Prelude - Roland

62:
d"%L…%L “ä",ã "/“%2/ “ %K!=2…%L “" ƒüþ.
fig.MFX-62
L in
R in
j%ìK,…=ö, .--*2= “ä",ã= "/“%2/ “ 16-ø=ã%"/ì “*"…“%!%ì.
fig.MFX-63
2VOI PITCH SHIFTER (2VOICE PITCH
SHIFTER)
o=!=ì2! g…=÷…, nC,“=…,
Pitch 1:
Coarse
Pitch 1:Fine
-24 $ +12 semi
-100 $ +100 cent
qä",ã "/“%2/ ƒ"3÷=…, 1 ("
C%ë32%…=.).
qä",ã "/“%2/ ƒ"3÷=…, 1 ("
ö…2=.).
Pitch 1:Delay 0 $ 1300 ms, note b!ì ƒ=ä!›*, 1.
Pitch
1:Feedback
Level 1
Pan 1 R
2Voice Pitch Shifter
Pan 2 L
Level 1
-98 $ +98%
cë3K,…= %K!=2…%L “" ƒ, “ä",ã=
1. o!, %2!,ö=2ëü…/. (-) ƒ…=÷-
…, . -=ƒ= ,…"!2,!32“ .
Pitch 1:Pan L64 $ 63R o%ë%›…, " “2!% “ä",ã= 1
Pitch 1:Level 0 $ 127 c!%ì*%“2ü “ä",ã= 1
Pitch 2:
Coarse
-24 $ +12 semi
Pitch 2:Fine -100 $ +100 cent
Pitch 2:Delay 1 $ 1300 ì“
Š › “=ì/ C=!=ì2!/ äë
Pitch
“ä",ã= "/“%2/ 2
-98 $ +98%
2:Feedback
Pitch 2:Pan L64 $ 63R
Pitch 2:Level 0 $ 127
Low Gain -15 $ +15 äa
r“,ë…, m). o!, C%ë%›,2ëü-
…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,.
÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=-
2ëü…/. $ “…,›=2“
High Gain -15 $ +15 äa
r“,ë…, b). o!, C%ë%›,2ëü-
…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%-
*,. ÷=“2%2 3“,ë,"=2“ , C!,
%2!,ö=2ëü…/. $ “…,›=2“
Level Balance A100:0B $ A0:100B
a=ë=…“ ã!%ì*%“2, ì›ä3 “ä",ã=ì,
"/“%2/ 1 , 2
Balance D100:0W $ D0:100W
a=ë=…“ ì›ä3 …%K!=K%2=……/ì
(D) , %K!=K%2=……/ì (W)
“,ã…=ë=ì,
Level 0 $ 127 nK?,L 3!%"…ü
63: STEP PITCH SHIFTER
L in
R in
Step Pitch Shifter
Step Pitch Shifter
Balance D
Pan 1 L
Pan 2 R
Balance D
2-Band
EQ
2-Band
EQ
L out
Balance W
Balance W
R out
L out
R out
o=!=ì2! Range Explanation
Step 01$16 -24 $ +12 semi
qä",ã "/“%2/ *=›ä%ã% ø=ã= ("
C%ë32%…=.)
Rate
0.05 $ 10.00 Hz, note
)=“2%2= “ì…/ ø=ã%" “*"…“%-
!=
o=!=ì2! Range Explanation
Attack 0 $ 127
q*%!%“2ü “ì…/ "/“%2/ …%2 C!,
C!.%ä %2 %ä…%ã% ø=ã= *
ä!3ã%ì3
Gate Time 0 $ 127
dë,2ëü…%“2ü ƒ"3÷=…, *=›ä%L
…%2/ %2…%“,2ëü…% ø=ã=
“*"…“%!=
Fine
-100 $ +100 cent
Š%…*= C%ä“2!%L*= "/“%2/ (“
ø=ã%ì " 2 ö…2=)
Delay Time 0 $ 1300 ms, note b!ì ƒ=ä!›*,
Feedback -98 $ +98%
cë3K,…= %K!=2…%L “" ƒ, “ä",ã=.
o!, %2!,ö=2ëü…/. (-) ƒ…=÷…, .
C!"%!=÷,"=2“ -=ƒ=.
Low Gain -15 $ +15 äa
r“,ë…, m). o!, C%ë%›,2ëü…/.
ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“-
2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü-
…/. $ “…,›=2“
High Gain -15 $ +15 äa
r“,ë…, b). o!, C%ë%›,2ëü…/.
ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“-
2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü-
…/. $ “…,›=2“
Balance D100:0W $ D0:100W
a=ë=…“ ì›ä3 …%K!=K%2=……/ì
(D) , %K!=K%2=……/ì (W)
“,ã…=ë=ì,
Level 0 $ 127 nK?,L 3!%"…ü
64: REVERB
p"!K!=ö, (,ì,2=ö, =*3“2,÷“*,. .=!=*2!,“2,* C%ì?…, ).
fig.MFX-64
L in
R in
o=!=ì2! g…=÷…, nC,“=…,
Type
Balance D
Reverb
Balance D
ROOM1, ROOM2,
STAGE1, STAGE2,
HALL1, HALL2
Pre Delay 0.0 $ 100.0 ì“
2-Band
EQ
Balance W
Balance W
2-Band
EQ
L out
R out
Š,C ,ì,2,!3ì%ã% C%ì?…,
ROOM1: …K%ëüø= *%ì…=2=,
!"!K!=ö, “ *%!%2*,ì ƒ=23-
.=…,ì
ROOM2: K%ëüø= *%ì…=2=, !-
"!K!=ö, “ *%!%2*,ì ƒ=23.=-
…,ì
STAGE1: “ö…=, !"!K!=ö, “
"/!=›……/ì œ."%“2%ìB
STAGE2: “ö…=, !"!K!=ö, “
"/!=›……/ì, !=……,ì, %2!=›-
…, ì,
HALL1: ƒ=ë, !"!K!=ö, “ ÷,“-
2/ì ƒ"3*%ì
HALL2: ƒ=ë, !"!K!=ö, “ K%-
ã=2/ì ƒ"3*%ì
o!ä"=!,2ëü…= ƒ=ä!›*=
ì›ä3 C! ì/ì , %K!=K%2=……/ì
“,ã…=ë=ì,
Time 0 $ 127 dë,2ëü…%“2ü !"!K!=ö,,
HF Damp 200 $ 8000 cö, BYPASS
)=“2%2=, "/ø *%2%!%L “,ã…=ë
!"!K!=2%!= C%ä="ë 2“ .
e“ë, C%ãë%?…, … 2!K32“ ,
"/K!,2 ƒ…=÷…, BYPASS.
Low Gain -15 $ +15 äa r“,ë…, m).
High Gain -15 $ +15 äa r“,ë…, b).
Balance D100:0W $ D0:100W
a=ë=…“ ì›ä3 …%K!=K%2=……/ì
(D) , %K!=K%2=……/ì (W)
“,ã…=ë=ì,
Level 0 $ 127 nK?,L 3!%"…ü
77