrack music to the film „PiperMint … das Leben 

möglicherweise“. Her cinematic releases are, among others, „Das Leben ist zu lang“, „Fliegende 

Fische“, „Boxhagener Platz“, „Friedliche Zeiten“, „Die Glücklichen“, „Merry Christmas“, „Munich“, 

„Happy As One“, „3° kälter“, „Polly Blue Eyes“, „Nogo“, „Poem“, „12 Past Midnight“, „Annaluise and 

Anton“, „The Volcano“, „Liebe Lügen“, „Hundert Jahre Brecht“, „Rossini“, „Painted Angels“, „Life Is 

All You Get“, „The Blue One“, „Happy Birthday!“, „Little Sharks“ and „Alone Among Women“. 

In parallel to her work as an actress, she developed her career as singer, sound explorer and 

composer. Two live albums were released nationally and internationally, also two albums of her own 

compositions and one CD with film music. Meret Becker gives concerts in France, Spain, Portugal, 

Norway, Japan, Canada and Australia. 

BEHIND THE CAMERA 

TIL SCHWEIGER 

Screenplay, Director, Producer 

See „Cast“ 

TOM ZICKLER 

Producer 

Tom Zickler (born 1964) grew up in Thuringia/Germany. From 1986 to 1988 he worked at the 

DEFA-studio for feature films. From 1988 to 1994 he studied at the HFF Babelsberg. Zickler has 

been working with Til Schweiger since 1996: From 1996 on he was manager and partner in their coowned 

company Mr. Brown Entertainment, from 1999 to 2003 manager and partner of Checkpoint 

Berlin. Since 2004 he has been the manager of Barefoot Films. 

Among his films are „10 Tage im Oktober“, „Varieté“, „Der unbekannte Deserteur“, „Knockin’ on 

Heaven’s Door“, „Der Eisbär“, „Marmor, Stein & Eisen“, „Falling Rocks“, „Planet B: The Antman“, 

„Planet B: Detective Lovelorn und die Rache des Pharao“, „Planet B: Mask Under Mask“, „House of 

Fear“ (TV), „Barefoot“, „One Way“, „Rabbit Without Ears“, „1½ Knights - In Search of the Ravishing 

Princess Herzelinde“ and „Rabbit Without Ears 2“. 

BÉLA JARZYK 

Screenplay, Producer 

Jarzyk was born in Helmstedt in 1964 and from 1996 to 2007 he was managing partner of the talent 

agency “players agentur management GmbH”, Berlin. Besides that, he founded his own production 

company, with which, in 2006, he produced his first feature film, written by him: „Reine Formsache“ 

(Director: Ralf Huettner). „Kokowääh“ is his second screenplay and as producer, his first 

collaboration with Til Schweiger, whose agent he had been for many years. 





9

CHRISTOF WAHL 

Camera/Co-director 

Christof Wahl had already photographed „Barefoot“ for Til Schweiger, which won him a nomination 

for the German Camera Award. He also worked with Schweiger on „Rabbit Without Ears 2“, 

„Rabbit Without Ears“ (also nominated for the German Camera Awards), „1½ Knights - In Search of 

the Ravishing Princess Herzelinde “ (camera and co-director), „One Way“ (scenes filmed in New 

York and Vancouver), „Auf Herz und Nieren“ (additional cameraman), „Now or Never“ (steadicamoperator) 

and „Der Eisbär“ (steadicam-operator, second unit camera). Besides that, Wahl filmed 

„Body Armour“, with Til Schweiger in the cast. Further films are: „Auf der Suche nach dem G.“ (TV), 

„Hitman Zero“ (TV), „D.I.K. – Jagd auf Virus X“ (TV), „Todesstrafe – Ein Deutscher hinter Gittern“ 

(TV), „Marmor, Stein & Eisen“ and „Schwere Beute“. 

He was involved in many further productions as additional cameraman, steadicam-operator or 

second unit cameraman, among them „Siegfried“, „Les gaous“, „The Blind Flyers“, „Ma femme… 

s’appelle Maurice“, „Operation Rubikon“, „Frau2 sucht HappyEnd“, „The Runner“ (TV), „Catching 

the Stars“,„Curiosity & the Cat“, „Run Lola, Run“, „Das Geheimnis der Kormoraninsel“ and „Sexy 

Sadie“. 

BETA CINEMA (World Sales) 

Beta Cinema is the theatrical division of Beta Film. Launched in 2001, Beta Cinema has established 

itself as a "boutique operation" for independent feature films with strong potential for theatrical 

distribution. Beta Cinema's philosophy is to limit its selective acquisition policy of 10 to 15 titles per 

year in order to fully develop the theatrical potential of each title according to its individual 

character. Beta Cinema’s portfolio includes outstanding productions like JOHN RABE, which won 

four German Film Awards 2009, Cannes 2008 Jury Prize-winning IL DIVO, Academy Award 2008- 

winning THE COUNTERFEITERS, Academy Award 2008 nominated MONGOL, Academy Award 

2007-winning THE LIVES OF OTHERS and the Academy Award 2005-nominated DOWNFALL. 





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