01: EQUALIZER )2/!.C%ë%“…/L .*"=ë=Lƒ! (…,ƒ, “!ä,…= x 2, "!.). fig.MFX-01 L in R in 4-Band EQ 4-Band EQ L out R out o=!=ì2! g…=÷…, nC,“=…, Low Freq 200, 400 cö 0…2!=ëü…= ÷=“2%2= -,ëü2!= m) Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,2ëü- …/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=- 2ëü…/. $ “…,›=2“ Mid1 Freq 200 $ 8000 cö 0…2!=ëü…= ÷=“2%2= -,ëü2!= q) 1 Mid1 Gain -15 $ +15 äa r“,ë…, q) 1 Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 d%K!%2…%“2ü -,ëü2!= q) 1. )ì "/ø ƒ…=÷…, Q, 2ì 3› C%ë%“=, …= *%2%!3þ "%ƒäL“2"3- 2 -,ëü2!. Mid2 Freq 200 $ 8000 cö 0…2!=ëü…= ÷=“2%2= -,ëü2!= q) 2 Mid2 Gain -15 $ +15 äa r“,ë…, q) 2 Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0 d%K!%2…%“2ü -,ëü2!= q) 2. )ì "/ø ƒ…=÷…, Q, 2ì 3› C%ë%“=, …= *%2%!3þ "%ƒäL“2"3- 2 -,ëü2!. High Freq 2000, 4000, 8000 cö 0…2!=ëü…= C%ë%“= -,ëü2!= b) High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,2ëü- …/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- *,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ Level 0 $ 127 nK?,L 3!%"…ü 03: ISOLATOR }*"=ë=Lƒ!, “3?“2"……% “…,›=þ?,L ã!%ì*%“2ü , C%ƒ"%ë þ?,L “%ƒä="=2ü œ.*ƒ%2,÷“*%B ƒ"3÷=…,. fig.MFX-03 L in R in o=!=ì2! g…=÷…, nC,“=…, Boost/ Cut Low Boost/ Cut Mid Boost/ Cut High Anti Phase Low Sw Anti Phase Low Level Anti Phase Mid Sw Anti Phase Mid Level Low Boost Sw Low Boost Level Isolator Isolator -60 $ +4 äa OFF, ON 0 $ 127 OFF, ON 0 $ 127 OFF, ON 0 $ 127 Low Boost Low Boost Level 0 $ 127 nK?,L 3!%"…ü L out R out r“,ë…, m)/q)/b). o!, ƒ…=÷…,, -60 äa ÷=“2%2…= C%ë%“= C!=*2,÷“*, 3ä=ë 2“ ,ƒ %K?ã% “,ã…=ë=, C!, ƒ…=÷…,, 0 äa 3!%"…ü %2…%“,2ëü…% ,“.%ä…%ã% … ,ƒì… 2“ . q%“2% …, -3…*ö,, AntiPhase, C%äìø,"=þ?L ,…"!2,!%"=……/L “,ã…=ë C!%2,"%C%ë%›…%ã% “2!%*=…=ë= " …,ƒ*%÷=“2%2…%ì ä,=C=ƒ%…. r!%"…ü ã!%ì*%“2, -3…*ö,, Antiphase. d=……/L .--*2 !=K%2=2 2%ëü*% C!, !=K%2 “% “2!%-%…,÷“*,ì “,ã…=ë%ì. q%“2% …, -3…*ö,, AntiPhase, C%äìø,"=þ?L ,…"!2,!%"=……/L “,ã…=ë C!%2,"%C%ë%›…%ã% “2!%*=…=ë= " “!ä…÷=“2%2…%ì ä,=C=ƒ%…. r!%"…ü ã!%ì*%“2, .2%L -3…*ö,,. q%“2% …, K3“2!= ("2%!,÷…/L 3“,ë,2ëü) …,ƒ*,. ÷=“2%2. o%ƒ"%ë 2 C%ë3÷,2ü ì%?…% K=“%"% ƒ"3÷=…,. r!%"…ü K3“2!=. q2C…ü C!% "ë…, .--*2= “,ëü…% ƒ=",“,2 %2 …=“2!%* ä!3ã,. -,ëü2!%" .--*2= Isolator. 02: SPECTRUM c!=-,÷“*,L .*"=ë=Lƒ! “ C!ì……%L ä%K!%2…%“2üþ -,ëü2!%". fig.MFX-02 L in Spectrum L out 04: LOW BOOST a3“2! ("2%!,÷…/L 3“,ë,2ëü) …,ƒ*,. ÷=“2%2. fig.MFX-04 L in Low Boost 2-Band EQ L out R in Spectrum R out R in Low Boost 2-Band EQ R out o=!=ì2! g…=÷…, nC,“=…, Band1 (250Hz) Band2 (500Hz) Band3 (1000Hz) Band4 (1250Hz) Band5 (2000Hz) Band6 (3150Hz) Band7 (4000Hz) Band8 (8000Hz) Q -15 $ +15 äa 0.5, 1.0, 2.0, 4.0, 8.0 r“,ë…, äë *=›ä%L ,ƒ C%ë%“ nä…%"!ì……% 3C!="ë…, ä%K!%2…%“2üþ "“. -,ëü2!%" Level 0 $ 127 nK?,L 3!%"…ü o=!=ì2! g…=÷…, nC,“=…, Boost Frequency 50 $ 125 cö 0…2!=ëü…= ÷=“2%2= 3“,ë,"=ì%ã% ä,=C=ƒ%…= Boost Gain 0 $ +12 äa r“,ë…, …,ƒ*,. ÷=“2%2 Boost Width Low Gain High Gain WIDE, MID, NARROW -15 $ +15 äa -15 $ +15 äa Level 0 $ 127 nK?,L 3!%"…ü x,!,…= C%ë%“/ (ø,!%*= /“!ä… / 3ƒ*= ) r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2“ 58
05: SUPER FILTER t,ëü2! “ %÷…ü *!32/ì “C=ä%ì. )=“2%2= “!ƒ= ì%›2 C!,%ä,÷“*, ,ƒì… 2ü“ . fig.MFX-05 L in R in o=!=ì2! g…=÷…, nC,“=…, Filter Type Filter Slope Filter Cutoff Filter Resonance LPF, BPF, HPF, NOTCH -12, -24, -36 äa 0 $ 127 0 $ 127 Filter Gain 0 $ +12 äa r“,ë…, -,ëü2!= Modulation Sw Modulation Wave Super Filter Super Filter OFF, ON TRI, SQR, SIN, SAW1, SAW2 SAW1 L out R out Š,C -,ëü2!=. o=!=ì2! %C!äë 2 ä,=C=ƒ%… C!%C3“*=ì/. ÷=“2%2. LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. BPF: ÷=“2%2/ " %Kë=“2, ÷=“2%2/ “!ƒ=. HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ=. NOTCH: ÷=“2%2/ "… %Kë=“2, ÷=“2%2/ “!ƒ=. t%!ì= “C=ä= *!,"%L -,ëü2!= -36 äa: %÷…ü *!32= -24 äa: *!32= -12 äa: C%ë%ã= )=“2%2= “!ƒ=. )ì "/ø ƒ…=÷…, C=!=ì2!=, 2ì "/ø ÷=“2%2=. cë3K,…= !ƒ%…=…“=. r“,ë,"=2 ä,=C=ƒ%… " %Kë=“2, ÷=“2%2/ “!ƒ=. b*ëþ÷…,/%2*ëþ÷…, C!,%ä,÷“*%L ì%ä3ë ö,, t%!ì= "%ë…/ LFO TRI: 2!3ã%ëü…= SQR: *"=ä!=2…= SIN: “,…3“%,ä=ëü…= SAW1: C,ë%%K!=ƒ…= SAW2: %K!=2…%-C,ë%%K!=ƒ…= SAW2 Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, Attack 0 $ 127 q*%!%“2ü ,ƒì……, ÷=“2%2/ “!ƒ=. d=2 "/!=›……/L .--*2 C!, Modulation Wave = SQR, SAW1 ,ë, SAW2. Level 0 $ 127 nK?,L 3!%"…ü 06: STEP FILTER t,ëü2!, ÷=“2%2= “!ƒ= *%2%!%ã% ì%›2 ,ƒì… 2ü“ C%ø=ã%"%. h“C%ë…,2ëü ì%›2 “%ƒä="=2ü “%K“2"……/ C=22!…/ äë 3C!="ë…, ÷=“2%2%L “!ƒ=. fig.MFX-06 L in R in o=!=ì2! g…=÷…, nC,“=…, Step 01$16 0 $ 127 )=“2%2= “!ƒ= …= *=›ä%ì ,ƒ ø=ã%" Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, Attack 0 $ 127 q*%!%“2ü ,ƒì……, ÷=“2%2/ “!ƒ= C!, C!.%ä %2 ø=ã= * ø=ã3 Filter Type Filter Slope Filter Resonance }--*2 3C!="ë 2 "!.…,ì, ã=!ì%…,*=ì,, ÷2% äë=2 ƒ"3* K%ë ÷,“2/ì , !=ƒK%!÷,"/ì. fig.MFX-07 LPF, BPF, HPF, NOTCH -12, -24, -36 äa 0 $ 127 Filter Gain 0 $ +12 äa r“,ë…, -,ëü2!= Level 0 $ 127 nK?,L 3!%"…ü 07: ENHANCER L in R in Enhancer Enhancer Step Filter Step Filter Mix Mix L out R out Š,C -,ëü2!=. o=!=ì2! %C!äë 2 ä,=C=ƒ%… C!%C3“*=ì/. ÷=“2%2. LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. BPF: ÷=“2%2/ " %Kë=“2, ÷=“2%2/ “!ƒ=. HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ=. NOTCH: ÷=“2%2/ "… %Kë=“2, ÷=“2%2/ “!ƒ=. t%!ì= “C=ä= *!,"%L -,ëü2!= -12 äa: C%ë%ã= -24 äa: *!32= -36 äa: %÷…ü *!32= cë3K,…= !ƒ%…=…“=. r“,ë,"=2 ä,=C=ƒ%… " %Kë=“2, ÷=“2%2/ “!ƒ=. 2-Band EQ 2-Band EQ L out R out o=!=ì2! g…=÷…, nC,“=…, Sens 0 $ 127 )3"“2",2ëü…%“2ü .--*2= Mix 0 $ 127 r!%"…ü ã…!,!3ì/. .--*- 2%ì ã=!ì%…,* Low Gain -15 $ +15 äa r“,ë…, m). o!, C%ë%›,- 2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2- “ . High Gain -15 $ +15 äa r“,ë…, b). o!, C%ë%›,- 2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ “…,›=2- “ . Level 0 $ 127 nK?,L 3!%"…ü 59
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p3*%"%ä“2"% C%ëüƒ%"=2ë 201a
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o!=",ë= 2.…,*, Kƒ%C=“…%“2
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=›…/ ƒ=ì÷=…, Ïîìèìî
- Page 7 and 8: n“…%"…/ .=!=*2!,“2,*, hä=
- Page 9 and 10: K%! , C!%,ã!/"=…, %ä…%L Cü
- Page 11 and 12: nC,“=…, C=…ëL 15. d,“CëL
- Page 13 and 14: "ä…, n“…%"/ !=K%2/ “ Prelu
- Page 15 and 16: "ä…, fig.codef.eps Òûëüíà
- Page 17 and 18: "ä…, o!%“ë3ø,"=…, äì%…
- Page 19 and 20: hã!= …= *ë=",=23! hã!= …= *
- Page 21 and 22: hã!= …= *ë=",=23! o=!=ì2! nC,
- Page 23 and 24: p=K%2= “ =**%ìC=…ì…2%ì b/K
- Page 25 and 26: p=K%2= “ =**%ìC=…ì…2%ì o=!
- Page 27 and 28: p=K%2= “ =**%ìC=…ì…2%ì d=
- Page 29 and 30: p=K%2= “ =**%ìC=…ì…2%ì 4.
- Page 31 and 32: p=K%2= “ =**%ìC=…ì…2%ì MP3
- Page 33 and 34: p=K%2= “ =**%ìC=…ì…2%ì pä
- Page 35 and 36: o!-%!ì=…“/ , .--*2/ t3…*ö,
- Page 37 and 38: o!-%!ì=…“/ , .--*2/ 4. j…%C*
- Page 39 and 40: o!-%!ì=…“/ , .--*2/ o=!=ì2! g
- Page 41 and 42: o!-%!ì=…“/ , .--*2/ q2!. nC,
- Page 43 and 44: p=K%2= “ MIDI MIDI Parameters o=!
- Page 45 and 46: q,“2ì…/ …=“2!%L*, o=!=ì2!
- Page 47 and 48: q,“2ì…/ …=“2!%L*, q2!=…,
- Page 49 and 50: p=K%2= “ USB-…=*%C,2ëì rä=ë
- Page 51 and 52: n -3…*ö,, V-LINK o=!=ì2! g…=
- Page 53 and 54: Appendices r“2!=……, …C%ë=
- Page 55 and 56: q%%K?…, %K %ø,K*=. b “ë3÷= %
- Page 57: g…=÷…, 4Note’ g…=÷…, %C
- Page 61 and 62: 11: PHASER q2!%-=ƒ!. qìø,"=…,
- Page 63 and 64: 18: AUTO PAN 0,*ë,÷“*% C=…%!=
- Page 65 and 66: 24: FLANGER q2!%-%…,÷“*,L -ë.
- Page 67 and 68: 30: 3D FLANGER Š!.ì!…/L .--*2 -
- Page 69 and 70: 35: OVERDRIVE l ã*,L C!ã!3ƒ (%"!
- Page 71 and 72: 43: DELAY q2!%-%…,÷“*,L .--*2
- Page 73 and 74: 49: MULTI TAP DELAY }--*2 ,ƒ ÷2/!
- Page 75 and 76: 55: TAPE ECHO hì,2=ö, ë…2%÷
- Page 77 and 78: 62: d"%L…%L “ä",ã "/“%2/
- Page 79 and 80: 69: DISTORTION → CHORUS o=!=ì2!/
- Page 81 and 82: 77: CHORUS → FLANGER fig.MFX-77 7
- Page 83 and 84: o=!=ì2!/ !"!K!=2%!= q C%ì%?üþ .
- Page 85 and 86: 1. hì j=2ã%!, MSB LSB PC 151 Chap
- Page 87 and 88: 1. hì j=2ã%!, MSB LSB PC 459 Stim
- Page 89 and 90: 1. hì j=2ã%!, MSB LSB PC 767 Meta
- Page 91 and 92: 1. hì j=2ã%!, MSB LSB PC 1075 Met
- Page 93 and 94: c!3CC= Preset 1153 GW Std Kit 1154
- Page 95 and 96: 1165 Limiter Kit 1166 HipHop Kit 1
- Page 97 and 98: 1177 Snare Menu 1178 Snr/Rim Menu 1
- Page 99 and 100: c!3CC= GM Note No. 27 28 29 30 31 3
- Page 101 and 102: dk“ g`leŠnj 101
- Page 103 and 104: p=“C%ƒ…="=…, =**%!ä%" ● =
- Page 105 and 106: Š.…,÷“*, .=!=*2!,“2,*, Prel
- Page 107 and 108: Äàííûé ïðîäóêò îòâ