EARL CUNNINGHAM: American Fauve - Heather James Fine Art
EARL CUNNINGHAM: American Fauve - Heather James Fine Art EARL CUNNINGHAM: American Fauve - Heather James Fine Art
INTRODUCTION Michael A. Mennello Earl Cunningham is a miraculous artist and a true American Fauve and I am extremely excited to have selected Heather James Fine Art to share this important collection of American art with the world. The gallery’s stature and reputation are a perfect compliment to the legacy of Earl Cunningham. My wife and I began our collection of Cunningham’s work in 1969 with Marilyn purchasing a painting directly from the artist. Following Cunningham’s death, we began a quest to purchase as many paintings as possible, eventually capturing the majority of Cunningham’s 405 known works. Passionate advocates of Cunningham, we dedicated our time and resources to restoring the paintings and preserving the artist’s legacy. In 1998, we opened the Mennello Museum of American Art with a core group of Cunningham paintings central to the museum and continuously on display. Earl Cunningham and Marilyn Logsdon Mennello in front of the Over Fork Gallery, 1970. Photo by Lynda Wilson 10
INTRODUCTION Chip Tom - Curator Twenty years ago while living and working in Switzerland, I was introduced to the wonderful paintings of Earl Cunningham at the U.S. Embassy. Although visiting the ambassador on other official business, I could not stop staring at the Cunninghams. These paintings were quintessential American, and perfect representatives of U.S. art from the twentieth century. Cunningham depicted the Eastern seaboard in a personal style that included unique scale changes and bold usages of color. When looking at the representational paintings and breaking them down into large blocks of color they are very modern and fresh. It is a pleasure and honor for Heather Sacre, James Carona and myself to be working with this incredible material. We would like to thank Michael Mennello and his late wife The Honorable Marilyn Logsdon Mennello for the opportunity to continue to promote the legacy of this important American Fauve. Brick Lighthouse on the Bluff c. 1970 oil on fiberboard 16 1/2 x 23 inches Exhibited: Geneva, Switzerland, United States Mission, Embassy Residence - Ambassador and Mrs. Morris Abrams, United States Department of State, Art in Embassies Program, 1992 11
- Page 1 and 2: EARL CUNNINGHAM American Fauve
- Page 3: EARL CUNNINGHAM American Fauve 4518
- Page 13 and 14: EARL CUNNINGHAM’S SELF-TAUGHT MOD
- Page 15: dream is moot. And this oscillation
- Page 19 and 20: Seminole Paradise c. 1955 oil on ma
- Page 23 and 24: Safe Harbor 1935 oil on canvas boar
- Page 27 and 28: Morning Expedition c. 1940 oil on f
- Page 29: Early Explorers c. 1944 oil on maso
- Page 32: Sunrise at Old Brick Lighthouse dat
- Page 35 and 36: Off the Coast of White Lighthouse P
- Page 37: The Pink Hotel c. 1940 oil on fiber
- Page 43 and 44: Life on the Waterfront c. 1955 oil
- Page 45: Looking Over Woodpecker Hollow 1970
- Page 48: The Hokona Out of South Carolina c.
- Page 52: Royal Blue Water of New England c.
- Page 55: Homeward Bound 1970 oil on fiberboa
INTRODUCTION<br />
Chip Tom - Curator<br />
Twenty years ago while living and working in Switzerland, I was introduced to the wonderful paintings of Earl Cunningham at the U.S.<br />
Embassy. Although visiting the ambassador on other official business, I could not stop staring at the Cunninghams. These paintings were<br />
quintessential <strong>American</strong>, and perfect representatives of U.S. art from the twentieth century. Cunningham depicted the Eastern seaboard in a<br />
personal style that included unique scale changes and bold usages of color. When looking at the representational paintings and breaking them<br />
down into large blocks of color they are very modern and fresh. It is a pleasure and honor for <strong>Heather</strong> Sacre, <strong>James</strong> Carona and myself to be<br />
working with this incredible material. We would like to thank Michael Mennello and his late wife The Honorable Marilyn Logsdon Mennello<br />
for the opportunity to continue to promote the legacy of this important <strong>American</strong> <strong>Fauve</strong>.<br />
Brick Lighthouse on the Bluff<br />
c. 1970<br />
oil on fiberboard<br />
16 1/2 x 23 inches<br />
Exhibited:<br />
Geneva, Switzerland, United States Mission,<br />
Embassy Residence - Ambassador and Mrs. Morris Abrams,<br />
United States Department of State, <strong>Art</strong> in Embassies Program, 1992<br />
11