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The Handbook of Discourse Analysis

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<strong>The</strong> Discursive Turn in Social Psychology 693<br />

So we have families <strong>of</strong> models distinguished by their subjects, that <strong>of</strong> which they<br />

are models. But neither heuristic abstractions nor explanatory models are freely<br />

constructed. <strong>The</strong>y are constrained by sources. <strong>The</strong>re is a limit to what we are permitted<br />

to imagine as explanatory models. <strong>The</strong>y must, if plausible, be possible realities.<br />

<strong>The</strong> way to ensure that is to set up a double analogy. <strong>The</strong> model is an analog <strong>of</strong> the<br />

unobservable state, object, or processes we are assuming really explain the phenomena<br />

<strong>of</strong> interest. But in most cases the model is itself an analog <strong>of</strong> something we can<br />

already observe. <strong>The</strong> corpuscular model <strong>of</strong> an atom is modeled on a small material<br />

particle, say a grain <strong>of</strong> sand. Democritus is said to have thought <strong>of</strong> the atomic model<br />

<strong>of</strong> matter by observing the dancing motes in the sunbeam. So that Bacon’s corpuscles<br />

are not unlike the grains <strong>of</strong> sand that can be made to stick together into a sandcastle<br />

or more drastically into glass. Heuristic models too are constrained by reference to<br />

sources. How do we know what to look for in abstracting an analog from a complex<br />

phenomenon? How do we ensure that we abstract the same way in all aspects <strong>of</strong> our<br />

construction? <strong>The</strong> technique <strong>of</strong> the physical scientists has been to double the analogy<br />

here too. Darwin’s famous “natural selection” model directs our attention to certain<br />

features <strong>of</strong> the biosphere, but his abstractions were controlled by thinking <strong>of</strong> the<br />

living world as if it were a huge farm. He knew a great deal about creating varieties<br />

by domestic selection <strong>of</strong> favored breeding pairs. He looked for something similar in<br />

nature, and found it in the greater breeding potential <strong>of</strong> plants and animals that were<br />

most “at home” in their environments.<br />

Both kinds <strong>of</strong> models deal with problems <strong>of</strong> observation. In the one case the reality<br />

is too difficult to observe and study conveniently, while in the other it cannot be<br />

observed at all. An experiment is not primarily a test <strong>of</strong> a hypothesis, but the running<br />

<strong>of</strong> a working model <strong>of</strong> some process in the world under study that cannot conveniently<br />

be examined in its natural form. Studying genetics by experimenting with garden<br />

peas and drosophilas in a jar is an example <strong>of</strong> the making <strong>of</strong> models <strong>of</strong> aspects <strong>of</strong> the<br />

natural world and seeing how they run. Experiments in the human sciences too must<br />

have this character to be scientifically acceptable.<br />

3 Models in the Human Sciences<br />

<strong>The</strong>re are plenty <strong>of</strong> examples <strong>of</strong> both types <strong>of</strong> model in human studies, and indeed in<br />

the patterns <strong>of</strong> thinking <strong>of</strong> everyday life. Every time one consults a map one is using<br />

a heuristic abstraction from the countryside. Maps are simplified and reduced abstractions<br />

from the reality <strong>of</strong> a region. Every time one declares oneself to be fighting<br />

<strong>of</strong>f a virus one is thinking in terms <strong>of</strong> an explanatory model. Viruses, until recently as<br />

unobservable as quarks, were invented to explain the onset and course <strong>of</strong> diseases for<br />

which no bacterial cause could be found. But what about models for psychological<br />

phenomena themselves?<br />

<strong>The</strong> dramaturgical model in social psychology that has been used to good effect in<br />

several contexts is an abstraction from the messy goings-on it is used to represent, for<br />

example the behavior <strong>of</strong> the staff <strong>of</strong> a restaurant. To the student <strong>of</strong> social psychology,<br />

the shift <strong>of</strong> style and other indicators <strong>of</strong> cognitive slant as a waiter moves from<br />

kitchen to dining room presents a puzzle to be solved. How are these performances

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