o=!=ì2!/ .%!3“= b“2!%……/L " <strong>Prelude</strong> .--*2 .%!3“= ì%›2 !=K%2=2ü " !›,ì ƒ=ä!›*,. o=!=ì2!/ C%ƒ"%ë þ2 "/K!=2ü 2,C .--*2= (.%!3“ ,ë, ƒ=ä!›*=), = 2=*› %2*%!!*2,!%"=2ü ã% ä!3ã, C=!=ì2!/. o=!=ì2! g…=÷…, nC,“=…, Chorus Type 01: CHORUS Filter Type 0 (OFF), 1 (CHORUS), 2 (DELAY), 3 (GM2 CHORUS) OFF, LPF, HPF b/K%! 2,C= .--*2=. 0 (OFF): .--*2 %2*ëþ÷…. 1 (CHORUS): .%!3“. 2 (DELAY): ƒ=ä!›*=. 3 (GM2 CHORUS): .%!3“ “2=…ä=!- 2= GM2. Š,C -,ëü2!=. o=!=ì2! %C!äë 2 ä,=C=ƒ%… C!%C3“*=ì/. ÷=“2%2. OFF: -,ëü2! %2*ëþ÷… LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ= Cutoff Freq 200 $ 8000 cö )=“2%2= “!ƒ= -,ëü2!= Pre Delay 0.0 $ 100.0 ì“ o!ä"=!,2ëü…= ƒ=ä!›*= ì›ä3 C! ì/ì , %K!=K%2=……/ì “,ã…=ë=ì, Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, Phase 0 $ 180 ã!=ä o!%“2!=…“2"……= ø,!,…= ƒ"3*= Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, 02: DELAY Delay Left Delay Right 0 $ 1000 ms, note b!ì ƒ=ä!›*, L, R, C. Delay Center Center Feedback HF Damp Left Level Right Level Center Level -98$+98% 200 $ 8000 cö, BYPASS 03: GM2 CHORUS cë3K,…= %K!=2…%L “" ƒ,. o!, %2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . )=“2%2=, …=÷,…= “ *%2%!%L "/“%*, ÷=“2%2/ “,ã…=ë= %K!=2…%L “" ƒ, C%ä="ë þ2“ . e“ë, C%ãë%?…, … 2!K32“ , 3“2=…%",2 ƒ…=÷…, BYPASS. 0 $ 127 c!%ì*%“2ü *=›ä%L ,ƒ ƒ=ä!›* e“ë, ƒ=ä=2ü "!ì ƒ=ä!›*, (Delay Time) " 2!ì,…=. äë,2ëü…%“2L …%2, ƒ=ìäë…, 2ìC= … K3ä2 "%ƒäL“2"%"=2ü …= "!ì ƒ=ä!›*, ä% K“*%…÷…%“2,. }2% “" ƒ=…% “ 2ì, ÷2% äë "!ì ƒ=ä!›*, 3“2=…="ë,"=2“ %C!äë……/L C!äë; “ë, "!ì ƒ=ä!›*, ƒ=ä=…% " 2!ì,…=. äë,2ëü…%“2L …%2, C!, ƒ=ìäë…,, 2ìC= "!ì ƒ=ä!›*, K3ä2 ,ƒì… 2ü“ C%*= … K3ä2 ä%“2,ã…32% C!äëü…% ƒ…=÷…,. n…% “%"C=ä=2 “ C!äëü…/ì ƒ…=÷…,ì "!ì…, ƒ=ä!›*, C!, 3*=ƒ=…,, ã% " ÷,“ë%"%ì -%!ì=2. m%2…/ ƒ…=÷…, : fig.MFX-note2.e 64-ÿ òðèîëü Øåñòüäåñÿò÷åñòâåðòàÿ Òðèäöàòüâòîðàÿ òðèîëü Òðèäöàòüâòîðàÿ Öåëàÿ íîòà Äâîéíàÿ íîòà Øåñòíàäöàòàÿ òðèîëü Òðèäöàòüâòîðàÿ ñ òî÷êîé Øåñòíàäöàòàÿ Âîñüìàÿ òðèîëü Øåñòíàäöàòàÿ ñ òî÷êîé Âîñüìàÿ ×åòâåðòü Ïîëîâèííàÿ íîòà ×åòâåðòíàÿ òðèîëü Ïîëîâèííàÿ òðèîëü Öåëàÿ òðèîëü Äâîéíàÿ òðèîëü Âîñüìàÿ ñ òî÷êîé ×åòâåðòü ñ òî÷êîé Ïîëîâèíêà ñ òî÷êîé Öåëàÿ ñ òî÷êîé Pre-LPF 0 $ 7 o!ä"=!,2ëü…/L -,ëü2!, “!ƒ=þ?,L "/“%*, ÷=“2%2/ “,ã…=ë=, C%ä="=ì%- ã% …= .%!3“. )ì "/ø ƒ…=÷…, C=- !=ì2!=, 2ì “3?“2"…… C%ä="ë…, "/“%*,. ÷=“2%2. Level 0 $ 127 r!%"…ü ã!%ì*%“2, .%!3“= Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, .%!3“= Delay 0 $ 127 g=ä!›*= .%!3“= Rate 0 $ 127 )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, Send Level To Reverb 0 $ 127 r!%"…ü C%“/ë= …= !"!K!=2%! 82
o=!=ì2!/ !"!K!=2%!= q C%ì%?üþ .2,. 3“2=…%"%* %C!äë 2“ 2,C !"!K!=2%!= , ã% .=!=*2!,“2,*,. o=!=ì2! Reverb Type g…=÷…, 01: REVERB Type Time 0 $ 127 HF Damp 0 (OFF), 1 (REVERB), 2 (SRV ROOM), 3 (SRV HALL), 4 (SRV PLATE), 5 (GM2 REVERB) ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY 200 $ 8000 cö, BYPASS nC,“=…, Š,C !"!K!=ö,,: 0 (OFF): !"!K!=2%! %2*ëþ÷…. 1 (REVERB): %K/÷…= !"!K!=ö, . 2 (SRV ROOM): ,ì,2=ö, *%ì…=2/. 3 (SRV HALL): ,ì,2=ö, *%…ö!2…%ã% ƒ=ë=. 4 (SRV PLATE): ,ì,2=ö, Cë=“2,…÷=2%ã% !- "!K!=2%!=. 5 (GM2 REVERB): !"!K!=2%! “2=…ä=!2= GM2 Š,C !"!K!=ö,,/ƒ=ä!›*, ROOM1: …K%ëüø= *%ì…=2=, !"!K!=ö, “ *%!%2*,ì ƒ=23.=…,ì ROOM2: K%ëüø= *%ì…=2=, !"!K!=ö, “ *%!%2*,ì ƒ=23.=…,ì STAGE1: “ö…=, !"!K!=ö, “ "/!=›……/ì œ."%“2%ìB STAGE2: “ö…=, !"!K!=ö, “ "/!=›……/ì, !=……,ì, %2!=›…, ì, HALL1: ƒ=ë, !"!K!=ö, “ ÷,“2/ì ƒ"3*%ì HALL2: ƒ=ë, !"!K!=ö, “ K%ã=2/ì ƒ"3*%ì DELAY: “2=…ä=!2…= ƒ=ä!›*= PAN-DELAY: o!*!“2…= ƒ=ä!›*= b!ì !"!K!=ö,, (Type: ROOM1-HALL2) b!ì ƒ=ä!›*, (Type: DELAY, PAN-DELAY) )=“2%2=, …=÷,…= “ *%2%!%L "/“%*, ÷=“2%2/ !"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . e“ë, C%ãë%?…, … 2!K32“ , 3“2=…%",2 ƒ…=÷…, BYPASS. Delay Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, ƒ=ä!›*,, “ë, Type = DELAY ,ë, PAN-DELAY. 02: SRV ROOM 03: SRV HALL 04: SRV PLATE o=!=ì2! g…=÷…, 05: GM2 REVERB Character 0 $ 7 nC,“=…, Š,C .--*2= 0$5: !"!K!=2%! 6, 7: ƒ=ä!›*= Pre-LPF 0 $ 7 o%ä="ë…, "/“%*,. ÷=“2%2 C! ì%ã% “,ã…=ë=. )ì K%ëüø ƒ…=÷…,, 2ì "/“%*,. ÷=“2%2 C%ä="ë 2“ Level 0 $ 127 nK?,L 3!%"…ü !"!K!=ö,, Time 0 $ 127 dë,2ëü…%“2ü !"!K!=ö,, Delay Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, ƒ=ä!›*, (“ë, Character = 6 ,ë, 7). Pre Delay 0.0 $ 100.0 ì“ o!ä"=!,2ëü…= ƒ=ä!›*= ì›ä3 C! ì/ì , %K!=K%2=……/ì “,ã…=ë%ì Time 0 $ 127 dë,2ëü…%“2ü !"!K!=ö,, Size 1 $ 8 p=ƒì! ,ì,2,!3ì%L *%ì…=2/ High Cut 160 cö $ 12.5 *cö, BYPASS )=“2%2=, …=÷,…= “ *%2%!%L "/“%*, ÷=“2%2/ !"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . e“ë, C%ãë%?…, … 2!K32“ , 3“2=…%",2 ƒ…=÷…, BYPASS. Density 0 $ 127 oë%2…%“2ü !"!K!=ö,, Diffusion 0 $ 127 p=““,"=…, !"!K!=ö,, (…=,K%ë .--*2…% !=K%2=2 C!, äë,2ëü…%ì "!ì…, !"!K!=ö,,) LF Damp Freq LF Damp Gain HF Damp Freq HF Damp Gain 50 $ 4000 cö -36 $ 0 äa 4000 cö $ 12.5 *cö -36 $ 0 äa )=“2%2=, …=÷,…= “ *%2%!%L …,ƒ*, ÷=“2%2/ !"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . cë3K,…= %“ë=Kë…, …,ƒ*,. ÷=“2%2 " “,ã…=ë !"!K!=2%!= )=“2%2=, …=÷,…= “ *%2%!%L "/“%*, ÷=“2%2/ !"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . cë3K,…= %“ë=Kë…, "/“%*,. ÷=“2%2 " “,ã…=ë !"!K!=2%!= 83
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p3*%"%ä“2"% C%ëüƒ%"=2ë 201a
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o!=",ë= 2.…,*, Kƒ%C=“…%“2
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=›…/ ƒ=ì÷=…, Ïîìèìî
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n“…%"…/ .=!=*2!,“2,*, hä=
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K%! , C!%,ã!/"=…, %ä…%L Cü
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nC,“=…, C=…ëL 15. d,“CëL
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"ä…, n“…%"/ !=K%2/ “ Prelu
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"ä…, fig.codef.eps Òûëüíà
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"ä…, o!%“ë3ø,"=…, äì%…
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hã!= …= *ë=",=23! hã!= …= *
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hã!= …= *ë=",=23! o=!=ì2! nC,
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p=K%2= “ =**%ìC=…ì…2%ì b/K
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p=K%2= “ =**%ìC=…ì…2%ì o=!
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p=K%2= “ =**%ìC=…ì…2%ì d=
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p=K%2= “ =**%ìC=…ì…2%ì 4.
- Page 31 and 32: p=K%2= “ =**%ìC=…ì…2%ì MP3
- Page 33 and 34: p=K%2= “ =**%ìC=…ì…2%ì pä
- Page 35 and 36: o!-%!ì=…“/ , .--*2/ t3…*ö,
- Page 37 and 38: o!-%!ì=…“/ , .--*2/ 4. j…%C*
- Page 39 and 40: o!-%!ì=…“/ , .--*2/ o=!=ì2! g
- Page 41 and 42: o!-%!ì=…“/ , .--*2/ q2!. nC,
- Page 43 and 44: p=K%2= “ MIDI MIDI Parameters o=!
- Page 45 and 46: q,“2ì…/ …=“2!%L*, o=!=ì2!
- Page 47 and 48: q,“2ì…/ …=“2!%L*, q2!=…,
- Page 49 and 50: p=K%2= “ USB-…=*%C,2ëì rä=ë
- Page 51 and 52: n -3…*ö,, V-LINK o=!=ì2! g…=
- Page 53 and 54: Appendices r“2!=……, …C%ë=
- Page 55 and 56: q%%K?…, %K %ø,K*=. b “ë3÷= %
- Page 57 and 58: g…=÷…, 4Note’ g…=÷…, %C
- Page 59 and 60: 05: SUPER FILTER t,ëü2! “ %÷
- Page 61 and 62: 11: PHASER q2!%-=ƒ!. qìø,"=…,
- Page 63 and 64: 18: AUTO PAN 0,*ë,÷“*% C=…%!=
- Page 65 and 66: 24: FLANGER q2!%-%…,÷“*,L -ë.
- Page 67 and 68: 30: 3D FLANGER Š!.ì!…/L .--*2 -
- Page 69 and 70: 35: OVERDRIVE l ã*,L C!ã!3ƒ (%"!
- Page 71 and 72: 43: DELAY q2!%-%…,÷“*,L .--*2
- Page 73 and 74: 49: MULTI TAP DELAY }--*2 ,ƒ ÷2/!
- Page 75 and 76: 55: TAPE ECHO hì,2=ö, ë…2%÷
- Page 77 and 78: 62: d"%L…%L “ä",ã "/“%2/
- Page 79 and 80: 69: DISTORTION → CHORUS o=!=ì2!/
- Page 81: 77: CHORUS → FLANGER fig.MFX-77 7
- Page 85 and 86: 1. hì j=2ã%!, MSB LSB PC 151 Chap
- Page 87 and 88: 1. hì j=2ã%!, MSB LSB PC 459 Stim
- Page 89 and 90: 1. hì j=2ã%!, MSB LSB PC 767 Meta
- Page 91 and 92: 1. hì j=2ã%!, MSB LSB PC 1075 Met
- Page 93 and 94: c!3CC= Preset 1153 GW Std Kit 1154
- Page 95 and 96: 1165 Limiter Kit 1166 HipHop Kit 1
- Page 97 and 98: 1177 Snare Menu 1178 Snr/Rim Menu 1
- Page 99 and 100: c!3CC= GM Note No. 27 28 29 30 31 3
- Page 101 and 102: dk“ g`leŠnj 101
- Page 103 and 104: p=“C%ƒ…="=…, =**%!ä%" ● =
- Page 105 and 106: Š.…,÷“*, .=!=*2!,“2,*, Prel
- Page 107 and 108: Äàííûé ïðîäóêò îòâ