A Room With A View - Forster E.M..pdf - Cove Systems

A Room With A View - Forster E.M..pdf - Cove Systems A Room With A View - Forster E.M..pdf - Cove Systems

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Chapter IV: Fourth Chapter Mr. Beebe was right. Lucy never knew her desires so clearly as after music. She had not really appreciated the clergyman's wit, nor the suggestive twitterings of Miss Alan. Conversation was tedious; she wanted something big, and she believed that it would have come to her on the wind-swept platform of an electric tram. This she might not attempt. It was unladylike. Why? Why were most big things unladylike? Charlotte had once explained to her why. It was not that ladies were inferior to men; it was that they were different. Their mission was to inspire others to achievement rather than to achieve themselves. Indirectly, by means of tact and a spotless name, a lady could accomplish much. But if she rushed into the fray herself she would be first censured, then despised, and finally ignored. Poems had been written to illustrate this point. There is much that is immortal in this

medieval lady. The dragons have gone, and so have the knights, but still she lingers in our midst. She reigned in many an early Victorian castle, and was Queen of much early Victorian song. It is sweet to protect her in the intervals of business, sweet to pay her honour when she has cooked our dinner well. But alas! the creature grows degenerate. In her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self.

medieval lady. The dragons have gone, and so<br />

have the knights, but still she lingers in our<br />

midst. She reigned in many an early Victorian<br />

castle, and was Queen of much early Victorian<br />

song. It is sweet to protect her in the intervals<br />

of business, sweet to pay her honour when she<br />

has cooked our dinner well. But alas! the<br />

creature grows degenerate. In her heart also<br />

there are springing up strange desires. She<br />

too is enamoured of heavy winds, and vast<br />

panoramas, and green expanses of the sea.<br />

She has marked the kingdom of this world,<br />

how full it is of wealth, and beauty, and war--a<br />

radiant crust, built around the central fires,<br />

spinning towards the receding heavens. Men,<br />

declaring that she inspires them to it, move<br />

joyfully over the surface, having the most<br />

delightful meetings with other men, happy, not<br />

because they are masculine, but because they<br />

are alive. Before the show breaks up she<br />

would like to drop the august title of the<br />

Eternal Woman, and go there as her transitory<br />

self.

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