14: INFINITE PHASER t=ƒ! “ C%“2% ……/ì 3"ë,÷…,ì/“…,›…,ì ÷=“2%2/, “ *%2%!%L ì%ä3ë,!32“ ƒ"3*. fig.MFX-14 L in R in Infinite Phaser 2-Band EQ L out Pan L Pan R R out o=!=ì2! g…=÷…, nC,“=…, Mode 1, 2, 3, 4 a%ë "/“%*, ƒ…=÷…, “%ƒä=þ2 K%ë ãë3K%*,L .--*2. Speed -100 $ +100 q*%!%“2ü "%ƒ!=“2=…, ,ë, “…,- ›…, ÷=“2%2/, …= *%2%!%L K3- ä2 C!%,“.%ä,2ü ì%ä3ë ö, (œ+B: 3"ë,÷,"=2“ / œ-B: “…,›=- 2“ ) Resonance 0 $ 127 cë3K,…= !ƒ%…=…“= Mix 0 $ 127 r!%"…ü -=ƒ!= Pan L64 $ 63R q2!%C=…%!=ì= .--*2= Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,2ëü- …/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=- 2ëü…/. $ “…,›=2“ High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,2ëü- …/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- *,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ Level 0 $ 127 nK?,L 3!%"…ü 16: STEP RING MODULATOR j%ë%*%ëü…/L ì%ä3ë 2%! “ 16-ø=ã%"/ì “*"…“%!%ì äë “%ƒä=…, ì%ä3ë ö,%……/. C=22!…%". fig.MFX-16 L in R in Step Ring Mod Step Ring Mod 2-Band EQ 2-Band EQ o=!=ì2! g…=÷…, nC,“=…, L out R out Step 01$16 0 $ 127 )=“2%2= *%ë%*%ëü…%L ì%ä3ë ö,, …= *=›ä%ì ,ƒ ø=ã%". Rate 0.05$10.00 Hz, note )=“2%2= 16 “ì…/ ø=ã%" “*"…- “%!=. Attack 0 $ 127 q*%!%“2ü ,ƒì……, ÷=“2%2/ ì%ä3ë ö,, %2 %ä…%ã% ø=ã= “*"…“%!= ä% ä!3ã%ã% Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ Balance D100:0W $ D0:100W a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , %K!=K%2=……/ì (W) “,ã…=ë=ì,) Level 0 $ 127 nK?,L 3!%"…ü 15: RING MODULATOR }--*2, C!,ì… þ?,L *% ".%ä…%ì3 “,ã…=ë3 =ìCë,23ä…3þ ì%ä3ë ö,þ, C!,ä=þ?3þ ƒ"3*3 œ*%ë%*%ë%C%ä%K…/LB .=!=*2!. )=“2%23 ì%ä3ë ö,,, " “"%þ %÷!äü, ì%›…% ,ƒì… 2ü " ƒ=",“,ì%“2, %2 3!%"… ".%ä…%ã% “,ã…=ë=. fig.MFX-15 L in R in o=!=ì2! g…=÷…, nC,“=…, Frequency 0 $ 127 )=“2%2= ì%ä3ë ö,,. Sens 0 $ 127 cë3K,…= ì%ä3ë ö,,. Polarity UP, DOWN o=!=ì2! %C!äë 2 …=C!="ë…, ì%ä3ë ö,, ÷=“2%2/ ""!. (UP) ,ë, "…,ƒ (DOWN). Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ Balance Ring Mod Ring Mod D100:0W $ D0:100W 2-Band EQ 2-Band EQ Level 0 $ 127 nK?,L 3!%"…ü L out R out a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , %K!=K%2=……/ì (W) “,ã…=ë=ì, 17: TREMOLO o!,%ä,÷“*% ,ƒì……, ã!%ì*%“2, (2!ì%ë%). fig.MFX-17a L in R in o=!=ì2! g…=÷…, nC,“=…, Mod Wave Tremolo Tremolo TRI, SQR, SIN, SAW1, SAW2 SAW1 2-Band EQ 2-Band EQ L out R out t%!ì= "%ë…/ ì%ä3ë ö,, TRI: 2!3ã%ëü…= SQR: *"=ä!=2…= SIN: “,…3“%,ä=ëü…= SAW1/2: C,ë%%K!=ƒ…= SAW2 Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= .--*2= Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ Level 0 $ 127 nK?,L 3!%"…ü 62
18: AUTO PAN 0,*ë,÷“*% C=…%!=ì,!%"=…, “,ã…=ë=. fig.MFX-18a L in Auto Pan 2-Band EQ L out 20: SLICER œp=ƒ!ƒ= B ƒ"3* …= %2äëü…/ -!=ãì…2/, ä=……/L .--*2 C!%K!=ƒ32 *=…2,ë……/L 2ìK! (…=C!,ì!, “2!3……/) " !,2ì,÷“*, ì3ƒ/*=ëü…/ -!=ƒ/. fig.MFX-20 R in Auto Pan 2-Band EQ R out L in Slicer L out o=!=ì2! g…=÷…, nC,“=…, Mod Wave 16-ø=ã%"/L “*"…“%! äë ="2%ì=2,÷“*%ã% C=…%!=ì,!%"=…, . fig.MFX-19 TRI, SQR, SIN, SAW1, SAW2 t%!ì= "%ë…/ ì%ä3ë ö,, TRI: 2!3ã%ëü…= SQR: *"=ä!=2…= SIN: “,…3“%,ä=ëü…= SAW1/2: C,ë%%K!=ƒ…= Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= .--*2= Low Gain -15 $ +15 äa r“,ë…, m). High Gain -15 $ +15 äa r“,ë…, b) Level 0 $ 127 nK?,L 3!%"…ü 19: STEP PAN L in R in SAW1 R L Step Pan Step Pan SAW2 R L L out R out R in o=!=ì2! g…=÷…, nC,“=…, Step 01$16 0 $ 127 c!%ì*%“2ü …= *=›ä%ì ,ƒ ø=ã%" Rate 0.05 $ 10.00 Hz, note Attack 0 $ 127 Input Sync Sw Input Sync Threshold Mode OFF, ON 0 $ 127 LEGATO, SLASH Shuffle 0 $ 127 Slicer Level 0 $ 127 nK?,L 3!%"…ü R out )=“2%2= “ì…/ ø=ã%" “*"…“%!= q*%!%“2ü “ì…/ ã!%ì*%“2, ì›ä3 ø=ã=ì, “*"…“%!= o=!=ì2! %C!äë 2, K3ä2 ë, ƒ=C3“* C%“ëä%"=2ëü…%“2, “,….!%…,ƒ,!%"=2ü“ %2 …=÷=ë= …%"%L …%2/ (ON) ,ë, …2 (OFF) o%!%ã ã!%ì*%“2, äë !=“C%ƒ…="=…, …%"%L …%2/ o=!=ì2! %C!äë 2 .=!=*2! “ì…/ ã!%ì*%“2, C!, C!.%ä %2 %ä…%ã% ø=ã= * ä!3ã%ì3. LEGATO: Cë="…= “ì…= ã!%ì*%“2,. e“ë, ã!%ì*%“2ü “%“ä…,. ø=ã%" “%"C=ä=2, %…, K3ä32 ƒ"3÷=2ü “ë,2…%. SLASH: C!, C!.%ä %2 %ä…%ã% ø=ã= * ä!3ã%ì3 ã!%ì*%“2ü “…=÷=ë= “K!=“/"=2“ " 0, = ƒ=2ì 32“=…="ë,"=2“ …= 3!%"… “ëä3þ?ã% ø=ã=. d=› “ë, 3!%"…, ã!%ì*%“2, “%“ä…,. ø=ã%" “%"C=ä=þ2, %…, K3ä32 ƒ"3÷=2ü !=ƒäëü…%. p,2ì,÷“*,L “ä",ã ÷2…/. 3ƒë%" “*"…“%!= %2…%“,2ëü…% …÷2…/. (œø=--ëB, œ“",…ãB). )ì "/ø ƒ…=÷…,, 2ì äë,2ëü… ƒ=ä!›*=. o=!=ì2! g…=÷…, nC,“=…, Step 01$16 L64 $ 63R o=…%!=ì= …= *=›ä%ì ,ƒ ø=ã%" Rate 0.05 $ 10.00 Hz, note )=“2%2= “ì…/ ø=ã%" “*"…“%!= Attack 0 $ 127 Input Sync Sw Input Sync Threshold OFF, ON 0 $ 127 q*%!%“2ü “ì…/ C=…%!=ì/ %2 %ä…%ã% ø=ã= * ä!3ã%ì3 o=!=ì2! %C!äë 2, K3ä2 ë, ƒ=C3“* C%“ëä%"=2ëü…%“2, “,….!%…,ƒ,!%"=2ü“ %2 …=÷=ë= …%"%L …%2/ (ON) ,ë, …2 (OFF) o%!%ã ã!%ì*%“2, äë !=“C%ƒ…="=…, …%"%L …%2/ Level 0 $ 127 nK?= ã!%ì*%“2ü 63
- Page 1 and 2:
p3*%"%ä“2"% C%ëüƒ%"=2ë 201a
- Page 3 and 4:
o!=",ë= 2.…,*, Kƒ%C=“…%“2
- Page 5 and 6:
=›…/ ƒ=ì÷=…, Ïîìèìî
- Page 7 and 8:
n“…%"…/ .=!=*2!,“2,*, hä=
- Page 9 and 10:
K%! , C!%,ã!/"=…, %ä…%L Cü
- Page 11 and 12: nC,“=…, C=…ëL 15. d,“CëL
- Page 13 and 14: "ä…, n“…%"/ !=K%2/ “ Prelu
- Page 15 and 16: "ä…, fig.codef.eps Òûëüíà
- Page 17 and 18: "ä…, o!%“ë3ø,"=…, äì%…
- Page 19 and 20: hã!= …= *ë=",=23! hã!= …= *
- Page 21 and 22: hã!= …= *ë=",=23! o=!=ì2! nC,
- Page 23 and 24: p=K%2= “ =**%ìC=…ì…2%ì b/K
- Page 25 and 26: p=K%2= “ =**%ìC=…ì…2%ì o=!
- Page 27 and 28: p=K%2= “ =**%ìC=…ì…2%ì d=
- Page 29 and 30: p=K%2= “ =**%ìC=…ì…2%ì 4.
- Page 31 and 32: p=K%2= “ =**%ìC=…ì…2%ì MP3
- Page 33 and 34: p=K%2= “ =**%ìC=…ì…2%ì pä
- Page 35 and 36: o!-%!ì=…“/ , .--*2/ t3…*ö,
- Page 37 and 38: o!-%!ì=…“/ , .--*2/ 4. j…%C*
- Page 39 and 40: o!-%!ì=…“/ , .--*2/ o=!=ì2! g
- Page 41 and 42: o!-%!ì=…“/ , .--*2/ q2!. nC,
- Page 43 and 44: p=K%2= “ MIDI MIDI Parameters o=!
- Page 45 and 46: q,“2ì…/ …=“2!%L*, o=!=ì2!
- Page 47 and 48: q,“2ì…/ …=“2!%L*, q2!=…,
- Page 49 and 50: p=K%2= “ USB-…=*%C,2ëì rä=ë
- Page 51 and 52: n -3…*ö,, V-LINK o=!=ì2! g…=
- Page 53 and 54: Appendices r“2!=……, …C%ë=
- Page 55 and 56: q%%K?…, %K %ø,K*=. b “ë3÷= %
- Page 57 and 58: g…=÷…, 4Note’ g…=÷…, %C
- Page 59 and 60: 05: SUPER FILTER t,ëü2! “ %÷
- Page 61: 11: PHASER q2!%-=ƒ!. qìø,"=…,
- Page 65 and 66: 24: FLANGER q2!%-%…,÷“*,L -ë.
- Page 67 and 68: 30: 3D FLANGER Š!.ì!…/L .--*2 -
- Page 69 and 70: 35: OVERDRIVE l ã*,L C!ã!3ƒ (%"!
- Page 71 and 72: 43: DELAY q2!%-%…,÷“*,L .--*2
- Page 73 and 74: 49: MULTI TAP DELAY }--*2 ,ƒ ÷2/!
- Page 75 and 76: 55: TAPE ECHO hì,2=ö, ë…2%÷
- Page 77 and 78: 62: d"%L…%L “ä",ã "/“%2/
- Page 79 and 80: 69: DISTORTION → CHORUS o=!=ì2!/
- Page 81 and 82: 77: CHORUS → FLANGER fig.MFX-77 7
- Page 83 and 84: o=!=ì2!/ !"!K!=2%!= q C%ì%?üþ .
- Page 85 and 86: 1. hì j=2ã%!, MSB LSB PC 151 Chap
- Page 87 and 88: 1. hì j=2ã%!, MSB LSB PC 459 Stim
- Page 89 and 90: 1. hì j=2ã%!, MSB LSB PC 767 Meta
- Page 91 and 92: 1. hì j=2ã%!, MSB LSB PC 1075 Met
- Page 93 and 94: c!3CC= Preset 1153 GW Std Kit 1154
- Page 95 and 96: 1165 Limiter Kit 1166 HipHop Kit 1
- Page 97 and 98: 1177 Snare Menu 1178 Snr/Rim Menu 1
- Page 99 and 100: c!3CC= GM Note No. 27 28 29 30 31 3
- Page 101 and 102: dk“ g`leŠnj 101
- Page 103 and 104: p=“C%ƒ…="=…, =**%!ä%" ● =
- Page 105 and 106: Š.…,÷“*, .=!=*2!,“2,*, Prel
- Page 107 and 108: Äàííûé ïðîäóêò îòâ