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Prelude - Roland

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77: CHORUS → FLANGER<br />

fig.MFX-77<br />

78:<br />

SYMPATHETIC RESO<br />

(SYMPATHETIC RESONANCE)<br />

L in<br />

Balance D<br />

Balance W<br />

Chorus<br />

Balance W<br />

Balance D<br />

Feedback<br />

Flanger<br />

L out<br />

Balance W<br />

Balance W<br />

o!, ,ã! …= =*3“2,÷“*%ì -%!2C,=…% “ …=›=2%L C!="%L Cä=ëüþ<br />

“"%K%ä…/ “2!3…/ ".%ä 2 " !ƒ%…=…“ ä!3ã “ ä!3ã%ì, “%ƒä="= 2ì<br />

“=ì/ì …%K/÷…% K%ã=2/L , ãë3K%*,L ƒ"3*. d=……/L .--*2 "<br />

2%÷…%“2, "%““%ƒä=2 "/ø%C,“=……% "ë…,.<br />

fig.MFX-78<br />

R in<br />

Balance D<br />

Balance D<br />

R out<br />

L in<br />

3-Band<br />

EQ<br />

L out<br />

o=!=ì2! g…=÷…, nC,“=…,<br />

Chorus Pre<br />

Delay<br />

0.0$100.0 ms o!ä"=!,2ëü…= ƒ=ä!›*= .%!3“=<br />

Chorus Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, .%!3“=<br />

Chorus Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, .%!3“=<br />

Chorus<br />

Balance<br />

Flanger Pre<br />

Delay<br />

D100:0W $ D0:100W<br />

0.0 $ 100.0 ì“<br />

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D)<br />

, %K!=K%2=……/ì (W) “,ã…=ë=ì,<br />

(.%!3“)<br />

o!ä"=!,2ëü…= ƒ=ä!›*=<br />

-ë.…›!=<br />

Flanger Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, -ë…›!=<br />

Flanger Depth 0-127 cë3K,…= ì%ä3ë ö,, -ë.…›!=<br />

Flanger<br />

Feedback<br />

Flanger<br />

Balance<br />

-98 $ +98%<br />

D100:0W $ D0:100W<br />

Level 0 $ 127 nK?,L 3!%"…ü<br />

cë3K,…= %K!=2…%L “" ƒ, -ë.…›!=.<br />

o!, %2!,ö=2ëü…/. (-) ƒ…=÷…, .<br />

-=ƒ= ,…"!2,!32“ .<br />

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D)<br />

, %K!=K%2=……/ì (W) -ë.…›!%ì<br />

“,ã…=ë=ì,<br />

R in<br />

o=!=ì2! g…=÷…, nC,“=…,<br />

Depth 0 $ 127 cë3K,…= .--*2=<br />

Damper 0 $ 127<br />

cë3K,…= …=›=2, äìC-!…%L<br />

Cä=ë, (3C!="ë 2 ƒ"3÷=…,ì<br />

!ƒ%…=…“=)<br />

Pre LPF<br />

Pre HPF<br />

Peaking Freq<br />

16 $ 15000 cö,<br />

BYPASS<br />

BYPASS, 16 $15000<br />

cö<br />

200 $ 8000 cö<br />

o!ä"=!,2ëü…/L -,ëü2! …,ƒ*,.<br />

÷=“2%2 (BYPASS: %2*ëþ÷…)<br />

o!ä"=!,2ëü…/L -,ëü2! "/“%*,.<br />

÷=“2%2 (BYPASS: %2*ëþ÷…)<br />

0…2!=ëü…= ÷=“2%2= -,ëü2!=<br />

“!ä…,. ÷=“2%2<br />

Peaking Gain -15 $ +15 äa r“,ë…, “!ä…,. ÷=“2%2<br />

Peaking Q 0.5, 1.0, 2.0, 4.0, 8.0<br />

d%K!%2…%“2ü -,ëü2!= “!ä…,.<br />

÷=“2%2 (÷ì K%ëüø ƒ…=÷…,, 2ì<br />

3› C%ë%“=)<br />

HF Damp<br />

LF Damp<br />

Lid 6 $ 1<br />

Sym. Resonance<br />

16 $ 15000 cö,<br />

BYPASS<br />

BYPASS,<br />

16 $ 15000 cö<br />

3-Band<br />

EQ<br />

R out<br />

)=“2%2=, …=÷,…= “ *%2%!%L<br />

"/“%*, ÷=“2%2/ !ƒ%…=…“…%ã%<br />

“,ã…=ë= C%ä="ë þ2“ . e“ë,<br />

C%ãë%?…, … 2!K32“ ,<br />

3“2=…%",2 ƒ…=÷…, BYPASS.<br />

)=“2%2=, …=÷,…= “ *%2%!%L …,ƒ*,<br />

÷=“2%2/ !ƒ%…=…“…%ã% “,ã…=ë=<br />

C%ä="ë þ2“ . e“ë, C%ãë%?…, …<br />

2!K32“ , 3“2=…%",2 ƒ…=÷…,<br />

BYPASS.<br />

o=!=ì2! %C!äë 2, …=“*%ëü*%<br />

ø,!%*% %2*!/2= *!/ø*= !% ë<br />

EQ Low Freq 200, 400 Hz 0…2!=ëü…= ÷=“2%2= -,ëü2!= m)<br />

EQ Low Gain -15 $ +15 dB r“,ë…, -,ëü2!= m)<br />

EQ Mid Freq 200 $ 8000 Hz 0…2!=ëü…= ÷=“2%2= -,ëü2!= q)<br />

EQ Mid Gain -15 $ +15 dB r“,ë…, -,ëü2!= q)<br />

EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0<br />

d%K!%2…%“2ü -,ëü2!= q). )ì<br />

ì…üø ƒ…=÷…,, 2ì ø,! C%ë%-<br />

“= -,ëü2!=.<br />

EQ High Freq 2000, 4000, 8000 Hz 0…2!=ëü…= ÷=“2%2= -,ëü2!= b)<br />

EQ High Gain -15 $ +15 dB r“,ë…, -,ëü2!= b)<br />

Level 0 $ 127 nK?,L 3!%"…ü<br />

81

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