p=K%2= “ =**%ìC=…ì…2%ì 6. m=›ì,2 [ENTER] äë 3ä=ë…, “2,ë /“2,ëL. dë %2ì…/ 3ä=ë…, …=›ì,2 *…%C*3 [EXIT]. q%.!=……, “2,ëL C%ëüƒ%"=2ë (.*“C%!2 …= USB-…=*%C,2ëü) o%ä!%K… “ì. “2!. 48. h“C%ëüƒ%"=…, %C2,ì=ëü…/. …=“2!%* ([ONE TOUCH]) e“ë, …=›=2= *…%C*= [STYLE], …=›=2, …= *…%C*3 [ONE TOUCH] (C%ä“"2*= ƒ=ã%!=2“ ) ƒ=ã!3ƒ,2 %C2,ì=ëü…/ …=“2!%L*, 2ìK!%" ("!.…L , …,›…L C=!2,,) äë "/K!=……%ã% “2,ë . }2% …=ƒ/"=2“ -3…*ö,L œ%ä…%ã% *=“=…, B (One Touch). e“ë, *…%C*= [ONE TOUCH] …=›=2=, 2% C!, “ì… “2,ëL 2ìK!/ *ë=",=23!/ K3ä32 ,ƒì… 2ü“ ="2%ì=2,÷“*,. dë %2*ëþ÷…, -3…*ö,, One Touch …=›ì,2 …= *…%C*3 [ONE TOUCH] C%"2%!…% (C%ä“"2*= C%ã=“…2). p›,ì *ë=",=23!/ (“2!. 19) K3ä2 ,ƒì… 2ü“ " ƒ=",“,ì%“2, %2 "/K!=……%ã% “2,ë . qì…= “2,ë C!, …=›=2%L *…%C* [ONE TOUCH] … ì… 2 C%ë%›…, 2%÷*, Split Point (“2!. 19). t3…*ö, One Touch ä%“23C…= 2%ëü*% C!, !=K%2 “ C!“2…/ì, “2,ë ì,. o%ëüƒ%"=2ëü … ì%›2 ,ƒì… 2ü 2ìK!/, …=ƒ…=÷……/ …= “2,ë, " !=ì*=. -3…*ö,, One Touch. o!%÷, -3…*ö,, oü“/ g=C,“ü …%"%L Cü“/ ([SONG REC]) 16-2!*%"/L “*"…“%! <strong>Prelude</strong> C%ƒ"%ë 2 “%ƒä="=2ü “%K“2"……/ ì3ƒ/*=ëü…/ *%ìC%ƒ,ö,,. o%ëüƒ%"=2ëü ì%›2 ƒ=C,“=2ü ,“C%ë……, …= *ë=",=23! " “%C!%"%›ä…,, =**%ìC=…ì…2=, = ƒ=2ì C!%“ë3ø=2ü ,2%ã%"/L !ƒ3ëü2=2. g=C,“=……% C!%,ƒ"ä…, K3ä2 “2!2% C!, "/K%! …%"%L Cü“/ ,ë, %2*ëþ÷…,, C,2=…, . )2%K/ … C%2! 2ü “%ƒä=……3þ Cü“3, “%.!=…,2 (“2!. 28). <strong>Prelude</strong> C!ä3“ì=2!,"=2 ä"= “C%“%K= ƒ=C,“, Cü“/. • g=C,“ü “ ãë="…%L “2!=…,ö/ $ “ì. “2!. 26. • g=C,“ü %2äëü…%L C=!2,, $ “ì. “2!. 27. o=!=ì2!/ Cü“/ (2ìC, !=ƒì! , 2.ä.) %C!äë þ2“ C=!=ì2!=ì, “2,ë , “%.!=………/ì, " "/K!=……%ì C!-%!ì=…“. o!ä“2="ë 2“ ë%ã,÷…/ì " C!"3þ %÷!äü "/K!=2ü “2,ëü , 2ìK!/ (“2!. 36). o!, ,ã! Kƒ “%C!%"%›ä…, “2,ë ì%›…% 3*=ƒ=2ü 2ìC , !=ƒì! Cü“/ …= “2!=…,ö SONG TRACK (“2!. 27). g=C,“ü “ ãë="…%L “2!=…,ö/ dë ƒ=C,“, " “%C!%"%›ä…,, “2,ë …=›ì,2 …= *…%C*3 [STYLE] (C%ä“"2*= ä%ë›…= ƒ=ã%!2ü“ ). o3“* , %“2=…%" ƒ=C,“, C!%,“.%ä 2 %ä…%"!ì……% “ C3“*%ì , %“2=…%"*%L “2,ë . e“ë, 2!K32“ ƒ=C,“=2ü 2%ëü*% ,“C%ë……, …= *ë=",=23! (Kƒ “2,ë ), …=›ì,2 …= *…%C*3 [SONG]. e“ë, *…%C*, [STYLE] , [SONG] %2*ëþ÷…/, K3ä2 C!%,“.%ä,2ü ƒ=C,“ü ,“C%ë……, …= *ë=",=23! C%ä =**%ìC=…ì…2 3ä=!…/. (C=22!… K!2“ ,ƒ “%.!=………%ã% " 2*3?ì C!-%!ì=…“ “2,ë ). p›,ì Split $ “ì. “2!. 19. b/K%! 2ìK!= $ “ì. “2!. 20. c=!ì%…,ƒ=ö, ìë%ä,, $ “ì. “2!. 22. o!“2…/ C!-%!ì=…“/ $ “ì. “2!. 36. À**%!ä%"/L !›,ì $ “ì. “2!. 37. rä!›=…, =**%ìC=…ì…2= $ “ì. “2!. 37. h…"!“, K=“= $ “ì. “2!. 37. t3…*ö,, Cä=ëL $ “ì. “2!. 45 q%.!=……, …= USB-…=*%C,2ëü $ “ì. “2!. 48 g=ã!3ƒ*= ä=……/. “ USB-…=*%C,2ë $ “ì. “2!. 48 )2%K/ ä%ƒ=C,“=2ü ì=2!,=ë * Cü“, ,ìC%!2,!%"=……%L “ USB-…%“,2ë , “ì. “2!. 28. dë ƒ=C,“, …%"%L Cü“/ "/C%ë…,2 *%ì=…ä3 Song Initializing. o%ä!%K… “ì. “2!. 27. dë %K/÷…%L ƒ=C,“, ,“C%ë……, "%“C%ëüƒ3L2“ü “ëä3þ?L C!%öä3!%L: 1. b/K!,2 …3›…/L C!-%!ì=…“ (“2!. 36). 2. m=›ì,2 …= *…%C*3 [SONG REC]. o%ä“"2*= *…%C*, [SONG REC] …=÷…2 ì,ã=2ü. 3. m=›ì,2 [ ] äë …=÷=ë= ƒ=C,“,. 26
p=K%2= “ =**%ìC=…ì…2%ì d=› Kƒ …=›=2, …= *…%C*3 [] ƒ=C,“ü …=÷…2“ C!, C!"%ì › …=›=2,, …= *ë=",ø3, “ë,... (1) c%!,2 C%ä“"2*= *…%C*, [SYNC START], ,ë,… (2) dë C=!=ì2!= œCount-InB 3“2=…%"ë…% ƒ…=÷…, œWAIT NOTEB (“2!. 28). 4. m=÷…,2 ,“C%ë……,. 5. m=›ì,2 [ ] äë %“2=…%"*, ƒ=C,“,. o% %*%…÷=…,, ƒ=C,“, %2%K!=ƒ,2“ .*!=……= “2!=…,ö= SONG TRACK. dë C!%ä%ë›…, ƒ=C,“, “ì. ø=ã 7 (ƒ=C,“ü ä%C%ë…,2ëü…/. C=!2,L), ,ë, "!…,2“ü * ø=ã3 3 (C!ƒ=C,“ü ,“C%ë……, , “ì. “2!. 28). m=›ì,2 [EXIT] äë "%ƒ"!=2= …= ãë="…3þ “2!=…,ö3. }--*2 (“2!. 40) C!,ì… 2“ 2%ëü*% * "!.…L ,ë, …,›…L C=!2,,, ,“C%ë… ì/ì " !=ëü…%ì "!ì…,. }--*2 … C!,ì… 2“ * ä=……/ì ƒ=C,“=……%L Cü“/. o!, ,“C%ëüƒ%"=…,, “2,ë C=!2,, 1 $ 16 !=“C!äë þ2“ “ëä3þ?,ì %K!=ƒ%ì: Š!* o=!2, Š!* o=!2, 1 À**%ìC. 1 9 À**%ìC. 6 2 a=“ 10 rä=!…/ 3 À**%ìC. 2 11 m,›… C=!2, 4 b!.… C=!2, 12 5 À**%ìC. 3 13 6 14 7 À**%ìC. 4 15 c=!ì%…,ƒ=ö, o!, …=›=2%L *…%C* [SONG] …=›,ì=L2 [PART VIEW] äë “ì…/ “2!=…,ö " C%! ä*: cë="…= “2!=…,ö= → SONG TRACK → PERFORM MIXER (“2!. 24) → cë="…= “2!=…,ö=. 1. m=›ì,2 …= *…%C*3 [SONG], C!, .2%ì C%ä“"2*= ƒ=ã%!,2“ . 2. m=›ì,2 …= *…%C*3 [PART VIEW], C!, .2%ì C%ä“"2*= ƒ=ã%!,2“ . n2%K!=ƒ,2“ .*!=……= “2!=…,ö= SONG TRACK. h…,ö,=ë,ƒ=ö, (%÷,“2*=) Cü“/ 3. jë=",ø=ì, *3!“%!= "/K!,2 *%ì=…ä3 INIT , …=›ì,2 …= *…%C*3 [ENTER]. n2%K!=ƒ,2“ %*…% Song Initialize. 4. o!, …%K.%ä,ì%“2, ,“C%ëüƒ3L2 *ë=",ø, *3!“%!= , *%ë“% VALUE äë 3*=ƒ=…, 2ìC= , !=ƒì!= Cü“/. 5. jë=",ø=ì, *3!“%!= "/K!,2 *%ì=…ä3 INIT ? !=ƒ , …=›ì,2 …= *…%C*3 [ENTER]. n2%K!=ƒ,2“ ƒ=C!%“ …= C%ä2"!›ä…,. 6. m=›ì,2 …= *…%C*3 [ENTER]. o!, ä"%L…%ì …=›=2,, …= *…%C*3 [EXIT] C!%,ƒ%Lä2 %2*=ƒ %2 ,…,ö,=ë,ƒ=ö,, Cü“/. n2%K!=ƒ,2“ .*!=……= “2!=…,ö= SONG TRACK. 7. jë=",ø=ì, *3!“%!= "/K!,2 C=!=ì2! , 3“2=…%",2 ƒ…=÷…, *%ë“%ì VALUE. 8 À**%ìC. 5 16 o/p nC,“=…, g…=÷…, o%ëüƒ%"=2ëü ì%›2 …=“2!%,2ü !›,ì !=K%2/ ì2!%…%ì= "% "!ì ƒ=C,“,. o%ä!%K… “ì. “2!. 22. g=C,“ü %2äëü…%L C=!2,, (SONG TRACK) m= “2!=…,ö SONG TRACK ì%›…% "/K!=2ü C=!2,þ, *%2%!= K3ä2 ƒ=C,“/"=2“ . j=›ä%L C=!2,, “%%2"2“2"32 ,“C%ë……, “ ,“C%ëüƒ%"=…,ì %ä…%ã% 2ìK!=. o!, ƒ=C,“, %2äëü…%L C=!2,, ƒ=C,“ü “% “2,ëì, " ƒ=",“,ì%“2, %2 "/K!=……%L C=!2,,, ì%›2 C!,"“2, * %ä…%"!ì……%L ƒ=C,“, ,“C%ë……, “ *ë=",=23!/ , “2,ë …= %ä…3 ä%!%›*3. dë ƒ=C,“, %2äëü…/. C=!2,L !*%ì…ä32“ %2*ëþ÷=2ü “2,ëü. }--*2 (“2!. 40) C!,ì… 2“ 2%ëü*% * "!.…L ,ë, …,›…L C=!2,,, *%2%!/ ,“C%ë… þ2“ " !=ëü…%ì "!ì…,. }--*2 … C!,ì… 2“ * ä=……/ì ƒ=C,“=……%L Cü“/. Part o=!2, äë ƒ=C,“, 1 $ 16 Tone m%ì! 2ìK!= äë *=›ä%L C=!2,, Mute g=ãë3ø…, (ìüþ2,!%"=…,) äë *=›ä%L C=!2,, Solo q%ë,!%"=…, äë *=›ä%L C=!2,, b/K,!=L2 …3›…/ 2ìK!/, *%2%!/ …%K.%ä,ì% ,“C%ëüƒ%"=2ü " Cü“. hƒì…,2ü 2ìK! !=… ƒ=C,“=……/. C=!2,L …ëüƒ . 8. m=›ì,2 …= *…%C*3 [SONG REC]. o%ä“"2*= *…%C*, [SONG REC] …=÷…2 ì,ã=2ü. n2%K!=ƒ,2“ .*!=……= “2!=…,ö= Song Rec. o!, ƒ=C,“, …%"%L Cü“/ … …3›…% äë=2ü …,*=*,. …=“2!%*. o!.%ä,2 * “ëä3þ?ì3 ø=ã3. 9. m=›ì,2 [ ] äë …=÷=ë= ƒ=C,“,. 10. hã!=L2. 11. m=›ì,2 [ ] äë %“2=…%"*, ƒ=C,“,. 27
- Page 1 and 2: p3*%"%ä“2"% C%ëüƒ%"=2ë 201a
- Page 3 and 4: o!=",ë= 2.…,*, Kƒ%C=“…%“2
- Page 5 and 6: =›…/ ƒ=ì÷=…, Ïîìèìî
- Page 7 and 8: n“…%"…/ .=!=*2!,“2,*, hä=
- Page 9 and 10: K%! , C!%,ã!/"=…, %ä…%L Cü
- Page 11 and 12: nC,“=…, C=…ëL 15. d,“CëL
- Page 13 and 14: "ä…, n“…%"/ !=K%2/ “ Prelu
- Page 15 and 16: "ä…, fig.codef.eps Òûëüíà
- Page 17 and 18: "ä…, o!%“ë3ø,"=…, äì%…
- Page 19 and 20: hã!= …= *ë=",=23! hã!= …= *
- Page 21 and 22: hã!= …= *ë=",=23! o=!=ì2! nC,
- Page 23 and 24: p=K%2= “ =**%ìC=…ì…2%ì b/K
- Page 25: p=K%2= “ =**%ìC=…ì…2%ì o=!
- Page 29 and 30: p=K%2= “ =**%ìC=…ì…2%ì 4.
- Page 31 and 32: p=K%2= “ =**%ìC=…ì…2%ì MP3
- Page 33 and 34: p=K%2= “ =**%ìC=…ì…2%ì pä
- Page 35 and 36: o!-%!ì=…“/ , .--*2/ t3…*ö,
- Page 37 and 38: o!-%!ì=…“/ , .--*2/ 4. j…%C*
- Page 39 and 40: o!-%!ì=…“/ , .--*2/ o=!=ì2! g
- Page 41 and 42: o!-%!ì=…“/ , .--*2/ q2!. nC,
- Page 43 and 44: p=K%2= “ MIDI MIDI Parameters o=!
- Page 45 and 46: q,“2ì…/ …=“2!%L*, o=!=ì2!
- Page 47 and 48: q,“2ì…/ …=“2!%L*, q2!=…,
- Page 49 and 50: p=K%2= “ USB-…=*%C,2ëì rä=ë
- Page 51 and 52: n -3…*ö,, V-LINK o=!=ì2! g…=
- Page 53 and 54: Appendices r“2!=……, …C%ë=
- Page 55 and 56: q%%K?…, %K %ø,K*=. b “ë3÷= %
- Page 57 and 58: g…=÷…, 4Note’ g…=÷…, %C
- Page 59 and 60: 05: SUPER FILTER t,ëü2! “ %÷
- Page 61 and 62: 11: PHASER q2!%-=ƒ!. qìø,"=…,
- Page 63 and 64: 18: AUTO PAN 0,*ë,÷“*% C=…%!=
- Page 65 and 66: 24: FLANGER q2!%-%…,÷“*,L -ë.
- Page 67 and 68: 30: 3D FLANGER Š!.ì!…/L .--*2 -
- Page 69 and 70: 35: OVERDRIVE l ã*,L C!ã!3ƒ (%"!
- Page 71 and 72: 43: DELAY q2!%-%…,÷“*,L .--*2
- Page 73 and 74: 49: MULTI TAP DELAY }--*2 ,ƒ ÷2/!
- Page 75 and 76: 55: TAPE ECHO hì,2=ö, ë…2%÷
- Page 77 and 78:
62: d"%L…%L “ä",ã "/“%2/
- Page 79 and 80:
69: DISTORTION → CHORUS o=!=ì2!/
- Page 81 and 82:
77: CHORUS → FLANGER fig.MFX-77 7
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o=!=ì2!/ !"!K!=2%!= q C%ì%?üþ .
- Page 85 and 86:
1. hì j=2ã%!, MSB LSB PC 151 Chap
- Page 87 and 88:
1. hì j=2ã%!, MSB LSB PC 459 Stim
- Page 89 and 90:
1. hì j=2ã%!, MSB LSB PC 767 Meta
- Page 91 and 92:
1. hì j=2ã%!, MSB LSB PC 1075 Met
- Page 93 and 94:
c!3CC= Preset 1153 GW Std Kit 1154
- Page 95 and 96:
1165 Limiter Kit 1166 HipHop Kit 1
- Page 97 and 98:
1177 Snare Menu 1178 Snr/Rim Menu 1
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c!3CC= GM Note No. 27 28 29 30 31 3
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dk“ g`leŠnj 101
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p=“C%ƒ…="=…, =**%!ä%" ● =
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Š.…,÷“*, .=!=*2!,“2,*, Prel
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Äàííûé ïðîäóêò îòâ