The Handbook of Discourse Analysis
The Handbook of Discourse Analysis The Handbook of Discourse Analysis
Intonation and Discourse 13 1 Intonation and Discourse: Current Views from Within ELIZABETH COUPER-KUHLEN 0 Introduction In a millennium year we can expect increased stock-taking of the sort: where have we come from? Where are we now? Where do we go from here? The present contribution is an attempt to do this kind of stock-taking with respect to intonation and discourse. It consists of three millennialistic views organized temporally, starting with the view backwards, then the view of today, and finally a view of the future, near and far. Needless to say, all of these temporal viewings have their reference point at the moment of speaking, that is “now.” Moreover, they are the author’s views: they are anchored deictically to one researcher in the field. 1 Although it is difficult to avoid this natural bias, an adjunct like “from within” can at least recognize it as such. 1 Looking Back What was the state of the art in the field of intonation and discourse a quarter of a century ago? Actually there was no such field. At that time most linguists felt that it was possible to have language without intonation and therefore to do linguistics without it. In fact, some even thought it imperative to think of intonation, like phonetics, as being outside of language. Not only do we have influential articles, like Bolinger’s entitled “Around the edge of language” (1964), to remind us of this; it was (and still is) reflected institutionally in the fact that many renowned British universities had (and have) departments of “Linguistics and Phonetics”, the latter subsuming the study of intonation. Where did this idea come from? First, it was clearly promoted by the bias toward written language which has dominated much of twentieth-century linguistics. The fact that writing works perfectly well without intonation seems to bear out the proposition that we can do without it, and Occam’s razor suggests we should. Moreover, the idea found nourishment in the competence–performance dichotomy of the generative paradigm in linguistics. Intonation was easy to relegate to the domain of
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- Page 9 and 10: Contents Contributors x Introductio
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Intonation and <strong>Discourse</strong> 13<br />
1 Intonation and <strong>Discourse</strong>:<br />
Current Views from Within<br />
ELIZABETH COUPER-KUHLEN<br />
0 Introduction<br />
In a millennium year we can expect increased stock-taking <strong>of</strong> the sort: where have we<br />
come from? Where are we now? Where do we go from here? <strong>The</strong> present contribution<br />
is an attempt to do this kind <strong>of</strong> stock-taking with respect to intonation and<br />
discourse. It consists <strong>of</strong> three millennialistic views organized temporally, starting with<br />
the view backwards, then the view <strong>of</strong> today, and finally a view <strong>of</strong> the future, near<br />
and far. Needless to say, all <strong>of</strong> these temporal viewings have their reference point at<br />
the moment <strong>of</strong> speaking, that is “now.” Moreover, they are the author’s views: they<br />
are anchored deictically to one researcher in the field. 1 Although it is difficult to avoid<br />
this natural bias, an adjunct like “from within” can at least recognize it as such.<br />
1 Looking Back<br />
What was the state <strong>of</strong> the art in the field <strong>of</strong> intonation and discourse a quarter <strong>of</strong> a<br />
century ago? Actually there was no such field. At that time most linguists felt that<br />
it was possible to have language without intonation and therefore to do linguistics<br />
without it. In fact, some even thought it imperative to think <strong>of</strong> intonation, like<br />
phonetics, as being outside <strong>of</strong> language. Not only do we have influential articles,<br />
like Bolinger’s entitled “Around the edge <strong>of</strong> language” (1964), to remind us <strong>of</strong> this;<br />
it was (and still is) reflected institutionally in the fact that many renowned British<br />
universities had (and have) departments <strong>of</strong> “Linguistics and Phonetics”, the latter<br />
subsuming the study <strong>of</strong> intonation.<br />
Where did this idea come from? First, it was clearly promoted by the bias toward<br />
written language which has dominated much <strong>of</strong> twentieth-century linguistics. <strong>The</strong><br />
fact that writing works perfectly well without intonation seems to bear out the proposition<br />
that we can do without it, and Occam’s razor suggests we should. Moreover,<br />
the idea found nourishment in the competence–performance dichotomy <strong>of</strong> the<br />
generative paradigm in linguistics. Intonation was easy to relegate to the domain <strong>of</strong>