Prelude - Roland

p3*%"%ä“2"% C%ëüƒ%"=2ë 

201a 

d% …=÷=ë= !=K%2/ C!%÷2,2 "…,ì=2ëü…% !=ƒäë/ œo!=",ë= 2.…,*, Kƒ%C=“- 

…%“2,B (“2!. 3) , œb=›…/ ƒ=ì÷=…, B (“2!. 5). b …,. “%ä!›,2“ "=›…= ,…-%!- 

ì=ö, C% %K!=?…,þ “ C!,K%!%ì. )2%K/ ä=ëü…Lø= !=K%2= K/ë= ä%ëã%L , 

Cë%ä%2"%!…%L, C!%÷2,2 ä=……% p3*%"%ä“2"% %2 …=÷=ë= , ä% *%…ö=. q%.!=…,2 

ã% " *=÷“2" “C!="%÷…,*= C% !=K%2 “ C!,K%!%ì. 

nK%ƒ…=÷…, , ,“C%ëüƒ3ì/ " p3*%"%ä“2" 

m=ƒ"=…, *…%C%* ƒ=*ëþ÷…/ " *"=ä!=2…/ “*%K*, [ ]. o!,ì!: [ENTER]. 

q“/ë*, …= “2!=…,ö/ p3*%"%ä“2"= %K%ƒ…=÷…/ *=* (“2!. **). 

b p3*%"%ä“2" ,“C%ëüƒ3þ2“ “ëä3þ?, C,*2%ã!=ìì/: 

b=›…% ƒ=ì÷=…,. o!%÷2,2 %K ƒ=2ëü…%. 

d%C%ë…,2ëü…% 3*=ƒ=…, …= C=!=ì2! ,ë, -3…*ö,þ. o!%÷2,2 C% ›ë=…,þ. 

o%ëƒ…/L “%"2. o!%÷2,2 C% ›ë=…,þ. 

qC!="%÷…= ,…-%!ì=ö, . o!%÷2,2 C% ›ë=…,þ. 

nKA “……, 2!ì,…=. o!%÷2,2 C% ›ë=…,þ. 

* d --.% 03*.".$12". 1.$%0&(2 (++>120 6((, - *.2.0;5 /.* ' -. ('.!0 &%-(% - $(1/+%% 

/0(!.0 . h,%)2% " "($3, 72. - /0(!.0 ,.&%2 !;2< 312 -."+%- !.+%% -." ? "%01(? 

./%0 6(.--.) 1(12%,; (- /0(,%0, 1 -.";,( 2%,!0 ,(), /.=2.,3 0% +

ÂÀÆÍÎ: ÄËß ÌÀÐÊÈÐÎÂÊÈ ÏÐÎÂÎÄÎÂ ÊÀÁÅËß ÏÈÒÀÍÈß ÈÑÏÎËÜÇÓÅÒÑß ÑËÅÄÓÞÙÀß ÖÂÅÒÎÂÀß ÑÕÅÌÀ: 

ÑÈÍÈÉ: 

ÊÎÐÈ×ÍÅÂÛÉ: 

ÍÎËÜ 

ÔÀÇÀ 

Ïîñêîëüêó öâåò ïðîâîäîâ êàáåëÿ ìîæåò íå ñîâïàäàòü ñ ìàðêèðîâêîé êîíòàêòîâ âíåøíåãî îáîðóäîâàíèÿ, ïîìíèòå: 

ÑÈÍÈÉ ïðîâîä ïîäêëþ÷àåòñÿ ê êîíòàêòó, îáîçíà÷åííîìó áóêâîé N èëè îêðàøåííîìó â ×ÅÐÍÛÉ öâåò. 

ÊÎÐÈ×ÍÅÂÛÉ ïðîâîä ïîäêëþ÷àåòñÿ ê êîíòàêòó, îáîçíà÷åííîìó áóêâîé L èëè îêðàøåííîìó â ÊÐÀÑÍÛÉ öâåò. 

Íè ïðè êàêèõ îáñòîÿòåëüñòâàõ íå ïîäêëþ÷àéòå íè îäèí èç âûøåóêàçàííûõ ïðîâîäîâ ê çàçåìëÿþùåìó êîíòàêòó 

ñòàíäàðòíîé òðåõêîíòàêòíîé âèëêè.

o!=",ë= 2.…,*, Kƒ%C=“…%“2, 

002c 

• m "“*!/"=L2 , … ì%ä,-,ö,!3L2 C!,K%! ,ë, 

=ä=C2! C,2=…, . 

................................................................................................................................ 

003 

• m C/2=L2“ü !ì%…2,!%"=2ü C!,K%! ,ë, ƒ=ì… 2ü 

*=*,-ë,K% ä2=ë, "…32!, …ã% (ƒ= ,“*ëþ÷…,ì 

“ë3÷=", “Cö,=ëü…% %ã%"%!……/. " ä=……%ì 

p3*%"%ä“2"). b“ “!",“…% %K“ë3›,"=…, ä%ë›…% 

%“3?“2"ë 2ü“ 2%ëü*% " “!",“…/. ö…2!=. Roland 

,ë, 3 ="2%!,ƒ%"=……/. ä,“2!,Küþ2%!%". 

................................................................................................................................ 

004 

• mä%C3“2,ì% .!=……,/,“C%ëüƒ%"=…, C!,K%!=: 

• b …Kë=ã%C!, 2…/. 2ìC!=23!…/. 3“ë%", . 

(C! ì%L “%ë…÷…/L “"2 " ƒ=*!/2%ì C%ì?…,,, 

"Kë,ƒ, %K%ã!"=2ëü…/. 3“2!%L“2", …= C%"!.- 

…%“2, “,ëü…% …=ã!"=þ?,.“ C!,K%!%"); 

• b 3“ë%", . C%"/ø……%L "ë=›…%“2, ("=……/, 

ì%L*,, ì%*!/ C%ë/); 

• b “,ëü…% ƒ=C/ë……/. C%ì?…, .; 

• bKë,ƒ, ,“2%÷…,*%" C=!= ,ë, ä/ì=; 

• b ì“2=. “ !,“*%ì C%C=ä=…, “%ë, …= *%!C3“ 

C!,K%!=; 

• m= %2*!/2%ì "%ƒä3. "% "!ì ä%›ä ; 

• bKë,ƒ, ,“2%÷…,*%" “,ëü…%L ",K!=ö,,. 

................................................................................................................................ 

005 

• d=……/L C!,K%! “ëä32 ,“C%ëüƒ%"=2ü 2%ëü*% “% 

“2%L*%L ,ë, !.*%"/ì ø*=-%ì, !*%ì…ä%"=……/ì, 

*%ìC=…,L Roland. 

................................................................................................................................ 

006 

• rKä,2“ü, ÷2% “2%L*= C!,K%!= 3“2%L÷,"% !=“C%- 

ë%›…= …= !%"…%L …C%ä",›…%L C%"!.…%“2, , 

…=ä›…% ƒ=?,?…= %2 C=ä…, ,ë, “ë3÷=L…%ã% 

C!ì?…, . o!, !=K%2 Kƒ “2%L*, 3Kä,2“ü, 

÷2% C!,K%! 3“2=…%"ë… …= !%"…3þ …C%ä",›…3þ 

C%"!.…%“2ü, “C%“%K…3þ …=ä›…% 3ä!›,"=2ü 

C!,K%!. 

................................................................................................................................. 

008c 

• h“C%ëüƒ3L2 2%ëü*% =ä=C2! C,2=…, , ".%ä ?,L " 

*%ìCë*2 C%“2="*, C!,K%!=. rKä,2“ü, ÷2% …=C! - 

›…, " .ë*2!%“2, “%"C=ä=2 “ 3*=ƒ=……/ì …= 

*%!C3“ =ä=C2!=. d!3ã, =ä=C2!/ ì%ã32 ,ì2ü 

C!%2,"%C%ë%›…3þ C%ë !…%“2ü ,ë, K/2ü !=““÷,- 

2=……/ì, …= ä!3ã% …=C! ›…,. o!, .2%ì 

"%ƒ…,*=2 %C=“…%“2ü C%!=›…, C%ëüƒ%"=2ë .ë*2!,÷“*,ì 

2%*%ì , "/.%ä= %K%!3ä%"=…, ,ƒ “2!% . 

................................................................................................................................. 

008e 

• o%ëüƒ3L2“ü 2%ëü*% ".%ä ?,ì " *%ìCë*2 C%“2="*, 

“2"/ì *=Këì. m ,“C%ëüƒ3L2 .2%2 *=Këü “ 

ä!3ã,ì %K%!3ä%"=…,ì. 

................................................................................................................................. 

009 

• m C!*!3÷,"=L2 , … C!ã,K=L2 *=Këü 

C,2=…, , … “2="ü2 …= …ã% 2 ›ë/ C!äì2/. b 

C!%2,"…%ì “ë3÷= ì%›2 C!%,ƒ%L2, C%"!›ä…, 

,ƒ%ë ö,, ,ë, *%!%2*% ƒ=ì/*=…,. o%"!›ä……/L 

*=Këü ì%›2 “2=2ü C!,÷,…%L C%›=!= ,ë, 

C%!=›…, .ë*2!,÷“*,ì 2%*%ì! 

................................................................................................................................. 

010 

• d=……/L C!,K%!, “=ì C% “K ,ë, " *%ìK,…=ö,, “ 

3“,ë,2ëì , …=3ø…,*=ì,/ä,…=ì,*=ì,, ì%›2 

"%“C!%,ƒ"%ä,2ü ƒ"3* “ ã!%ì*%“2üþ, “C%“%K…%L 

"/ƒ"=2ü äë,2ëü…3þ C%2!þ “ë3.= m ,ã!=L2 ä%ëã% 

…= "/“%*%L ã!%ì*%“2,. e“ë, …=Këþä=2“ “…,›…, 

%“2!%2/ “ë3.= ,ë, ƒ"%… " 3ø=., …ìäë……% 

"/*ëþ÷,2 %K%!3ä%"=…, , %K!=2,2“ü * "!=÷3. 

................................................................................................................................. 

3

011 

• m ä%C3“*=L2 C%C=ä=…, "…32!ü C!,K%!= C%“2%- 

!%……,. %KA*2%" (ã%!þ÷, ì=2!,=ë/, ì%…2/, 

K3ë="*, , 2.ä.) ,ë, ›,ä*%“2L ("%ä=, …=C,2*, , 2.ä.). 

................................................................................................................................ 

012b 

• mìäë……% %2*ëþ÷,2 C,2=…,, ,ƒ"ë*,2 =ä=C2! 

,ƒ !%ƒ2*, , %K!=2,2“ü C% ì“23 C!,%K!2…, 

C!,K%!=, " “!",“…/L ö…2! ,ë, * ="2%!,ƒ%- 

"=……%ì3 ä,“2!,Küþ2%!3 Roland, “ë,: 

• o%"!›ä… =ä=C2! C,2=…, , *=Këü C,2=…, 

,ë, ",ë*= *=Kë ; 

• o% ",ë“ ä/ì ,ë, …%K/÷…/L ƒ=C=.; 

• b…32!ü C!,K%!= C%C=ë, C%“2%!%……, C!äì2/ ,ë, K/ë= 

C!%ë,2= ›,ä*%“2ü; 

• o!,K%! … !=K%2=2 " …%!ì=ëü…%ì !›,ì ,ë, " ã% !=K%2 

C!%,ƒ%øë, “3?“2"……/ ,ƒì……, . 

................................................................................................................................ 

013 

• b ì“2=., ãä “2ü ì=ë…ü*, ä2,, "ƒ!%“ë/ 

ä%ë›…/ …=Këþä=2ü ƒ= …,ì, ä% 2. C%!, C%*= ä2, 

… 3“"% 2 "“ C!=",ë= Kƒ%C=“…%ã% %K!=?…, “ 

%K%!3ä%"=…,ì. 

................................................................................................................................ 

014 

• nK!ã=L2 C!,K%! %2 “,ëü…/. 3ä=!%" (… !%… L2 

ã%!). 

................................................................................................................................ 

015 

• m "*ëþ÷=L2 *=Këü C,2=…, " !%ƒ2*3, * *%2%!%L 

3› C%ä*ëþ÷…% ì…%ã% .ë*2!%C!,K%!%". a3äü2 

%“%K……% "…,ì=2ëü…/ C!, ,“C%ëüƒ%"=…,, 3äë,…,- 

2ëL # “%"%*3C…= ì%?…%“2ü C%ä*ëþ÷……/. 

C!,K%!%" (b2/À) … ä%ë›…= C!"/ø=2ü C=“C%!2…3þ. 

hƒK/2%÷…= …=ã!3ƒ*= ì%›2 C!,"“2, * C!ã!"3 *=Kë , 

C%"!›ä…,þ ,ƒ%ë ö,,. 

................................................................................................................................ 

016 

• o!, .*“Cë3=2=ö,, " “2!=…, %2ë,÷…%L %2 “2!=…/- 

C!%,ƒ"%ä,2ë , C!%*%…“3ëü2,!3L2“ü “ C!%ä="ö%ì, 

Kë,›=Lø,ì “!",“…/ì ö…2!%ì ,ë, ="2%!,ƒ%- 

"=……/ì ä,“2!,Küþ2%!%ì Roland. 

................................................................................................................................ 

023 

• mh b jnel qkr)Àe … "%“C!%,ƒ"%ä,2 ".%ä ?,L 

" *%ìCë*2 C%“2="*, ä,“* CD-ROM …= %K/÷…%ì 

CD-C!%,ã!/"=2ë. b C!%2,"…%ì “ë3÷= "%ƒ…,*=2 

!,“* C%"!›ä…, “ë3.=, = 2=*› "/.%ä= ,ƒ “2!% 

ä,…=ì,*%" , ä!3ã,. .ë*2!%……/. *%ìC%……2. 

................................................................................................................................ 

101b 

• o!,K%! , =ä=C2! C,2=…, ä%ë›…/ K/2ü 

!=ƒì?…/ 2=*, ÷2%K/ %K“C÷,2ü .%!%ø3þ "…2,- 

ë ö,þ. 

................................................................................................................................. 

101c 

• Prelude C!ä…=ƒ…=÷… 2%ëü*% äë ,“C%ëüƒ%"=…, “% 

“2%L*%L (,ë, 2ë›*%L) Roland KS-12. h“C%ëüƒ%- 

"=…, ä!3ã,. “2%* ,ë, 2ë›* ì%›2 C!,"“2, * 

"/.%ä3 C!,K%!= ,ƒ “2!% . 

................................................................................................................................. 

• o!, "*ëþ÷…,,/%2*ëþ÷…,, C,2=…, C!,K%!= 

"“ãä= ä!›,2“ü ƒ= ",ë*3, = … ƒ= “=ì *=Këü. 

................................................................................................................................. 

103b 

• pã3ë !…% %2“%ä,… L2 =ä=C2! C,2=…, %2 “2, , 

"/2,!=L2 “3.%L 2*=…üþ äë 3ä=ë…, C/ë, , ã! ƒ, “ 

*%…2=*2%". n2*ëþ÷=L2 =ä=C2! %2 “2, " “ë3÷=, 

“ë, C!,K%! äë,2ëü…% "!ì … ,“C%ëüƒ32“ . 

o%C=ä=…, C/ë, ì›ä3 *%…2=*2=ì, ",ë*, , !%ƒ2*, 

.ë*2!%C,2=…, ì%›2 “2=2ü C!,÷,…%L C%›=!=. 

................................................................................................................................. 

104 

• o!ä%2"!=?=L2 C!ã,K=…, *=KëL. b“ *=Kë, 

ä%ë›…/ .!=…,2ü“ " ì“2=., …ä%“23C…/. äë ä2L. 

................................................................................................................................. 

106 

• m "“2="=L2 …= C!,K%! , … *ë=ä,2 …= …ã% 

2 ›ë/. C!äì2%". 

................................................................................................................................. 

107c 

• m,*%ãä= … "*ëþ÷=L2/%2*ëþ÷=L2 =ä=C2! C,2=…, 

ì%*!/ì, !3*=ì,. 

................................................................................................................................. 

108b 

• o!, C!ì?…,, C!,K%!= %2“%ä,…,2 %2 …ã% 

=ä=C2! C,2=…, , "“ *=Kë, %2 "…ø…,. 3“2!%L“2". 

................................................................................................................................. 

109b 

• o!ä ÷,“2*%L C!,K%!= %2*ëþ÷,2 C,2=…, , 

%2“%ä,…,2 =ä=C2! %2 “2, (“2!. 14). 

................................................................................................................................. 

110b 

• b “ë3÷= C!,Kë,›…, ã!%ƒ/ %2*ëþ÷,2 =ä=C2! 

C,2=…, %2 “2,. 

................................................................................................................................. 

4

=›…/ ƒ=ì÷=…, 

Ïîìèìî ïðàâèë, èçëîæåííûõ â ðàçäåëå “Òåõíèêà áåçîïàñíîñòè” (ñòð. 3), ñëåäóåò ñîáëþäàòü ñëåäóþùèå óêàçàíèÿ: 

}ë*2!%C,2=…, 

• m C%ä*ëþ÷=L2 ä=……/L C!,K%! * ,“2%÷…,*3 .ë*2!%C,2=…, , * 

*%2%!%ì3 3› C%ä*ëþ÷…/ .ë*2!%C!,K%!/, " *%…“2!3*ö,, 

*%2%!/. ,“C%ëüƒ3þ2“ C!%K!=ƒ%"=2ë, …=C! ›…, (…=C!,ì!, 

.%ë%ä,ëü…,*,, “2,!=ëü…/ ì=ø,…/, ì,*!%"%ë…%"/ C÷, ,ë, 

*%…ä,ö,%…!/) ,ë, .ë*2!%ä",ã=2ë,. b ƒ=",“,ì%“2, %2 3“ë%",L 

,“C%ëüƒ%"=…, “2"/ …="%ä*, ì%ã32 "/ƒ"=2ü C% "ë…, 

ø3ì%"/. C%ì.. e“ë, ,“C%ëüƒ%"=2ü %2äëü…3þ !%ƒ2*3 …"%ƒì%›…%, 

…%K.%ä,ì% C%ä*ëþ÷,2ü “2"%L -,ëü2! ì›ä3 !%ƒ2*%L 

, ä=……/ì C!,K%!%ì. 

• b C!%ö““ !=K%2/ =ä=C2! C,2=…, ì%›2 ä%"%ëü…% “,ëü…% 

…=ã!"=2ü“ . }2% …%!ì=ëü…% , …,“C!="…%“2üþ … "ë 2“ . 

• o!ä C%ä*ëþ÷…,ì Prelude * ä!3ã,ì 3“2!%L“2"=ì “ëä32 

%2*ëþ÷,2ü .ë*2!%C,2=…, "“. C!,K%!%". }2% C%ƒ"%ë,2 

,ƒK›=2ü C%"!›ä…, ä,…=ì,*%" , ä!3ã,. 3“2!%L“2". 

• o!,K%! ì%›2 "ë 2ü“ ,“2%÷…,*%ì C%ì. äë 2ë- , !=ä,%C!,- 

ì…,*%". m 3“2=…="ë,"=L2 ã% Kë,ƒ*% %2 %K%!3ä%"=…, 

C%ä%K…%ã% 2,C=. 

• e“ë, "Kë,ƒ, C!,K%!= ,“C%ëüƒ3þ2“ K“C!%"%ä…/ 3“2!%L“2"=, 

…=C!,ì!, ì%K,ëü…/ 2ë-%…/, ì%›2 C% ",2ü“ C%“2%!%……,L 

ø3ì. n… "%ƒ…,*=2 " “ë3÷= C!%.%›ä…, ".%ä ?ã%/,“.%ä ?ã% 

“,ã…=ë=, = 2=*› "% "!ì !=ƒã%"%!=. e“ë, .2% C!%,ƒ%øë%, 

…%K.%ä,ì% !=“C%ë%›,2ü K“C!%"%ä…/ 3“2!%L“2"= *=* ì%›…% 

ä=ëüø %2 C!,K%!= ,ë, %2*ëþ÷,2ü ,.. 

p=“C%ë%›…, 

• o!, ,“C%ëüƒ%"=…,, C!,K%!= "Kë,ƒ, %2 3“,ë,2ëL (,ë, ,…/. 

3“2!%L“2", “%ä!›=?,. ì%?…/ 2!=…“-%!ì=2%!/) ì%ã32 

"%ƒ…,*…32ü …="%ä*,. )2%K/ !=ƒ!ø,2ü ä=……3þ C!%Këì3, 

,ƒì…,2 !=“C%ë%›…, C!,K%!%" ,ë, 3“2=…%",2 ,. *=* ì%›…% 

ä=ëüø ä!3ã %2 ä!3ã=. 

• o!,K%! ì%›2 "ë 2ü“ ,“2%÷…,*%ì C%ì. äë 2ë- , !=ä,%C!,- 

ì…,*%". m 3“2=…="ë,"=L2 ã% Kë,ƒ*% %2 %K%!3ä%"=…, 

C%ä%K…%ã% 2,C=. 

• e“ë, "Kë,ƒ, C!,K%!= ,“C%ëüƒ3þ2“ K“C!%"%ä…/ 3“2!%L“2"=, 

…=C!,ì!, ì%K,ëü…/ 2ë-%…/, ì%›2 C% ",2ü“ C%“2%!%……,L 

ø3ì. n… "%ƒ…,*=2 " “ë3÷= C!%.%›ä…, ".%ä ?ã%/,“.%ä ?ã% 

“,ã…=ë=, = 2=*› "% "!ì !=ƒã%"%!=. e“ë, .2% C!%,ƒ%øë%, 

…%K.%ä,ì% !=“C%ë%›,2ü K“C!%"%ä…/ 3“2!%L“2"= *=* ì%›…% 

ä=ëüø %2 C!,K%!= ,ë, %2*ëþ÷,2ü ,.. 

• m !=ƒì?=L2 C!,K%! " ì“2=. C! ì%ã% C%C=ä=…, “%ë…÷…%ã% 

“"2=, … %“2="ë L2 ã% "…32!, ƒ=*!/2%ã% ="2%ì%K,ë , … 

C%ä"!ã=L2 "%ƒäL“2",þ C%"/ø……%L 2ìC!=23!/. n2 

C!ã!"= ì=2!,=ë *%!C3“= ì%›2 ä-%!ì,!%"=2ü“ ,ë, 

,ƒì…,2ü ö"2. 

• o!, C!ì?…,, C!,K%!= ,ƒ %ä…%ã% ì“2= " ä!3ã% “% ƒ…=÷,- 

2ëü…/ì C!C=ä%ì 2ìC!=23!/ ,/,ë, "ë=›…%“2, "…32!, 

C!,K%!= ì%ã32 %K!=ƒ%"=2ü“ *=Cë, "%ä/ (*%…ä…“=2). b .2%ì 

“ë3÷= "*ëþ÷…, C!,K%!= ì%›2 C!,"“2, * ã% "/.%ä3 ,ƒ 

“2!% . o!›ä ÷ì "*ëþ÷=2ü C!,K%!, “ëä32 C%ä%›ä=2ü 

…“*%ëü*% ÷=“%", ÷2%K/ ä=2ü *%…ä…“=23 ,“C=!,2ü“ . 

• m *ë=ä,2 …= *ë=",=23!3 …,*=*,. C!äì2%". b C!%2,"…%ì 

“ë3÷= ì%ã32 "%ƒ…,*=2ü !=ƒë,÷…/ …C%ë=ä*,, …=C!,ì!, …%›,- 

ä=……% "%“C!%,ƒ"ä…, ƒ"3*=. 

• b ƒ=",“,ì%“2, %2 2ìC!=23!/ , ì=2!,=ë= C%"!.…%“2,, …= 

*%2%!3þ 3“2=…%"ë… C!,K%!, ã% !ƒ,…%"/ …%›*, ì%ã32 

%“2="ë 2ü ƒ=ì2…/ “ëä/. )2%K/ ,ƒK›=2ü .2%ã%, ì%›…% 

C%äë%›,2ü C%ä …%›*, C!,K%!= *3“*, K3ì=ã, ,ë, 2*=…,. o!, .2%ì 

“ëä,2 ƒ= 2ì, ÷2%K/ C!,K%! … “%“*%ëüƒ…3ë , … 3C=ë. 

nK“ë3›,"=…, 

• dë %÷,“2*, C!,K%!= ,“C%ëüƒ3L2 ì ã*3þ “3.3þ ,ë, “ëã*= 

“ì%÷……3þ "%ä%L 2*=…ü. dë 3ä=ë…, ƒ=“%.øL ã! ƒ, ,“C%ëüƒ3L2 

2*=…ü, “ì%÷……3þ ì ã*,ì … “%ä!›=?,ì =K!=ƒ,"%" 

ì%þ?,ì “!ä“2"%ì. o%“ë .2%ã% %K ƒ=2ëü…% C!%2!,2 C%"!.- 

…%“2ü ì ã*%L “3.%L 2*=…üþ. 

• m,*%ãä= … ,“C%ëüƒ3L2 äë ÷,“2*, K…ƒ,…, !=“2"%!,2ë,, ,ë, 

=ë*%ã%ëü. b .2%ì “ë3÷= %2äë*= *%!C3“= ì%›2 K/2ü 

C%"!›ä…=. 

pì%…2 , ä=……/ 

• e“ë, …,“C!="…/L C!,K%! %2ä=… " !ì%…2, "“ ,…-%!ì=ö, ,ƒ 

"…32!……L C=ì 2, ì%›2 K/2ü 32! …=. b=›…/ ä=……/ “ëä32 

“%.!=… 2ü …= USB-…%“,2ë ,ë, ƒ=C,“/"=2ü …= K3ì=ã3 (C!, 

"%ƒì%›…%“2,). b C!%ö““ !ì%…2= “Cö,=ë,“2/ *%ìC=…,, Roland 

C!,ë=ã=þ2 "“ 3“,ë, , ÷2%K/ ,ƒK›=2ü C%2!, ä=……/.. Šì … 

ì…, “%.!=…,2ü ä=……/ "%ƒì%›…% … "“ãä=. j%ìC=…, Roland 

… …“2 %2"2“2"……%“2, ƒ= C%2!þ ,…-%!ì=ö,, , "%ƒì%›…/ 

C%“ëä“2", .2%ã%. 

b%““2=…%"ë…, C=ì 2, 

d%C%ë…,2ëü…/ ƒ=ì÷=…, 

• b !ƒ3ëü2=2 …,“C!="…%“2, ,…“2!3ì…2= ,ë, …C!=",ëü…%ã% 

%K!=?…, “ …,ì “%ä!›,ì% "…32!……L C=ì 2, ì%›2 K/2ü 

Kƒ"%ƒ"!=2…% 32! …%. )2%K/ .2%ã% … C!%,“.%ä,ë%, “%.!=… L2 

"=›…/ ä=……/ …= USB-…=*%C,2ëü. 

• j “%›=ë…,þ, “%ä!›,ì% "…32!……L C=ì 2, Prelude ,ë, 

ä=……/ “ USB-…=*%C,2ë … ì%ã32 K/2ü "%““2=…%"ë…/ " “ë3÷= 

32!,. j%ìC=…, Roland Europe … …“2 %2"2“2"……%“2, " 

“ë3÷= 32!, ä=……/.. 

• nK!=?=L2“ü =**3!=2…% “ *…%C*=ì, , “ë=Lä!=ì,, = 2=*› “ 

!=ƒAì=ì, , ø2*!=ì, C!,K%!=. b C!%2,"…%ì “ë3÷= %K%!3ä%- 

"=…, ì%›2 K/2ü C%"!›ä…%. 

• m,*%ãä= … KL2 C% C%"!.…%“2, ä,“Cë , … …=›,ì=L2 …= 

…‘. 

• o!, C%ä*ëþ÷…,,/%2*ëþ÷…,, *=KëL "“ãä= ä!›,2“ü ƒ= 

!=ƒAì , …,*%ãä= … 2 …,2 ƒ= *=Këü. b C!%2,"…%ì “ë3÷= 

ì%›2 C!%,ƒ%L2, *%!%2*% ƒ=ì/*=…, ,ë, %K!/" C!%"%ä= "…32!, 

*=Kë . 

• )2%K/ … K“C%*%,2ü “%“äL, 3“2=…="ë,"=L2 ã!%ì*%“2ü " 

!=ƒ3ì…/. C!äë=.. b%ƒì%›…%, ,ì2 “ì/“ë "%“C%ëüƒ%"=2ü“ 

…=3ø…,*=ì, (%“%K……% C!, ,ã! …%÷üþ). 

• o!, 2!=…“C%!2,!%"* %K%!3ä%"=…, C% "%ƒì%›…%“2, ,“C%ëüƒ3L2 

ƒ="%ä“*3þ 3C=*%"*3 ("*ëþ÷= "…32!……, C!%*ë=ä*,). e“ë, 

…2, ,“C%ëüƒ3L2 “.%›, 3C=*%"%÷…/ ì=2!,=ë/. 

• o!, !=K%2 “% “2%L*%L … C!,ë=ã=L2 * …L ,ƒë,ø…,. 3“,ë,L. 

• h“C%ëüƒ3L2 2%ëü*% %C!äë……3þ ì%äëü Cä=ë, .*“C!““,, 

(EV-5, C!,%K!2=2“ %2äëü…%). o!, !=K%2 “ ä!3ã,ì, ì%äë ì, 

Cä=ëL "%ƒ…,*=2 !,“* "/.%ä= %K%!3ä%"=…, ,ƒ “2!% . 

• m*%2%!/ *%ìì32=ö,%……/ *=Kë, “%ä!›=2 !ƒ,“2%!/. m 

,“C%ëüƒ3L2 C%ä%K…/ *=Kë, “ ä=……/ì C!,K%!%ì. b C!%2,"…%ì 

“ë3÷= 3!%"…ü ã!%ì*%“2, ì%›2 %*=ƒ=2ü“ ÷!ƒ"/÷=L…% …,ƒ*,ì. 

g= ,…-%!ì=ö,L % .=!=*2!,“2,*=. *=Kë %K!=?=L2“ü * 

*%ìC=…,,-C!%,ƒ"%ä,2ëþ. 

• )3"“2",2ëü…%“2ü *%…2!%ëë!= D-Beam ,ƒì… 2“ " ƒ=",“,ì%“2, 

%2 3!%"… %“"?……%“2, "Kë,ƒ, C!,K%!=. e“ë, *%…2!%ëë! 

!=K%2=2 …*%!!*2…%, …=“2!%L2 ã% ÷3"“2",2ëü…%“2ü “%%2"2“- 

2"……% 3!%"…þ %“"?……%“2,. 

5

=›…/ ƒ=ì÷=…, 

p=K%2= “ USB 

• o!, C%ä*ëþ÷…,, USB-…=*%C,2ë =**3!=2…% "“2="ë L2 ã% " 

“ë%2 ä% 3C%!=. 

• m C!,*=“=L2“ü * *%…2=*2=ì USB-…=*%C,2ë , … ä%C3“*=L2 ,. 

ƒ=ã! ƒ……, . 

• USB-…=*%C,2ë, “%ä!›=2 "/“%*%2%÷…/ .ë*2!%……/ *%ìC%- 

……2/, C%.2%ì3 C!, %K!=?…,, “ …,ì, “%Këþä=L2 “ëä3þ?, 

C!=",ë=: 

• )2%K/ ,ƒK›=2ü C%"!›ä…, USB-…=*%C,2ë “2=2,÷“*,ì 

.ë*2!,÷“2"%ì, C!ä !=K%2%L “ …,ì “…,ì,2 “ 2ë= , 

%ä›ä/ "%ƒì%›…/L ƒ=! ä (ä%2!%…ü2“ü ä% ì2=ëë,÷“*%ã% 

C!äì2=). 

• m C!,*=“=L2“ü * *%…2=*2=ì USB-…=*%C,2ë !3*=ì, ,ë, 

ì2=ëë,÷“*,ì, C!äì2=ì,. 

• m “ã,K=L2 , … K!%“=L2 USB-…=*%C,2ë,, … C%ä"!ã=L2 

,. "%ƒäL“2",þ “,ëü…/. 3ä=!%". 

• m C%ä"!ã=L2 USB-…=*%C,2ë, "%ƒäL“2",þ C! ì/. 

“%ë…÷…/. ë3÷L, … %“2="ë L2 ,. " ƒ=*!/2/. ="2%ì%K,ë . 

,ë, ä!3ã,. =…=ë%ã,÷…/. ì“2=.. ŠìC!=23!= .!=……, USB- 

…=*%C,2ëL: 0 $ 50 0 C. 

• m ä%C3“*=L2 C%C=ä=…, "ë=ã, …= USB-…=*%C,2ë,. 

• m !=ƒK,!=L2 USB-…=*%C,2ë, , … ì%ä,-,ö,!3L2 ,.. 

• b“2="ë L2 USB-…=*%C,2ëü " !=ƒAì Cë="…%, … C!,ë=ã= 

,ƒë,ø…,. 3“,ë,L. b C!%2,"…%ì “ë3÷= USB-!=ƒAì ì%›2 K/2ü 

C%"!›ä…. 

• m C/2=L2“ü "“2=",2ü " USB-!=ƒAì C%“2%!%……, C!äì2/ 

(ì%…2/, C!%"%ä=, 3“2!%L“2"= ä!3ã,. 2,C%" , 2.ä.). b C!%2,"…%ì 

“ë3÷= USB-!=ƒAì ì%›2 "/L2, ,ƒ “2!% . 

• m C!,ì… L2 ,ƒK/2%÷…%L “,ë/ * USB-…=*%C,2ëþ, 3“2=…%"- 

ë……%ì3 " !=ƒAì. 

• e“ë, USB-…=*%C,2ëü … ,“C%ëüƒ32“ , ƒ=*!%L2 ã% *%…2=*2/ 

“Cö,=ëü…%L *!/ø*%L. 

Copyright 

* m=ƒ"=…, œMicrosoftB , œWindowsB "ë þ2“ ƒ=!ã,“2!,!%"=……/ì, 

2%!ã%"/ì, ì=!*=ì,, C!,…=äë›=?,ì, *%!C%!=ö,, Microsoft. b“ 

“*!,…ø%2/ " ä=……%ì !3*%"%ä“2" “%ƒä=…/ “ 3÷2%ì !*%ì…- 

ä=ö,L *%!C%!=ö,, Microsoft. 

* m=ƒ"=…, œPentiumB "ë 2“ ƒ=!ã,“2!,!%"=……%L 2%!ã%"%L 

ì=!*%L, C!,…=äë›=?L *%!C%!=ö,, Intel. 

* b“ …=ƒ"=…, C!%ä3*2%", 3C%ì …32/ " ä=……%ì p3*%"%ä“2", 

"ë þ2“ ƒ=!ã,“2!,!%"=……/ì, 2%!ã%"/ì, ì=!*=ì,, C!,…=äë- 

›=?,ì, “"%,ì C!="%%Kë=ä=2ë ì. 

* MMP (Moore Microprocessor Portfolio) C!ä“2="ë 2 “%K%L 

ƒ=C=2…2%"=……/L 2,C =!.,2*23!/ ì,*!%C!%ö““%!=, !=ƒ!=K%- 

2=……/L *%ìC=…,L Technology Properties Limited (TPL). 

d=……= 2.…%ë%ã, ,“C%ëüƒ32“ *%ìC=…,L Roland C% ë,ö…ƒ,, 

%2 *%ìC=…,, TPL Group. 

* Š.…%ë%ã, *%ìC!““,, =3ä,%ä=……/. MPEG Layer-3 ,“C%ëüƒ32“ 

C% ë,ö…ƒ,, %2 *%ìC=…,L Fraunhofer IIS Corporation , THOMSON 

Multimedia Corporation. 

* MatrixQuest6 2008 TEPCO UQUEST, LTD. b“ 

C!="= ƒ=?,?…/. 

t3…*ö,, USB ,…“2!3ì…2= Roland Prelude 

,“C%ëüƒ3þ2 2.…%ë%ã,, Matrix-Quest Middleware 

%2 *%ìC=…,, TEPCO UQUEST, LTD. 

nK!=?…, “ ä,“*=ì, CD-ROM 

• m ä%2!=ã,"=L2“ü , … ö=!=C=L2 !=K%÷3þ (…,›…þþ) C%"!.- 

…%“2ü ä,“*=. g=ã! ƒ………/ ,ë, C%"!›ä……/ ä,“*, CD-ROM 

ì%ã32 ÷,2=2ü“ “% “K% ì,. dë %÷,“2*, ä,“*%" ,“C%ëüƒ3L2 

,ìþ?,“ " C!%ä=› “Cö,=ëü…/ *%ìCë*2/. 

6

n“…%"…/ .=!=*2!,“2,*, 

hä=ëü…/L “,…2ƒ=2%! äë "/“23Cë…,L 

b/“%*%*=÷“2"……/ 2ìK!/ 

● c…!=2%! ƒ"3*= C%“ëä…ã% C%*%ë…, “ C%ë,-%…,L " 128 ã%ë%“%" 

● b/“%*%*=÷“2"……/ 2ìK!/ 

Š!, !›,ì= ="2%=**%ìC=…ì…2= 

● b/“%*%*=÷“2"……/L C!%ö““%! Music Style “ …%"Lø,ì, “2,ë ì, 

❍ o% ÷2/! "=!,=ö,, äë “*ö,L Intro, Main , Ending. 

❍ o!%ã!=ìì…% %K“C÷…, œStyleConverterB (".%ä,2 " *%ìCë*2 C%“2="*,), C%ƒ"%ë þ? 

“%ƒä="=2ü “2,ë, …= *%ìCüþ2!. 

q%ƒä=……/ “2,ë, ì%›…% ƒ=ã!3ƒ,2ü " Prelude " *=÷“2" C%ëüƒ%"=2ëü“*,. “ C%ì%?üþ USB- 

…=*%C,2ë . 

● t3…*ö, USB Memory Player, C%ƒ"%ë þ?= "%“C!%,ƒ"%ä,2ü -=Lë/ MP3/WAV/AIFF/SMF 

❍ t3…*ö, Center Cancel, C%ƒ"%ë þ?= 3ä=ë 2ü "%*=ë ,ƒ =3ä,%-=Lë%" ,ë, ìë%ä,þ ,ƒ 

MIDI--=Lë%" (SMF). 

❍ o!%ã!=ìì…% %K“C÷…, œPlaylist EditorB (".%ä,2 " *%ìCë*2 C%“2="*,), C%ƒ"%ë þ? 

“%ƒä="=2ü …= *%ìCüþ2! “C,“*, "%“C!%,ƒ"ä…, . 

h“C%ë…,2ëü ì%›2 “%ƒä="=2ü “C,“*, "%“C!%,ƒ"ä…, äë ëþK/. ì!%C!, 2,L. 

● b“2!%……/L 16-2!*%"/L “*"…“%!, C%ƒ"%ë þ?,L ƒ=C,“/"=2ü “%K“2"……/ Cü“/. 

❍ d=……/ SMF ì%ã32 K/2ü “%.!=……/ "% "…32!……L C=ì 2, äë C%“ëä3þ?ã% 

"%“C!%,ƒ"ä…, , = 2=*› ,“C%ëüƒ%"=…/ " !›,ì œì,…3“ %ä,…B. 

kã*%“2ü " 3C!="ë…,, 

● b/“%*%*=÷“2"……/L “2!%3“,ë,2ëü (11 b2) “ ä"3ì "“2!%……/ì, ä,…=ì,*=ì,. 

● kã*,L "“ , C%2! “=þ?= *%ìC=*2…%“2ü ,…“2!3ì…2= 

● a%ëüø%L ã!=-,÷“*,L fj-ä,“CëL 

● d!3›“2"……/L C%ëüƒ%"=2ëü“*,L ,…2!-L“ “ 3ä%K…/ì, *…%C*=ì, Style Family 

● h…23,2,"…% 3C!="ë…, !=ƒë,÷…/ì, *%…2!%ëë!=ì,, " 2%ì ÷,“ë *%…2!%ëë!%ì D Beam 

hìC%!2 2ìK!%" “ USB-…=*%C,2ë 

● t3…*ö, USB Import, C%ƒ"%ë þ?= ,“C%ë…,2ëþ “%ƒä="=2ü …%"/ 2ìK!/ 

m%"/ 2ìK!/ ì%ã32 K/2ü ƒ=ã!3›…/ " C=ì 2ü ,…“2!3ì…2= “ C%ì%?üþ USB-…=*%C,2ë . 

7

nãë="ë…, 

o!=",ë= 2.…,*, Kƒ%C=“…%“2, ..... 3 

b=›…/ ƒ=ì÷=…, ....................... 5 

n“…%"…/ .=!=*2!,“2,*, ............ 7 

nC,“=…, C=…ëL .......................10 

k,ö"= C=…ëü ............................................................................. 10 

Š/ëü…= C=…ëü .............................................................................. 12 

b"ä…,......................................13 

n“…%"/ !=K%2/ “ Prelude ............................................ 13 

q2!3*23!= C=ì 2, ......................................................................... 13 

j%ìì32=ö, ....................................................................... 14 

o%ä*ëþ÷…, =ä=C2!= C,2=…, .............................................. 14 

o%ä*ëþ÷…, "…ø…,. 3“2!%L“2"............................................. 15 

o%ä*ëþ÷…, Cä=ëL .............................................................. 15 

o%ä*ëþ÷…, =3ä,%Cë!= * !=ƒAì3 EXT INPUT............ 15 

b*ëþ÷…,/%2*ëþ÷…, C,2=…, ................................. 15 

b*ëþ÷…, C,2=…, .................................................................... 15 

n2*ëþ÷…, C,2=…, ................................................................. 15 

m=“2!%L*= *%…2!=“2…%“2, ä,“Cë ............................ 16 

n“…%"…/ %C!=ö,, ...................................................... 16 

qì…= ƒ…=÷…, C=!=ì2!= ...................................................... 16 

o!ì?…, *3!“%!= ............................................................ 16 

qì…= ƒ…=÷…, ......................................................................... 16 

cë="…= .*!=……= “2!=…,ö=....................................................... 16 

o!%“ë3ø,"=…, äì%…“2!=ö,%……/. Cü“ ................ 17 

b%““2=…%"ë…, ƒ="%ä“*,. …=“2!%*........................ 17 

aë%*,!%"*= “ì…/ C=!=ì2!%".................................. 17 

m=“2!%L*, äë !=ƒAì= EXT INPUT........................... 18 

hã!= …= *ë=",=23! .....................19 

hã!= …= *ë=",=23!....................................................... 19 

p›,ì Single................................................................................... 19 

t%!2C,=……/L !›,ì .............................................................. 19 

p›,ì Split ([SPLIT])....................................................................... 19 

qì…= 2%÷*, Split Point............................................................. 19 

p›,ì Dual ([DUAL])..................................................................... 19 

b/K%! 2ìK!= ([TONE]) ................................................ 20 

h“C%ëüƒ%"=…, *%ë“= VALUE ............................................... 20 

b/K%! 2ìK!= ,ƒ “C,“*= ......................................................... 20 

b/K%! =!=K“*%ã% , ä!3ã,. "=!,=…2%" “2!% ......... 20 

qì…= ›“2*%“2, *ë=",=23!/ ([KEY TOUCH]) ........ 21 

n*2="…= 2!=…“C%ƒ,ö, *ë=",=23!/ (*…%C*, 

OCTAVE)............................................................................ 21 

Š!=…“C%ƒ,ö, 2ìK!%" , Cü“ (TRANSPOSE) .......... 21 

d%K="ë…, ã=!ì%…,, (MELODY INTELL) ................. 22 

p=K%2= “ ì2!%…%ì%ì................................................... 22 

o!%÷, -3…*ö,,.............................................................. 22 

p=K%2= “ =**%ìC=…ì…2%ì ......... 23 

b/K%! 2,C= =**%ìC=…ì…2= 

(Style/Song/USB Memory Player)............................................... 23 

m=“2!%L*= K=ë=…“= ã!%ì*%“2, (*…%C*, BALANCE)............. 23 

r“2=…%"*= 2ìC= ([TAP TEMPO]) .............................................. 23 

p=K%2= “ ì2!%…%ì%ì.............................................................. 23 

hã!= C%ä ="2%=**%ìC=…ì…2..................................... 24 

p=K%2= “% “2,ëì ([STYLE])......................................................... 24 

qì…= "=!,=ö,, ........................................................................ 24 

n“2=…%"*= “2,ë ........................................................................ 24 

m=“2!%L*= K=ë=…“= C=!2,L ([PART VIEW])......................... 24 

q,….!%…,ƒ=ö, (*…%C*, SYNC)............................................... 25 

q%.!=……, …=“2!%* " C!-%!ì=…“..................................... 25 

b/K%! “2,ë .................................................................................... 25 

b/K%! “2,ë ................................................................................. 25 

d%K="ë…, “2,ëL C%ëüƒ%"=2ë 

(,ìC%!2 “ USB-…=*%C,2ë )...................................................... 25 

rä=ë…, “2,ëL C%ëüƒ%"=2ë .............................................. 25 

q%.!=……, “2,ëL C%ëüƒ%"=2ë 

(.*“C%!2 …= USB-…=*%C,2ëü)................................................... 26 

h“C%ëüƒ%"=…, %C2,ì=ëü…/. …=“2!%* ([ONE TOUCH])... 26 

o!%÷, -3…*ö,, ............................................................................ 26 

oü“/.................................................................................. 26 

g=C,“ü …%"%L Cü“/ ([SONG REC]) ......................................... 26 

g=C,“ü “ ãë="…%L “2!=…,ö/..................................................... 26 

g=C,“ü %2äëü…%L C=!2,, (SONG TRACK).......................... 27 

o!ƒ=C,“ü ,“C%ë……, .............................................................. 28 

q%.!=……, Cü“/ ([WRITE]) ...................................................... 28 

g=ã!3ƒ*= Cü“/ “ USB-…=*%C,2ë ............................................ 29 

rä=ë…, Cü“/ ............................................................................. 29 

b/K%! , "%“C!%,ƒ"ä…, Cü“ ([SONG])............................. 29 

rC!="ë…, "%“C!%,ƒ"ä…,ì ............................................. 30 

hã!= C%ä “%C!%"%›ä…, Cü“/ 

([MINUS ONE/CENTER CANCEL])......................................... 30 

pƒ!"…% *%C,!%"=…, Cü“.................................................... 30 

o!%÷, -3…*ö,, ............................................................................ 30 

USB Memory Player (MIDI/=3ä,% Cë!)................... 30 

b%“C!%,ƒ"ä…, MIDI/=3ä,%-=Lë%"..................................... 30 

}*!=……/ “2!=…,ö/ USB-C!%,ã!/"=2ë ............................... 31 

b%“C!%,ƒ"ä…, Cü“ ([USB MEMORY PLAYER])................. 31 

b/K%! , C!%,ã!/"=…, “C,“*= "%“C!%,ƒ"ä…, ............. 31 

8

K%! , C!%,ã!/"=…, %ä…%L Cü“/ ,ƒ “C,“*= 

"%“C!%,ƒ"ä…, ........................................................................ 32 

b/K%! , "%“C!%,ƒ"ä…, Cü“ 

“ "…ø…ã% …%“,2ë Kƒ “%ƒä=…, CëLë,“2=.................. 32 

hã!= C%ä “%C!%"%›ä…, Cü“/ 

([MINUS ONE/CENTER CANCEL])......................................... 32 

pä=*2,!%"=…, “C,“*%" "%“C!%,ƒ"ä…, ........................... 33 

b/K%! !›,ì= "%“C!%,ƒ"ä…, .......................................... 33 

qì…= C%! ä*= Cü“ ................................................................. 33 

rä=ë…, Cü“/ .......................................................................... 33 

rC!="ë…, ã!%ì*%“2üþ Cü“................................................. 33 

q%.!=……, “C,“*= "%“C!%,ƒ"ä…, 

…= USB-…=*%C,2ëü ([WRITE])................................................... 33 

o!-%!ì=…“/ , .--*2/ .............34 

o!-%!ì=…“/.................................................................. 34 

j%…2!%ëë! D Beam .................................................................... 34 

m=ƒ…=÷…, -3…*ö,, …= *%…2!%ëë! D Beam................... 34 

d›%L“2,* Pitch Bend/Modulation .............................................. 36 

m=ƒ…=÷=ì= Cä=ëü.................................................................... 36 

o!“2…/ C!-%!ì=…“/............................................. 36 

b/K%! C!-%!ì=…“= ([PERFORM])........................................... 36 

h“C%ëüƒ%"=…, *%ë“= VALUE ............................................... 36 

b/K%! C!-%!ì=…“= ,ƒ “C,“*=............................................. 36 

pä=*2,!%"=…, C!-%!ì=…“=................................................. 37 

pä=*2,!%"=…, 2ìK!= ............................................................. 38 

rãë3Kë……% !ä=*2,!%"=…, 2ìK!= ................................. 38 

q%.!=……, C!-%!ì=…“= (WRITE).......................................... 39 

o!%÷, -3…*ö,, ............................................................................ 39 

h“C%ëüƒ%"=…, .--*2%" ([REVERB])......................... 40 

pä=*2,!%"=…, .--*2%" Reverb, Chorus , MFX ............... 40 

p=K%2= “ USB-…=*%C,2ëì .......... 48 

h…,ö,=ë,ƒ=ö, USB-…=*%C,2ë 

(USB Memory Format) ..................................................... 48 

g=C,“ü ä=……/. …= USB-…=*%C,2ëü (Backup) ........... 48 

g=ã!3ƒ*= ä=……/. “ USB-…=*%C,2ë (Import).......................... 48 

rä=ë…, ƒ=ã!3›……/. ä=……/................................................ 49 

q2!3*23!= ä=……/. …= USB-…=*%C,2ë ................................... 49 

hìC%!2 ä=……/., “%.!=………/. 

…= USB-…=*%C,2ë ([USB IMPORT])........................... 49 

n -3…*ö,, V-LINK ....................... 50 

j=* !=K%2=2ü “ V-LINK ([V-LINK]).............................................. 50 

m=“2!%L*= V-LINK (V-LINK SETUP) ............................................ 50 

d%C%ë……, ................................. 53 

r“2!=……, …C%ë=ä%*.................................................. 53 

q%%K?…, %K %ø,K*=. ............................................... 55 

qC,“%* .--*2%" ............................................................ 56 

o=!=ì2!/ ì3ëü2,.--*2=..................................................... 56 

o=!=ì2!/ .%!3“=.................................................................... 82 

o=!=ì2!/ !"!K!=2%!= ................................................... 83 

qC,“%* 2ìK!%" .............................................................. 84 

qC,“%* …=K%!%" 3ä=!…/.............................................. 92 

p=“C%ƒ…="=…, =**%!ä%" ...........................................102 

j=!2= MIDI--3…*ö,L.....................................................104 

Š.…,÷“*, .=!=*2!,“2,*,......................................105 

h…-%!ì=ö, .............................. 106 

p=K%2= “ MIDI ...............................42 

MIDI-*=…=ë/ ..................................................................... 42 

MIDI-C=!=ì2!/.............................................................. 42 

o=!=ì2! Local Switch ............................................................. 42 

h“C%ëüƒ%"=…, Prelude 

" *=÷“2" MIDI-ì%ä3ë ................................................. 43 

o%ä*ëþ÷…, * *%ìCüþ2!3 C% USB ......................... 44 

o!, …3ä=÷…%ì C%ä*ëþ÷…,,... .............................................. 44 

m=“2!%L*= USB-ä!=L"!= .......................................................... 44 

q,“2ì…/ …=“2!%L*, ...................45 

rC!="ë…, “,“2ì…/ì, C=!=ì2!=ì, 

(*…%C*= [MENU]).............................................................. 45 

q,“2ì…/ C=!=ì2!/ ................................................................ 45 

o!%“ì%2! ,…-%!ì=ö,, % Prelude 

(“2!=…,ö/ System Version) ........................................................... 47 

9

nC,“=…, C=…ëL 

k,ö"= C=…ëü 

1. pã3ë 2%! VOLUME 

që3›,2 äë 3C!="ë…, %K?L ã!%ì*%“2üþ Prelude. 

o%ì…,2, ÷2% …= “ë,ø*%ì "/“%*%L ã!%ì*%“2, ƒ"3* " 

ä,…=ì,*=. ì%›2 ,“*=›=2ü“ . 

1 

2. d›%L“2,* Pitch Bend/Modulation 

o!, …=*ë%… ä›%L“2,*= "ë"%/"C!="% "/“%2= ƒ"3÷=…, 

K3ä2 C%…,›=2ü“ /C%"/ø=2ü“ . o!, …=*ë%… %2 “K * 

ƒ"3*3 C!,ì… 2“ ì%ä3ë ö,%……/L .--*2 (%K/÷…% 

",K!=2%, “ì. “2!. 36). 

3. p=ƒAì/ PHONES 1 & 2 

që3›=2 äë C%ä*ëþ÷…, …=3ø…,*%" (C!,%K!2=þ2“ 

%2äëü…%, !*%ì…ä3þ2“ ì%äë, Roland RH-25, RH-50, 

RH-200 ,ë, RH-300). o!, *%ìì32=ö,, "“2!%……/ 

ä,…=ì,*, ,…“2!3ì…2= %2*ëþ÷=þ2“ . 

2 

3 

4 

7 8 9 10 

5 

15 

6 

11 12 13 

14 

4. j%…2!%ëë! D BEAM 

)2%K/ "%“C%ëüƒ%"=2ü“ *%…2!%ëë!%ì, C!%“2% ä",ã=L2 

…=ä …,ì !3*3 (“ì. “2!. 34). 

5. j…%C*, 3C!="ë…, D BEAM 

PITCH: d",›…, !3*, …=ä ,…-!=*!=“…/ì ë3÷%ì ""!. 

, "…,ƒ K3ä2 3C!="ë 2ü "/“%2%L ƒ"3÷=…, . 

FILTER & VOLUME: j…%C*, “ë3›=2 äë "*ëþ÷…, / 

%2*ëþ÷…, *%…2!%ëë!= D Beam, = 2=*› äë "/K%!= 

-3…*ö,L Filter ,ë, Volume (“2!. 34). t3…*ö, ä=……/. 

*…%C%* ì%›2 K/2ü C!%C!äë…=. 

6. j…%C*, STYLE FAMILY 

d=……/ *…%C*, C%ƒ"%ë þ2 "/K!=2ü %ä…3 ,ƒ ä"…=äö=2, 

*=2ã%!,L “2,ëL. 

q*ö, BACKING TRACK 

7. j…%C*, BACKING TYPE 

që3›=2 äë "/K%!= !›,ì= ="2%=**%ìC=…ì…2= (“2!. 23). 

8. j…%C*, BALANCE 

që3›=2 äë …=“2!%L*, K=ë=…“= ã!%ì*%“2, ì›ä3 *ë=",=- 

23!…/ì 2ìK!%ì , ="2%=**%ìC=…ì…2%ì (“2!. 23). 

9. j…%C*= PART VIEW 

që3›,2 äë …=“2!%L*, C=!=ì2!%" C=!2,L (“2!. 24, 27). 

10. j…%C*= SONG REC 

që3›,2 äë C!.%ä= " !›,ì ƒ=C,“, (“2!. 26). 

11. j…%C*, STYLE CONTROL 

h“C%ëüƒ3þ2“ äë "/K%!= “2,ë"/. C=22!…%" (“2!. 24). 

12. j…%C*, SYNC 

o%ƒ"%ë þ2 ƒ=“,….!%…,ƒ,!%"=2ü C3“* ,ë, %“2=…%" “2,ë “ 

,ã!%L …= *ë=",=23! (“2!. 25). 

13. j…%C*= TAP TEMPO 

që3›,2 äë 3“2=…%"*, 2ìC= (“2!. 23). 

14. j…%C*, VARIATION [1] $ [4], AUTO FILL-IN, 

START/STOP , SONG CONTROL 

p=K%2= ä=……/. *…%C%* ƒ=",“,2 %2 2%ã%, *=*%L !›,ì 

="2%=**%ìC=…ì…2= "/K!=… *…%C*=ì, BACKING TYPE 

[7] (C%ä“"2*= =*2,"…%L *…%C*, ƒ=ã%!=2“ ). 

e“ë, *…%C*=ì, BACKING TYPE (7) "/K!=… !›,ì œSTYLEB, 

ä=……/ *…%C*, “ë3›=2 äë C3“*=/%“2=…%"*, , "/K%!= 

"=!,=ö,L “2,ë (“2!. 24). 

e“ë, *…%C*=ì, BACKING TYPE (7) "/K!=… !›,ì 

œSONGB ,ë, œUSB MEMORY PLAYERB, ä=……/ *…%C*, 

K3ä32 3C!="ë 2ü "%“C!%,ƒ"ä…,ì Cü“ (C%ä!%K… 

“ì. “2!. 30, 31). 

10

nC,“=…, C=…ëL 

15. d,“CëL 

m= ä,“Cë %2%K!=›=þ2“ …=ƒ"=…, , ƒ…=÷…, 

C=!=ì2!%", = 2=*› ä!3ã= ,…-%!ì=ö, . 

16 

17 

19 20 23 24 25 26 30 31 

21 22 

27 28 29 

32 33 

18 

34 

16. j%ë“% VALUE 

h“C%ëüƒ32“ äë !ä=*2,!%"=…, ƒ…=÷…,L C=!=ì2!%", 

"/K!=……/. …= ä,“Cë. 

q*ö, EDIT 

17. j…%C*, *3!“%!= ([ ] [ ] [ ] [ ]) 

h“C%ëüƒ3þ2“ äë C!ì?…, *3!“%!= C% .*!=…3. 

18. j…%C*, EXIT , ENTER 

h“C%ëüƒ3þ2“ äë "/C%ë……, .*!=……/. *%ì=…ä œCancelB 

(EXIT) ,ë, œExecuteB (ENTER). 

j…%C*= ENTER 2=*› ,“C%ëüƒ32“ äë C!%“ì%2!= “C,“*= 

2ìK!%", C!-%!ì=…“%", “2,ëL ,ë, Cü“. 

19. j…%C*= MENU 

p=“*!/"=2 %*…% “ …=“2!%L*=ì, äë !=ƒë,÷…/. 

C=!=ì2!%" (“2!. 45). 

20. j…%C*= REVERB 

që3›,2 äë 3C!="ë…, …=“2!%L*=ì, .--*2%" (“2!. 40). 

21. j…%C*= WRITE 

m=›ì,2 …= .23 *…%C*3 äë “%.!=……, !=ƒë,÷…/. 

…=“2!%* (“2!. 28, 33, 39). 

22. j…%C*= NUMERIC 

e“ë, C%ä“"2*= ä=……%L *…%C*, ã%!,2, C%ëüƒ%"=2ëü 

ì%›2 ""%ä,2ü ÷,“ë%"/ ƒ…=÷…, *…%C*=ì, TONE 

SELECT (37) (“ì. “2!. 16). 

q*ö, KEYBOARD 

23. j…%C*= SPLIT 

që3›,2 äë "/K%!= !›,ì= œSplitB. b .2%ì !›,ì 

*ë=",=23!= !=ƒäë 2“ …= ä" ƒ%…/, ÷2% C%ƒ"%ë 2 

,“C%ëüƒ%"=2ü !=ƒë,÷…/ 2ìK!/ äë ,ã!/ C!="%L , 

ë"%L !3*=ì, (“2!. 19). 

24. j…%C*= DUAL 

që3›,2 äë "/K%!= !›,ì= œDualB. b .2%ì !›,ì 

C%ëüƒ%"=2ëü ì%›2 …=*ë=ä/"=2ü %ä,… 2ìK! …= ä!3ã%L 

(“2!. 19). 

25. j…%C*= KEY TOUCH 

h“C%ëüƒ32“ äë 3C!="ë…, ÷3"“2",2ëü…%“2üþ 

*ë=",=23!/ (“2!. 21). 

26. j…%C*= V-LINK 

që3›,2 äë "*ëþ÷…, ä,“2=…ö,%……%ã% 3C!="ë…, V- 

LINK-“%"ì“2,ì/ì ",ä%%K%!3ä%"=…,ì (“2!. 50). 

27. j…%C*, OCTAVE 

h“C%ëüƒ3þ2“ äë 2!=…“C%ƒ,ö,, *ë=",=23!/ ""!. , "…,ƒ 

“ ø=ã%ì " %ä…3 %*2="3 (“2!. 21). 

28. j…%C*= TRANSPOSE 

h“C%ëüƒ32“ äë 2!=…“C%ƒ,ö,, ƒ"3÷=…, Prelude ""!. 

,ë, "…,ƒ “ ø=ã%ì " C%ë32%… (“2!. 21). 

29. j…%C*= MELODY INTELL 

m=›ì,2 …= ä=……3þ *…%C*3 äë ="2%ì=2,÷“*%ã% 

“%ƒä=…, *%…2!ìë%ä,, (2-L , 3-L ã%ë%“) äë ìë%ä,L 

,ë, “%ëü…/. C=!2,L (“2!. 22). 

q*ö, MODE 

30. j…%C*= TONE 

m=›ì,2 …= ä=……3þ *…%C*3 äë "/K%!= ,ë, 

!ä=*2,!%"=…, 2ìK!= (“2!. 20). n2!ä=*2,!%"=……/ 

2ìK!/ “%.!=… þ2“ " C!-%!ì=…“. 

31. j…%C*= PERFORM 

m=›ì,2 …= ä=……3þ *…%C*3 äë "/K%!= ,ë, 

!ä=*2,!%"=…, C!-%!ì=…“= (“2!. 36). 

32. j…%C*= ONE TOUCH 

b/K,!=2 %C2,ì=ëü…/ …=“2!%L*, 2ìK!= äë 

"/K!=……%ã% “2,ë (“2!. 26). 

33. j…%C*= USB IMPORT 

o%ëüƒ%"=2ëü ì%›2 ä%K="ë 2ü 2ìK!/ ,ë, %K…%"ë…, 

nq “ USB-…%“,2ë (“2!. 49). 

34. j…%C*, [PIANO] ~ [SPECIAL]/[0] ~ [9] 

që3›=2 äë "/K%!= 2ìK!%" C% *=2ã%!, ì (“2!. 20). 

j!%ì 2%ã%, “ë, …=›=2= *…%C*= NUMERIC, .2, *…%C*, 

ì%ã32 K/2ü ,“C%ëüƒ%"=…/ äë ""%ä= ÷,“ë (“2!. 16). 

11

nC,“=…, C=…ëL 

Š/ëü…= C=…ëü 

1 2 3 4 5 6 7 8 9 10 

11 

1. pã3ë 2%! LCD CONTRAST 

rC!="ë 2 *%…2!=“2…%“2üþ ä,“Cë (“2!. 16). 

2. p=ƒAì/ MIDI OUT/IN 

që3›=2 äë C%ä*ëþ÷…, "…ø…,. MIDI-3“2!%L“2" 

(“2!. 42). 

3. p=ƒAì CONTROL PEDAL 

që3›,2 äë C%ä*ëþ÷…, Cä=ëü…%ã% C!*ëþ÷=2ë 

(“!, Roland DP, C!,%K!2=2“ %2äëü…%), …%›…%ã% 

C!*ëþ÷=2ë (BOSS FS-5U, C!,%K!2=2“ %2äëü…%) 

,ë, Cä=ë, .*“C!““,, (Roland EV-5, C!,%K!2=2“ 

%2äëü…%) (“2!. 15, “2!. 36) 

4. p=ƒAì HOLD PEDAL 

që3›,2 äë C%ä*ëþ÷…, Cä=ë, “3“2L…= (“!, Roland 

DP, C!,%K!2=2“ %2äëü…%) (“2!. 15). 

5. p=ƒAì EXT INPUT 

që3›,2 äë C%ä*ëþ÷…, C%!2=2,"…%ã% 

=3ä,%C!%,ã!/"=2ë ,ë, ä!3ã,. =…=ë%ã,÷…/. 3“2!%L“2" 

(“2!. 15, “2!. 18). 

6. p=ƒAì/ OUTPUT R, L/MONO 

Prelude %K%!3ä%"=… ë3÷øL “,“2ì%L ƒ"3*%3“,ë…, ,ƒ 

"“. *%ãä=-ë,K% ,“C%ëüƒ%"=……/. " “,…2ƒ=2%!=. Roland 

“ ="2%=**%ìC=…ì…2%ì. o%.2%ì3 C%ä*ëþ÷…, * 

"…ø…ì3 3“,ë,2ëþ ì%›2 "%%K? … C%…=ä%K,2ü“ . 

Šì … ì…, C!, …%K.%ä,ì%“2, C%ä*ëþ÷…, * 

"…ø…ì3 3“,ë,2ëþ ,ë, ì,*ø!3 ,“C%ëüƒ3L2 !=ƒAì/ 

OUTPUT L/R. dë C%ä*ëþ÷…, " ì%…% ,“C%ëüƒ3L2 

2%ëü*% !=ƒAì L (“2!. 15). 

7. o%!2 USB MIDI 

d=……/L C%!2 USB ,“C%ëüƒ32“ äë C%ä*ëþ÷…, Prelude 

* C!“%…=ëü…%ì3 *%ìCüþ2!3 (“2!. 48). 

8. o%!2 USB MEMORY 

d=……/L C%!2 ,“C%ëüƒ32“ äë C%ä*ëþ÷…, USB- 

…=*%C,2ëL (œ-ë.ø*B) “ ƒ=C,“=……/ì, …= …,. Cü“=ì,. 

j!%ì 2%ã%, USB-…=*%C,2ëü ì%›2 ,“C%ëüƒ%"=2ü“ äë 

!ƒ!"…%ã% *%C,!%"=…, ä=……/.. 

9. p=ƒAì DC IN 

që3›,2 äë C%ä*ëþ÷…, =ä=C2!= C,2=…, (“2!. 14). 

10. j…%C*= POWER 

që3›,2 äë "*ëþ÷…, /%2*ëþ÷…, C,2=…, (“2!. 15). 

11. j!þ* äë *=Kë 

që3›,2 äë ƒ=*!Cë…, *=Kë C,2=…, (“2!. 14). 

12

"ä…, 

n“…%"/ !=K%2/ “ Prelude q2!3*23!= C=ì 2, 

)2% 2=*% C!-%!ì=…“? (“2!. 36) 

o!-%!ì=…“ C!ä“2="ë 2 “%K%L ä,…3þ ã!3CC3 …=“2!%*, 

%KAä,… þ?,. 2ìK!, “2,ëü, !›,ì !=K%2/ *ë=",=23!/ , 

ä!3ã, C=!=ì2!/. 

m=“2!%L*, C!-%!ì=…“%" .!=… 2“ " C=ì 2, ,…“2!3ì…2=. 

o=ì 2ü C%ä!=ƒäë 2“ …= 2!, 2,C=: "!ì……= , 

C!ƒ=C,“/"=ì= , C%“2% ……= . 

fig.Memory-Flow.eps 

)2% 2=*% 2ìK!? (“2!. 20) 

ŠìK!%ì …=ƒ/"=2“ %2äëü…% "ƒ 2/L ƒ"3* Prelude. e“ë, 

,“C%ëüƒ%"=2ü =…=ë%ã,þ “ %!*“2!%ì, 2ìK! K3ä2 

“%%2"2“2"%"=2ü %ä…%ì3 ,…“2!3ì…23, …= *%2%!%ì ,ã!=2 

%ä,… ì3ƒ/*=…2. 

o=!=ì2!/ 2ìK!%", .--*2%" , -,ëü2!%" “%.!=… þ2“ " 

C!-%!ì=…“. 

)2% 2=*% ="2%=**%ìC=…ì…2? (“2!. 23) 

À"2%=**%ìC=…ì…2 C!ä“2="ë 2 “%K%L ="2%ì=2,÷“*3þ 

“,“2ì3 ì3ƒ/*=ëü…%ã% “%C!%"%›ä…, , "“2!%……3þ " Prelude. 

q3?“2"32 2!, !›,ì= ="2%=**%ìC=…ì…2=: œSTYLEB, 

œSONGB , œUSB MEMORY PLAYERB. 

)2% 2=*% “2,ëü? (“2!. 24) 

o%ä “2,ëì C%ä!=ƒ3ì"=2“ ø=Kë%… =**%ìC=…ì…2=, 

.=!=*2!…/L äë 2%ã% ,ë, ,…%ã% ì3ƒ/*=ëü…%ã% ›=…!=. 

Prelude “%ä!›,2 K%ëüø% *%ë,÷“2"% “2,ëL, 2=*,. *=* !%*, 

C%C, ä›=ƒ , 2.ä. o%ëüƒ%"=2ëü ì%›2 ä%K="ë 2ü “%K“2"……/ 

“2,ë, C!, C%ì%?, USB-…=*%C,2ë (“2!. 48). 

* d+? 1.'$ -(? 12(+%) - *.,/2%0% (1/.+

"ä…, 

o%“2% ……= C=ì 2ü 

o=ì 2ü C!“2%" 

d=……/ " C!“2…%L %Kë=“2, … ì%ã32 K/2ü C!ƒ=C,“=…/. 

nä…=*% C%ëüƒ%"=2ëü ì%›2 “*%C,!%"=2ü …=“2!%L*, 

C!“2…%ã% C!-%!ì=…“= "% "!ì……3þ C=ì 2ü, 

%2!ä=*2,!%"=2ü ,. , ƒ=2ì “%.!=…,2ü " C!ƒ=C,“/"=ì%L 

C=ì 2,. 

o=ì 2ü USB 

o%ëüƒ%"=2ëü ì%›2 “%.!=… 2ü C=!=ì2!/ …= USB- 

…=*%C,2ëü " “ëä3þ?,. -%!ì=2=. (“ì. “2!. 48): 

• Sound/System 

o%ëüƒ%"=2ëü“*, C!-%!ì=…“/, “,“2ì…/ …=“2!%L*, 

• Style 

o%ëüƒ%"=2ëü“*, “2,ë, 

• Song 

o%ëüƒ%"=2ëü“*, Cü“/ 

• All 

q2,ëü , Cü“= " *%ìK,…=ö,, “ ä=……/ì, Sound/System 

j%ìì32=ö, 

b% ,ƒK›=…, C%"!›ä…, ä,…=ì,*%" , ä!3ã,. 3“2!%L“2" 

"“ãä= ä% …=÷=ë= *%ìì32=ö,, 3K!,2 ã!%ì*%“2ü ä% …3ë , 

%2*ëþ÷,2 C,2=…, "“. 3“2!%L“2". 

o!, ,“C%ëüƒ%"=…,, *%ìì32=ö,%……/. *=KëL, “%ä!›=?,. 

!ƒ,“2%!/, 3!%"…ü ã!%ì*%“2, …= ".%ä EXT INPUT ì%›2 

%*=ƒ=2ü“ %÷…ü …,ƒ*,ì. h“C%ëüƒ3L2 *=Kë,, … 

“%ä!›=?, !ƒ,“2%!%". 

o%ä*ëþ÷…, =ä=C2!= C,2=…, 

1. rKä,2“ü, ÷2% *…%C*= [POWER] %2›=2=. 

2. o%"!…,2 !ã3ë 2%! VOLUME " *!=L… ë"% 

C%ë%›…, (…3ë"= ã!%ì*%“2ü). 

3. o%ä*ëþ÷,2 *=Këü C,2=…, * ".%ä ?ì3 " 

*%ìCë*2 C%“2="*, =ä=C2!3. 

o!, "*ëþ÷…,, =ä=C2!= " !%ƒ2*3 ƒ=ã%!=2“ 

,…ä,*=2%!. 

fig.ACadap.eps 

Àäàïòåð 

Êàáåëü ïèòàíèÿ 

Èíäèêàòîð 

ê ðîçåòêå 

p=“C%ë=ã=L2 =ä=C2! 2=*, ÷2%K/ K%*%"= “2%!%…= “ 

,…ä,*=2%!%ì (“ì. !,“3…%*) K/ë= …=C!="ë…= ""!., = 

“2%!%…= “ 2*“2%"%L ,…-%!ì=ö,L $ "…,ƒ. 

b ƒ=",“,ì%“2, %2 “2!=…/ C%*3C*, %K%!3ä%"=…, ".%ä ?,L " 

*%ìCë*2 C%“2="*, =ä=C2! ì%›2 %2ë,÷=2ü“ %2 

C!,"ä……%ã% …= !,“3…*. b .2%ì “ë3÷= C!%C3“2,2 ø=ã 3. 

4. o%ä*ëþ÷,2 =ä=C2! * !=ƒAì3 DC IN …= 

2/ëü…%L C=…ë, Prelude, = ƒ=2ì "“2="ü2 

",ë*3 *=Kë C,2=…, " !%ƒ2*3. 

b% ,ƒK›=…, "…ƒ=C…%ã% %2*ëþ÷…, C,2=…, ,ƒ-ƒ= 

"/C=ä…, ø2*!= ,ƒ ã…ƒä=, ƒ=*!C,2 ø…3! =ä=C2!= C!, 

C%ì%?, “Cö,=ëü…%ã% *!þ*=, *=* C%*=ƒ=…% …= !,“3…*. 

14

"ä…, 

fig.codef.eps 

Òûëüíàÿ ïàíåëü Prelude 

Êðþê 

h“C%ëüƒ3L2 2%ëü*% 3*=ƒ=……/L 2,C Cä=ë, .*“C!““,, (EV-5; 

C!,%K!2=2“ %2äëü…%). o!, ,“C%ëüƒ%"=…,, Cä=ëL ä!3ã,. 

2,C%" %K%!3ä%"=…, ì%›2 K/2ü C%"!›ä…%. 

o%ä*ëþ÷…, =3ä,%Cë!= * !=ƒAì3 

EXT INPUT 

o%ä*ëþ÷…, "…ø…,. 3“2!%L“2" 

Prelude %K%!3ä%"=… "“2!%……%L “,“2ì%L ƒ"3*%3“,ë…, . 

nä…=*% C!, ›ë=…,, ã% ì%›…% C%ä*ëþ÷,2ü * "…ø…L 

=3ä,%“,“2ì ,ë, ,“C%ëüƒ%"=2ü …=3ø…,*,. 

hã!= …= ,…“2!3ì…2 ,ë, "%“C!%,ƒ"ä…, Cü“ ì%ã32 K/2ü 

ƒ=C,“=…/ …= "…ø…,L !*%!ä!. dë .2%ã% “*%ìì32,!3L2 

".%ä/ !*%!ä!= “ "/.%ä=ì, Prelude OUTPUT. 

j !=ƒAì3 EXT INPUT ì%›…% C%ä*ëþ÷,2ü MP3-Cë! ,ë, 

ä!3ã% =…=ë%ã,÷…% %K%!3ä%"=…,. 

o%ä!%K… “ì. “2!. 18. 

b*ëþ÷…,/%2*ëþ÷…, 

C,2=…, 

b*ëþ÷…, C,2=…, 

Ñòåðåî 

íàóøíèêè 

o% %*%…÷=…,, *%ìì32=ö,, (“2!. 14), "*ëþ÷,2 C,2=…, 

3“2!%L“2" " 3*=ƒ=……%ì …,› C%! ä*. o!, "*ëþ÷…,, " 

…C!=",ëü…%ì C%! ä* ä,…=ì,*, , ä!3ã, 3“2!%L“2"= ì%ã32 

"/L2, ,ƒ “2!% . 

1. o!ä "*ëþ÷…,ì C,2=…, 3“2=…%",2 

!ã3ë 2%! [VOLUME] " ì,…,ì=ëü…% 

C%ë%›…,. 

Ìîíèòîðû, óñèëèòåëü è ò.ä. 

o!, C%ä*ëþ÷…,, …=3ø…,*%" "“2!%……/ ä,…=ì,*, Prelude 

%2*ëþ÷=þ2“ . 

o%ä*ëþ÷…, Cä=ëL 

2. m=›ì,2 …= *…%C*3 [POWER] 2/ëü…%L C=…ë, 

äë "*ëþ÷…, C,2=…, . 

r“2!%L“2"% %K%!3ä%"=…% C!ä%.!=…,2ëü…%L “.ì%L. b “" ƒ, 

“ .2,ì ì›ä3 …=›=2,ì …= *…%C*3 , ã%2%"…%“2üþ * !=K%2 

ä%ë›…% C!%L2, …“*%ëü*% “*3…ä. 

o!ä C%ä*ëþ÷…,ì Cä=ëL %K ƒ=2ëü…% %2*ëþ÷,2 

C,2=…, Prelude. 

o%ä*ëþ÷,2 Cä=ëü…/L C!*ëþ÷=2ëü (“!, Roland DP, 

C!,%K!2=2“ %2äëü…%) * !=ƒAì3 HOLD PEDAL 2/ëü…%L 

C=…ë,. d=……= Cä=ëü K3ä2 ,“C%ëüƒ%"=2ü“ äë 3ä!›=…, 

ƒ"3÷=?,. …%2 C!, “… 2,, !3* “ *ë=",=23!/. 

o%ä*ëþ÷,2 Cä=ëü…/L C!*ëþ÷=2ëü (“!, Roland DP), 

…%›…%L C!*ëþ÷=2ëü (Boss FS-5U) ,ë, Cä=ëü .*“C!““,, 

(Roland EV-5) ("“ C!,%K!2=þ2“ %2äëü…%) * !=ƒAì3 

CONTROL PEDAL 2/ëü…%L C=…ë,. m= Cä=ë, ì%›…% 

…=ƒ…=÷=2ü !=ƒ…%%K!=ƒ…/ -3…*ö,, (“2!. 36). 

e“ë, Prelude C%ä*ëþ÷… * *ë=",ø…%ì3 (,ë, ä!3ã%ì3) 

3“,ë,2ëþ, “C!"= "*ëþ÷=L2 C,2=…, Prelude, = ƒ=2ì 

C,2=…, 3“,ë,2ë . 

3. pã3ë 2%!%ì [VOLUME] 3“2=…%",2 2!K3ì/L 

3!%"…ü ã!%ì*%“2,. 

n2*ëþ÷…, C,2=…, 

1. o!ä %2*ëþ÷…,ì C,2=…, 3“2=…%",2 

!ã3ë 2%! [VOLUME] " …3ë"% (*!=L… ë"%) 

C%ë%›…,. 

15

"ä…, 

2. m=›ì,2 …= *…%C*3 [POWER] äë %2*ëþ÷…, 

C,2=…, . 

e“ë, Prelude C%ä*ëþ÷… * *ë=",ø…%ì3 (,ë, ,…%ì3) 

3“,ë,2ëþ, “C!"= %2*ëþ÷=L2 C,2=…, 3“,ë,2ë , = ƒ=2ì 

C,2=…, Prelude. 

m=“2!%L*= 

*%…2!=“2…%“2, ä,“Cë 

1. b!=?=L2 !ã3ë 2%! [LCD CONTRAST] 2/ëü…%L 

C=…ë,. 

n“…%"…/ %C!=ö,, 

qì…= ƒ…=÷…, C=!=ì2!= 

cë="…= .*!=……= “2!=…,ö= 

q2!=…,ö=, *%2%!= C% "ë 2“ C%“ë "*ëþ÷…, C,2=…, , 

…=ƒ/"=2“ ãë="…%L. o!, !=K%2 “ Prelude .2= “2!=…,ö= 

"ë 2“ …=,K%ë ,“C%ëüƒ3ì%L. 

(1) 

(5) 

(2) 

(6) 

(3) (4) 

1. m%ì! , ,ì "/K!=……%ã% “2,ë ,ë, Cü“/ 

2. c!3CC=, …%ì! , ,ì "/K!=……%ã% C!-%!ì=…“= 

3. m%ì! , ,ì 2ìK!=, "/K!=……%ã% äë …,›…L C=!2,, 

4. m%ì! , ,ì 2ìK!=, "/K!=……%ã% äë "!.…L C=!2,, 

5. m%ì! 2=*2=, 2ìC , !=ƒì! “2,ë ,ë, Cü“/ 

6. p=“C%ƒ…=……/L =**%!ä 

o!ì?…, *3!“%!= 

nK/÷…% …= .*!=… %2%K!=›=2“ …“*%ëü*% C=!=ì2!%" ,ë, 

*%ì=…ä. dë "/K%!= %C!äë……%ã% C=!=ì2!= …="ä,2 

*3!“%! …= ã% ƒ…=÷…,. dë "/K%!= C3…*2= ì…þ …="ä,2 

*3!“%! …= C3…*2 ì…þ. o!, "/K%! C=!=ì2! ,ë, C3…*2 

ì…þ "/äë þ2“ . 

dë C!ì?…, ,“C%ëüƒ3L2 *…%C*, [ ], [ ], 

[ ] , [ ] (*ë=",ø, *3!“%!=). 

n*…= 

mK%ëüø, *"=ä!=2…/ .*!=…/, "!ì……% %2%K!=›=ì/ 

…= .*!=…, …=ƒ/"=þ2“ %*…=ì,. b ƒ=",“,ì%“2, %2 

“,23=ö,, ,“C%ëüƒ3þ2“ !=ƒë,÷…/ 2,C/ %*%…. nä…, ,“- 

C%ëüƒ3þ2“ äë 3“2=…%"*, C=!=ì2!%", ä!3ã, äë C%ä- 

2"!›ä…, …%K.%ä,ì%“2, "/C%ë……, %C!=ö,L. 

fig.disp-tempo.eps_80 

qì…= ƒ…=÷…, 

dë “ì…/ ƒ…=÷…, "!=?=L2 *%ë“% VALUE. 

m=›ì,2 [EXIT] äë ƒ=*!/2, %*…=. m*%2%!/ %*…= 

ƒ=*!/"=þ2“ ="2%ì=2,÷“*, C% %*%…÷=…,, %C!=ö,,. 

b"%ä ÷,“ë%"/. ƒ…=÷…,L (!›,ì [NUMERIC]) 

o!, "*ëþ÷…,, !›,ì= [NUMERIC] C%ëüƒ%"=2ëü ì%›2 

""%ä,2ü ö,-!/ *…%C*=ì, TONE SELECT ([PIANO] $ 

[SPECIAL]). 

}2% 3ä%K…% C!, "/K%! 2ìK!%" (“2!. 20), “2,ëL (“2!. 25), 

C!-%!ì=…“%" (“2!. 36) ,ë, Cü“ (“2!. 29). 

1. h“C%ëüƒ3L2 *ë=",ø, *3!“%!= ,ë, *…%C*, 

[STYLE], [SONG], [TONE] ,ë, [PERFORM] äë 

"/K%!= …3›…%ã% C=!=ì2!=. 

2. m=›ì,2 …= *…%C*3 [NUMERIC]. 

o%ä“"2*= "“. *…%C%* TONE SELECT ƒ=ã%!,2“ . 

3. j…%C*=ì, TONE SELECT ""ä,2 ƒ…=÷…, , 

…=›ì,2 …= *…%C*3 [ENTER]. 

16

"ä…, 

o!%“ë3ø,"=…, 

äì%…“2!=ö,%……/. Cü“ 

1. m=›ì,2 …= *…%C*3 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œDemo 

PlayB , …=›ì,2 [ENTER]. 

3. jë=",ø=ì, *3!“%!= "/K!,2 2!K3ì3þ 

Cü“3 , …=›ì,2 [ENTER]. 

dë "%“C!%,ƒ"ä…, "“. äì%…“2!=ö,%……/. Cü“ 

…=›ì,2 …= *…%C*3 [PIANO (0)]. 

4. dë %“2=…%"*, "%“C!%,ƒ"ä…, …=›ì,2 

[START/STOP]. 

5. dë "%ƒ"!=2= …= ãë="…3þ “2!=…,ö3 …=›ì,2 

[EXIT]. 

b“ C!="= ƒ=?,?…/. h“C%ëüƒ%"=…, ä=……%ã% ì=2!,=ë= " 

öë ., %2ë,÷…/. %2 C!“%…=ëü…%ã% C!%“ë3ø,"=…, , "ë 2“ 

…=!3ø…,ì ƒ=*%…%ä=2ëü“2"= %K %.!=… ="2%!“*,. C!=". 

d=……/ äì%…“2!=ö,%……/. Cü“ ÷!ƒ !=ƒAì MIDI OUT … 

C!ä=þ2“ . 

b%““2=…%"ë…, 

ƒ="%ä“*,. …=“2!%* 

o%ëüƒ%"=2ëü ì%›2 "%““2=…%",2ü ƒ="%ä“*, …=“2!%L*, 

Prelude. 

e“ë, " C=ì 2, Prelude “%ä!›=2“ "=›…/ C%ëüƒ%"=2ëü“*, 

ä=……/, C!, "%““2=…%"ë…,, ƒ="%ä“*,. …=“2!%* %…, K3ä32 

32! …/. q%.!=… L2 "=›…/ ä=……/ …= USB-…=*%C,2ëü 

(“2!. 48). 

1. m=›ì,2 …= *…%C*3 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œUtilityB , 

…=›ì,2 [ENTER]. 

3. jë=",ø=ì, *3!“%!= "/K!,2 *%ì=…ä3 

œFactory ResetB , …=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ …= C%ä2"!›ä…,. 

4. dë "%““2=…%"ë…, ƒ="%ä“*,. …=“2!%* 

…=›ì,2 [ENTER]. 

o!, …=›=2,, …= *…%C*3 [EXIT] C!%,ƒ%Lä2 %2ì…= 

%C!=ö,, , "%ƒ"!=2 * C!ä/ä3?L .*!=……%L “2!=…,ö. 

5. b/*ëþ÷,2 C,2=…, Prelude , "*ëþ÷,2 “…%"=. 

b%““2=…%"ë…, ƒ="%ä“*,. …=“2!%* ,…,ö,=ë,ƒ,!32 

…=“2!%L*, “,“2ì/ , C%ëüƒ%"=2ëü“*,. C!-%!ì=…“%". 

aë%*,!%"*= “ì…/ 

C=!=ì2!%" 

o=!=ì2!/, äë *%2%!/. Kë%*,!%"*= "*ëþ÷…= (œONB), C!, 

C!*ëþ÷…,, C!-%!ì=…“%" ,ƒì… 2ü“ … K3ä32. 

b/K%! C=!=ì2!%" äë Kë%*,!%"*, 

1. m=›ì,2 …= *…%C*3 [MENU] , "/K!,2 C3…*2 

œSystemB. 

2. m=›ì,2 …= *…%C*3 [ENTER] äë C%ä2"!›ä…, . 

3. m=›ì,2 …= *…%C*3 [ ] …“*%ëü*% !=ƒ, C%*= 

… %2%K!=ƒ,2“ “2!=…,ö= œSystem LockB. 

4. j…%C*=ì, [ ] [ ] "/K!,2 C=!=ì2!. 

h“C%ëüƒ3L2 *%ë“% VALUE äë “ì…/ 

ƒ…=÷…, . 

o=!=ì2! nC,“=…, g…=÷…, 

Style 

Tone 

Style 

Tempo 

Transpose 

qì…= “2,ë C!, C!*ëþ÷…,, 

C!-%!ì=…“=. 

qì…= 2ìK!= C!, C!*ëþ÷…,, 

C!-%!ì=…“=. 

qì…= 2ìC= “2,ë C!, 

C!*ëþ÷…,, C!-%!ì=…“=. 

qì…= …=“2!%* 2!=…“C%ƒ,ö,, 

(“2!. 21) C!, C!*ëþ÷…,, 

C!-%!ì=…“=. 

5. m=›ì,2 …= *…%C*3 [EXIT]. 

n2%K!=ƒ,2“ “%%K?…, œSystem Write Completed.B 

d=……/ C=!=ì2!/ "ë þ2“ “,“2ì…/ì, (“2!. 45). 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

17

"ä…, 

m=“2!%L*, äë !=ƒAì= 

EXT INPUT 

b ä=……%ì !=ƒäë %C,“/"=2“ …=“2!%L*= !›,ì= !=K%2/ 

".%ä= EXT INPUT (“2!. 15). 

gä“ü 2=*› …=“2!=,"=2“ !›,ì !=K%2/ .--*2= Center 

Cancel (*=!=%*) äë “,ã…=ë=, C%ë3÷……%ã% “ ".%ä= 

EXT INPUT. 

o!, ,“C%ëüƒ%"=…,, *%ìì32=ö,%……/. *=KëL, “%ä!›=?,. 

!ƒ,“2%!/, 3!%"…ü ã!%ì*%“2, …= ".%ä EXT INPUT ì%›2 

%*=ƒ=2ü“ %÷…ü …,ƒ*,ì. h“C%ëüƒ3L2 *=Kë,, … 

“%ä!›=?, !ƒ,“2%!/. 

t3…*ö, Center Cancel 3ì…üø=2 ã!%ì*%“2ü "%*=ë= ,ë, 

,…“2!3ì…2=, !=“C%ë%›……%ã% C% ö…2!3 “2!%“,ã…=ë=. 

1. m=›ì,2 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œExt Input 

SettingB , …=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 C=!=ì2! äë 

!ä=*2,!%"=…, . 

External 

Input 

Center 

Cancel 

nC,“=…, 

b*ëþ÷…,/%2*ëþ÷…, ".%ä= 

EXT INPUT. 

b*ëþ÷…,/%2*ëþ÷…, -3…*ö,, 

Center Cancel (*=!=%*) …= ".%ä 

EXT INPUT. 

o=!=ì2! 

g…=÷- 

…, 

OFF, ON 

OFF, ON 

4. b!=?=L2 *%ë“% VALUE äë 3“2=…%"*, 

ƒ…=÷…, . 

5. o% %*%…÷=…,, !ä=*2,!%"=…, …=›ì,2 …= 

*…%C*3 [EXIT]. 

o=!=ì2!/ œExternal InputB ,ë, œCenter CancelB … ì%ã32 

K/2ü “%.!=……/ " C%ëüƒ%"=2ëü“*, C!%ã!=ìì/ ,ë, 

“,“2ì…3þ C=ì 2ü. j=›ä/L !=ƒ C!, "*ëþ÷…,, C,2=…, 

C=!=ì2! œExternal InputB 3“2=…="ë,"=2“ " ƒ…=÷…, œOnB, 

= C=!=ì2! œCenter CancelB $ " ƒ…=÷…, œOffB. 

18

hã!= …= *ë=",=23! 

hã!= …= *ë=",=23! 

q!=ƒ3 › C%“ë "*ëþ÷…, Prelude ".%ä,2 " !›,ì, " 

*%2%!%ì …= "“þ *ë=",=23!3 …=ƒ…=÷=2“ 2ìK! -%!2C,=…%. 

jë=",=23!= Prelude ì%›2 -3…*ö,%…,!%"=2ü " %ä…%ì ,ƒ 2!. 

!›,ì%". 

SINGLE 

SPLIT 

DUAL 

m= "“þ *ë=",=23!3 …=ƒ…=÷… %ä,… 2ìK!. 

q*ö, *ë=",=23!/ “ë"= %2 2%÷*, Split Point 

"ë 2“ …,›…L C=!2,L. q*ö, “C!="= %2 

2%÷*, Split Point "ë 2“ "!.…L C=!2,L. m= 

*=›ä3þ ,ƒ C=!2,L ì%›…% …=ƒ…=÷,2ü “"%L 2ìK!. 

ŠìK!/, …=ƒ…=÷……/ …= "!.…þþ , …,›…þ 

C=!2,,, K3ä32 ƒ"3÷=2ü %ä…%"!ì……% C!, ,ã! 

…= "“ì ä,=C=ƒ%… *ë=",=23!/. 

e“ë, "*ëþ÷… !›,ì BACKING TYPE [STYLE], ë"= ÷=“2ü 

*ë=",=23!/ ,“C%ëüƒ32“ äë ""%ä= =**%!ä%" (“2!. 24). 

mƒ=",“,ì% %2 2*3?,. …=“2!%* " !›,ì Single ì%›…% 

C!L2,, "/K!=" -%!2C,=……/L !›,ì œPiano ModeB 

(“ì. ä=ë). 

p›,ì Single 

e“ë, *…%C*, [SPLIT] , [DUAL] %2*ëþ÷…/, *ë=",=23!= 

…=.%ä,2“ " !›,ì Single. m= "“L *ë=",=23! 

"%“C!%,ƒ"%ä,2“ %ä,… 2ìK!. 

d=……/L !›,ì ƒ=ã!3›=2“ C!, "*ëþ÷…,, C,2=…, Prelude. 

p›,ì Split ([SPLIT]) 

p=ƒäë…, *ë=",=23!/ …= %2äëü…/ ƒ%…/ äë C!="%L , ë"%L 

!3* …=ƒ/"=2“ !›,ì%ì œSplitB. jë=",ø=, " ì“2 *%2%!%L 

C!%,“.%ä,2 !=ƒäë…,, …=ƒ/"=2“ 2%÷*%L œSplit PointB. 

b !›,ì Split 2ìK!/, …=ƒ…=÷……/ …= C!="3þ , ë"3þ 

÷=“2, *ë=",=23!/, …=ƒ/"=þ2“ “%%2"2“2"……% "!.…L , 

…,›…L C=!2, ì,. Š%÷*= Split Point %2…%“,2“ * "!.…L 

C=!2,,. o% 3ì%ë÷=…,þ " *=÷“2" 2%÷*, Split Point 

"/K,!=2“ …%2= C4. 

1. m=›ì,2 …= *…%C*3 [SPLIT], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

ŠìK!, "/K!=……/L " !›,ì Single, …=ƒ…=÷=2“ …= 

"!.…þþ C=!2,þ. 

2. dë “ì…/ 2ìK!= *…%C*=ì, [ ] [ ] 

"/K!,2 "!.…þþ ,ë, …,›…þþ C=!2,þ. 

3. dë "/.%ä= ,ƒ !›,ì= Split …=›ì,2 [SPLIT] 

? !=ƒ. o%ä“"2*= *…%C*, C%ã=“…2. 

b !›,ì Split äë *=›ä%ã% 2ìK!= "/K,!=þ2“ %C2,ì=ëü…/ 

…=“2!%L*, %*2="…%L 2!=…“C%ƒ,ö,,. 

qì…= 2%÷*, Split Point 

1. m=›ì,2 , 3ä!›,"=L2 *…%C*3 [SPLIT] 

(C!,Kë,ƒ,2ëü…% 2 “*3…ä/). 

n2%K!=ƒ,2“ %*…% …=“2!%L*, 2%÷*, Split Point. 

2. b!=?=L2 *%ë“% VALUE äë “ì…/ 2%÷*, 

Split Point. 

3. o% %*%…÷=…,þ …=“2!%L*, …=›ì,2 [EXIT]. 

t%!2C,=……/L !›,ì 

b… ƒ=",“,ì%“2, %2 2*3?,. …=“2!%* C%ëüƒ%"=2ëü ì%›2 

K/“2!% C!L2, " !›,ì -%!2C,=…%. 

b ä=……%ì !›,ì K3ä32 "/K!=…/ …=“2!%L*,, %C2,ì=ëü…/ 

äë ,ã!/ 2ìK!%ì -%!2C,=…%; ä=……/L 2ìK! 

"%“C!%,ƒ"%ä,2“ …= "“L *ë=",=23! Prelude. 

1. m=›ì,2 %ä…%"!ì……% *…%C*, [SPLIT] , [DUAL] 

(PIANO MODE). 

dë “ì…/ 2%÷*, Split Point ì%›…%, 3ä!›,"= *…%C*3 [SPLIT], 

"ƒ 2ü …3›…3þ …%23 …= *ë=",=23!. 

j!=L… …,›… ƒ…=÷…, äë 2%÷*, Split Point !="…% œC#2B. 

a%ë …,ƒ*, …%2/ " %*… …=“2!%L*, %2%K!=›=2ü“ … K3ä32. 

p›,ì Dual ([DUAL]) 

b ä=……%ì !›,ì ä"= 2ìK!= …=*ë=ä/"=þ2“ ä!3ã …= ä!3ã=. 

b !›,ì Dual .2, 2ìK!/ …=ƒ/"=þ2“ "!.…L , …,›…L 

C=!2, ì,. 

1. m=›ì,2 …= *…%C*3 [DUAL], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

ŠìK!, "/K!=……/L " !›,ì Single, …=ƒ…=÷=2“ …= 

"!.…þþ C=!2,þ. 

2. dë “ì…/ 2ìK!= *…%C*=ì, [ ] [ ] 

"/K!,2 "!.…þþ ,ë, …,›…þþ C=!2,þ. 

19

hã!= …= *ë=",=23! 

3. dë "/.%ä= ,ƒ !›,ì Dual …=›ì,2 [DUAL] 

? !=ƒ. o!, .2%ì C%ä“"2*= *…%C*, C%ã=“…2. 

b/K%! 2ìK!= ([TONE]) 

b C=ì 2, Prelude “%ä!›,2“ K%ë 1000 2ìK!%". d=……/ 

2ìK!/ ì%ã32 K/2ü ,“C%ëüƒ%"=…/ " 2!. *ë=",=23!…/. 

!›,ì=. (Single, Split, Dual). 

b !›,ì=. Split ,ë, Dual ,“C%ëüƒ3L2 *…%C*, *3!“%!= , 

*%ë“% VALUE äë …=ƒ…=÷…, …%"%ã% 2ìK!= …= …,›…þþ 

,ë, "!.…þþ C=!2,,. 

h“C%ëüƒ%"=…, *%ë“= VALUE 

1. m=›ì,2 …= *…%C*3 [TONE], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

2. j…%C*=ì, [ ] [ ] "/K!,2 …,›…þþ ,ë, 

"!.…þþ C=!2,,. 

3. b!=?=L2 *%ë“% VALUE äë "/K%!= 2ìK!=. 

dë "/K%!= 2ìK!%" C% *=2ã%!, ì ,“C%ëüƒ3L2 %ä…3 ,ƒ 

*…%C%* TONE SELECT ([PIANO] $ [SPECIAL]). 

e“ë, *3!“%! …="ä… …= …%ì! 2ìK!=, ì%›…% “ì…,2ü 

…%ì! "!3÷…3þ. m=›ì,2 …= *…%C*3 [NUMERIC], = ƒ=2ì 

,“C%ëüƒ3L2 *…%C*, TONE SELECT , [ENTER]. 

b/K%! 2ìK!= ,ƒ “C,“*= 

1. m=.%ä “ü …= ãë="…%L “2!=…,ö, …="ä,2 

*3!“%! …= …%ì! 2ìK!=. 

2. m=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] ,ë, *%ë“%ì VALUE 

"/K!,2 2ìK!. 

dë "/K%!= 2ìK!= C% *=2ã%!, ì ,“C%ëüƒ3L2 *…%C*, 

TONE SELECT ([PIANO] $ [SPECIAL]). 

4. m=›ì,2 …= [ENTER] äë C%ä2"!›ä…, . 

o!, …=›=2,, …= *…%C*3 [EXIT] C!%,ƒ%Lä2 %2ì…= 

"/K%!= , "%ƒ"!=2 * C!ä/ä3?ì3 2ìK!3. 

l%›…% ,“C%ëüƒ%"=2ü *…%C*, [ ] [ ] äë "/K%!= 

C%ä*=2ã%!,L "…32!, "/K!=……%L *=2ã%!,,. 

o%ëüƒ%"=2ëü ì%›2 %2!ä=*2,!%"=2ü "/K!=……/L 2ìK! , 

“%.!=…,2ü ã% " C!-%!ì=…“. o%ä!%K… “ì. “2!. 38, 39. 

b/K%! =!=K“*%ã% , 

ä!3ã,. "=!,=…2%" “2!% 

o%ì,ì% !="…%ì!…%L 2ìC!=ö,,, ,“C%ëüƒ3ì%L " ƒ=C=ä…%L 

ì3ƒ/*, ì%›…% …=“2!=,"=2ü "/“%23 *=›ä%L …%2/ %2äëü…%, 

C%ë3÷= 2ì “=ì/ì "=!,=…2/ “2!% , .=!=*2!…/ äë 2. ,ë, 

,…/. *3ëü23! ,ë, ,“2%!,÷“*,. .C%. ("%“2%÷…/ “2!%,, “2!%, 

.C%., K=!%**% , 2.ä.). 

mƒ=",“,ì% …=“2!=,"=þ2“ "“ …%2/ " C!äë=. %ä…%L 

%*2="/ (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B). 

1. rä!›,"= *…%C*3 [TRANSPOSE], …=›ì,2 …= 

*…%C*3 [KEY TOUCH]. 

n2%K!=ƒ,2“ %*…% Key Scale. 

2. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 …3›…/L 

C=!=ì2!, = ƒ=2ì *%ë“%ì VALUE 

%2*%!!*2,!3L2 ƒ…=÷…,. 

o=!=ì2! nC,“=…, g…=÷…, 

Preset 

Equal 

Preset 

Arabic 

Lower Sw 

Upper Sw 

Style Sw 

p="…%ì!…= 2ìC!=ö, : %*2="= 

!=ƒäë…= …= 12 !="…/. C%ë32%- 

…%", ÷2% .=!=*2!…% äë “%"!ì……%L 

ƒ=C=ä…%L ì3ƒ/*,. 

À!=K“*,L “2!%L: " .2%ì “ë3÷= 

…%2/ E , B %C3?…/ …= ÷2"!2ü 

2%…=, = …%2/ C#, F# , G# C%ä… - 

2/ …= ÷2"!2ü 2%…= %2…%“,2ëü…% 

!="…%ì!…%L 2ìC!=ö,,. h…2!- 

"=ë ì›ä3 G , B, C , E, F , G#, 

Bb , C#, = 2=*› ì›ä3 Eb , F# 

“%“2="ë 2 …=23!=ëü…3þ 2!ö,þ 

(,…2!"=ë ì›ä3 K%ëüø%L , ì=ë%L 

2!ö,L). h“C%ë…,2ëü ì%›2 ,“- 

C%ëüƒ%"=2ü =!=K“*,L “2!%L " 2%- 

…=ëü…%“2 . G, C , F. 

h“C%ëüƒ%"=…, =ëü2!…=2,"…%ã% 

“2!% äë …,›…L C=!2,, 

h“C%ëüƒ%"=…, =ëü2!…=2,"…%ã% 

“2!% äë "!.…L C=!2,, 

h“C%ëüƒ%"=…, =ëü2!…=2,"…%ã% 

“2!% äë ="2%=**%ìC=…ì…2= 

m=›ì,2 

[ENTER] 

m=›ì,2 

[ENTER] 

OFF, ON 

OFF, ON 

OFF, ON 

C qì?…, …%2/ C -64 $ +63 

C# qì?…, …%2/ C# -64 $ +63 

D qì?…, …%2/ D -64 $ +63 

Eb qì?…, …%2/ Eb -64 $ +63 

E qì?…, …%2/ E -64 $ +63 

F qì?…, …%2/ F -64 $ +63 

20

hã!= …= *ë=",=23! 

o=!=ì2! nC,“=…, g…=÷…, 

F# qì?…, …%2/ F# -64 $ +63 

G qì?…, …%2/ G -64 $ +63 

G# qì?…, …%2/ G# -64 $ +63 

A qì?…, …%2/ A -64 $ +63 

Bb qì?…, …%2/ Bb -64 $ +63 

B qì?…, …%2/ B -64 $ +63 

3. o% %*%…÷=…,, !ä=*2,!%"=…, …=›ì,2 …= 

*…%C*3 [EXIT]. 

qì…= ›“2*%“2, 

*ë=",=23!/ ([KEY TOUCH]) 

d=……/ …=“2!%L*, %C!äë þ2, *=* ã!%ì*%“2ü ƒ"3÷=…, 

2ìK!= K3ä2 ƒ=",“2ü %2 “*%!%“2, …=›=2, …= *ë=",ø, 

(Velocity Sensitivity). 

Velocity, “*%!%“2ü …=›=2, …= *ë=",ø,, ì%›2 äL“2"%"=2ü 

…= ã!%ì*%“2ü ,ë, %*!=“*3 ƒ"3÷=…, . 

1. m=›ì,2 …= *…%C*3 [KEY TOUCH], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

n2%K!=ƒ,2“ %*…% Key Touch. 

2. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 …3›…/L 

C=!=ì2!, = ƒ=2ì *%ë“%ì VALUE ,ƒì…,2 

ƒ…=÷…,. 

o=!=ì2! g…=÷…, nC,“=…, 

Curve 

LIGHT 

MEDIUM 

HEAVY 

œkã*= B *ë=",=23!= $ !=*ö, 

…= …K%ëüø, ,ƒì……, Velocity 

ì,…,ì=ëü…=. 

œq!ä… B *ë=",=23!= $ *ë=",=- 

23!= .%!%ø% !=ã,!32 …= “ì…3 

Velocity, %ä…=*% ä%K,2ü“ ì=*“,- 

ì=ëü…%L ã!%ì*%“2, ã%!=ƒä% ëã- 

÷, ÷ì C!, ƒ…=÷…,, œHEAVYB. 

œŠ ›ë= B *ë=",=23!= $ "/K!,- 

2 äë …=,K%ëüøL ä,…=ì,÷“- 

*%L "/!=ƒ,2ëü…%“2,. d=› 

…K%ëüø, ,ƒì……, Velocity 

C!,"%ä 2 * “3?“2"……/ì ,ƒì- 

……, ì ã!%ì*%“2,. nä…=*% äë 

ä%“2,›…, ì=*“,ì=ëü…%L ã!%ì- 

*%“2, 2!K32“ …=,K%ëüø= 

“,ë= 3ä=!%" C% *ë=",ø=ì. 

o=!=ì2! g…=÷…, nC,“=…, 

Value 1 $ 127 

r!%"…ü ã!%ì*%“2,, “ë, C=!=ì2! 

Curve = œFIXEDB. 

3. o% %*%…÷=…,, !ä=*2,!%"=…, …=›ì,2 …= 

*…%C*3 [KEY TOUCH] ,ë, …= *…%C*3 [EXIT]. 

dë “%.!=……, ,ƒì……,L " C!-%!ì=…“ …=›ì,2 …= 

*…%C*3 [WRITE] (“2!. 39). 

n*2="…= 2!=…“C%ƒ,ö, 

*ë=",=23!/ (*…%C*, OCTAVE) 

o%ëüƒ%"=2ëü ì%›2 2!=…“C%…,!%"=2ü ƒ"3÷=…, "/K!=……%ã% 

2ìK!= ""!. ,ë, "…,ƒ …= %*2="3, ì=*“,ì3ì 4 %*2="/ ""!./ 

"…,ƒ. 

1. m=›ì,2 …= *…%C*3 OCTAVE [ ] ,ë, [ ]. 

n2%K!=ƒ,2“ %*…% Octave Shift. )!ƒ …“*%ëü*% “*3…ä 

C%“ë %2C3“*=…, *…%C*, %…% ="2%ì=2,÷“*, ƒ=*!%2“ . 

2. rä!›,"= *…%C*3 OCTAVE [ ] ,ë, [ ], 

*…%C*=ì, [ ] [ ] "/K!,2 "!.…þþ ,ë, 

…,›…þþ C=!2,þ äë 2!=…“C%ƒ,ö,,. 

3. j…%C*=ì, OCTAVE [ ] [ ] “ì…,2 "/“%23 

ƒ"3÷=…, "/K!=……%L C=!2,,. 

Š!=…“C%ƒ,ö, 2ìK!%" 

, Cü“ (TRANSPOSE) 

t3…*ö, Transpose C%ƒ"%ë 2 ì… 2ü 2%…=ëü…%“2ü, … ì… 

C!, .2%ì =CCë,*=23!/. j!%ì 2%ã%, %…= C%ƒ"%ë 2 

"%“C!%,ƒ"“2, 3› ƒ=C,“=……3þ Cü“3 " ä!3ã%L 2%…=ëü…%“2,. 

1. m=›ì,2 …= *…%C*3 [TRANSPOSE]. 

n2%K!=ƒ,2“ %*…% Transpose. )!ƒ …“*%ëü*% “*3…ä 

C%“ë %2C3“*=…, *…%C*, %…% ="2%ì=2,÷“*, ƒ=*!%2“ . 

2. rä!›,"= *…%C*3 [TRANSPOSE], *…%C*=ì, [ ] 

[ ] "/K!,2 C=!=ì2! äë !ä=*2,!%"=…, . 

o=!=ì2! nC,“=…, g…=÷…, 

Song 

Trans 

KBD 

Trans 

b*ëþ÷…,/"/*ëþ÷…, 2!=…“- 

C%ƒ,ö,, Cü“ " C=ì 2, Prelude 

,ë, MIDI--=Lë%" (“2!. 29, 31). 

b*ëþ÷…,/"/*ëþ÷…, 2!=…“- 

C%ƒ,ö,, *ë=",=23!/. 

OFF, ON 

OFF, ON 

FIXED 

œo=““,"…= B *ë=",=23!= $ ƒ…=- 

÷…, Velocity -,*“,!%"=…%. 

21

hã!= …= *ë=",=23! 

o=!=ì2! nC,“=…, g…=÷…, 

C→ 

h…2!"=ë 2!=…“C%ƒ,ö,, ( $5 ~ 

+6 C%ë32%…%") 

F#, G, 

G#, A, 

Bb, B, C, 

C#, D, 

Eb, E, F 

4. dë %2*ëþ÷…, ã=!ì%…,ƒ=ö,, …=›ì,2 …= 

*…%C*3 [MELODY INTELL], C!, .2%ì C%ä“"2*= 

C%ã=“…2. 

p=K%2= “ ì2!%…%ì%ì 

o!, !=ƒ3÷,"=…,, …%"/. Cü“ 3ä%K…% ,“C%ëüƒ%"=2ü ì2!%…%ì. 

À3ä,%ä=……/ … 2!=…“C%…,!3þ2“ . 

3. rä!›,"= *…%C*3 [TRANSPOSE], ,“C%ëüƒ3L2 

*%ë“% VALUE äë 3“2=…%"*, ƒ…=÷…, . 

e“ë, 2!=…“C%ƒ,ö, "*ëþ÷…=, ƒ=ã%!=2“ C%ä“"2*= 

*…%C*, [TRANSPOSE]. 

dë K/“2!%L “ì…/ 2!=…“C%ƒ,ö,, "… ƒ=",“,ì%“2, %2 

C%ë%›…, *3!“%!=, 3ä!›,"= *…%C*3 [TRANSPOSE], 

…=›,"=L2 …=*…%C*, OCTAVE [ ] [ ]. 

d%K="ë…, ã=!ì%…,, 

(MELODY INTELL) 

e“ë, "*ëþ÷… ="2%=**%ìC=…ì…2 (“2!. 24), * "!.…L C=!2,, 

ì%›…% ="2%ì=2,÷“*, ä%K=",2ü ã=!ì%…,þ ("2%!%L , 2!2,L 

ã%ë%“=). d=……= -3…*ö, …=ƒ/"=2“ œMelody IntelligenceB. 

m%2/ ã=!ì%…,, ã…!,!3þ2“ …= K=ƒ =**%!ä%", "ƒ 2/. " 

ë"%L !3*. 

dë "*ëþ÷…, -3…*ö,, Melody “ë3›,2 *…%C*= [MELODY 

INTELL] (C!, "*ëþ÷…,, ƒ=ã%!=2“ C%ä“"2*=). 

t3…*ö, Melody Intelligence ä%“23C…= 2%ëü*% C!, "*ëþ÷……%L 

C%ä“"2* *…%C*, [STYLE]. 

b/K%! 2,C= ã=!ì%…,ƒ=ö,, 

1. m=›ì,2 …= *…%C*3 [MELODY INTELL], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

o!, ,ã! 2ìK!%ì "!.…L C=!2,, ìë%ä, 

="2%ì=2,÷“*, ã=!ì%…,ƒ,!32“ . 

2. rä!›,"= *…%C*3 [MELODY INTELL], "!=?=L2 

*%ë“% VALUE äë “ì…/ 2,C= ã=!ì%…,ƒ=ö,,. 

o=!=ì2! 

g…=÷…, 

1. m=›ì,2 …= *…%C*3 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œSystemB , 

…=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 “2!=…,ö3 

œMETRONOMEB , ,“C%ëüƒ3L2 *…%C*, [ ] [ ] 

äë "/K%!= C=!=ì2!%". 

4. dë “ì…/ ƒ…=÷…,L ,“C%ëüƒ3L2 *%ë“% 

VALUE. 

o=!=ì2! g…=÷…, nC,“=…, 

Metronome 

Switch 

Metronome 

Mode 

Metronome 

Level 

OFF, ON 

rC!="ë…, ì2!%…%ì%ì. 

ALWAYS 

REC 

PLAY 

LOW, 

MEDIUM, 

HIGH 

b*ëþ÷…,/%2*ëþ÷…, 

ì2!%…%ì=. 

5. o% %*%…÷=…,, !ä=*2,!%"=…, …=›ì,2 …= 

*…%C*3 [EXIT]. 

g…=÷…, K3ä2 “%.!=……% " “,“2ì…%L C=ì 2,. 

o!%÷, -3…*ö,, 

l2!%…%ì "*ëþ÷… *=* C!, 

ƒ=C,“,, 2=* , C!, 

"%“C!%,ƒ"ä…,, Cü“/. 

l2!%…%ì "*ëþ÷… 2%ëü*% 

C!, ƒ=C,“, Cü“/ (“2!. 26). 

l2!%…%ì "*ëþ÷… C!, 

"*ëþ÷……%ì ="2%=**%ìC=…ì…2 

,ë, C!, "%“C!%,ƒ"ä…,, 

Cü“/ (“2!. 24, 29). 

c!%ì*%“2ü ì2!%…%ì=, %2 

…,ƒ*%L (œLowB) ä% "/“%*%L 

(œHighB). 

Type 

DUET, ORGAN, COMBO, STRINGS, CHOIR, 

BLOCK, BIG BAND, COUNTRY, TRADITIONAL, 

BROADWAY, GOSPEL, ROMANCE, LATIN, 

COUNTRY GUITAR, COUNTRY BALLAD, 

WALTZ ORGAN, OCTAVE TYPE 1, OCTAVE 

TYPE 2 

}--*2/ " C!-%!ì=…“ $ “ì. “2!. 34. 

pä=*2,!%"=…, 2ìK!= $ “ì. “2!. 38. 

nK?= …=“2!%L*= $ “ì. “2!. 45. 

nK?= 2!=…“C%ƒ,ö, $ “ì. “2!. 45. 

3. m=›ì,2 [EXIT] äë "%ƒ"!=2= …= ãë="…3þ “2!=…,ö3. 

22

p=K%2= “ =**%ìC=…ì…2%ì 

b/K%! 2,C= =**%ìC=…ì…2= 

(Style/Song/USB Memory Player) 

Prelude C%ƒ"%ë 2 ,“C%ëüƒ%"=2ü 2!, 2,C= =**%ìC=…ì…2=. 

dë C!*ëþ÷…, ,“C%ëüƒ3þ2“ *…%C*, BACKING TYPE 

[STYLE], [SONG] , [USB MEMORY PLAYER]. 

j…%C*= [STYLE] (“2!. 24) 

À"2%=**%ìC=…ì…2 ,“C%ëüƒ32 ì3ƒ/*=ëü…/ “2,ë,. t3…*ö, 

Style ="2%ì=2,÷“*, “%ƒä=2 ì3ëü2,,…“2!3ì…2=ëü…/L =**%ì- 

C=…ì…2. o!%“2% "/K!,2 %ä,… ,ƒ “2,ëL, = ƒ=2ì ,ã!=L2 

=**%!ä/ ë"%L !3*%L. dë “ì…/ .=!=*2!= =**%ìC=…ì…2=, 

*!%ì Intro ("“23Cë…,), Main (%“…%"…= ÷=“2ü) , Ending (*%- 

ä=), ì%›…% ,“C%ëüƒ%"=2ü !=ƒë,÷…/ "=!,=ö,, “*ö,L. 

h“C%ëüƒ%"=…, " *=÷“2" 

=**%ìC=…ì…2= 2%ëü*% C=!2,, 3ä=!…/. 

e“ë, %2*ëþ÷,2ü "“ 2!, *…%C*, BACKING TYPE [STYLE], 

[SONG] , [USB MEMORY PLAYER], C!, !=K%2 “% 

“2,ëì K3ä2 "%“C!%,ƒ"%ä,2ü“ 2%ëü*% C=!2, 3ä=!…/.. 

o!, .2%ì ì%›…% C%ëüƒ%"=2ü“ *…%C*=ì, STYLE 

CONTROL , VARIATION äë “ì…/ !,“3…*= 3ä=!…/.. 

j…%C*= [SONG] (“2!. 27) 

o%ëüƒ%"=2ëü ì%›2 ƒ=C,“=2ü “"% ,“C%ë……, " C=ì 2ü Prelude. 

o%“*%ëü*3 " ,…“2!3ì…2 "“2!%… 16-2!*%"/L “*"…“%!, 

ì%›…% ,“C%ëüƒ%"=2ü ì…%ã%ä%!%›÷…3þ ƒ=C,“ü äë “%ƒä=…, 

C%ë…%ö……/. ì3ëü2,,…“2!3ì…2=ëü…/. *%ìC%ƒ,ö,L. q%ƒä=……3þ 

Cü“3 2=*› ì%›…% ,“C%ëüƒ%"=2ü " *=÷“2" =**%ìC=…ì…2=. 

o%ëüƒ%"=2ëü ì%›2 ƒ=ã!3ƒ,2ü " *=÷“2" Cü“/ “2=…ä=!2…/L 

MIDI--=Lë. 

j…%C*= [USB MEMORY PLAYER] (“2!. 32) 

o%ëüƒ%"=2ëü ì%›2 "%“C!%,ƒ"%ä,2ü =3ä,%- ,ë, MIDI--=Lë/, 

ƒ=C,“=……/ …= USB-…%“,2ëü , ,“C%ëüƒ%"=2ü ,. " *=÷“2" 

=**%ìC=…ì…2=. 

r“2=…%"*= 2ìC= ([TAP TEMPO]) 

ŠìC =3ä,%ä=……/. … ì%›2 K/2ü ,ƒì……. 

1. m=›ì,2 …= *…%C*3 [TAP TEMPO] 2!, ,ë, K%ë 

!=ƒ " …3›…%ì 2ìC. 

n2%K!=ƒ,2“ %*…% …=“2!%L*, 2ìC=, " *%2%!%ì K3ä2 

C%*=ƒ=…% ÷,“ë%"% ƒ…=÷…, ""ä……%ã% 2ìC=. 

o%ëüƒ%"=2ëü 2=*› ì%›2 …=›=2ü …= *…%C*3 [TAP TEMPO] 

äë C!.%ä= * %*…3 …=“2!%L*, 2ìC=, = ƒ=2ì ƒ=ä=2ü 2ìC 

C!, C%ì%?, *3!“%!…/. *ë=",ø , *%ë“= VALUE. dë 

"%ƒ"!=2= …= ãë="…3þ “2!=…,ö3 …=›ì,2 [EXIT]. 

p=K%2= “ ì2!%…%ì%ì 

1. m=›ì,2 …= *…%C*3 [TAP TEMPO]. 

n2%K!=ƒ,2“ %*…% …=“2!%L*, 2ìC=. 

2. o!, C%ì%?, *3!“%!…/. *ë=",ø "/K!,2 

C=!=ì2! œMetronomeB , "*ëþ÷,2 ã% “ 

C%ì%?üþ *%ë“= VALUE. 

o%“ë "*ëþ÷…, C!%,ƒ%Lä2 ƒ=C3“* ì2!%…%ì= " 

ƒ=ä=……%ì !›,ì (œAlwaysB, œRECB ,ë, œPlayB). 

3. dë %“2=…%"*, ì2!%…%ì= 3“2=…%",2 C=!=ì2! 

œMetronomeB " “%“2% …, OFF. 

4. dë "%ƒ"!=2= …= ãë="…3þ “2!=…,ö3 …=›ì,2 

*…%C*3 [EXIT]. 

o%ä!%K… % …=“2!%L* ì2!%…%ì= “ì. “2!. 22. 

m=“2!%L*= K=ë=…“= ã!%ì*%“2, 

(*…%C*, BALANCE) 

h“C%ëüƒ3L2 *…%C*, BALANCE [BACKING] , [KEYBOARD] 

äë …=“2!%L*, K=ë=…“= ã!%ì*%“2, ì›ä3 =**%ìC=…ì…2%ì , 

,“C%ë……,ì …= *ë=",=23!. 

o!, %ä…%"!ì……%ì …=›=2,, …= *…%C*, BALANCE 

[BACKING] , [KEYBOARD] K=ë=…“ "!…2“ " ƒ…=÷…, C% 

3ì%ë÷=…,þ. 

o!, “ì… K=ë=…“= ã!%ì*%“2, ƒ=ã%!=2“ C%ä“"2*= *…%C*, 

2%L C=!2,,, äë *%2%!%L "/K!=…= K%ëüø= ã!%ì*%“2ü. 

d=……/L C=!=ì2! … ì%›2 K/2ü “%.!=……. 

23

p=K%2= “ =**%ìC=…ì…2%ì 

hã!= C%ä 

="2%=**%ìC=…ì…2 

p=K%2= “% “2,ëì ([STYLE]) 

1. m=›ì,2 …= *…%C*3 [STYLE], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

o% 3ì%ë÷=…,þ 2%÷*= !=ƒäë…, *ë=",=23!/ Split Point 

…=ƒ…=÷…= …= *ë=",ø3 œC4B. 

rä!›,"=L2 *…%C*3 [SPLIT] " 2÷…, ä"3. “*3…ä äë 

%2%K!=›…, %*…= …=“2!%L*, 2%÷*, Split Point. dë “ì…/ 

2%÷*, !=ƒäë…, ,“C%ëüƒ3L2 *%ë“% VALUE. o% %*%…÷=…,, 

…=“2!%L*, …=›ì,2 …= *…%C*3 [EXIT]. 

2. m=›ì,2 …= *…%C*3 [START/STOP]; ƒ=C3“2,2“ 

qì…= "=!,=ö,, 

o%ëüƒ%"=2ëü ì%›2 ,“C%ëüƒ%"=2ü *…%C*, VARIATION äë 

“ì…/ !=ƒ…%",ä…%“2, =**%ìC=…ì…2=. 

m=›=2= *…%C*= K3ä2 ì,ã=2ü, C%*= … C!%,ƒ%Lä2 

C!*ëþ÷…, C=22!…= (C%“ë .2%ã% C%ä“"2*= *…%C*, K3ä2 

ã%!2ü C%“2% ……%). 

j…%C*= VARIATION [1] “%%2"2“2"32 …=,K%ë C!%“2%L 

=!=…›,!%"*, VARIATION [4] $ …=,K%ë …=“/?……%L. 

dë "“23Cë…, /*%ä/ *…%C*= VARIATION [1] “%%2"2“2"32 

“=ì%L *%!%2*%L , C!%“2%L !=ƒ…%",ä…%“2,. 

t3…*ö, Auto Fill-in 

e“ë, …=›=2= *…%C*= [AUTO FILL-IN] (C%ä“"2*= ã%!,2), C!, 

C!*ëþ÷…,, "=!,=ö,L K3ä2 ,“C%ë… 2ü“ “K,"*=. p,“3…%* 

“K,"*, ƒ=",“,2 %2 2%ã%, ì›ä3 *=*,ì, "=!,=ö, ì, 

C!%,“.%ä,2 C!.%ä. 

qK,"*= (BFill-InB)$ .2% *%!%2*= ,ìC!%",ƒ=ö, C!ä 

…=÷=ë%ì …%"%ã% 2=*2=. Prelude ="2%ì=2,÷“*, ,“C%ë… 2 

“K,"*,, .=!=*2!…/ äë "/K!=……%ã% “2,ë . 

n“2=…%"*= “2,ë 

C=22!… 3ä=!…/.. 

e“ë, C%ëüƒ%"=2ëü … K3ä2 ,ã!=2ü =**%!ä/ " …,›…L ÷=“2, 

*ë=",=23!/, ,ƒ "“ã% ="2%=**%ìC=…ì…2= K3ä32 ƒ"3÷=2ü 

2%ëü*% 3ä=!…/. 

3. b%ƒüì,2 …%23 ,ë, =**%!ä ë"%L !3*%L. 

hã!=L2 =**%!ä/ ë"%L !3*%L, = ìë%ä,þ $ C!="%L. 

4. o!, “ì… =**%!ä= ="2%=**%ìC=…ì…2 K3ä2 

,ƒì… 2ü“ ="2%ì=2,÷“*,. 

m=ƒ"=…, "ƒ 2%ã% =**%!ä= %2%K!=›=2“ …= ä,“Cë. 

5. h“C%ëüƒ3L2 *…%C*, STYLE CONTROL äë “ì…/ 

C=22!…= 2*3?ã% “2,ë . 

[INTRO] b“23Cë…, (,…2!%ä3*ö, ). 

[MAIN] n“…%"…%L !,“3…%* “2,ë . 

[ENDING] 

j%ä= (%*%…÷=…,). 

e“ë, C%ä“"2*= *…%C*, [STYLE] … ã%!,2, C!, …=›=2,, …= 

*…%C*3 [START/STOP] K3ä2 ƒ"3÷=2ü 2%ëü*% C=!2, 3ä=!…/.. 

1. m=›ì,2 …= *…%C*3 [START/STOP] äë 

%“2=…%"*, ="2%=**%ìC=…ì…2=. 

o!, …=›=2,, …= *…%C*3 [ENDING] "ì“2% [START/STOP] 

K3ä2 “/ã!=…= *%ä=, = ƒ=2ì =**%ìC=…ì…2 %“2=…%",2“ 

="2%ì=2,÷“*,. 

m=“2!%L*= K=ë=…“= C=!2,L 

([PART VIEW]) 

e“ë, …=›=2= *…%C*= [STYLE], ,ë, “ë, "“ *…%C*, BACKING 

TYPE %2›=2/, C%ëüƒ%"=2ëü ì%›2 C!L2, * “2!=…,ö 

ì,*ø!= PERFORM MIXER, …=›=" …= *…%C*3 [PART VIEW]. 

m= “2!=…,ö PERFORM MIXER %“3?“2"ë 2“ …=“2!%L*= 

ã!%ì*%“2, äë *=›ä%L ,ƒ C=!2,L “2,ë . l%›…% 2=*› 

ƒ=ãë3ø,2ü %ä…3 ,ë, …“*%ëü*% C=!2,L ="2%=**%ìC=…ì…2=, 

= 2=*› %“2=",2ü ƒ"3÷=…, 2%ëü*% %ä…%L C=!2,, (“%ë%). 

1. rKä,"ø,“ü, ÷2% *…%C*= [STYLE] …=›=2=, 

…=›ì,2 …= *…%C*3 [PART VIEW]. 

n2%K!=ƒ,2“ “2!=…,ö= PERFORM MIXER. 

2. j…%C*=ì, [ ] [ ] "/K!,2 …3›…3þ 

C=!2,þ, = ƒ=2ì *…%C*=ì, [ ] [ ] $ …3›…% 

ƒ…=÷…,. 

d,“CëL 

o=!2, 

LWR m,›… C=!2, 

UPR b!.… C=!2, 

ADR 

rä=!…/ =**%ìC=…ì…2= 

ABS 

a=“ =**%ìC=…ì…2= 

AC1$AC6 o=!2, =**%ìC=…ì…2= 1 $ 6 

24

p=K%2= “ =**%ìC=…ì…2%ì 

o=!=ì2! g…=÷…, nC,“=…, 

LEVEL 0 $ 127 c!%ì*%“2ü C=!2,,. 

MUTE 

SOLO 

3. dë ƒ=*!/2, %*…= PERFORM MIXER …=›ì,2 

[EXIT] ,ë, [PART VIEW] (C%ä“"2*= *…%C*, 

C%ã=“…2). 

q,….!%…,ƒ=ö, (*…%C*, SYNC) 

e“ë, …=›=2ü …= *…%C*3 SYNC [START] (C%ä“"2*= 

ƒ=ã%!=2“ ), =**%ìC=…ì…2 K3ä2 ƒ=C3?…, *=* 2%ëü*% K3ä2 

"ƒ 2= …%2= " ë"%L ÷=“2, *ë=",=23!/. 

e“ë, …=›=2= *…%C*= SYNC [STOP] (C%ä“"2*= ƒ=ã%!=2“ ), 

=**%ìC=…ì…2 %“2=…%",2“ , *=* 2%ëü*% ,“C%ë…,2ëü “…,ì2 

!3*3 “ ë"%L ÷=“2, *ë=",=23!/. }2% 3ä%K…% äë ,“C%ë……, 

Cü“ “ C=3ƒ=ì, " =**%ìC=…ì…2. 

dë %2*ëþ÷…, -3…*ö,, …=›ì,2 …= *…%C*3 ? !=ƒ. 

qì. “2!. 39. 

OFF, 

ON 

OFF, 

ON 

q2,ë"= C=ì 2ü %!ã=…,ƒ%"=…= “ëä3þ?,ì %K!=ƒ%ì. 

b/K%! “2,ë 


g=ãë3ø…, C=!2,,: "*ëþ÷…% (ON) 

,ë, "/*ëþ÷…% (OFF). 

q%ë,!%"=…, C=!2,,: "*ëþ÷…% (ON) 

,ë, "/*ëþ÷…% (OFF). 

q%.!=……, …=“2!%* " C!-%!ì=…“ 

b/K%! “2,ë 

p=ƒäë 

PRST 

(C!“2) 

USER 

nC,“=…, 

g="%ä“*, “2,ë, Prelude. 

m ì%ã32 K/2ü C!ƒ=C,“=…/. 

o!, “%ƒä=…,, “2,ë …= *%ìCüþ2! “ 

ä=ëü…Lø,ì “%.!=……,ì ã% …= USB- 

…=*%C,2ëü , ƒ=ã!3ƒ*%L " Prelude, %… K3ä2 

“%.!=…… " !=ƒäë USER (“2!. 48). 

1. m=›ì,2 …= *…%C*3 [STYLE] (C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ ). 

2. h“C%ëüƒ3L2 *…%C*, STYLE FAMILY äë "/K%!= 

“2,ë C% *=2ã%!, ì. 

q!=ƒ3 › C%“ë …=›=2, %ä…%L ,ƒ *…%C%* STYLE FAMILY 

…= .*!=… %2%K!=ƒ,2“ ,ì C!"%ã% “2,ë "/K!=……%ã% 

›=…!=. 

o%“ë ,ìC%!2= “2,ëL “ USB-…=*%C,2ë …=›ì,2 …= 

*…%C*3 [USER] äë "/K%!= C%ëüƒ%"=2ëü“*,. “2,ëL. 

3. dë "/K%!= “2,ë "!=?=L2 *%ë“% VALUE. 

e“ë, *3!“%! …="ä… …= …%ì! “2,ë , ì%›…% ""“2, …%ì! 

"!3÷…3þ. m=›ì,2 …= *…%C*3 [NUMERIC], = ƒ=2ì 

,“C%ëüƒ3L2 *…%C*, TONE SELECT , [ENTER]. 

b/K%! “2,ë ,ƒ “C,“*= 

1. m=.%ä “ü …= ãë="…%L “2!=…,ö, *ë=",ø=ì, 

*3!“%!= "/K!,2 C%ë …%ì!= “2,ë . 

2. m=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 “2,ë"3þ 

*=2ã%!,þ. 

dë "/K%!= “%K“2"……/. “2,ëL "/K!,2 *=2ã%!,þ 

œUSERB ,ë, …=›ì,2 …= *…%C*3 [USER]. 

4. j…%C*=ì, [ ] [ ] ,ë, *%ë“%ì VALUE 

"/K!,2 “2,ëü. 

5. m=›ì,2 [ENTER] äë C%ä2"!›ä…, "/K%!=. 

o!, …=›=2,, …= *…%C*3 [EXIT] C!%,ƒ%Lä2 %2ì…= 

"/K%!= “2,ë . 

d%K="ë…, “2,ëL C%ëüƒ%"=2ë 

(,ìC%!2 “ USB-…=*%C,2ë ) 

d=……/ “2,ë , “%.!=………/ …= USB-…=*%C,2ë, ì%ã32 K/2ü 

,ìC%!2,!%"=…/ " C=ì 2ü Prelude. dë .2%ã% …%K.%ä,ì% “%ƒä=2ü 

“2,ëü …= *%ìCüþ2! C!, C%ì%?, C!%ã!=ìì/ œStyleConverterB , 

“%.!=…,2ü ã% …= USB-…=*%C,2ëü. 

o%ä!%K… “ì. “2!. 48. 

rä=ë…, “2,ëL C%ëüƒ%"=2ë 

d=ë %C,“/"=2“ C!%öä3!= 3ä=ë…, C%ëüƒ%"=2ëü“*,. 

“2,ëL. 

1. m=›ì,2 [MENU]. 


…=›ì,2 [ENTER]. 

3. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 *%ì=…ä3 

œDeleteB , …=›ì,2 [ENTER]. 

4. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 %Cö,þ 

œStyleB ,ë, œAll StylesB , …=›ì,2 [ENTER]. 

5. e“ë, …= ø=ã 4 K/ë= "/K!=…= %Cö, œStyleB, 

,“C%ëüƒ3L2 *%ë“% VALUE ,ë, *…%C*, [ ] 

[ ] äë "/K%!= “2,ë , *%2%!/L …%K.%ä,ì% 

3ä=ë,2ü. g=2ì …=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ …= C%ä2"!›ä…,. 

25

p=K%2= “ =**%ìC=…ì…2%ì 

6. m=›ì,2 [ENTER] äë 3ä=ë…, “2,ë /“2,ëL. 

dë %2ì…/ 3ä=ë…, …=›ì,2 *…%C*3 [EXIT]. 

q%.!=……, “2,ëL C%ëüƒ%"=2ë 

(.*“C%!2 …= USB-…=*%C,2ëü) 

o%ä!%K… “ì. “2!. 48. 

h“C%ëüƒ%"=…, %C2,ì=ëü…/. 

…=“2!%* ([ONE TOUCH]) 

e“ë, …=›=2= *…%C*= [STYLE], …=›=2, …= *…%C*3 [ONE 

TOUCH] (C%ä“"2*= ƒ=ã%!=2“ ) ƒ=ã!3ƒ,2 %C2,ì=ëü…/ 

…=“2!%L*, 2ìK!%" ("!.…L , …,›…L C=!2,,) äë 

"/K!=……%ã% “2,ë . }2% …=ƒ/"=2“ -3…*ö,L œ%ä…%ã% 

*=“=…, B (One Touch). 

e“ë, *…%C*= [ONE TOUCH] …=›=2=, 2% C!, “ì… “2,ëL 

2ìK!/ *ë=",=23!/ K3ä32 ,ƒì… 2ü“ ="2%ì=2,÷“*,. 

dë %2*ëþ÷…, -3…*ö,, One Touch …=›ì,2 …= *…%C*3 

[ONE TOUCH] C%"2%!…% (C%ä“"2*= C%ã=“…2). 

p›,ì *ë=",=23!/ (“2!. 19) K3ä2 ,ƒì… 2ü“ " ƒ=",“,ì%“2, 

%2 "/K!=……%ã% “2,ë . 

qì…= “2,ë C!, …=›=2%L *…%C* [ONE TOUCH] … ì… 2 

C%ë%›…, 2%÷*, Split Point (“2!. 19). 

t3…*ö, One Touch ä%“23C…= 2%ëü*% C!, !=K%2 “ 

C!“2…/ì, “2,ë ì,. 

o%ëüƒ%"=2ëü … ì%›2 ,ƒì… 2ü 2ìK!/, …=ƒ…=÷……/ …= 

“2,ë, " !=ì*=. -3…*ö,, One Touch. 

o!%÷, -3…*ö,, 

oü“/ 

g=C,“ü …%"%L Cü“/ ([SONG REC]) 

16-2!*%"/L “*"…“%! Prelude C%ƒ"%ë 2 “%ƒä="=2ü 

“%K“2"……/ ì3ƒ/*=ëü…/ *%ìC%ƒ,ö,,. 

o%ëüƒ%"=2ëü ì%›2 ƒ=C,“=2ü ,“C%ë……, …= *ë=",=23! " 

“%C!%"%›ä…,, =**%ìC=…ì…2=, = ƒ=2ì C!%“ë3ø=2ü 

,2%ã%"/L !ƒ3ëü2=2. 

g=C,“=……% C!%,ƒ"ä…, K3ä2 “2!2% C!, "/K%! …%"%L 

Cü“/ ,ë, %2*ëþ÷…,, C,2=…, . )2%K/ … C%2! 2ü 

“%ƒä=……3þ Cü“3, “%.!=…,2 (“2!. 28). 

Prelude C!ä3“ì=2!,"=2 ä"= “C%“%K= ƒ=C,“, Cü“/. 

• g=C,“ü “ ãë="…%L “2!=…,ö/ $ “ì. “2!. 26. 

• g=C,“ü %2äëü…%L C=!2,, $ “ì. “2!. 27. 

o=!=ì2!/ Cü“/ (2ìC, !=ƒì! , 2.ä.) %C!äë þ2“ 

C=!=ì2!=ì, “2,ë , “%.!=………/ì, " "/K!=……%ì 

C!-%!ì=…“. o!ä“2="ë 2“ ë%ã,÷…/ì " C!"3þ %÷!äü 

"/K!=2ü “2,ëü , 2ìK!/ (“2!. 36). o!, ,ã! Kƒ “%C!%"%›ä…, 

“2,ë ì%›…% 3*=ƒ=2ü 2ìC , !=ƒì! Cü“/ …= “2!=…,ö SONG 

TRACK (“2!. 27). 

g=C,“ü “ ãë="…%L “2!=…,ö/ 

dë ƒ=C,“, " “%C!%"%›ä…,, “2,ë …=›ì,2 …= *…%C*3 

[STYLE] (C%ä“"2*= ä%ë›…= ƒ=ã%!2ü“ ). o3“* , %“2=…%" 

ƒ=C,“, C!%,“.%ä 2 %ä…%"!ì……% “ C3“*%ì , %“2=…%"*%L 

“2,ë . 

e“ë, 2!K32“ ƒ=C,“=2ü 2%ëü*% ,“C%ë……, …= *ë=",=23! 

(Kƒ “2,ë ), …=›ì,2 …= *…%C*3 [SONG]. 

e“ë, *…%C*, [STYLE] , [SONG] %2*ëþ÷…/, K3ä2 

C!%,“.%ä,2ü ƒ=C,“ü ,“C%ë……, …= *ë=",=23! C%ä 

=**%ìC=…ì…2 3ä=!…/. (C=22!… K!2“ ,ƒ “%.!=………%ã% " 

2*3?ì C!-%!ì=…“ “2,ë ). 

p›,ì Split $ “ì. “2!. 19. 

b/K%! 2ìK!= $ “ì. “2!. 20. 

c=!ì%…,ƒ=ö, ìë%ä,, $ “ì. “2!. 22. 

o!“2…/ C!-%!ì=…“/ $ “ì. “2!. 36. 

À**%!ä%"/L !›,ì $ “ì. “2!. 37. 

rä!›=…, =**%ìC=…ì…2= $ “ì. “2!. 37. 

h…"!“, K=“= $ “ì. “2!. 37. 

t3…*ö,, Cä=ëL $ “ì. “2!. 45 

q%.!=……, …= USB-…=*%C,2ëü $ “ì. “2!. 48 

g=ã!3ƒ*= ä=……/. “ USB-…=*%C,2ë $ “ì. “2!. 48 

)2%K/ ä%ƒ=C,“=2ü ì=2!,=ë * Cü“, ,ìC%!2,!%"=……%L “ 

USB-…%“,2ë , “ì. “2!. 28. dë ƒ=C,“, …%"%L Cü“/ "/C%ë…,2 

*%ì=…ä3 Song Initializing. o%ä!%K… “ì. “2!. 27. dë 

%K/÷…%L ƒ=C,“, ,“C%ë……, "%“C%ëüƒ3L2“ü “ëä3þ?L 

C!%öä3!%L: 

1. b/K!,2 …3›…/L C!-%!ì=…“ (“2!. 36). 

2. m=›ì,2 …= *…%C*3 [SONG REC]. 

o%ä“"2*= *…%C*, [SONG REC] …=÷…2 ì,ã=2ü. 

3. m=›ì,2 [ ] äë …=÷=ë= ƒ=C,“,. 

26

p=K%2= “ =**%ìC=…ì…2%ì 

d=› Kƒ …=›=2, …= *…%C*3 [] ƒ=C,“ü 

…=÷…2“ C!, C!"%ì › …=›=2,, …= *ë=",ø3, “ë,... 

(1) c%!,2 C%ä“"2*= *…%C*, [SYNC START], ,ë,… 

(2) dë C=!=ì2!= œCount-InB 3“2=…%"ë…% ƒ…=÷…, 

œWAIT NOTEB (“2!. 28). 

4. m=÷…,2 ,“C%ë……,. 

5. m=›ì,2 [ ] äë %“2=…%"*, ƒ=C,“,. 

o% %*%…÷=…,, ƒ=C,“, %2%K!=ƒ,2“ .*!=……= “2!=…,ö= 

SONG TRACK. 

dë C!%ä%ë›…, ƒ=C,“, “ì. ø=ã 7 (ƒ=C,“ü 

ä%C%ë…,2ëü…/. C=!2,L), ,ë, "!…,2“ü * ø=ã3 3 

(C!ƒ=C,“ü ,“C%ë……, , “ì. “2!. 28). 

m=›ì,2 [EXIT] äë "%ƒ"!=2= …= ãë="…3þ “2!=…,ö3. 

}--*2 (“2!. 40) C!,ì… 2“ 2%ëü*% * "!.…L ,ë, …,›…L 

C=!2,,, ,“C%ë… ì/ì " !=ëü…%ì "!ì…,. }--*2 … 

C!,ì… 2“ * ä=……/ì ƒ=C,“=……%L Cü“/. 

o!, ,“C%ëüƒ%"=…,, “2,ë C=!2,, 1 $ 16 !=“C!äë þ2“ 

“ëä3þ?,ì %K!=ƒ%ì: 

Š!* o=!2, Š!* o=!2, 

1 À**%ìC. 1 9 À**%ìC. 6 

2 a=“ 10 rä=!…/ 

3 À**%ìC. 2 11 m,›… C=!2, 

4 b!.… C=!2, 12 

5 À**%ìC. 3 13 

6 14 

7 À**%ìC. 4 15 c=!ì%…,ƒ=ö, 

o!, …=›=2%L *…%C* [SONG] …=›,ì=L2 [PART VIEW] äë 

“ì…/ “2!=…,ö " C%! ä*: cë="…= “2!=…,ö= → SONG 

TRACK → PERFORM MIXER (“2!. 24) → cë="…= “2!=…,ö=. 

1. m=›ì,2 …= *…%C*3 [SONG], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

2. m=›ì,2 …= *…%C*3 [PART VIEW], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

n2%K!=ƒ,2“ .*!=……= “2!=…,ö= SONG TRACK. 

h…,ö,=ë,ƒ=ö, (%÷,“2*=) Cü“/ 

3. jë=",ø=ì, *3!“%!= "/K!,2 *%ì=…ä3 INIT , 

…=›ì,2 …= *…%C*3 [ENTER]. 

n2%K!=ƒ,2“ %*…% Song Initialize. 

4. o!, …%K.%ä,ì%“2, ,“C%ëüƒ3L2 *ë=",ø, 

*3!“%!= , *%ë“% VALUE äë 3*=ƒ=…, 2ìC= , 

!=ƒì!= Cü“/. 

5. jë=",ø=ì, *3!“%!= "/K!,2 *%ì=…ä3 INIT 

? !=ƒ , …=›ì,2 …= *…%C*3 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ …= C%ä2"!›ä…,. 

6. m=›ì,2 …= *…%C*3 [ENTER]. 

o!, ä"%L…%ì …=›=2,, …= *…%C*3 [EXIT] C!%,ƒ%Lä2 %2*=ƒ 

%2 ,…,ö,=ë,ƒ=ö,, Cü“/. 


7. jë=",ø=ì, *3!“%!= "/K!,2 C=!=ì2! , 

3“2=…%",2 ƒ…=÷…, *%ë“%ì VALUE. 

8 À**%ìC. 5 16 o/p nC,“=…, g…=÷…, 

o%ëüƒ%"=2ëü ì%›2 …=“2!%,2ü !›,ì !=K%2/ ì2!%…%ì= "% 

"!ì ƒ=C,“,. o%ä!%K… “ì. “2!. 22. 

g=C,“ü %2äëü…%L C=!2,, (SONG TRACK) 

m= “2!=…,ö SONG TRACK ì%›…% "/K!=2ü C=!2,þ, *%2%!= 

K3ä2 ƒ=C,“/"=2“ . j=›ä%L C=!2,, “%%2"2“2"32 ,“C%ë……, 

“ ,“C%ëüƒ%"=…,ì %ä…%ã% 2ìK!=. 

o!, ƒ=C,“, %2äëü…%L C=!2,, ƒ=C,“ü “% “2,ëì, " 

ƒ=",“,ì%“2, %2 "/K!=……%L C=!2,,, ì%›2 C!,"“2, * 

%ä…%"!ì……%L ƒ=C,“, ,“C%ë……, “ *ë=",=23!/ , “2,ë …= 

%ä…3 ä%!%›*3. dë ƒ=C,“, %2äëü…/. C=!2,L !*%ì…ä32“ 

%2*ëþ÷=2ü “2,ëü. 

}--*2 (“2!. 40) C!,ì… 2“ 2%ëü*% * "!.…L ,ë, …,›…L 

C=!2,,, *%2%!/ ,“C%ë… þ2“ " !=ëü…%ì "!ì…,. }--*2 

… C!,ì… 2“ * ä=……/ì ƒ=C,“=……%L Cü“/. 

Part o=!2, äë ƒ=C,“, 1 $ 16 

Tone m%ì! 2ìK!= äë *=›ä%L C=!2,, 

Mute g=ãë3ø…, (ìüþ2,!%"=…,) äë *=›ä%L C=!2,, 

Solo q%ë,!%"=…, äë *=›ä%L C=!2,, 

b/K,!=L2 …3›…/ 2ìK!/, *%2%!/ …%K.%ä,ì% 

,“C%ëüƒ%"=2ü " Cü“. hƒì…,2ü 2ìK! !=… ƒ=C,“=……/. 

C=!2,L …ëüƒ . 

8. m=›ì,2 …= *…%C*3 [SONG REC]. 


n2%K!=ƒ,2“ .*!=……= “2!=…,ö= Song Rec. 

o!, ƒ=C,“, …%"%L Cü“/ … …3›…% äë=2ü …,*=*,. 

…=“2!%*. o!.%ä,2 * “ëä3þ?ì3 ø=ã3. 

9. m=›ì,2 [ ] äë …=÷=ë= ƒ=C,“,. 

10. hã!=L2. 

11. m=›ì,2 [ ] äë %“2=…%"*, ƒ=C,“,. 

27

p=K%2= “ =**%ìC=…ì…2%ì 

o!ƒ=C,“ü ,“C%ë……, 

m= “2!=…,ö SONG TRACK C%ëüƒ%"=2ëü ì%›2 ƒ=C,“=2ü 

ä%C%ë…,2ëü…/ C=!2,, C%"!. 3› ƒ=C,“=……/., ,ë, 

C!ƒ=C,“=2ü “/ã!=……/ …3ä=÷…% ì“2=. d%“23C…/ 

“ëä3þ?, !›,ì/ C!ƒ=C,“,: 

• Replace $ ƒ=C,“ü …%"%ã% ì=2!,=ë= …= ä%!%›*3 

ƒ=2,!=2 ƒ=C,“=……/L !=…. 

• Mix $ …%"/ …%2/ …=*ë=ä/"=þ2“ …= ƒ=C,“=……/ !=…. 

• Punch In/Out $ ƒ=C,“ü " !›,ì Replace ,ë, Mix 

C!%,“.%ä,2 2%ëü*% …= 3*=ƒ=……%ì -!=ãì…2 2!*=. 

o!, ƒ=C,“, Cü“/ “ ,“C%ëüƒ%"=…,ì “2,ë ä=……/ “2,ë 

ƒ=C,“/"=þ2“ " C!"/L 2=*2 Cü“/. o!, "%“C!%,ƒ"ä…,, 

ƒ"3÷=…, Cü“/ K3ä2 …=÷,…=2ü“ “ 2=*2= 2. 

1. m=›ì,2 …= *…%C*3 [SONG], C%ä“"2*= 

ƒ=ã%!,2“ . 

2. m=›ì,2 …= *…%C*3 [PART VIEW], C%ä“"2*= 

ƒ=ã%!,2“ . 


o!, …%K.%ä,ì%“2, ƒ=ä=L2 C=!=ì2!/ Cü“/ *=* 

C%*=ƒ=…% …= ø=ã 7 (“2!. 27). 

3. m=›ì,2 …= *…%C*3 [SONG REC]. 


n2%K!=ƒ,2“ “2!=…,ö= Song Rec Standby. 

4. jë=",ø=ì, *3!“%!= "/K!,2 C=!=ì2! , 

3“2=…%",2 ƒ…=÷…, *%ë“%ì VALUE. 

o=!=ì2! g…=÷…, nC,“=…, 

Rec 

Mode 

Count 

In 

Input 

Quantize 

REPLACE 

MIX 

OFF 

1MEAS 

2MEAS 

WAIT NOTE 

OFF, 1/4, 

1/8, 1/8T, 1/ 

16, 1/16T, 1/ 

32, 1/32T, 1/ 

64 

m%"/L ì=2!,=ë ƒ=2,!=2 

ƒ=C,“=……/L !=…. 

m%"/L ì=2!,=ë 

…=*ë=ä/"=2“ C%"!. 

ƒ=C,“=……%ã% !=…. 

m2 %2“÷2=. g=C,“ü 

…=÷,…=2“ “ …=›=2,ì *…%C*, 

[]. 

1-2=*2%"/L %2“÷2. 

2-2=*2%"/L %2“÷2. 

g=C,“ü …=÷,…=2“ C!, C!"%ì 

"ƒ 2,, …%2/ …= *ë=",=23! (…2 

%2“÷2=). 

j"=…2,ƒ=ö, ,“C!="ë 2 

!,2ì,÷“*, %ø,K*, " 

,“C%ë……,,, “ä",ã= …%2/ * 

3ƒë=ì “2*,. d=……/L C=!=ì2! 

%C!äë 2 !=ƒ!ø…, “2*, 

*"=…2,ƒ=ö,,. 

o=!=ì2! g…=÷…, nC,“=…, 

Punch 

Sw 

Punch 

In 

Punch 

Out 

e“ë, …=ƒ…=÷,2ü …= Cä=ëü -3…*ö,þ œPUNCH IN/OUTB (“2!. 

45), C%ëüƒ%"=2ëü “ì%›2 %C!äë 2ü 2%÷*, …=÷=ë= , 

%*%…÷=…, ƒ=C,“, C!, C%ì%?, Cä=ë,. b .2%ì “ë3÷= 

3“2=…%",2 äë C=!=ì2!= œPunch SwB ƒ…=÷…, œOFFB. 

5. m=›ì,2 [ ] äë …=÷=ë= ƒ=C,“,. 

6. hã!=L2. 

OFF, ON 

7. m=›ì,2 [ ] äë %*%…÷=…, ƒ=C,“,. 

d=ë %C,“/"=2“ C!%öä3!= “%.!=……, Cü“/ ,ƒ 

"!ì……%L C=ì 2, " C%“2% ……3þ. 

1. m=›ì,2 …= *…%C*3 [WRITE]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 %Cö,þ œSongB , 

…=›ì,2 [ENTER]. 

g=ä=L2 ,ì …%"%L Cü“/ 

o!, ƒ…=÷…,, œONB ƒ=C,“ü 

…=÷,…=2“ “ 2=*2=, 3*=ƒ=……%ã% 

C=!=ì2!%ì œPunch InB, , 

ƒ=*=…÷,"=2“ …= 2=*2, 

%C!äë……%ì C=!=ì2!%ì 

œPunch OutB. g=C,“ü …=÷,…=2“ 

="2%ì=2,÷“*, , 

%“2=…="ë,"=2“ C% ä%“2,›…,, 

2=*2=, %C!äë……%ã% 

C=!=ì2!%ì œPunch OutB. 

0001 $ Š=*2 …=÷=ë= ƒ=C,“, 

0002 $ Š=*2 %*%…÷=…, ƒ=C,“, 

q%.!=……, Cü“/ ([WRITE]) 

3. h“C%ëüƒ3L2 *…%C*, [ ] [ ] äë 

C!ì?…, *3!“%!= , *%ë“% VALUE äë 

“ì…/ “,ì"%ë%". 

hì Cü“/ ì%›2 “%ä!›=2ü ä% 16 “,ì"%ë%". 

d%C3“2,ì/ “ëä3þ?, “,ì"%ë/: 

A~Z 0~9 ! # $ % & 4 ( ) - @ ^ ` { } _ 

j…%C*= 

[0] 

nC,“=…, 

b/K%! 2,C= “,ì"%ë%". j=›ä/L !=ƒ C!, …=›=2,, 

C!%,“.%ä,2 C!*ëþ÷…, ì›ä3 K3*"=ì, (A) , 

ö,-!=ì,/“,ì"%ë=ì, (0). 

[1] rä=ë…, “,ì"%ë= " C%ƒ,ö,, *3!“%!=. 

[2] b“2="*= “,ì"%ë= œ_B " C%ƒ,ö,, *3!“%!=. 

28

p=K%2= “ =**%ìC=…ì…2%ì 

4. m=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ % C%ä2"!›ä…,,. 

5. dë “%.!=……, Cü“/ …=›ì,2 [ENTER]. 

o!, …=›=2,, …= *…%C*3 [EXIT] C!%,“.%ä,2 "%ƒ"!=2 * 

C!ä/ä3?L .*!=……%L “2!=…,ö Kƒ “%.!=……, Cü“/. 

g=ã!3ƒ*= Cü“/ “ USB- 

…=*%C,2ë 

oü“/, “%.!=………/ …= USB-…=*%C,2ëü, ì%ã32 K/2ü 

ƒ=ã!3›…/ " C=ì 2ü Prelude. MIDI-ä=……/ 2=*› ì%ã32 K/2ü 

“%.!=……/ " C%ëüƒ%"=2ëü“*%L Cü“. o%ä!%K… “ì. “2!. 48. 

rä=ë…, Cü“/ 

d=ë %C,“/"=2“ C!%öä3!= 3ä=ë…, Cü“/ ,ë, "“. Cü“ 

,ƒ C%ëüƒ%"=2ëü“*%L C=ì 2, Prelude. 

1. m=›ì,2 …= *…%C*3 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 *%ì=…ä3 œUtilityB 

, …=›ì,2 [ENTER]. 

3. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 %Cö,þ 

œDeleteB , …=›ì,2 [ENTER]. 

4. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 %Cö,þ 

œSongB ,ë, œAll SongsB, , …=›ì,2 [ENTER]. 

5. e“ë, …= ø=ã 4 K/ë= "/K!=…= %Cö, œSongB, 

,“C%ëüƒ3L2 *%ë“% VALUE ,ë, *…%C*, [ ] [ ] 

äë "/K%!= Cü“/, C%äë›=?L 3ä=ë…,þ. 

g=2ì …=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ % C%ä2"!›ä…,,. 

b/K%! , "%“C!%,ƒ"ä…, Cü“ 

([SONG]) 

1. hìC%!2,!3L2 “ USB-…=*%C,2ë %ä…3 ,ë, 

…“*%ëü*% Cü“, “ë, .2% ? … “äë=…%. 

2. m=›ì,2 …= *…%C*3 [SONG], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

3. b/K!,2 Cü“3 C!, C%ì%?, *%ë“= VALUE. 

e“ë, *3!“%! …="ä… …= …%ì! Cü“/, ì%›…% "/K!=2ü 

Cü“3 ,ƒ “C,“*=. m=›ì,2 [ENTER] äë %2%K!=›…, 

“C,“*= Cü“, "/K!,2 *…%C*=ì, [] [] …3›…3þ 

Cü“3 , …=›ì,2 [ENTER]. 

dë "/K%!= Cü“ 2=*› ì%›…% "%“C%ëüƒ%"=2ü“ *…%C*%L 

[NUMERIC] (“ì. “2!. 16). 

4. m=›ì,2 [ ] äë ƒ=C3“*= 

"%“C!%,ƒ"ä…, Cü“/. 

dë %“2=…%"*, …=›ì,2 …= *…%C*3 [] ? !=ƒ. 

o!, ƒ=C,“, Cü“/ “ ,“C%ëüƒ%"=…,ì “2,ë ä=……/ “2,ë 

ƒ=C,“/"=þ2“ " C!"/L 2=*2 Cü“/. o!, "%“C!%,ƒ"ä…,, 

C%ä%K…/. Cü“ ƒ"3÷=…, …=÷,…=2“ “ 2=*2= œ2B. 

o!, "/K%! ,ë, ,ìC%!2 …%"%L C%ëüƒ%"=2ëü“*%L Cü“/ 

“%ä!›,ì% "!ì……%L C=ì 2, Cü“ K3ä2 ƒ=2!2%. 

m"%ƒì%›…% "%“C!%,ƒ"%ä,2ü MIDI--=Lë/, “%ä!›=?, K%ë 

16 C=!2,L. 

6. dë 3ä=ë…, Cü“(/) …=›ì,2 [ENTER]. 

o!, …=›=2,, …= *…%C*3 [EXIT] C!%,“.%ä,2 "%ƒ"!=2 * 

C!ä/ä3?L .*!=……%L “2!=…,ö Kƒ 3ä=ë…, Cü“/. 

29

p=K%2= “ =**%ìC=…ì…2%ì 

rC!="ë…, "%“C!%,ƒ"ä…,ì 

dë 3C!="ë…, ,“C%ëüƒ3þ2“ “ëä3þ?, *…%C*,: 

[ ] b%ƒ"!=2 * …=÷=ë3 Cü“/. 

[ ] o!ì%2*= …=ƒ=ä. 

[ ] o!ì%2*= "C!ä. 

[ ] o!.%ä * *%…ö3 Cü“/. 

[ ] o3“*/C=3ƒ=. 

hã!= C%ä “%C!%"%›ä…, Cü“/ 

([MINUS ONE/CENTER CANCEL]) 

m=›ì,2 …= *…%C*3 [MINUS ONE/CENTER CANCEL] äë %2- 

*ëþ÷…, %C!äë……%L C=!2,,. d=……= -3…*ö, …=ƒ/"=2“ 

œMinus OneB. b/K%! ìüþ2,!3ì%L C=!2,, %C,“=… …,›. 

t3…*ö, Minus One "*ëþ÷=2“ /%2*ëþ÷=2“ C!, *=›ä%ì 

…=›=2,, …= *…%C*3 [MINUS ONE/CENTER CANCEL]. 

USB Memory Player 

(MIDI/=3ä,%-Cë!) 

Playlist: -3…*ö, “C,“*= "%“C!%,ƒ"ä…, C%ƒ"%ë 2 

ƒ=ä="=2ü C%! ä%* Cü“ äë C%“ëä%"=2ëü…%ã% 

"%“C!%,ƒ"ä…, " ="2%ì=2,÷“*%ì !›,ì. 

dë “%ƒä=…, “C,“*%" "%“C!%,ƒ"ä…, ,“C%ëüƒ32“ 

C!%ã!=ìì= œPlaylist EditorB, ".%ä ?= " *%ìCë*2 C%“2="*, 

Prelude. 

Songlist: “C,“%* Cü“, “%ƒä=……/L äë ,“C%ëüƒ%"=…, 

-3…*ö,L Playlist. 

q%ƒä=…, “C,“*= "%“C!%,ƒ"ä…, 

g=C3“2,2 œPlaylist EditorB , “%ƒä=L2 “C,“%*. 

* o.$0.!-%% . 1.'$ -(( 1/(1* ".1/0.('"%$%-(? 1,. 

4 )+ “PlaylistEditorManualE.pdf”, /.12 "+?%,;) 1 

/0.#0 ,,.) “Playlist Editor” (,%-> “Help”). 

b/K%! ìüþ2,!3ì%L C=!2,, 

1. m=›ì,2 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 *%ì=…ä3 œMinus 

One SettingB , …=›ì,2 [ENTER]. 

dë C!.%ä= …= ä=……3þ “2!=…,ö3 2=*› ì%›…% …=›=2ü 

, 3ä!›,"=2ü *…%C*3 [MINUS ONE]. 

3. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 C=!2,þ äë 

%2*ëþ÷…, (ìüþ2,!%"=…, ). 

4. j%ë“%ì VALUE "/K!,2 ƒ…=÷…, ON ,ë, OFF. 

5. o% %*%…÷=…,þ …=“2!%L*, …=›ì,2 [EXIT]. 

d=……/L C=!=ì2! "ë 2“ “,“2ì…/ì. 

pƒ!"…% *%C,!%"=…, Cü“ 

oü“/, “%ƒä=……/ “ C%ì%?üþ Prelude, ì%ã32 K/2ü “%.!=……/ 

…= USB-…=*%C,2ëü. o%ä!%K… “ì. “2!. 48. 

o!%÷, -3…*ö,, 

o!“2…/ C!-%!ì=…“/ $ “ì. “2!. 36 

p=K%2= “ ì2!%…%ì%ì $ “ì. “2!. 22 

q%.!=……, …= USB-…=*%C,2ëü $ “ì. “2!. 48 

g=ã!3ƒ*= “ USB-…=*%C,2ë $ “ì. “2!. 48 

• q!ä“2"=ì, Prelude “C,“%* "%“C!%,ƒ"ä…, “%ƒä=2ü 

…ëüƒ . 

• dë "%“C!%,ƒ"ä…, Cü“ …%K ƒ=2ëü…% “%ƒä="=2ü 

“C,“%* "%“C!%,ƒ"ä…, (“ì. ä=ë). nä…=*% C!, .2%ì 

ä%“23C…/ 2%ëü*% MIDI/=3ä,%--=Lë/ ,ƒ *%!…"%L 

C=C*, USB-…=*%C,2ë . 

• b%“C!%,ƒ"%ä 2“ 2%ëü*% =3ä,%-=Lë/ “ ÷=“2%2%L 

“.ìCë,!%"=…, 44.1 *cö. 

• Prelude C%ää!›,"=2 ä% 999 Cü“ , “C,“*%" 

"%“C!%,ƒ"ä…, (o!%ã!=ìì= œPlaylist EditorB 

C%ää!›,"=2 ä% 999 “C,“*%" "%“C!%,ƒ"ä…, ). 

b%“C!%,ƒ"ä…, MIDI/=3ä,%- 

-=Lë%" 

o%ëüƒ%"=2ëü ì%›2 "%“C!%,ƒ"%ä,2ü MIDI/=3ä,%-=Lë/ 

…C%“!ä“2"……% “ USB-…=*%C,2ë . 

p=ƒ!ø……/ 2,C/ MIDI-/=3ä,%-=Lë%" 

WAV/ 

AIFF 

MIDI 

0 ,ë, 1 

t%!ì=2 * o0( 0 !.2% 1 SMF 4.0, 2 1 

*.+(7%12". 20%*." .#0 -(7%-.. 

l=*“,ì3ì 240 jK (ƒ=",“,2 %2 

p=ƒì! -=Lë= 

“%ä!›,ì%ã% MIDI--=Lë=). 

p=ƒì! “%%K?…, 512 K=L2 ,ë, 

System Exclusive 

ì…üø 

`3ä,%-=Lë/ 

)=“2%2= 44.1 *cö 

p=ƒ! ä…%“2ü 8/16/24 K,2 

30

p=K%2= “ =**%ìC=…ì…2%ì 

MP3 

MIDI 

t%!ì=2 MPEG-1 audio layer 3 

)=“2%2= 44.1 jcö 

32/40/48/56/64/80/96/112/ 

a,2!L2 128/160/192/224/256/320 kbps, 

VBR (C!ì……/L K,2!L2) 

2. o,*2%ã!=ìì= P INFO: n2%K!=›=2 ,…-%!ì=ö,þ % 

"/K!=……%ì “C,“* "%“C!%,ƒ"ä…, . 

q2!=…,ö= SONG SELECT 

dë C!.%ä= * ä=……%L “2!=…,ö "/K!,2 C,*2%ã!=ìì3 

SONG …= ãë="…%L “2!=…,ö , …=›ì,2 [ENTER]. 

(1) 

}*!=……/ “2!=…,ö/ 

USB-C!%,ã!/"=2ë 

n“…%"…= “2!=…,ö= 

d=……= “2!=…,ö= %2%K!=›=2“ , “ë, C%ä*ëþ÷,2ü USB- 

…=*%C,2ëü * Prelude , …=›=2ü …= *…%C*3 [USB MEMORY 

PLAYER]. 

(3) 

(4) 

1. o,*2%ã!=ìì= PLAYLIST: 3*=ƒ/"=2 …= “2!=…,ö3 

PLAYLIST SELECT. 

2. o,*2%ã!=ìì= SONG: 3*=ƒ/"=2 …= “2!=…,ö3 

SONG SELECT. 

3. m%ì! , ,ì "/K!=……%L Cü“/ 

4. c!3CC=, …%ì! , ,ì "/K!=……%ã% C!-%!ì=…“= 

5. m%ì! , ,ì 2ìK!= …,›…L C=!2,, 

6. m%ì! , ,ì 2ìK!= "!.…L C=!2,, 

7. m%ì! 2*3?ã% 2=*2= , 2ìC Cü“/ 

q2!=…,ö= PLAYLIST SELECT 

dë C!.%ä= * ä=……%L “2!=…,ö "/K!,2 C,*2%ã!=ìì3 

PLAYLIST …= ãë="…%L “2!=…,ö , …=›ì,2 [ENTER]. 

fig.disp-USBmp-songlist.eps 

(1) 

(1) (2) 

(5) (6) 

1. o!÷…ü “C,“*%" "%“C!%,ƒ"ä…, 

b/K!,2 …3›…/L “C,“%* "%“C!%,ƒ"ä…, , …=›ì,2 

[]; *3!“%! C!ì“2,2“ …= C,*2%ã!=ìì3 " C!="%L 

“2%!%… .*!=…=. b/K!,2 C,*2%ã!=ìì3 , …=›ì,2 

[ENTER] äë "/C%ë……, ä=ëü…Lø,. %C!=ö,L. 

(7) 

(2) 

1. hì "/K!=……%ã% “C,“*= "%“C!%,ƒ"ä…, . 

2. qC,“%* Cü“. 

b/K!,2 Cü“3 ,ƒ “C,“*= , …=›ì,2 [] äë 

C!ì?…, *3!“%!= …= C,*2%ã!=ìì/ " C!="%L “2%!%… 

.*!=…=. b/K!,2 C,*2%ã!=ìì3 , …=›ì,2 [ENTER] äë 

"/C%ë……, ä=ëü…Lø,. %C!=ö,L. 

3. o,*2%ã!=ìì= P INFO: %2%K!=›=2 ,…-%!ì=ö,þ % 

"/K!=……%ì “C,“* "%“C!%,ƒ"ä…, . 

4. o,*2%ã!=ìì= S INFO: %2%K!=›=2 ,…-%!ì=ö,þ % 

"/K!=……%L Cü“. 

5. o,*2%ã!=ìì= CHANGE: “ë3›,2 äë “ì…/ C%! ä*= Cü“ " 

"/K!=……%ì “C,“* "%“C!%,ƒ"ä…, . o%ä!%K… “ì. “2!. 

33. 

6. o,*2%ã!=ìì= DELETE: “ë3›,2 äë 3ä=ë…, "/K!=……%L 

Cü“/ ,ƒ “C,“*=. o%ä!%K… “ì. “2!. 33. 

b%“C!%,ƒ"ä…, Cü“ 

([USB MEMORY PLAYER]) 

o%ä*ëþ÷,2 * Prelude USB-…=*%C,2ëü “% “C,“*%ì 

"%“C!%,ƒ"ä…, /Cü“=ì,, = ƒ=2ì …=›ì,2 …= *…%C*3 [USB 

MEMORY PLAYER]. 

g=C3“2,2 "%“C!%,ƒ"ä…,, *=* C%*=ƒ=…% …,›. 

h“C%ëüƒ3L2 äë 3C!="ë…, *…%C*, USB MEMORY PLAYER 

CONTROL: 

[ ] 

b/K%! , C!%,ã!/"=…, “C,“*= 

"%“C!%,ƒ"ä…, 

(2) 

b%ƒ"!=2 * …=÷=ë3 Cü“/. 

m=›=2, …= ä=……3þ *…%C*3 " …=÷=ë Cü“/ 

C!,"%ä,2 * "/K%!3 C!ä/ä3?L Cü“/. 

[ ] o!ì%2*= …=ƒ=ä. 

[ ] o!ì%2*= "C!ä. 

[ ] o!.%ä * “ëä3þ?L Cü“. 

[ ] o3“*/C=3ƒ=. 

(3) 

(4) 

(5) 

(6) 

qC,“*, "%“C!%,ƒ"ä…, “% ƒ…=÷*%ì “ë"= %2 ,ì…, 

"ë þ2“ ƒ=?,?……/ì, %2 !ä=*2,!%"=…, , !="…% *=* , 

".%ä ?, " …,. Cü“/. 

1. m=.%ä “ü …= ãë="…%L “2!=…,ö, C!"ä,2 

*3!“%! …= C,*2%ã!=ìì3 PLAYLIST , …=›ì,2 …= 

*…%C*3 [ENTER]. 

31

p=K%2= “ =**%ìC=…ì…2%ì 

n2%K!=ƒ,2“ .*!=……= “2!=…,ö= PLAYLIST SELECT. 

Š=*› äë C!.%ä= …= “2!=…,ö3 PLAYLIST SELECT “ 

ãë="…%L “2!=…,ö/ ì%›…% …=›=2ü …= *…%C*3 [USB 

MEMORY PLAYER], “ë, C%ä“"2*= ã%!,2. 

2. j…%C*=ì, [ ] [ ] "/K!,2 …3›…/L “C,“%* 

"%“C!%,ƒ"ä…, . 

3. o!, …=›=2,, …= *…%C*3 [ ] …=÷…2“ 

"%“C!%,ƒ"ä…, Cü“ ,ƒ “C,“*= " ƒ=ä=……%ì 

C%! ä*. 

m=›ì,2 [EXIT] äë "%ƒ"!=2= …= ãë="…3þ “2!=…,ö3. 

4. dë %“2=…%"*, …=›ì,2 [ ]. 

e“ë, C%“ë .2%ã% “…%"= …=›=2ü [], 

"%“C!%,ƒ"ä…, C!%ä%ë›,2“ “ 2%÷*,, " *%2%!%L %…% 

K/ë% %“2=…%"ë…%. 

b/K%! , C!%,ã!/"=…, %ä…%L Cü“/ 

,ƒ “C,“*= "%“C!%,ƒ"ä…, 

1. m=.%ä “ü …= ãë="…%L “2!=…,ö, C!ì“2,2 

*3!“%! …= C,*2%ã!=ìì3 œSONGB , …=›ì,2 …= 

*…%C*3 [ENTER]. 

n2%K!=ƒ,2“ “C,“%* Cü“ "/K!=……%ã% “C,“*= 

"%“C%,ƒ"ä…, . 

À…=ë%ã,÷…%, ì%›…% "/K!=2ü “C,“%* "%“C!%,ƒ"ä…, 

(“ì. ø=ã 2 "/ø) , …=›=2ü [ENTER]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 …3›…3þ Cü“3. 

3. m=›ì,2 [ ] äë ƒ=C3“*= 

"%“C!%,ƒ"ä…, . 

dë "%ƒ"!=2= …= ãë="…3þ “2!=…,ö3 …=›ì,2 [EXIT]. 

4. dë %“2=…%"*, …=›ì,2 [ ]. 

e“ë, C%“ë .2%ã% “…%"= …=›=2ü [], 

"%“C!%,ƒ"ä…, C!%ä%ë›,2“ “ 2%÷*,, " *%2%!%L %…% 

K/ë% %“2=…%"ë…%. 

b/K%! , "%“C!%,ƒ"ä…, Cü“ “ 

"…ø…ã% …%“,2ë Kƒ “%ƒä=…, 

“C,“*= "%“C!%,ƒ"ä…, 

2. j…%C*=ì, [ ] [ ] "/K!,2 C=C*3 USB. 

3. m=›ì,2 [ENTER] 

n2%K!=ƒ,2“ “C,“%* Cü“ *%!…"%L C=C*, USB- 

…=*%C,2ë . 

4. j…%C*=ì, [ ] [ ] "/K!,2 Cü“3 , …=›ì,2 

…= *…%C*3 [ENTER]. 

5. dë "%“C!%,ƒ"ä…, Cü“/ …=›ì,2 [ ]. 

6. dë %“2=…%"*, “…%"= …=›ì,2 [ ]. 

oü“/, *%2%!/ …=C! ì3þ "%“C!%,ƒ"%ä 2“ “ USB- 

…=*%C,2ë , … ì%ã32 K/2ü C!ƒ=C,“=…/. )2%K/ 

,“C%ëüƒ%"=2ü ,. " *=÷“2" %“…%"/ äë “%ƒä=…, “%K“2"……/. 

Cü“, “…=÷=ë= “ëä32 ,ìC%!2,!%"=2ü Cü“3 (“ì. “2!. 48). 

hã!= C%ä “%C!%"%›ä…, Cü“/ 

([MINUS ONE/CENTER CANCEL]) 

t3…*ö, *…%C*, [MINUS ONE/CENTER CANCEL] ƒ=",“,2 %2 

2,C= -=Lë= (Cü“/). 

t=Lë t3…*ö, nC,“=…, 

SMF 

Audio 

file 

Minus 

One 

Center 

Cancel 

g=ãë3ø…, "/K!=……%L C=!2,,. 

o!%öä3!3 3*=ƒ=…, …%ì!= 

C=!2,, “ì. “2!. 30. 

q…,›…, ã!%ì*%“2, “,ã…=ë=, 

!=“C%ë%›……%ã% " ö…2! 

“2!%C=…%!=ì/ ("%*=ë= ,ë, 

“%ë%-,…“2!3ì…2=). 

j=›ä/L !=ƒ C!, …=›=2,, …= *…%C*3 [MINUS ONE/CENTER 

CANCEL] -3…*ö, K3ä2 2% "*ëþ÷=2ü“ (ã%!,2 C%ä“"2*= 

*…%C*,), 2% %2*ëþ÷=2ü“ (C%ä“"2*= ã=“…2). 

1. o%“ë “%.!=……, MIDI- ,ë, =3ä,%-=Lë= " 

*%!…"%L C=C* USB-…=*%C,2ë , C%ä*ëþ÷,2 

…=*%C,2ëü * Prelude , …=›ì,2 …= *…%C*3 

[USB MEMORY PLAYER]. 

32

p=K%2= “ =**%ìC=…ì…2%ì 

pä=*2,!%"=…, “C,“*%" 

"%“C!%,ƒ"ä…, 

o!ä ,ì…ì ì%ä,-,ö,!%"=……%ã% “C,“*= "%“C!%,ƒ"ä…, 

%2%K!=›=2“ “,ì"%ë œ*B. )2%K/ “%.!=…,2ü %2!ä=*2,!%"=…- 

…3þ "!“,þ, ,“C%ëüƒ3L2 %C!=ö,þ Write (“ì. ä=ë). o!, 

"/K%! …%"%ã% “C,“*= "%“C!%,ƒ"ä…, Kƒ “%.!=……, !ƒ3ëü2=2/ 

!ä=*2,!%"=…, K3ä32 32! …/. 

b/K%! !›,ì= "%“C!%,ƒ"ä…, 

1. m= “2!=…,ö PLAYLIST SELECT ,ë, SONG SELECT 

(“2!. 31) "/K!,2 C,*2%ã!=ìì3 P INFO , 

…=›ì,2 …= *…%C*3 [ENTER]. 

2. j…%C*%L [ ] "/K!,2 !›,ì œChain PlayB 

,ë, œRepeat AllB. 

3. h“C%ëüƒ3L2 *%ë“% VALUE ,ë, *…%C*3 [ENTER] 

äë 3“2=…%"*,/“… 2, ì=!*!= (✔). 

t3…*ö, "*ëþ÷…=, “ë, ì=!*! 3“2=…%"ë…. 

o=!=ì2! 

Chain 

Play 

Repeat 

All 

nC,“=…, 

o!, "*ëþ÷……%L %Cö,, Cü“/ "%“C!%,ƒ"%ä 2“ 

C%“ëä%"=2ëü…%. b%“C!%,ƒ"ä…, %“2=…="ë,- 

"=2“ C% ä%“2,›…,þ C%“ëä…L Cü“/ " “C,“*. 

o!, "*ëþ÷……%L %Cö,, C%“ë C%“ëä…L Cü““/ 

" “C,“* C!%,“.%ä,2 "%ƒ"!=2 * C!"%L , 3“2=- 

…%"*= …= C=3ƒ3. e“ë, 2=*› "*ëþ÷…= %Cö, 

Chain Play, "%“C!%,ƒ"ä…, C!%ä%ë›,2“ . 

qì…= C%! ä*= Cü“ 

1. m= “2!=…,ö SONG SELECT (“2!. 31) "/K!,2 

C,*2%ã!=ìì3 CHANGE , …=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ %*…% “ì…/ C%! ä*= Cü“. 

2. j%ë“%ì VALUE 3“2=…%",2 äë "/K!=……%L 

Cü“/ …3›…3þ C%ƒ,ö,þ " “C,“*. 

3. o% %*%…÷=…,, …=›ì,2 …= *…%C*3 [ENTER]. 

dë %2ì…/ !ä=*2,!%"=…, …=›ì,2 [EXIT]. 

rä=ë…, Cü“/ 


C,*2%ã!=ìì3 DELETE , …=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ …= C%ä2"!›ä…,. 

2. m=›ì,2 [ENTER]. 

dë %2*=ƒ= %2 3ä=ë…, Cü“/ ,ƒ “C,“*= …=›ì,2 [EXIT]. 

rC!="ë…, ã!%ì*%“2üþ Cü“ 


C,*2%ã!=ìì3 S INFO , …=›ì,2 [ENTER]. 

2. j…%C*%L [ ] "/K!,2 *%ì=…ä3 œLevel EditB , 

…=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ .*!=……= “2!=…,ö= SONG INFO (LEVEL). 

d=……= *%ì=…ä= … %2%K!=›=2“ äë "“2!%……/. " Prelude 

Cü“ (SONG). 

3. jë=",ø=ì, *3!“%!= "/K!,2 C=!=ì2!. 

4. r“2=…%",2 ƒ…=÷…, *%ë“%ì VALUE. 

o=!=ì2! g…=÷…, nC,“=…, 

Level 

Adjust 

Part 

1 $ 16 

Level 

-12 $ 0 

$ +12 

0 $ 127 

e“ë, "*ëþ÷…= -3…*ö, [USB MEMORY PLAYER], …=›,ì=L2 

…= *…%C*3 [PART VIEW] äë C!*ëþ÷…, .*!=……/. “2!=…,ö 

" C%! ä*: cë="…= “2!=…,ö= → SONG INFO (LEVEL) → 

PERFORM MIXER (“2!. 24) → cë="…= “2!=…,ö=. 

q%.!=……, “C,“*= "%“C!%,ƒ"ä…, 

…= USB-…=*%C,2ëü ([WRITE]) 

b !=ƒäë !=““*=ƒ/"=2“ % 2%ì, *=* “%.!=…,2ü 

%2!ä=*2,!%"=……/L “C,“%* "%“C!%,ƒ"ä…, Prelude …= USB- 

…=*%C,2ëü. 

1. m=›ì,2 [WRITE]. 

o!,…,ì= ,“.%ä…3þ ã!%ì*%“2ü Cü“/ 

ƒ= 0, ä=……/L C=!=ì2! C%ƒ"%ë 2 3C- 

!="ë 2ü ã!%ì*%“2üþ Cü“/ " C!äë=. 

-12 $ 0 $ +12 äa. 

e“ë, Cü“= C!ä“2="ë 2 “%K%L MIDI- 

-=Lë, ì%›…% ƒ=ä=2ü 3!%"…ü ã!%ì- 

*%“2, äë *=›ä%L ,ƒ C=!2,L 1 $16. 

o!ì“2,2 *3!“%! …= …%ì! C=!- 

2,, "…,ƒ3 .*!=…=, …=›ì,2 [ENTER] , 

3“2=…%",2 …3›…/L 3!%"…ü ã!%ì*%“- 

2, C=!2,,. 

2. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œPlaylistB , 

…=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ % C%ä2"!›ä…,,. 

3. m=›ì,2 [ENTER] äë “%.!=……, “C,“*= 

"%“C!%,ƒ"ä…, …= USB-…=*%C,2ëü. 

o!, …=›=2,, …= *…%C*3 [EXIT] C!%,“.%ä,2 "%ƒ"!=2 * 

C!ä/ä3?L “2!=…,ö Kƒ “%.!=……, “C,“*= 

"%“C!%,ƒ"ä…, . 

33

o!-%!ì=…“/ , .--*2/ 

o!-%!ì=…“/ 

j%…2!%ëë! D Beam 

dë !=K%2/ “ *%…2!%ëë!%ì D Beam ä%“2=2%÷…% C!%“2% 

C!ì?=2ü ë=ä%…ü …=ä ã% ,…-!=*!=“…/ì ä=2÷,*%ì. b 

ƒ=",“,ì%“2, %2 …=ƒ…=÷……%L -3…*ö,,, %… ì%›2 3C!="ë 2ü 

,ƒì……,ì 2ìK!= ,ë, ä!3ã,ì, .--*2=ì,. 

p=K%÷,L ä,=C=ƒ%… *%…2!%ëë!= D Beam 

m= ä,=ã!=ìì C%*=ƒ=… !=K%÷,L 

ä,=C=ƒ%… *%…2!%ëë!= D Beam. 

d",›…, ë=ä%…, ƒ= C!äë=ì, .2%L 

ƒ%…/ %2“ë›,"=2ü“ … K3ä2. 

p=K%÷,L ä,=C=ƒ%… *%…2!%ëë!= D 

Beam “3?“2"……% “3›=2“ " 3“ë%", . “%ë…÷…%ã% 

%“"?…, . o%ì…,2 %K .2%ì, ,“C%ëüƒ3 *%…2!%ëë! D 

Beam "% "!ì "/“23Cë…,L …= %2*!/2%ì "%ƒä3.. 

)3"“2",2ëü…%“2ü *%…2!%ëë!= D Beam ,ƒì… 2“ " 

ƒ=",“,ì%“2, %2 %“"?……%“2, "Kë,ƒ, ,…“2!3ì…2=. e“ë, 

*%…2!%ëë! -3…*ö,%…,!32 …*%!!*2…%, ,“C%ëüƒ3L2 

C=!=ì2! D Beam Sens äë …=“2!%L*, ÷3"“2",2ëü…%“2, 

*%…2!%ëë!=. r"ë,÷…, ƒ…=÷…, C=!=ì2!= “%%2"2“2"32 

!%“23 ÷3"“2",2ëü…%“2, (“ì. “2!. 46). 

1. m=›ì,2 …= *…%C*3 [PITCH], [FILTER] ,ë, 

[VOLUME] “*ö,, D BEAM (C%ä“"2*= *…%C*, 

ƒ=ã%!,2“ “,…,ì ö"2%ì). 

d=……/ *…%C*, … ì%ã32 ,“C%ëüƒ%"=2ü“ %ä…%"!ì……%. 

PITCH 

FILTER 

j…%C*= 

VOLUME 

t3…*ö, D-Beam 

rC!="ë…, "/“%2%L ƒ"3*%", "ƒ 2/. …= 

*ë=",=23!. 

qì…= %*!=“*, ƒ"3÷=…, (äë 

…*%2%!/. 2ìK!%" .--*2 ì%›2 

K/2ü “ë=K% "/!=›……/ì). 

rC!="ë…, ã!%ì*%“2üþ ƒ"3*%", "ƒ 2/. 

…= *ë=",=23!. 

2. hã!= ìë%ä,þ C!="%L !3*%L …= *ë=",=23!, 

!=“C%ë%›,2 ë"3þ ë=ä%…ü …=ä *%…2!%ëë!%ì 

D Beam , ìäë……% ä",ã=L2 ""!.-"…,ƒ. 

j…%C*=, …=›=2= …= ø=ã (1), …=÷…2 ì,ã=2ü. 

m=ƒ…=÷…, -3…*ö,, …= *%…2!%ëë! 

D Beam 

1. m=›ì,2 , 3ä!›,"=L2 *…%C*3 [FILTER] ,ë, 

[VOLUME]. 

n2%K!=ƒ,2“ .*!=……= “2!=…,ö= D BEAM. 

2. j…%C*=ì, [ ] [ ] "/K!,2 C=!=ì2!. 

3. h“C%ëüƒ3L2 *%ë“% VALUE äë "/K%!= …3›…%L 

-3…*ö,, D Beam. 

4. o% %*%…÷=…,þ …=“2!%L*, …=›ì,2 [EXIT]. 

n2%K!=ƒ,2“ ãë="…= “2!=…,ö=. 

d=……/ C=!=ì2!/ "ë þ2“ “,“2ì…/ì, (“2!. 45). 

m=ƒ…=÷=ì/ -3…*ö,, 

t3…*ö, 

D Beam 

nC,“=…, 

3. dë %2*ëþ÷…, *%…2!%ëë!= D Beam …=›ì,2 

? !=ƒ …= *…%C*3, …=›=23þ …= ø=ã (1) ( 

C%ä“"2*= C!, .2%ì C%ã=“…2). 

DRUM 

ROLL* 

CHIMES* 

b“ "!ì , C%*= ë=ä%…ü !=“C%ë%›…= …=ä D- 

Beam, ƒ"3÷,2 ä!%Kü …= ì=ë%ì K=!=K=…. dë 

3“,ë…, ã!%ì*%“2, ä!%K, C!,Kë,›=L2 ë=ä%…ü, 

÷2%K/ "%“C!%,ƒ"“2, 3ä=! " 2=!ë*3, !ƒ- 

*% %2ä!…,2 . 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam 

"%“C!%,ƒ"%ä,2“ C!ƒ"%… *%ë%*%ëü÷,*%". o!, 

C!,Kë,›…,, ë=ä%…, * *%…2!%ëë!3 ã!%ì*%“2ü 

"%ƒ!=“2=2. 

34

o!-%!ì=…“/ , .--*2/ 

t3…*ö, 

D Beam 

BUBBLE* 

STREAM* 

EXPLOSION 

* 

GUN 

SHOT* 

ENGINE* 

APPLAUSE* 

LAUGHING* 

SCREAMING* 

BIRD* 

DOG* 

SEASHORE* 

RAIN* 

THUNDER* 

MODULATION 

EXPRESSION 

nC,“=…, 

b“ "!ì , C%*= ë=ä%…ü !=“C%ë%›…= …=ä 

D-Beam, "%“C!%,ƒ"%ä,2“ ƒ"3* K3ëü*=þ?,. 

C3ƒ/!L. o!, C!,Kë,›…,, ë=ä%…, ã!%ì*%“2ü 

"%ƒ!=“2=2. 

b“ "!ì , C%*= ë=ä%…ü !=“C%ë%›…= …=ä 

D-Beam, "%“C!%,ƒ"%ä,2“ ƒ"3* 2*3?L "%ä/. 

o!, C!,Kë,›…,, ë=ä%…, ã!%ì*%“2ü "%ƒ!=“2=2. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam 

"%“C!%,ƒ"%ä,2“ ƒ"3* "ƒ!/"=. dë 3“,ë…, 

ã!%ì*%“2, ä",ã=L2 !3*%L K%ë .…!ã,÷…%. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam "%“C!%,ƒ- 

"%ä,2“ ƒ"3* C,“2%ë2…%ã% "/“2!ë=. dë 3“,ë- 

…, ã!%ì*%“2, ä",ã=L2 !3*%L K%ë .…!ã,÷…%. 

b“ "!ì , C%*= ë=ä%…ü !=“C%ë%›…= …=ä 

D-Beam, "%“C!%,ƒ"%ä,2“ ƒ"3* ="2%ì%K,ëü…%ã% 

ä",ã=2ë . o!, C!,Kë,›…,, ë=ä%…, ã!%ì*%“2ü 

"%ƒ!=“2=2. 

b“ "!ì , C%*= ë=ä%…ü !=“C%ë%›…= …=ä 

D-Beam, "%“C!%,ƒ"%ä,2“ ƒ"3* =Cë%ä,“ì…2%". 

o!, C!,Kë,›…,, ë=ä%…, ã!%ì*%“2ü "%ƒ!=“2=2. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam "%“C!%- 

,ƒ"%ä,2“ ƒ"3* “ì.=. dë 3“,ë…, ã!%ì*%“2, 

ä",ã=L2 !3*%L K%ë .…!ã,÷…%. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam "%“C!%- 

,ƒ"%ä,2“ ƒ"3* *!,*=. dë 3“,ë…, ã!%ì*%“2, 

ä",ã=L2 !3*%L K%ë .…!ã,÷…%. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam "%“C!%- 

,ƒ"%ä,2“ ƒ"3* ?K2= C2,ö. dë 3“,ë…, ã!%ì- 

*%“2, ä",ã=L2 !3*%L K%ë .…!ã,÷…%. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam "%“C!%- 

,ƒ"%ä,2“ ƒ"3* “%K=÷üã% ë= . dë 3“,ë…, 

ã!%ì*%“2, ä",ã=L2 !3*%L K%ë .…!ã,÷…%. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam "%“C!%- 

,ƒ"%ä,2“ ø3ì ì%!“*%ã% C!,K% . o!, C!,Kë,- 

›…,, ë=ä%…, ã!%ì*%“2ü "%ƒ!=“2=2. 

b“ "!ì , C%*= ë=ä%…ü !=“C%ë%›…= …=ä 

D-Beam, "%“C!%,ƒ"%ä,2“ ø3ì ä%›ä . o!, C!,- 

Kë,›…,, ë=ä%…, ã!%ì*%“2ü "%ƒ!=“2=2. 

o!, !=ƒì?…,, ë=ä%…, …=ä D-Beam "%“C!%- 

,ƒ"%ä,2“ ƒ"3* ã!%ì=. o!, C!,Kë,›…,, ë=ä%…, 

ã!%ì*%“2ü "%ƒ!=“2=2. 

dL“2", *%…2!%ëë!= D Beam “%"C=ä=2 “ …=- 

*ë%…%ì ä›%L“2,*= %2 “K (“2!. 36). 

o!, !=K%2 “ D Beam C!%,“.%ä,2 3“,ë…, 

ã!%ì*%“2,. dë "%ƒ"!=2= ,“.%ä…%ã% ƒ…=÷…, 

ã!%ì*%“2, 3K!,2 ë=ä%…ü %2 *%…2!%ëë!=. 

t3…*ö, 

D Beam 

BEND UP 

BEND 

DOWN 

EXP+UP 

EXP+ 

DOWN 

TEMPO 

UP 

TEMPO 

DOWN 

START/ 

STOP 

FILL UP 

FILL 

DOWN 

FADE OUT 

FILTER 

VOLUME 

nC,“=…, 

o!,Kë,›=L2 ë=ä%…ü * ä=2÷,*3 D Beam äë 3"ë,÷…, 

"/“%2/ ƒ"3÷=…, . dë "%ƒ"!=2= ,“.%ä- 

…%L "/“%2/ 3K!,2 ë=ä%…ü %2 *%…2!%ëë!=. 

o!,Kë,›=L2 ë=ä%…ü * ä=2÷,*3 D Beam äë “…,- 

›…, "/“%2/ ƒ"3÷=…, . dë "%ƒ"!=2= ,“.%ä…%L 

"/“%2/ 3K!,2 ë=ä%…ü %2 *%…2!%ëë!=. 

o!,Kë,›=L2 ë=ä%…ü * ä=2÷,*3 D Beam äë %ä- 

…%"!ì……%ã% 3“,ë…, ã!%ì*%“2, , 3"ë,÷…, 

"/“%2/ ƒ"3÷=…, . dë "%ƒ"!=2= ,“.%ä…%L ã!%ì- 

*%“2, , "/“%2/ 3K!,2 ë=ä%…ü %2 *%…2!%ëë!=. 

o!,Kë,›=L2 ë=ä%…ü * ä=2÷,*3 D Beam äë %ä- 

…%"!ì……%ã% 3“,ë…, ã!%ì*%“2, , “…,›…, 

"/“%2/ ƒ"3÷=…, . dë "%ƒ"!=2= ,“.%ä…%L ã!%ì- 

*%“2, , "/“%2/ 3K!,2 ë=ä%…ü %2 *%…2!%ëë!=. 

o!,Kë,›=L2 ë=ä%…ü * ä=2÷,*3 D Beam äë 3“- 

*%!…, 2ìC=. dë "%ƒ"!=2= ,“.%ä…%ã% 2ìC= 

3K!,2 ë=ä%…ü %2 *%…2!%ëë!=. 

o!,Kë,›=L2 ë=ä%…ü * ä=2÷,*3 D Beam äë ƒ=ìäë…, 

2ìC=. dë "%ƒ"!=2= ,“.%ä…%ã% 2ìC= 

3K!,2 ë=ä%…ü %2 *%…2!%ëë!=. 

p=“C%ë%›,2 ë=ä%…ü …=ä ä=2÷,*%ì D Beam äë 

ƒ=C3“*= "%“C!%,ƒ"ä…, . dë %“2=…%"*, "%“- 

C!%,ƒ"ä…, !=“C%ë%›,2 ë=ä%…ü …=ä ä=2÷,- 

*%ì ? !=ƒ. 


ƒ=C3“*= “K,"*, (“2!. 24). 


Cë="…%ã% 3ì…üø…, ã!%ì*%“2,. o% ä%“2,›- 

…,þ …3ë"%L ã!%ì*%“2, ="2%=**%ìC=…ì…2 K3- 

ä2 %“2=…%"ë…, = ÷!ƒ 2-3 “*3…ä/ ã!%ì*%“2ü 

K3ä2 "%ƒ"!=?…= " ,“.%ä…% “%“2% …,. 


!*%“2, ƒ"3*=. dë "%ƒ"!=2= ,“.%ä…%ã% 

ƒ"3÷=…, 3K!,2 ë=ä%…ü. 


ã!%ì*%“2, ƒ"3*=. dë "%ƒ"!=2= ,“.%ä- 

…%ã% ƒ…=÷…, ã!%ì*%“2, 3K!,2 ë=ä%…ü. 

t3…*ö,, D Beam, %2ì÷……/ ƒ…=*%ì œ*B, … ì%ã32 K/2ü 

ƒ=C,“=…/ " Cü“3. 

e“ë, %2*ëþ÷,2ü C,2=…, Prelude, *%ãä= …= ä,“Cë 

%2%K!=›=2“ “2!=…,ö= D BEAM, "/K!=……= 3“2=…%"*= 

*%…2!%ëë!= D Beam " C=ì 2ü Prelude … “%.!=… 2“ . dë 

“%.!=……, …=“2!%* %K ƒ=2ëü…% …=›ì,2 …= *…%C*3 [EXIT] 

C!ä %2*ëþ÷…,ì C,2=…, Prelude. 

35

o!-%!ì=…“/ , .--*2/ 

d›%L“2,* Pitch Bend/Modulation 

d›%L“2,* Pitch Bend/Modulation !=“C%ë%›… “ë"= %2 

*ë=",=23!/ , C!ä…=ƒ…=÷… äë 3C!="ë…, C!, ,ã! …= 

*ë=",=23! ä"3ì 2,C=ì, .--*2%". 

}--*2 Pitch Bend Cë="…% C%…,›=2 "/“%23 ƒ"3÷=…, …%2 

C!, …=*ë%… ä›%L“2,*= "ë"%, , 3"ë,÷,"=2 "/“%23 

ƒ"3÷=…, C!, …=*ë%… "C!="%. 

}--*2 Modulation C!,ì… 2 * ƒ"3*3 .--*2 ",K!=2% C!, 

…=*ë%… ä›%L“2,*= %2 “K . 

e“ë, äë C=!=ì2!= MFX TYPE "/K!=…% ƒ…=÷…, ROTARY, 

…=*ë%… ä›%L“2,*= %2 “K K3ä2 3C!="ë 2ü ÷=“2%2%L .--*2= 

"!=?=þ?ã%“ ä,…=ì,*=. 

fig.bendlever.eps 

• n*2="…/L “ä",ã 

• )3"“2",2ëü…%“2ü *ë=",=23!/ 

• p›,ì !=“C%ƒ…="=…, =**%!ä%" 

• p›,ì ã=!ì%…,ƒ=ö,, 

b/K%! C!-%!ì=…“= 

([PERFORM]) 

o=ì 2ü C!-%!ì=…“%" %!ã=…,ƒ%"=…= “ëä3þ?,ì %K!=ƒ%ì: 

Š,C 

PRST 

(Preset) 

USER 

nC,“=…, 

o!-%!ì=…“/, "“2!%……/ " Prelude. n…, … 

ì%ã32 K/2ü %2!ä=*2,!%"=…/. 

o!-%!ì=…“/, “%ƒä=……/ ,ë, 

%2!ä=*2,!%"=……/ C%ëüƒ%"=2ëì. 


o!, …=*ë%… ä›%L“2,*= %ä…%"!ì……% %2 “K , "ë"%/ 

"C!="% %K= .--*2= K3ä32 ,“C%ëüƒ%"=…/ %ä…%"!ì……%. 

cë3K,…= “ä",ã= "/“%2/ ƒ=ä=2“ …ƒ=",“,ì% äë *=›ä%ã% 

2ìK!=. o%ä!%K… “ì. “2!. 39. 

Š=*› “ì. C=!=ì2! œBend ModeB (“2!. 45). 

m=ƒ…=÷=ì= Cä=ëü 

o%ëüƒ%"=2ëü ì%›2 C%ä*ëþ÷,2ü …%›…%L C!*ëþ÷=2ëü 

(Boss FS-5U) ,ë, Cä=ëü .*“C!““,, (Roland EV-5) * !=ƒAì3 

CONTROL PEDAL 2/ëü…%L C=…ë,. 

m= Cä=ëü ì%›…% …=ƒ…=÷=2ü !=ƒ…%%K!=ƒ…/ -3…*ö,,. 

o%ä!%K… “ì. “2!. 45. 

o!“2…/ C!-%!ì=…“/ 

o!“2…/ C!-%!ì=…“/ C%ƒ"%ë þ2 K/“2!% C%ä%K!=2ü 

…=“2!%L*,, %C2,ì=ëü…% C%ä.%ä ?, äë 2%L ,ë, ,…%L Cü“/. 

b C!“2…%ì C!-%!ì=…“ “%.!=… þ2“ “ëä3þ?, 

C=!=ì2!/: 

• jë=",=23!…/L !›,ì 

• m=“2!%L*, "!.…L , …,›…L C=!2,L 

• m=“2!%L*, “2,ë 

• m=“2!%L*, .--*2%" 

• Š!=…“C%ƒ,ö, 

1. m=›ì,2 …= *…%C*3 [PERFORM] äë C!.%ä= " 

!›,ì Performance. 

o% 3ì%ë÷=…,þ Prelude "/K,!=2 .2%2 !›,ì C%“ë 

"*ëþ÷…, C,2=…, ="2%ì=2,÷“*,. 

2. j3!“%!…/ì, *ë=",ø=ì, 3“2=…%",2 *3!“%! 

“C!="= %2 ì2*, œPERFORMB, = ƒ=2ì *%ë“%ì 

VALUE "/K!,2 K=…* œPRSTB ,ë, œUSERB. 

dë !=K%2/ “ C!“2…/ì, C!-%!ì=…“=ì, "/K!,2 

œPRSTB, äë !=K%2/ “ C%ëüƒ%"=2ëü“*,ì, C!-%!ì=…“=ì, 

"/K!,2 œUSERB. 

3. j3!“%!…/ì, *ë=",ø=ì, 3“2=…%",2 *3!“%! …= 

…%ì! C!-%!ì=…“= , ,“C%ëüƒ3L2 *%ë“% 

VALUE äë "/K%!= C!-%!ì=…“=. 

e“ë, *3!“%! …="ä… …= …%ì! C!-%!ì=…“=, äë "/K%!= 

2=*› ì%›…% "%“C%ëüƒ%"=2ü“ ö,-!%"/ì ""%ä%ì. m=›ì,2 

…= *…%C*3 [NUMERIC], = ƒ=2ì ,“C%ëüƒ3L2 *…%C*, TONE 

SELECT , [ENTER]. 

b/K%! C!-%!ì=…“= ,ƒ “C,“*= 

1. m=.%ä “ü …= ãë="…%L “2!=…,ö, C!ì“2,2 

*3!“%! …= …%ì! C!-%!ì=…“=. 

2. m=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 œPresetB ,ë, 

œUserB. 

dë !=K%2/ “ C!“2…/ì, C!-%!ì=…“=ì, "/K!,2 

œPRSTB, äë !=K%2/ “ C%ëüƒ%"=2ëü“*,ì, C!-%!ì=…“=ì, 

"/K!,2 œUSERB. 

36

o!-%!ì=…“/ , .--*2/ 

4. j…%C*=ì, [ ] [ ] ,ë, *%ë“%ì VALUE 

"/K!,2 C!-%!ì=…“. 

5. m=›ì,2 [ENTER] äë C%ä2"!›ä…, . 

e“ë, …=›=2ü [EXIT] Kƒ …=›=2, [ENTER], “C,“%* K3ä2 

ƒ=*!/2 Kƒ “ì…/ 2*3?ã% C!-%!ì=…“=. 

pä=*2,!%"=…, C!-%!ì=…“= 

o%ëüƒ%"=2ëü ì%›2 %2!ä=*2,!%"=2ü C!-%!ì=…“ , 

“%.!=…,2ü ã% " K=…* USER. 

1. m=›ì,2 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 *%ì=…ä3 

œPerform EditB , …=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 C=!=ì2! , 

%2!ä=*2,!3L2 ƒ…=÷…, *%ë“%ì VALUE. 

4. o% %*%…÷=…,, …=›ì,2 …= *…%C*3 [EXIT]. 

n2%K!=ƒ,2“ ãë="…= “2!=…,ö=. 

q%.!=……, C!-%!ì=…“%" “ì. “2!. 40. 

o=!=ì2!/ C!-%!ì=…“= 

o=!=ì2! g…=÷…, nC,“=…, 

Split 

Point 

Octave 

Upper 

Octave 

Lower 

C#2 $ 

C7 

-4 $ +4 

-4 $ +4 

Š%÷*= !=ƒäë…, *ë=",=23!/ 

Split Point " !›,ì Split. 

g…=÷…, C!ä“2="ë 2 “%K%L 

"!.…þþ …%23 …,›…L C=!2,,. 

n*2="…= 2!=…“C%ƒ,ö, "!.…L 

C=!2,,. 

* o0( 0 !.2% 1 - !.0 ,( 

3$ 0-;5 ";1.2 '"37 -(? -% 

(',%-?%21?; ",%12. =2.#. 

/0.(15.$(2 1,%- 3$ 0-;5/ 

/%0*311(.--;5 (-1203,%-2.". 

n*2="…= 2!=…“C%ƒ,ö, …,›…L 

C=!2,,. 

o=!=ì2! g…=÷…, nC,“=…, 

Chord 

Mode 

Backing 

Hold 

Bass 

Inversion 

STANDARD 

PIANO 

b ä=……%ì !›,ì =**%!ä 

!=“C%ƒ…=2“ C% …“*%ëü*,ì 

%“…%"…/ì …%2=ì. 

b ä=……%ì !›,ì =**%!ä 

!=“C%ƒ…=2“ C% "“ì …%2=ì, 

"ƒ 2/ì " …,›…L C=!2,,. 

INTEL qì. “2!. 102. 

EASY 

rC!%?……/L !›,ì "ƒ 2, 

=**%!ä%". 

l=›%!…% 2!ƒ"3÷,: "%ƒüì,2 

…= *ë=",=23! 2%…,*3. 

l,…%!…% 2!ƒ"3÷,: "%ƒüì,2 

…= *ë=",=23! 2%…,*3 , ÷!…3þ 

*ë=",ø3 “ë"=. 

d%ì,…=…2“C2=**%!ä: "%ƒüì,2 

…= *ë=",=23! 2%…,*3 , Kë3þ 

*ë=",ø3 “ë"=. 

l,…%!…/L “C2=**%!ä: "%ƒüì,2 

…= *ë=",=23! 2%…,*3 + Kë3þ 

*ë=",ø3 “ë"= + ÷!…3þ 

*ë=",ø3 “ë"= 

p›,ì ="2%=**%ìC=…ì…2=. 

OFF 

ON 

p›,ì K=“%"%L C=!2,,. 

OFF 

ON 

o!, “… 2,, ë"%L !3*, “ 

*ë=",=23!/ "“ 

,…“2!3ì…2=ëü…/ C=!2,, 

="2%=**%ìC=…ì…2=, *!%ì 

3ä=!…/., K3ä32 %“2=…%"ë…/. 

bƒ 2/L =**%!ä ƒ=C%ì,…=2“ . 

o!, “… 2,, !3*, “ *ë=",=23!/ 

="2%=**%ìC=…ì…2 C!%ä%ë›,2 

,ã!=2ü "ƒ 2/L =**%!ä ä% 2. C%!, 

C%*= … K3ä2 "ƒ 2 ä!3ã%L. 

b *=÷“2" K=“%"%L …%2/ 

K!2“ 2%…,*= "ƒ 2%ã% =**%!ä=. 

b *=÷“2" K=“%"%L …%2/ 

,“C%ëüƒ32“ “=ì= …,›… …%2= 

"ƒ 2%ã% =**%!ä=. 

37

o!-%!ì=…“/ , .--*2/ 

pä=*2,!%"=…, 2ìK!= 

rãë3Kë……% !ä=*2,!%"=…, 2ìK!= 

o%ëüƒ%"=2ëü ì%›2 %2!ä=*2,!%"=2ü C=!=ì2!/ 2ìK!= 

("*ëþ÷= …=K%!/ 3ä=!…/.). pƒ3ëü2=2/ !ä=*2,!%"=…, 

“%.!=… þ2“ " C!-%!ì=…“ (“ì. “2!. 36). 

o=!=ì2! g…=÷…, nC,“=…, 

Resonance -64 $ +63 

pƒ%…=…“, 2.. 3“,ë…, 

ã!%ì*%“2, " %Kë=“2, ÷=“2%2/ 

“!ƒ=, C!,ä=2 ƒ"3*3 

.=!=*2!…3þ %*!=“*3. o!, 

3"ë,÷…,, ƒ…=÷…, !ƒ%…=…“ 

3“,ë,"=2“ , C!, 3ì…üø…,, $ 

%“ë=Kë 2“ . 

1. m=›ì,2 [MENU]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œPerform 

Tone EditB , …=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 "!.…þþ ,ë, 

…,›…þþ C=!2,þ äë !ä=*2,!%"=…, . 

4. j…%C*=ì, [ ] [ ] "/K!,2 C=!=ì2!, , 

*%ë“%ì VALUE %2!ä=*2,!3L2 ã%. 

5. o% %*%…÷=…,, !ä=*2,!%"=…, …=›ì,2 [EXIT]. 

Attack 

Time 

Decay 

Time 

-64 $ +63 

-64 $ +63 

À2=*=, 2.. "!ì %2 …=›=2, …= 

*ë=",ø3 ä% ä%“2,›…, ƒ"3*%ì 

C%ë…%L ã!%ì*%“2,. o!, 

3"ë,÷…,, ƒ…=÷…, =2=*= 

“ì ã÷=2“ , C!, “…,›…,, $ 

“2=…%",2“ K%ë %“2!%L. 

b!ì “C=ä=, 2.. “…,›…, 

ã!%ì*%“2, 2ìK!= %2 3!%"… 

=2=*, ä% !=K%÷ã% 3!%"… . 

a%ë "/“%*, ƒ…=÷…, 

“%%2"2“2"3þ2 K%ë 

äë,2ëü…%ì3 “C=ä3. 

n2%K!=ƒ,2“ ãë="…= “2!=…,ö=. 

o=!=ì2!/ 2ìK!%" 

o=!=ì2! g…=÷…, nC,“=…, 

Level 0 $ 127 c!%ì*%“2ü 2ìK!=. 

Release 

Time 

-64 $ +63 

b!ì ƒ=23.=…, , 2.. “…,›…, 

ã!%ì*%“2, ä% …3ë C%“ë 

%2C3“*=…, *ë=",ø,. a%ë 

"/“%*, ƒ…=÷…, 

“%%2"2“2"3þ2 K%ë 

äë,2ëü…%ì3 ƒ=23.=…,þ. 

Pan 

Chorus 

Send 

Level 

L64 $ 0 $ 

63R 

0 $ 127 

o=…%!=ì= 2ìK!= (C%ë%›…, 

" “2!%C%ë). 

o!, ƒ…=÷…, . “ “,ì"%ë%ì œLB 

ƒ"3* C%ƒ,ö,%…,!32“ "ë"%, 

C!, ƒ…=÷…,, 0 $ C% ö…2!3, 

C!, ƒ…=÷…, . “ “,ì"%ë%ì œRB $ 

"C!="%. 

}--*2 .%!3“= C!,ä=2 ƒ"3*3 

ãë3K,…3 , “%÷…%“2ü. o=!=ì2! 

3C!="ë 2 3!%"…ì .%!3“=. 

Vibrato 

Rate 

Vibrato 

Depth 

Vibrato 

Delay 

-64 $ +63 

-64 $ +63 

-64 $ +63 

)=“2%2= .--*2= ",K!=2%. )ì 

K%ëüø ƒ…=÷…, C=!=ì2!=, 

2ì "/ø ÷=“2%2=. 

cë3K,…= .--*2= ",K!=2%. )ì 

K%ëüø ƒ…=÷…, C=!=ì2!=, 

2ì ãë3K› .--*2. 

g=ä!›*= .--*2= ",K!=2%. 

)ì K%ëüø ƒ…=÷…, 

C=!=ì2!=, 2ì äë,2ëü… 

ƒ=ä!›*=. 

Reverb 

Send 

Level 

0 $ 127 

Cutoff -64 $ +63 

p"!K!=ö, ä%K="ë 2 

.--*2 ƒ"3÷=…, " ƒ=ë ,ë, 

,…%ì C%ì?…,,. o=!=ì2! 

3C!="ë 2 3!%"…ì 

!"!K!=ö,,. 

)=“2%2= “!ƒ= -,ëü2!=, 

C!,ãë3ø=þ?ã% "!.…þþ ÷=“2ü 

“C*2!=. o!, 3"ë,÷…,, 

ƒ…=÷…, ƒ"3÷=…, “2=…%",2“ 

!÷, C!, 3ì…üø…,, $ ãë3ø. 

Mono/ 

Poly 

MONO 

POLY 

TONE 

l%…%-%…,÷“*% ƒ"3÷=…,: 

%ä…%"!ì……% ì%›2 ƒ"3÷=2ü 

2%ëü*% %ä…= …%2=. d=……/L 

!›,ì 3ä%K… äë “%ë,!3þ?,. 

,…“2!3ì…2%", …=C!,ì!, 

“=*“%-%…= ,ë, -ëL2/. 

o%ë,-%…,÷“*% ƒ"3÷=…, 

(!=ƒ!ø…= ,ã!= =**%!ä=ì,). 

h“C%ëüƒ32“ …=“2!%L*= 

2ìK!= (Mono/Poly). 

38

o!-%!ì=…“/ , .--*2/ 

o=!=ì2! g…=÷…, nC,“=…, 

Legato 

Switch 

Portamento 

Switch 

Portamento 

Time 

Pitch 

Bend 

Range 

OFF, ON, 

TONE 

OFF, ON, 

TONE 

0 $ 127, 

TONE 

0 $ 24, 

TONE 

d=……/L C=!=ì2! 3C!="ë 2 

!›,ì%ì ëã=2%: "*ëþ÷… (ON) 

,ë, "/*ëþ÷… (OFF). o=!=ì2! 

Legato Switch !=K%2=2 2%ëü*% 

" “ë3÷=, “ë, C=!=ì2! 

Mono/Poly 3“2=…%"ë… " 

ƒ…=÷…, œMONOB. e“ë, 

C=!=ì2! 3“2=…%"ë… " 

ƒ…=÷…, œONB, "ƒ 2, …%2/ 

C!, 3ä!›=…,, C!ä/ä3?L 

C!,"%ä,2 * Cë="…%ì3 

,ƒì……,þ "/“%2/. }2% 

C%ƒ"%ë 2 “%ƒä="=2ü .--*2/, 

C%ä%K…/ ã,2=!…/ì C!,ì=ì 

œhammer-onB , œpull-offB. o!, 

ƒ…=÷…,, œTONEB ,“C%ëüƒ3þ2“ 

“%K“2"……/ …=“2!%L*, 2ìK!=. 

o=!=ì2! 3C!="ë 2 .--*2%ì 

ãë,““=…ä%: "*ëþ÷… (ON) ,ë, 

"/*ëþ÷… (OFF). o!, ƒ…=÷…,, 

œTONEB ,“C%ëüƒ3þ2“ 

“%K“2"……/ …=“2!%L*, 2ìK!=. 

o=!=ì2! 3C!="ë 2 

“*%!%“2üþ ãë,““=…ä%. a%ë 

"/“%*, ƒ…=÷…, 

“%%2"2“2"3þ2 K%ë 

ìäë……%ì3 “*%ëü›…,þ 

"/“%2/. o!, ƒ…=÷…,, œTONEB 

,“C%ëüƒ3þ2“ “%K“2"……/ 

…=“2!%L*, 2ìK!=. 

d,=C=ƒ%… “ä",ã= "/“%2/ C!, 

!=K%2 “ *%…2!%ëë!%ì Pitch 

Bend (" C%ë32%…=.). o!, 

ƒ…=÷…,, œTONEB ,“C%ëüƒ3þ2“ 

“%K“2"……/ …=“2!%L*, 2ìK!=. 

q%.!=……, C!-%!ì=…“= (WRITE) 

b !=ƒäë %C,“/"=2“ C!%öä3!= “%.!=……, 

%2!ä=*2,!%"=……%ã% C!-%!ì=…“= " C=ì 2ü Prelude. 

1. m=›ì,2 [WRITE]. 

2. j…%C*=ì, [ ] [ ] "/K!,2 œPerformanceB , 

…=›ì,2 [ENTER]. 

b"%ä ,ì…, C!-%!ì=…“= 

3. h“C%ëüƒ3L2 *…%C*, [ ] [ ] äë 

C!ì?…, *3!“%!= , *%ë“% VALUE $ äë 

“ì…/ “,ì"%ë=. g=2ì …=›ì,2 [ENTER]. 

hì C!-%!ì=…“= ì%›2 “%ä!›=2ü ä% 16 “,ì"%ë%". 

d%C3“2,ì/ “ëä3þ?, “,ì"%ë/: 

A~Z a~z 0~9 ! œ # $ % & 4 ( ) * + , - . / : ; < = 

> ? @ [ \ ] ^ _ ` { | } 

j…%C*= 

[0] 

nC,“=…, 

b/K%! 2,C= “,ì"%ë%". j=›ä/L !=ƒ C!, …=›=2,, 

C!%,“.%ä,2 C!*ëþ÷…, ì›ä3 K3*"=ì, (A) , 

ö,-!=ì,/“,ì"%ë=ì, (0). 

[1] rä=ë…, “,ì"%ë= " C%ƒ,ö,, *3!“%!=. 

[2] b“2="*= “,ì"%ë= œ_B " C%ƒ,ö,, *3!“%!=. 

4. q C%ì%?üþ *%ë“= VALUE "/K!,2 …3›…3þ 

÷L*3 , …=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ % C%ä2"!›ä…,,. 

5. dë “%.!=……, C!-%!ì=…“= …=›ì,2 [ENTER]. 

o!, …=›=2,, …= *…%C*3 [EXIT] C!%,“.%ä,2 "%ƒ"!=2 * 

C!ä/ä3?L .*!=……%L “2!=…,ö Kƒ “%.!=……, 

C!-%!ì=…“=. 

Hold 

Pedal 

Switch 

Control 

Pedal 

Switch 

OFF, ON 

OFF, ON 

o=!=ì2! %C!äë 2, K3ä2 

ë, Cä=ëü “3“2L…= !=K%2=2ü “ 

ä=……/ì 2ìK!%ì (ON) ,ë, …2 

(OFF). 

o=!=ì2! %C!äë 2, K3ä2 

ë, …=ƒ…=÷=ì= Cä=ëü 

!=K%2=2ü “ ä=……/ì 2ìK!%ì 

(ON) ,ë, …2 (OFF). 

o%ä!%K… “ì. “2!. 45. 

o!%÷, -3…*ö,, 

hã!= “ ="2%=**%ìC=…ì…2%ì $ “ì. “2!. 24 

o=!=ì2! Bend Mode $ “ì. “2!. 45 

q%.!=……, …= USB-…%“,2ëü $ “ì. “2!. 48 

g=ã!3ƒ*= “ USB-…%“,2ë $ “ì. “2!. 48 

o%!2=ì…2% (ãë,““=…ä%) $ .--*2 Cë="…%ã% “*%ëü›…, 

"/“%2/ 2%…= %2 %ä…%L …%2/ * ä!3ã%L. b,K!=2% $ .--*2, 

,“C%ëüƒ3þ?,L ã…!=2%! …,ƒ*%L ÷=“2%2/ äë C!,%ä,÷“*,. 

,ƒì……,L "/“%2/ ƒ"3÷=…, . 

39

o!-%!ì=…“/ , .--*2/ 

h“C%ëüƒ%"=…, 

.--*2%" ([REVERB]) 

Prelude “%ä!›,2 "“2!%……/ C!%ö““%!/ !"!K!=ö,,, 

.%!3“= , ì3ëü2,.--*2= (MFX). dë *=›ä%ã% C!%ö““%!= 

ì%›…% "/K!=2ü “%K“2"……/L 2,C .--*2=. 

}--*2 MFX C!,ì… 2“ 2%ëü*% * C=!2, ì, ,“C%ë… ì/ì " 

!=ëü…%ì "!ì…, ("!.…L ,ë, …,›…L). }--*2 MFX … 

ì%›2 C!,ì… 2ü“ * ƒ=C,“=……/ì Cü“=ì. 

pä=*2,!%"=…, .--*2%" 

Reverb, Chorus , MFX 

1. m=›ì,2 …= *…%C*3 [REVERB]. 

n2%K!=ƒ,2“ .*!=……= “2!=…,ö= œReverbB. 

2. j…%C*=ì, [ ] [ ] "/K!,2 .*!=……3þ 

“2!=…,ö3; *…%C*=ì, [ ] [ ] "/K!,2 

C=!=ì2! äë !ä=*2,!%"=…, . 

m= …*%2%!/. “2!=…,ö=. 2=*› %2%K!=›=2“ , .--*2 

MFX, …=ƒ…=÷……/L …= 2ìK!/ "!.…L , …,›…L C=!2,L. 

o=!=ì2! œEffect SendB C%ƒ"%ë 2 ƒ=ä=2ü ãë3K,…3 

.--*2%" äë "!.…L , …,›…L C=!2,L. 

3. q C%ì%?üþ *%ë“= VALUE %2!ä=*2,!3L2 

ƒ…=÷…, C=!=ì2!=. 

4. o% %*%…÷=…,, !ä=*2,!%"=…, …=›ì,2 

[REVERB] ,ë, [EXIT]. 

o!%,ƒ%Lä2 "%ƒ"!=2 …= %“…%"…3þ “2!=…,ö3. 

o=!=ì2!/ .--*2%" 

q2!. 

EFFECT 

SEND 

Upper 

MFX 

Chorus 

Send 

Upper 

MFX 

Reverb 

Send 

Lower 

MFX 

Chorus 

Send 

Lower 

MFX 

Reverb 

Send 

Chorus 

Output 

Select 

nC,“=…, 

cë3K,…= .--*2= .%!3- 

“=, C!,ì… ì%ã% * "!- 

.…L C=!2,,, 

%K!=K%2=……%L .--*- 

2%ì MFX. dë %2*ëþ÷- 

…, .%!3“= 3“2=…%",2 

ƒ…=÷…, œ0B. 

cë3K,…= .--*2= !"!- 

K!=ö,,, C!,ì… ì%ã% 

* "!.…L C=!2,,, %K!=- 

K%2=……%L .--*2%ì 

MFX. dë %2*ëþ÷…, !- 

"!K!=ö,, 3“2=…%",2 

ƒ…=÷…, œ0B. 

cë3K,…= .--*2= .%!3- 

“=, C!,ì… ì%ã% * …,›- 

…L C=!2,,, 

%K!=K%2=……%L .--*- 

2%ì MFX. dë %2*ëþ÷- 

…, .%!3“= 3“2=…%",2 

ƒ…=÷…, œ0B. 

cë3K,…= .--*2= !"!- 

K!=ö,,, C!,ì… ì%ã% 

* …,›…L C=!2,,, %K!=- 

K%2=……%L .--*2%ì 

MFX. dë %2*ëþ÷…, !- 

"!K!=ö,, 3“2=…%",2 

ƒ…=÷…, œ0B. 

o=!=ì2! 3C!="ë 2 

ì=!ø!32,ƒ=ö,L .-- 

-*2= .%!3“=. 

MAIN: “2!%“,ã…=ë 

.--*2= C%“23C=2 …= 

"/.%ä/ OUTPUT. 

REV: ì%…%“,ã…=ë C%“23- 

C=2 …= .--*2 !"!- 

K!=ö,,. 

M+R: “2!%“,ã…=ë …= 

"/.%ä/ OUTPUT , ì%…%- 

“,ã…=ë $ …= !"!K!=- 

2%!. 

o=!=ì2! 

g…=- 

÷…, 

0 $ 127 

0 $ 127 

0 $ 127 

0 $ 127 

MAIN, 

REV, 

M+R 

LOWER 

MFX 

UPPER 

MFX 

qì. “2!. 56 

CHORUS qì. “2!. 82 

REVERB qì. “2!. 83 

40

o!-%!ì=…“/ , .--*2/ 

q2!. 

nC,“=…, 

o=!=ì2! 

g…=- 

÷…, 

EFFECT 

SOURCE 

Upper 

MFX 

Source 

Lower 

MFX 

Source 

b/K%! .--*2= MFX äë 

"!.…L C=!2,,. 

o!, ƒ…=÷…,, 

œPERFORMB ,“C%ëüƒ3þ2- 

“ C=!=ì2!/ C!-%!- 

ì=…“=. o!, ƒ…=÷…,, 

œUPPER TONEB ,“C%ëüƒ3þ2“ 

C=!=ì2!/ 2ìK- 

!= "!.…L C=!2,,. 

b/K%! .--*2= MFX äë 

…,›…L C=!2,,. 

o!, ƒ…=÷…,, 

œPERFORMB ,“C%ëüƒ3þ2- 

“ C=!=ì2!/ C!-%!- 

ì=…“=. o!, ƒ…=÷…,, 

œLOWER TONEB ,“C%ëüƒ3þ2“ 

C=!=ì2!/ 2ìK- 

!= …,›…L C=!2,,. 

PERFORM, 

UPPER 

TONE 

PERFORM, 

LOWER 

TONE 

41

p=K%2= “ MIDI 

Prelude ì%›2 %Kì…,"=2ü“ ,“C%ë…,2ëü“*,ì, ä=……/ì, “ 

"…ø…,ì, MIDI-3“2!%L“2"=ì,, ÷2% C%ƒ"%ë 2 3C!="ë 2ü 

%ä…,ì ,…“2!3ì…2%ì C!, C%ì%?, ä!3ã%ã%. m=C!,ì!, ì%›…% 

,ã!=2ü 2ìK!=ì, ä!3ã%ã% “,…2ƒ=2%!= ,ë, 3C!="ë 2ü 

C=!=ì2!=ì, Prelude “ ä!3ã%ã% 3“2!%L“2"=. 

MIDI, =KK!",=23!= %2 œMusical Instrument Digital InterfaceB, 

C!ä“2="ë 2 “%K%L 3…,"!“=ëü…/L C!%2%*%ë %Kì…= ä=……/- 

ì, ì›ä3 ì3ƒ/*=ëü…/ì, ,…“2!3ì…2=ì, , *%ìCüþ2!=ì,. 

MIDI-!=ƒAì/ Prelude C%ƒ"%ë þ2 *=* C!,…,ì=2ü ä=……/ “ 

"…ø…,. MIDI-3“2!%L“2", 2=* , C!ä="=2ü ,.. o32ì 

C%ä*ëþ÷…, !=ƒë,÷…/. "…ø…,. 3“2!%L“2" ì%›…% “!üƒ…% 

!=“ø,!,2ü ,“C%ë…,2ëü“*, "%ƒì%›…%“2, Prelude. 

o!,ì! *%ìì32=ö,, 

d% …=÷=ë= *%ìì32=ö,, %K ƒ=2ëü…% 3K!,2 ã!%ì*%“2ü "“. 

3“2!%L“2" , %2*ëþ÷,2 ,. C,2=…,. b C!%2,"…%ì “ë3÷= 

ì%›…% C%"!ä,2ü ä,…=ì,*, , ä!3ã% %K%!3ä%"=…,. 

fig.midi.eps 

Prelude 

Èãðà òåìáðàìè Prelude ñ âíåøíåãî ñåêâåíñîðà 

MIDI-ìîäóëü/ 

ñåêâåíñîð 

MIDI-*=…=ë d%!%›*= o=!2, “2,ë 

1 1 À**%ìC=…ì…2 1 

2 2 a=“%"= C=!2, 

3 3 À**%ìC=…ì…2 2 

4 4 b!.… C=!2, 

5 5 À**%ìC=…ì…2 3 

6 6 

7 7 À**%ìC=…ì…2 4 

8 8 À**%ìC=…ì…2 5 

9 9 À**%ìC=…ì…2 6 

10 10 o=!2, 3ä=!…/. 

11 11 m,›… C=!2, 

12 12 

13 13 

14 14 

15 15 c=!ì%…,ƒ=ö, ìë%ä,, 

16 16 

MIDI-C=!=ì2!/ 

o%ä!%K… % “,“2ì…/. …=“2!%L*=. “ì. “2!. 45. 

b“ MIDI-C=!=ì2!/, *!%ì œLocal SwitchB, C!, "/.%ä ,ƒ 

!›,ì= !ä=*2,!%"=…, “,“2ì…/. C=!=ì2!%" K3ä32 

“%.!=… 2ü“ . 

o=!=ì2! Local Switch 

Èãðà òåìáðàìè âíåøíåãî ìîäóëÿ ñ êëàâèàòóðû Prelude 

MIDI-*=…=ë/ 

o!%2%*%ë MIDI C%ää!›,"=2 16 *=…=ë%", C!%…3ì!%"=……/. 

%2 1 ä% 16. o!, *%ìì32=ö,, ä"3. MIDI-3“2!%L“2" 

,“C%ë…,2ëü … “ì%›2 3C!="ë 2ü %ä…,ì 3“2!%L“2"%ì “ 

ä!3ã%ã% ä% 2. C%!, C%*= %…, … K3ä32 …=“2!%…/ …= %ä,… , 

2%2 › MIDI-*=…=ë. Prelude ì%›2 C!,…,ì=2ü “%%K?…, C% 

"“ì *=…=ë=ì (1$16). 

e“ë, …=›=2= *…%C*= Prelude BACKING TYPE [SONG], MIDI- 

*=…=ë/ 1 $ 16 K3ä32 “%%2"2“2"%"=2ü ä%!%›*=ì “*"…“%!= 

œTrackB 1 $ 16. 

e“ë, …=›=2= *…%C*= Prelude BACKING TYPE [STYLE], MIDI- 

*=…=ë/ 1 $ 16 K3ä32 “%%2"2“2"%"=2ü C=!2, ì “2,ë . 

e“ë, …%2/ “ *ë=",=23!/ C%C=ä=þ2 …= ã…!=2%! ƒ"3*= C% 

ì=!ø!32=ì (1) , (2), *=* C%*=ƒ=…% …= ,ëëþ“2!=ö,,, %…, 

K3ä32 ä3Kë,!%"=2ü“ ,ë, C!!/"=2ü ä!3ã ä!3ã=. dë 

C!ä%2"!=?…, .2%ã% “ëä32 %2*ëþ÷,2ü ì=!ø!32 (1) “ 

C%ì%?üþ C=!=ì2!= œLocal OffB. 

b/K!,2 ƒ…=÷…, Off " “ë3÷= C%ä*ëþ÷…, MIDI- 

“*"…“%!= * Prelude. 

fig.local.eps 

o%“ë "*ëþ÷…, C,2=…, äë ä=……%ã% C=!=ì2!= 

="2%ì=2,÷“*, "/K,!=2“ ƒ…=÷…, On. 

42


MIDI Parameters 

o=!=ì2! nC,“=…, g…=÷…, 

MIDI Tx 

Switch 

Upper Tx 

Channel 

Lower Tx 

Channel 

MIDI Rx 

Switch 

Upper Rx 

Channel 

Lower Rx 

Channel 

Tx Pitch 

Bend 

Tx 

Modulatio 

n 

Tx 

Program 

Change 

Tx Clock 

Tx 

StartStop 

Tx Song 

Position 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!ä=÷3 MIDI- 

“%%K?…,L. 

m%ì! *=…=ë= C!ä=÷, äë 

"!.…L C=!2,,. 

m%ì! *=…=ë= C!ä=÷, äë 

…,›…L C=!2,,. 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!,ì MIDI- 

“%%K?…,L. 

m%ì! *=…=ë= C!,ì= äë 

"!.…L C=!2,,. 

m%ì! *=…=ë= C!,ì= äë 

…,›…L C=!2,,. 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!ä=÷3 MIDI- 

“%%K?…,L Pitch Bend. n…, 

"!ì……% ,ƒì… þ2 ,…2!"=ë 

“ì?…, "/“%2/ 2ìK!=. 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!ä=÷3 MIDI- 

“%%K?…,L Modulation (Control 

Change CC#01). n…, 3C!="ë þ2 

ãë3K,…%L .--*2= ì%ä3ë ö,,. 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!ä=÷3 MIDI- 

“%%K?…,L Program Change. 

n…, ,“C%ëüƒ3þ2“ äë “ì…/ 

2ìK!%". 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!ä=÷3 MIDI- 

“%%K?…,L MIDI Clock. 

h“C%ëüƒ3þ2“ äë “,….!%…,ƒ=ö,, 

Prelude “ "…ø…,ì, MIDI- 

3“2!%L“2"=ì,. 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!ä=÷3 MIDI- 

“%%K?…,L Start/Stop/Continue. 

p›,ì Song: Start/Stop/Continue 

p›,ì Style: Start/Stop 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 

!=ƒ!ø=2 (ON) C!ä=÷3 MIDI- 

“%%K?…,L Song Position Pointer, 

“%ä!›=?,. ,…-%!ì=ö,þ % 

2*3?L C%ƒ,ö,, "…32!……ã% 

“*"…“%!= Prelude. p=K%2=2 

2%ëü*% " !›,ì [SONG]. 

OFF, ON 

1 $ 16 

1 $ 16 

OFF, ON 

1 $ 16 

1 $ 16 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

o=!=ì2! nC,“=…, g…=÷…, 

Rx Sync 

o=!=ì2! 3C!="ë 2 “,….!%…,- 

ƒ=ö,L Prelude %2 "…ø…ã% 

MIDI-3“2!%L“2"=. q,….!%…,ƒ=ö, 

ä%“23C…=, “ë, !=ƒAì MIDI OUT 

"…ø…ã% 3“2!%L“2"= “*%ìì32,- 

!%"=… “ !=ƒAì%ì Prelude MIDI 

IN (C!, %K!=2…%ì C%ä*ëþ÷…,, 

“ì. !3*%"%ä“2"% C%ëüƒ%"=2ë 

"…ø…ã% 3“2!%L“2"=). 

OFF, ON 

Rx Pitch 

Bend 

Rx 

Modulatio 

n 

Rx 

Program 

Change 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 


“%%K?…,L Pitch Bend. n…, 

"!ì……% ,ƒì… þ2 ,…2!"=ë 

“ì?…, "/“%2/ 2ìK!=. 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 


“%%K?…,L Modulation (Control 

Change CC#01). n…, 3C!="ë þ2 

ãë3K,…%L .--*2= ì%ä3ë ö,,. 

o=!=ì2! ƒ=C!?=2 (OFF) ,ë, 


“%%K?…,L Program Change. 

n…, ,“C%ëüƒ3þ2“ äë “ì…/ 

2ìK!%". 

OFF, ON 

OFF, ON 

OFF, ON 

h“C%ëüƒ%"=…, Prelude 

" *=÷“2" MIDI-ì%ä3ë 

dë ,“C%ëüƒ%"=…, Prelude “%"ì“2…% “ "…ø…,ì MIDI- 

“*"…“%!%ì, …=C!,ì!, äë “%ƒä=…, “2,ëL, C!%,ƒ"ä,2 

“ëä3þ?, äL“2", : 

1. m=›ì,2 …= *…%C*3 [SONG] äë C!.%ä= " 

!›,ì !=K%2/ “ Cü“=ì,. 

2. m=›ì,2 …= *…%C*3 [PERFORM] ( C%ä“"2*= 

ƒ=ã%!,2“ ), = ƒ=2ì *%ë“%ì VALUE "/K!,2 

C!-%!ì=…“ œ128: Init PerformanceB. 

l3ëü2,.--*2 MFX (“2!. 40) C!,ì… 2“ 2%ëü*% äë 

,“C%ë…,2ëü“*,. C=!2,L !=ëü…%ã% "!ì…, ("!.…L , 

…,›…L). 

43


o%ä*ëþ÷…, * 

*%ìCüþ2!3 C% USB 

q%ä,…," Prelude “ C!“%…=ëü…/ì *%ìCüþ2!%ì C!, C%ì%?, 

USB-*=Kë (C!,%K!2=2“ %2äëü…%), C%ëüƒ%"=2ëü 

C%ë3÷=2 “ëä3þ?, "%ƒì%›…%“2,: 

• h“C%ëüƒ%"=2ü Prelude äë "%“C!%,ƒ"ä…, MIDI--=Lë%" 

“ *%ìCüþ2!=. 

• nKì…,"=2ü“ MIDI-ä=……/ì, ì›ä3 Prelude , 

!=ƒë,÷…/ì, C!%ã!=ìì=ì, äë “%ƒä=…, , 

!ä=*2,!%"=…, ì3ƒ/*,. 

m= !,“3…* C%*=ƒ=…% C%ä*ëþ÷…, Prelude * *%ìCüþ2!3. 

fig.PCconnect.eps 

o!, …3ä=÷…%ì C%ä*ëþ÷…,,... 

nK/÷…% äë C%ä*ëþ÷…, Prelude * *%ìCüþ2!3 … 2!K32“ 

3“2=…%"*= ä!=L"!%". nä…=*% C!, "%ƒ…,*…%"…,, C!%Këì 

,ë, C!, …,ƒ*%L “*%!%“2, !=K%2/ “ëä32 "%“C%ëüƒ%"=2ü“ 

“Cö,=ëü…/ì ä!=L"!%ì Roland. 

o%ä!%K… % ƒ=ã!3ƒ* , 3“2=…%"* USB-ä!=L"!= Roland “ì. 

"K-“=L2 Roland. 

Web-“=L2 Roland: http://www.roland.com/ 

o!ä3C!›ä…, 

• b% ,ƒK›=…, C%"!›ä…, ä,…=ì,*%" , ä!3ã%ã% 

%K%!3ä%"=…, "“ãä= %2*ëþ÷=L2 C,2=…, "“. 

3“2!%L“2" ä% …=÷=ë= *%ìì32=ö,,. 

• USB-*=Këü ,“C%ëüƒ32“ 2%ëü*% äë C!ä=÷,/ 

C!,ì= MIDI-ä=……/.. 

• USB-*=Këü … ".%ä,2 " *%ìCë*2 C%“2="*, Prelude. 

dë C!,%K!2…, %K!=2,2“ü " ì=ã=ƒ,…, ãä K/ë% 

C!,%K!2…% %K%!3ä%"=…,. 

• b*ëþ÷=L2 C,2=…, Prelude ä% ƒ=C3“*= MIDI- 

C!,ë%›…, …= *%ìCüþ2!. b% "!ì !=K%2/ MIDI- 

C!,ë%›…, … %2*ëþ÷=L2 C,2=…, Prelude. 

q,“2ì…/ 2!K%"=…, “ì. …= "K-“=L2 Roland. 

bK-“=L2 Roland: http://www.roland.com/ 

o!, !=K%2 “ nq Windows XP/Windows Vista äë 

*%!!*2…%ã% “%"!ø…, USB-C%ä*ëþ÷…, “ëä32 ƒ=L2, " 

“,“2ì3 " *=÷“2": 

• o%ëüƒ%"=2ë , %Kë=ä=þ?ã% C!="=ì, =äì,…,“2!=2%!= 

• Àäì,…,“2!=2%!= (3÷2…= ƒ=C,“ü œÀäì,…,“2!=2%!B) 

m C%ä*ëþ÷=L2 ä"= , K%ë Prelude * %ä…%ì3 *%ìCüþ2!3 

C% USB. b .2%ì “ë3÷= “,“2ì= … K3ä2 !=K%2=2ü *%!!*2- 

…%. 

m=“2!%L*= USB-ä!=L"!= 

b/K!,2 …3›…/L USB-ä!=L"! , 3“2=…%",2 ã%. 

1. m=›ì,2 [MENU]. 


…=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 “2!=…,ö3 

œSYSTEM GENERALB. 

4. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œUSB 

DriverB. 

5. j%ë“%ì VALUE "/K!,2 …3›…/L ä!=L"!. 

n2%K!=ƒ,2“ ,…-%!ì=ö,%……% “%%K?…,. 

hì -=Lë= äë “2,ë ,ë, Cü“/, *%2%!/ ì%›…% K3ä2 

ƒ=ã!3ƒ,2ü " Prelude, … ä%ë›…% K/2ü äë,…… 16 “,ì"%ë%" (… 

“÷,2= !=“ø,!…, ). d%C3“2,ì/ “ëä3þ?, “,ì"%ë/: 

A~Z 0~9 ! # $ % & 4 ( ) - @ ^ _ ` { } 

dë “2,ë"/. -=Lë%" ,“C%ëüƒ32“ !=“ø,!…, œ.stlB, äë 

Cü“ $ œ.midB. 

b ƒ=",“,ì%“2, %2 ,“C%ëüƒ3ì/. “,ì"%ë%", " …*%2%!/. 

“ë3÷= . ,ì -=Lë= ì%›2 %2%K!=›=2ü“ …*%!!*2…%. 

g…=÷…, 

VENDER 

GENERIC 

6. m=›ì,2 [EXIT]. 

nC,“=…, 

b/K!,2 C!, ,“C%ëüƒ%"=…,, %!,ã,…=ëü…%ã% 

USB-ä!=L"!= Roland. 

b/K!,2 C!, ,“C%ëüƒ%"=…,, “2=…ä=!2…%ã% 

USB-ä!=L"!= %C!=ö,%……%L “,“2ì/. 

7. n2*ëþ÷,2 C,2=…, , "*ëþ÷,2 ã% “…%"=. 

44

q,“2ì…/ …=“2!%L*, 

o=!=ì2!/, %*=ƒ/"=þ?, "%ƒäL“2", …= !=K%23 Prelude " 

öë%ì, 2=*, *=* ì=“2!-…=“2!%L*= ,ë, !›,ì C!,ì= MIDI- 

“%%K?…,L, …=ƒ/"=þ2“ œ“,“2ì…/ì,B. 

rC!="ë…, “,“2ì…/ì, 

C=!=ì2!=ì, ([MENU]) 

1. m=›ì,2 [MENU]. 


…=›ì,2 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 “2!=…,ö3 , 

*…%C*=ì, [ ] [ ] "/K!,2 2!K3ì/L 

C=!=ì2!. 

o%ä!%K… “ì. 2=Kë,ö3 …,›. 

4. j%ë“%ì VALUE %2!ä=*2,!3L2 ƒ…=÷…,. 

5. o% %*%…÷=…,, !ä=*2,!%"=…, …=›ì,2 [EXIT]. 

m= ä,“Cë %2%K!=ƒ,2“ “%%K?…, œSystem write completedB. 

q,“2ì…/ ä=……/ “%.!=… þ2“ " “,“2ì…%L C=ì 2, , ì%ã32 

K/2ü ,ìC%!2,!%"=…//.*“C%!2,!%"=…/ " C=C*3 œSound/ 

SystemB USB-…=*%C,2ë (“2!. 49). 

q,“2ì…/ C=!=ì2!/ 

q2!=…,ö= SYSTEM GENERAL 

o=!=ì2! g…=÷…, nC,“=…, 

Master 

Tune 

Local 

Switch* 

System 

Transpose* 

Bend 

Mode 

415.3 $ 

466.2Hz 

l=“2!-…=“2!%L*= Prelude. 

g…=÷…, C!ä“2="ë 2 “%K%L 

÷=“2%23 …%2/ œk B C!"%L %*2="/. 

OFF, ON qì. “2!. 42. 

-6 $ +5 

NORMAL 

CATCH+ 

LAST 

l=“2!-2!=…“C%ƒ,ö, Prelude (“ 

ø=ã%ì " C%ë32%…). 

j%…2!%ëë! Pitch Bend !=K%2=2 " 

“2=…ä=!2…%ì !›,ì. 

e“ë, "ƒ 2ü …= *ë=",=23! …%23 C!, 

ä›%L“2,*, %2*ë%………%ì "C!="%/ 

"ë"%, "/“%2= K3ä2 2=*%L ›, 

*=* C!, ö…2!=ëü…%ì C%ë%›…,, 

ä›%L“2,*=. d›%L“2,* …=÷,…=2 "%ƒäL“2"%"=2ü 

…= ÷=“2%23 2%ëü*% C%“- 

ë C!%.%›ä…, ö…2!=ëü…%ã% 

C%ë%›…, . d=……/L .--*2 C!,ì- 

… 2“ 2%ëü*% * C%“ëä…L “/ã!=…- 

…%L …%2 , C%ƒ"%ë 2 ,ì,2,!%"=2ü 

œä"%L…/ C%ä2 ›*,B, .=!=*2!…/ 

äë ,ã!/ …= .ë*2!%ã,2=!. 

Screen 

Saver 

Time 

USB 

Driver 

OFF, 5, 

10 $ 60 

(ì,…32) 

VENDER, 

GENERIC 

q2!=…,ö= SYSTEM PEDAL 

b!ì (" ì,…32=.) ä% "*ëþ÷…, 

ƒ=“2="*,. o!, ƒ…=÷…,, œOFFB 

ƒ=“2="*= … "*ëþ÷=2“ . 

qì. “2!. 44. 

o=!=ì2! g…=÷…, nC,“=…, 

Pedal 

Assign 

m=ƒ…=÷…, -3…*ö,, …= Cä=ëü (C!,%K!2=2“ 

%2äëü…%), C%ä*ëþ÷……3þ * !=ƒAì3 CONTROL 

PEDAL 2/ëü…%L C=…ë,. 

EXPRESSION 

CHORD 

OFF 

CHORD 

TOGGLE 

SOSTENUTO 

SOFT 

ROTARY 

SLOW/ 

FAST 

START/ 

STOP 

BASS 

INVERSION 

PUNCH 

IN/OUT 

oä=ëü !=K%2=2, *=* Cä=ëü 

.*“C!““,,. 

o!, 3ä!›,"=…,, Cä=ë, …=›=2%L 

%2*ëþ÷=2“ !=“C%ƒ…="=…, =**%!- 

ä%" " …,›…L ÷=“2, *ë=",=23!/, ÷2% 

C%ƒ"%ë 2 ,“C%ë…,2ëþ ,ã!=2ü ä"3- 

ì !3*=ì,. o!, %2C3“*=…,, Cä=ë, 

"%““2=…="ë,"=2“ %K/÷…/L !›,ì 

!=K%2/. 

o!, …=›=2,, …= Cä=ëü %2*ëþ÷=2- 

“ !=“C%ƒ…="=…, =**%!ä%" " …,›- 

…L ÷=“2, *ë=",=23!/, ÷2% 

C%ƒ"%ë 2 ,“C%ë…,2ëþ ,ã!=2ü ä"3- 

ì !3*=ì,. o!, C%"2%!…%ì …=›=2,, 

…= Cä=ëü "%““2=…="ë,"=2“ %K/÷- 

…/L !›,ì !=K%2/. 

oä=ëü 3C!="ë 2 .--*2%ì “%“2- 

…32%. o!, …=›=2,, K3ä32 3ä!›,- 

"=2ü“ …%2/, *%2%!/ K/ë, "ƒ 2/ …= 

*ë=",=23! …= ì%ì…2 …=›=2, . 

d=……= -3…*ö, !=K%2=2 2%ëü*% “ 

*ë=",ø…/ì, C=!2, ì,. 

oä=ëü 3C!="ë 2 .--*2%ì C!,ãë3- 

ø…, . m%2/, "ƒ 2/ C!, …=›=2%L 

Cä=ë,, K3ä32 ƒ"3÷=2ü 2,ø , ãë3ø. 

d=……= -3…*ö, !=K%2=2 2%ëü*% “ 

*ë=",ø…/ì, C=!2, ì,. 

oä=ëü 3C!="ë 2 ÷=“2%2%L "!=?- 

…, .--*2= Rotary (“ë, äë C=!=ì2!= 

MFX TYPE "/K!=…% ƒ…=÷…, 

ROTARY, “ì. “2!. 40). 

oä=ëü 3C!="ë 2 ƒ=C3“*%ì/%“2=- 

…%"*%L "%“C!%,ƒ"ä…, Cü“. 

oä=ëü "*ëþ÷=2/%2*ëþ÷=2 -3…*- 

ö,þ Bass Inversion (“2!. 37). 

oä=ëü 3C!="ë 2 "*ëþ÷…,ì/%2- 

*ëþ÷…,ì ƒ=C,“, " !›,ì Punch- 

In/Out (“2!. 28). 

45

q,“2ì…/ …=“2!%L*, 

Pedal 

Assign 

Pedal 

Polarity 

Hold 

Polarity 

FILL UP 

FILL 

DOWN 

PERFORM 

UP 

PERFORM 

DOWN 

STANDARD, 

REVERSE 

STANDARD, 

REVERSE 

oä=ëü "*ëþ÷=2 “K,"*3 “ 

C!.%ä%ì * “ëä3þ?L "=!,=ö,, 

(…=C!,ì!, %2 MAIN œ1B * œ2B). o% 

ä%“2,›…,þ "=!,=ö,, œ4B …=›=2, 

…= Cä=ëü … C!,"%ä,2 * 

ä=ëü…LøL “ì… "=!,=ö,,. 

oä=ëü "*ëþ÷=2 “K,"*3 “ 

C!.%ä%ì * C!ä/ä3?L "=!,=ö,, 

(…=C!,ì!, %2 MAIN œ4B * œ3B). o% 

ä%“2,›…,þ "=!,=ö,, œ1B …=›=2, 

…= Cä=ëü … C!,"%ä,2 * 

ä=ëü…LøL “ì… "=!,=ö,,. 

oä=ëü C!%,ƒ"%ä,2 "/K%! 

“ëä3þ?ã% C!-%!ì=…“= 

(…=C!,ì!, %2 PERFORM 001 * 002). 

oä=ëü C!%,ƒ"%ä,2 "/K%! 

C!ä/ä3?ã% C!-%!ì=…“= 

(…=C!,ì!, %2 PERFORM 002 * 001). 

m=“2!%L*= C%ë !…%“2, Cä=ë,, C%ä- 

*ëþ÷……%L * !=ƒAì3 CONTROL 

PEDAL. m*%2%!/ ì%äë, Cä=ëL 

ì%ã32 !=K%2=2ü œ…=%K%!%2B. b .2%ì 

“ë3÷= "/K!,2 äë C=!=ì2!= 

ƒ…=÷…, œREVERSEB. o!, !=K%2 “ 

Cä=ë ì, Roland (Kƒ C!*ëþ÷=2ë 

C%ë !…%“2,), ,“C%ëüƒ3L2 ƒ…=÷- 

…, œSTANDARDB. 

m=“2!%L*= C%ë !…%“2, Cä=ë,, 

C%ä*ëþ÷……%L * !=ƒAì3 HOLD 

PEDAL (“ì. œPEDAL POLARITYB). 

q2!=…,ö= SYSTEM D BEAM 

o=!=ì2! g…=÷…, nC,“=…, 

D Beam 

Sens 

D Beam 

Filter/ 

Assignab 

le 1 

D Beam 

Volume/ 

Assignab 

le 2 

0 $ 127 

qì. “2!. 34. 

)3"“2",2ëü…%“2ü *%…2!%ëë!= 

D Beam. )ì "/ø ƒ…=÷…,, 2ì 

÷3"“2",2ëü… *%…2!%ëë!. 

q2!=…,ö= SYSTEM MIDI 

o=!=ì2! g…=÷…, nC,“=…, 

MIDI Tx 

Switch 

Upper Tx 

Channel 

Lower Tx 

Channel 

MIDI Rx 

Switch 

Upper Rx 

Channel 

Lower Rx 

Channel 

Tx 

Tx Pitch 

Bend 

Tx 

Modulation 

Tx 

Program 

Change 

Tx Clock 

Tx 

StartStop 

Tx Song 

Position 

Rx 

Rx Sync 

Rx Pitch 

Bend 

Rx 

Modulation 

Rx 

Program 

Change 

OFF, ON 

1$16 

1$16 

OFF, ON 

1$16 

1$16 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

OFF, ON 

qì. “2!. 43. 

qì. “2!. 43. 

qì. “2!. 43. 

q2!=…,ö= SYSTEM METRONOME 

o=!=ì2! g…=÷…, nC,“=…, 

Metronome 

Switch* 

Metronome 

Mode 

Metronome 

Level 

OFF, ON 

ALWAYS, 

REC, PLAY 

LOW, 

MEDIUM, 

HIGH 

qì. “2!. 22. 

46

q,“2ì…/ …=“2!%L*, 

q2!=…,ö= SYSTEM LOCK 

o=!=ì2! g…=÷…, nC,“=…, 

Style OFF, ON 

o!%“ì%2! ,…-%!ì=ö,, % Prelude 

(“2!=…,ö/ System Version) 

Tone 

Style 

Tempo 

Transpose 

OFF, ON 

OFF, ON 

OFF, ON 

qì. “2!. 17. 

b !=ƒäë “%ä!›,2“ ,…-%!ì=ö, % C!%“ì%2! “ë3›K…%L 

,…-%!ì=ö,, % Prelude (…=C!,ì!, "!“,, %C!=ö,%……%L 

“,“2ì/). 

1. m=›ì,2 [MENU]. 

o=!=ì2!/, %2ì÷……/ " 2=Kë,ö “,ì"%ë%ì œ*B, … ì%ã32 

K/2ü “%.!=……/. o!, "*ëþ÷…,, C,2=…, %…, "“ãä= 

“K!=“/"=þ2“ " ƒ…=÷…, C% 3ì%ë÷=…,þ. 

m“%.!=… ì/ “,“2ì…/ C=!=ì2!/ 

j!%ì C=!=ì2!%", %2ì÷……/. " 2=Kë,ö “,ì"%ë%ì œ*B, … 

“%.!=… þ2“ “ëä3þ?, “,“2ì…/ …=“2!%L*,: 

• m=“2!%L*, *…%C*, BALANCE (“2!. 23) 

• m=“2!%L*, !›,ì= ƒ=C,“, (“2!. 28) 

Rec Mode/Count In/Punch In/Out/Input Quantize 

• q%“2% …, *%…2!%ëë!= D Beam (“2!. 34) 

• t3…*ö, Center Cancel (“2!. 18) 

• q%“2% …, *…%C*, MINUS ONE/CENTER CANCEL (“2!. 30, 

“2!. 32) 

2. j…%C*=ì, [ ] [ ] "/K!,2 C3…*2 œVersionB 

, …=›ì,2 …= *…%C*3 [ENTER]. 

3. j…%C*=ì, [ ] [ ] "/K!,2 “2!=…,ö3. 

o%ëüƒ%"=2ëü ì%›2 C!%“ì%2!2ü ,…-%!ì=ö,þ %K 

,ìC%!2,!%"=……/. “Cö,=ëü…/. 2ìK!=., = 2=*› % 

"!“,, %C!=ö,%……%L “,“2ì/ Prelude. 

4. m=›ì,2 [EXIT] äë "%ƒ"!=2= …= ãë="…3þ 

“2!=…,ö3. 

47

p=K%2= “ USB-…=*%C,2ëì 

o%ëüƒ%"=2ëü ì%›2 “%.!=… 2ü ä=……/ Prelude …= USB- 

…=*%C,2ëü, = 2=*› ƒ=ã!3›=2ü ä=……/ “ …ã% " C=ì 2ü 

Prelude. o%ëüƒ%"=2ëü ì%›2 “%.!=…,2ü …= USB-…=*%C,2ëü 

ä=……/ “ *%ìCüþ2!=, = ƒ=2ì ƒ=ã!3ƒ,2ü ,. " C=ì 2ü Prelude. 

b“2="ë L2 USB-…=*%C,2ëü =**3!=2…% ä% 3C%!=. 

h…,ö,=ë,ƒ=ö, USB- 

…=*%C,2ë 

(USB Memory Format) 

b !=ƒäë !=““*=ƒ/"=2“ %K ,…,ö,=ë,ƒ=ö,, 

(-%!ì=2,!%"=…,,) USB-…=*%C,2ë . 

USB-…=*%C,2ëü … ì%›2 K/2ü ,“C%ëüƒ%"=… “ Prelude, “ë, 

%… … K/ë C!ä"=!,2ëü…% %2-%!ì=2,!%"=… ã% “!ä“2"=ì,. 

d=……= %C!=ö, “2,!=2 "“ ä=……/ “ USB-…=*%C,2ë . 

a3äü2 "…,ì=2ëü…/. 

1. m=›ì,2 [MENU]. 


…=›ì,2 [ENTER]. 

3. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 œUSB 

Memory FormatB , …=›ì,2 [ENTER]. 

n2%K!=ƒ,2“ ƒ=C!%“ % C%ä2"!›ä…,,. 

dë %2*=ƒ= %2 -%!ì=2,!%"=…, …=›ì,2 [EXIT]. 

4. m=›ì,2 [ENTER] äë ƒ=C3“*= -%!ì=2,!%"=…, . 

3. b/K!,2 *%ì=…ä3 œExportB , …=›ì,2 [ENTER]. 

4. b/K!,2 …3›…3þ %Cö,þ , …=›ì,2 [ENTER]. 

nCö, 

Style 

Song 

Sound/ 

System 

All 

n2%K!=ƒ,2“ ƒ=C!%“ % C%ä2"!›ä…,,. 

dë %2*=ƒ= %2 “%.!=……, ä=……/. …= USB-…=*%C,2ëü 

…=›ì,2 …= *…%C*3 [EXIT]. 

5. dë “%.!=……, ä=……/. …=›ì,2 [ENTER]. 

1. m=›ì,2 [MENU]. 

nC,“=…, 

q%.!=……, "“. C%ëüƒ%"=2ëü“*,. “2,ëL. 

q%.!=……, "“. C%ëüƒ%"=2ëü“*,. Cü“. 

q%.!=……, C%ëüƒ%"=2ëü“*,. 

C!-%!ì=…“%" , “,“2ì…/. …=“2!%*. 

q%.!=……, "“. ä=……/.. 

g=ã!3ƒ*= ä=……/. 

“ USB-…=*%C,2ë (Import) 


…=›ì,2 [ENTER]. 

3. j3!“%!…/ì, *ë=",ø=ì, "/K!,2 *%ì=…ä3 

œImportB , …=›ì,2 [ENTER]. 

4. b/K!,2 …3›…3þ %Cö,þ , …=›ì,2 [ENTER]. 

nCö, 

Style 

nC,“=…, 

g=ã!3ƒ*= "“. C%ëüƒ%"=2ëü“*,. “2,ëL. 

m ,ƒ"ë*=L2 USB-…=*%C,2ëü ä% *%…ö= -%!ì=2,!%"=…, ! 

g=C,“ü ä=……/. …= USB- 

…=*%C,2ëü (Backup) 

Song 

Sound/ 

System 

All 

g=ã!3ƒ*= "“. C%ëüƒ%"=2ëü“*,. Cü“. 

g=ã!3ƒ*= C%ëüƒ%"=2ëü“*,. C!-%!ì=…“%" , 

“,“2ì…/. …=“2!%*. 

g=ã!3ƒ*= "“. ä=……/.. 

m= USB-…=*%C,2ë ì%ã32 K/2ü “%.!=……/ “ëä3þ?, 

ä=……/ Prelude: 

• q2,ë, C%ëüƒ%"=2ë (“2!. 25) 

• oü“/ C%ëüƒ%"=2ë (“2!. 28) 

• o!-%!ì=…“/ C%ëüƒ%"=2ë (“2!. 36) 

• q,“2ì…/ C=!=ì2!/ (“2!. 45) 

j%ë,÷“2"% ä=……/., ƒ=ã!3›……/. " Prelude, ƒ=",“,2 %2 

%KAì= “"%K%ä…%L C=ì 2, Prelude. 

n2%K!=ƒ,2“ ƒ=C!%“ % C%ä2"!›ä…,,. 

dë %2*=ƒ= %2 ƒ=ã!3ƒ*, ä=……/. “ USB-…=*%C,2ë 

…=›ì,2 …= *…%C*3 [EXIT]. 

5. m=›ì,2 [ENTER] äë ƒ=ã!3ƒ*, ä=……/.. 

1. m=›ì,2 [MENU]. 


…=›ì,2 [ENTER]. 

t=Lë/ “ ,ì…=ì, äë,…… 16 “,ì"%ë%" (Kƒ 3÷2= 

!=“ø,!…, ) … ì%ã32 K/2ü ƒ=ã!3›…/ " C=ì 2ü Prelude. 

48

p=K%2= “ USB-…=*%C,2ëì 

rä=ë…, ƒ=ã!3›……/. ä=……/. 

)2%K/ 3ä=ë,2ü C%ëüƒ%"=2ëü“*,L “2,ëü, “ì. “2!. 25. 

)2%K/ 3ä=ë,2ü C%ëüƒ%"=2ëü“*3þ Cü“3, “ì. “2!. 29. 

q2!3*23!= ä=……/. 

…= USB-…=*%C,2ë 

o=C*, , -=Lë/ %!ã=…,ƒ%"=…/ “ëä3þ?,ì %K!=ƒ%ì:. 

hìC%!2 ä=……/., 

“%.!=………/. …= USB- 

…=*%C,2ë ([USB IMPORT]) 

o!ä 2ì, *=* …=÷=2ü, “%.!=…,2 ä=……/, ƒ=ã!3›……/ " 

*%ìCüþ2!, …= USB-…=*%C,2ë. o%ä*ëþ÷,2 USB-…=*%C,2ëü 

* Prelude , ,ìC%!2,!3L2 ä=……/. 

hìC%!2,!3ì/ 2ìK!/ K3ä32 ä%K="ë 2ü“ " *=2ã%!,, 

[WORLD] , [SPECIAL]. 

qì. web-“=L2 Roland: http://www.roland.com/ 

o=C*, , -=Lë/, “%ƒä=……/ …= USB-…=*%C,2ë, K3ä32 ",ä…/ 

“ C!“%…=ëü…%ã% *%ìCüþ2!=. 

q C%ì%?üþ *%ìCüþ2!= ì%›…%: 

• j%C,!%"=2ü MIDI--=Lë/ " C=C*3 SONG äë 

C%“ëä3þ?ã% ,ìC%!2= ,. " Prelude (“2!. 48). 

• j%C,!%"=2ü -=Lë/ ,ƒ C=C*, SONG C32ì C!%“2%ã% 

C!2=“*,"=…, ì/øüþ. 

• j%C,!%"=2ü -=Lë/ “2,ëL " C=C*3 STYLE äë 

C%“ëä3þ?ã% ,ìC%!2= ,. "Prelude (“2!. 48). 

• j%C,!%"=2ü -=Lë/ ,ƒ C=C*, STYLE C32ì C!%“2%ã% 

C!2=“*,"=…, ì/øüþ. 

• p=ƒì?=2ü -=Lë/ MIDI, mp3, AIFF , Wave " *%!…"%L 

C=C* äë "%“C!%,ƒ"ä…, ,. “ C%ì%?üþ -3…*ö,, USB 

MEMORY PLAYER (“2!. 32). 

• hìC%!2,!%"=2ü/.*“C%!2,!%"=2ü C%ëüƒ%"=2ëü“*, 

C!-%!ì=…“/ C=C*, Sound. 

• hìC%!2,!%"=2ü/.*“C%!2,!%"=2ü “,“2ì…/ …=“2!%L*, 

C!-%!ì=…“/ C=C*, Sound. 

• q%ƒä="=2ü CëLë,“2/ " C=C* Playlist (“ì. “2!. 30). 

49

n -3…*ö,, V-LINK 

o%ä*ëþ÷," Prelude * V-LINK “%"ì“2,ì%ì3 ",ä%3“2!%L“2"3, 

C%ëüƒ%"=2ëü “ì%›2 3C!="ë 2ü ,ƒ%K!=›…,ì “ Prelude. 

3. j…%C*=ì, [ ] [ ] …="ä,2 *3!“%! …= 

…3›…/L C=!=ì2!. 

b% ,ƒK›=…, C%"!›ä…, ä,…=ì,*%" , ä!3ã,. 3“2!%L“2" 

"“ãä= 3“2=…="ë,"=L2 ã!%ì*%“2ü " …%ëü , %2*ëþ÷=L2 

C,2=…, C!,K%!%" ä% …=÷=ë= *%ìì32=ö,,. 

V-LINK 

V-LINK ( 

) C!ä“2="ë 2 “%K%L -3…*ö,þ, 

C!ä…=ƒ…=÷……3þ äë “%"ì“2…%ã% "%“C!%,ƒ"ä…, ì3ƒ/*, 

, ",ä%. q*%ìì32,!%"=" ä"= ,ë, K%ë V-LINK “%"ì“2,ì/. 

3“2!%L“2" MIDI-*=Këì, C%ëüƒ%"=2ëü C%ë3÷=2 "%ƒì%›…%“2ü 

3C!="ë 2ü ",ä%.--*2=ì, " !=ëü…%ì "!ì…,. 

j=* !=K%2=2ü “ V-LINK ([V-LINK]) 

1. m=›ì,2 …= *…%C*3 [V-LINK], C!, .2%ì 

C%ä“"2*= ƒ=ã%!,2“ . 

n2%K!=ƒ,2“ .*!=……= “2!=…,ö= V-LINK, , -3…*ö, V- 

LINK K3ä2 =*2,",!%"=…=. 

4. h“C%ëüƒ3L2 *%ë“% VALUE äë 

!ä=*2,!%"=…, . 

5. m=›ì,2 …= *…%C*3 [EXIT] äë "%ƒ"!=2= * 

C!ä/ä3?L .*!=……%L “2!=…,ö. 

o=!=ì2!/ V-LINK SETUP 

o=!=ì2! g…=÷…, nC,“=…, 

Note Tx 

Channel 

A 

Note Tx 

Channel 

B 

Note Tx 

Channel 

C 

1 $ 16 

rC!="ë…, 

3“2!%L“2"%ì V- 

LINK. m=“2!%L*= 

MIDI-*=…=ë%". (*) 

rC!="ë…, “ Prelude 

p=K%2= “ *ë=",=23!%L , *%…2!%ëë!=ì, Prelude, 

,“C%ë…,2ëü ì%›2 3C!="ë 2ü ,ƒ%K!=›…,ì " !=ëü…%ì 

"!ì…,. 

• [0] (Clip Reset): %2*ëþ÷…, *=!2,…*, (÷!…/L -%…). 

• [1] (All Reset): “K!%“ "“. .--*2%" *=!2,…*, , "%ƒ"!=2 

.=!=*2!,“2,*, 2=*,. *=* !*%“2ü ,ë, …=“/?……%“2ü, " 

ƒ…=÷…, C% 3ì%ë÷=…,þ. 

• [2] (Setup): C!.%ä * “2!=…,ö V-LINK SETUP. 

m=ƒ…=÷…, -3…*ö,, V-LINK 

…= *%…2!%ëë! D-Beam. 

OFF 

b… ƒ=",“,ì%“2, 

%2 “%“2% …, -3…- 

*ö,, V-LINK "/- 

C%ë… 2“ 

%C!=ö, , "/- 

K!=……= *…%C*=ì, 

D BEAM. 

• )!…/ *ë=",ø,: C!*ëþ÷…, ƒ=*ë=ä%*. 

• aë/ *ë=",ø,: C!*ëþ÷…, *ë,C%". 

• j%…2!%ëë! D Beam: 3C!="ë…, C=!=ì2!%ì, ƒ=ä=……/ì 

…= “2!=…,ö V-LINK. 

* e1+( 43-*6(? V-LINK "*+>7%- , / 0 ,%20; V-LINK $+? *.-- 

20.++%0 D Beam .!+ $ >2 !.+%% ";1.*(, /0(.0(2%2.,. 

2. m=.%ä “ü …= “2!=…,ö V-LINK, …=›ì,2 [V-LINK] 

? !=ƒ. 

o%ä“"2*= *…%C*, V-LINK C%ã=“…2 , -3…*ö, V-LINK 

K3ä2 %2*ëþ÷…=. 

D BEAM 

ColorEQ 

Fore 

ColorEQ 

Back 

Scratch 

SW 

Speed 

Knob 

Total 

Fader 

CC01 (Modulation) 

CC71 (Resonance) 

CC03 

CC08 (Balance) 

CC10 (Panpot) 

h“C%ëüƒ3- 

þ2“ C!, 

!=K%2 “ 

*%ìCë*2%ì 

œmotion dive 

.tokyo 

Performance 

PackageB 

m=“2!%L*= V-LINK 

(V-LINK SETUP) 

Cross 

Fader 

CC11 (Expression) 

1. m=›ì,2 [V-LINK] äë C!.%ä= * .*!=……%L 

“2!=…,ö V-LINK. 

2. m=›ì,2 …= *…%C*3 [2] (Setup). 

n2%K!=ƒ,2“ “2!=…,ö= V-LINK SETUP. 

50

n -3…*ö,, V-LINK 

o=!=ì2! g…=÷…, nC,“=…, 

BPM 

Clip Loop 

SW 

Assign 

Knob 

Fade 

Time SW 

Visual 

Knob 

AB SW 

Tap SW 

Total 

Select 

FX Select 

Play Pos 

CC65 (Portamento) 

CC72 (Release) 

CC73 (Attack) 

CC74 (Cutoff) 

CC81 (General$6) 

CC83 (General$8) 

CC85 

CC86 

CC91 (Reverb) 

þ2“ C!, 

!=K%2 “ 

*%ìCë*2%ì 

œmotion dive 

.tokyo 

Performance 

PackageB 

D BEAM 

Loop 

StartPos 

Loop End 

Pos 

Layer 

ModeSel 

CC92 (Tremolo) 

CC93 (Chorus) 

CC94 (Celeste) 

Dissolve 

Time 

Color Cb 

Ctrl 

Color Cr 

Ctrl 

Brightnes 

s Ctrl 

VFX1 Ctrl 

VFX2 Ctrl 

VFX3 Ctrl 

VFX4 Ctrl 

Fade Ctrl 

CC73 (Attack) 

CC01 (Modulation) 

CC71 (Resonance) 

CC74 (Cutoff) 

CC72 (Release) 

CC91 (Reverb) 

CC92 (Tremolo) 

CC93 (Chorus) 

CC10 (Panpot) 

Sync SW CC64 (Hold) h“C%ëüƒ3- 

h“C%ëüƒ3þ2“ 

C!, 

!=K%2 “ 

DV-7PR , 

“%"ì“- 

2,ì/ì, 

3“2!%L- 

“2"=ì,. 

* m V-LINK 1.",%12(,;5 3120.)12" 5, 2 *(5 * * Edirol DV- 

7PR/P-1, (1/.+

52 

dk“ g`leŠnj

Appendices 

r“2!=……, …C%ë=ä%* 

b !=ƒäë %C,“/"=þ2“ äL“2", C% 3“2!=……,þ …=,K%ë !=“C!%“2!=………/. …C%ë=ä%* Prelude. 

o!%Këì= b!% 2…= C!,÷,…= , “C%“%K 3“2!=……, “2!. 

m "*ëþ÷=2“ C,2=…, 

b%ƒì%›…%, =ä=C2! C,2=…, ,ë, *=Këü =ä=C2!= … C%ä*ëþ÷…/ * .ë*2!%“- 

2, ,ë, * Prelude? 

• h“C%ëüƒ3L2 2%ëü*% =ä=C2! , *=Këü C,2=…, , ".%ä ?, " *%ìCë*2 C%“- 

2="*, Prelude. b C!%2,"…%ì “ë3÷= %K%!3ä%"=…, ì%›2 "/L2, ,ƒ “2!% . 

“2!. 14 

b%ƒì%›…%, !ã3ë 2%! VOLUME 3“2=…%"ë… " ì,…,ì=ëü…% C%ë%›…,? # 

m2 ƒ"3*= 

e“ë, C!, ,ã! …= *ë=",=23! …2 ƒ"3*=, "%ƒì%›…% C=!=ì2! Local Switch 3“- 

2=…%"ë… " ƒ…=÷…, OFF? 

• r“2=…%",2 äë C=!=ì2!= Local Switch ƒ…=÷…, ON. 

b%ƒì%›…%, ì=…,C3ë ö,, “ Cä=ëüþ ,ë, MIDI-“%%K?…, “ "…ø…ã% 3“2!%L“- 

2"= 3“2=…%",ë, ã!%ì*%“2ü " ì,…,ì3ì? 

b%ƒì%›…%, ã!%ì*%“2ü C=!2,, 3K!=…= ä% …3ë ? 

• m=“2!%L2 ã!%ì*%“2ü …= .*!=……%L “2!=…,ö PERFORM MIXER. 

“2!. 42 

“2!. 45 

# 

“2!. 24 

n2*ëþ÷…% ƒ"3÷=…, %C!äë……%L 

C=!2,, 

b%ƒì%›…%, C=!2, %2*ëþ÷…= -3…*ö,L Minus-One? “2!. 30 

q%"C=ä=þ2 ë, MIDI-*=…=ë/ C!,ì= , C!ä=÷, C!, “%"ì“2…%L !=K%2 

Prelude “ "…ø…,ì MIDI-3“2!%L“2"%ì? 

• r“2=…%",2 %ä,… , 2%2 › …%ì! MIDI-*=…=ë= äë C!,ì= , C!ä=÷,. 

“2!. 42 

“2!. 45 

m2 ƒ"3*= %2 "…ø…ã% MIDI 

-3“2!%L“2"= 

b%ƒì%›…%, %2*ëþ÷…= C!ä=÷= MIDI-“%%K?…,L? 

• r“2=…%",2 äë C=!=ì2!%" MIDI TxRx ƒ…=÷…, , %2ë,÷…/ %2 OFF. 

q%"C=ä=þ2 ë, MIDI-*=…=ë/ C!,ì= , C!ä=÷, C!, “%"ì“2…%L !=K%2 

Prelude “ "…ø…,ì MIDI-3“2!%L“2"%ì? 

• r“2=…%",2 %ä,… , 2%2 › …%ì! MIDI-*=…=ë= äë C!,ì= , C!ä=÷,. 

“2!. 43 

“2!. 45 

“2!. 43 

“2!. 45 

c!%ì*%“2ü ,…“2!3ì…2=, 

C%ä*ëþ÷……%ã% * ".%ä3 EXT 

INPUT, “ë,ø*%ì …,ƒ*=. 

b%ƒì%›…%, " *%…“2!3*ö,, *=Kë ,“C%ëüƒ%"=…/ !ƒ,“2%!/? j%ìì32=ö,%……/ 

*=Kë, … ä%ë›…/ “%ä!›=2ü !ƒ,“2%!%". # 

}--*2/ … !=K%2=þ2 

m*%!!*2…% ƒ"3÷=…, .-- 

-*2= 

o!, …=*ë%… ä›%L“2,*= .-- 

-*2 Pitch Bend … !=K%2=2 

g"3÷=…, ,“*=›…% 

}--*2/ !"!K!=ö,, , .%!3“= äë *ë=",=23!…/. C=!2,L … !=K%2=þ2, “ë, 

,. C=!=ì2!/ SEND 3“2=…%"ë…/ " ƒ…=÷…, 0. 

• o!%"!ü2 ƒ…=÷…, C=!=ì2!%" EFFECT SEND. 

}--*2 MFX C!,ì… 2“ 2%ëü*% * ,“C%ë……,þ "!.…L ,/,ë, …,›…L C=!2,L 

" !=ëü…%ì "!ì…,. }--*2 MFX … C!,ì… 2“ * ƒ=C,“=……/ì Cü“=ì. 

nC!äë……/ *%ìK,…=ö,, 2ìK!%" , .--*2%" ì%ã32 “,ëü…% %2ë,÷=2ü“ C% 

ƒ"3*3 %2 …%K!=K%2=……%ã% 2ìK!=. 

• o!%"!ü2 C=!=ì2!/ EFFECT SOURCE. 

b%ƒì%›…%, ä,=C=ƒ%… .--*2= Pitch Bend 3“2=…%"ë… " ƒ…=÷…, 0? 

• r“2=…%",2 äë C=!=ì2!= PITCH BEND TANGE ƒ…=÷…,, %2ë,÷…% %2 

0. 

o!, !=K%2 “ …*%2%!/ì, .--*2=ì, ,ë, …= "/“%*%L ã!%ì*%“2, C=!2,L ƒ"3* 

ì%›2 ,“*=ƒ,2ü“ . o!%"!ü2 “ëä3þ?, C=!=ì2!/. 

• o=!=ì2!/ ã!%ì*%“2, …= .*!=……%L “2!=…,ö PERFORM MIXER 

• cë3K,…= !"!K!=ö,, , .%!3“= (C=!=ì2!/ Effect Send) 

• nK?3þ ã!%ì*%“2ü , K=ë=…“ 

b%ƒì%›…%, ,“C%ëüƒ32“ ,“*=›=þ?,L ƒ"3* .--*2, C%ä%K…/L ä,“2%!ø…3 ,ë, 

%"!ä!=L"3? 

“2!. 40 

# 

“2!. 40 

“2!. 39 

“2!. 24 

“2!. 40 

“2!. 23 

“2!. 40 

53

Appendices 

o!%Këì= b!% 2…= C!,÷,…= , “C%“%K 3“2!=……, “2!. 

m*%!!*2…= "/“%2= ƒ"3- 

÷=…, 

œb/C=ä…,B …%2 

USB-…=*%C,2ëü … %C!äë 

2“ . qC,“%* -=Lë%" … 

%2%K!=›=2“ . 

m"%ƒì%›…% “%.!=……, …= 

USB-…=*%C,2ëü 

m %2%K!=›=þ2“ “C,“*, 

"%“C!%,ƒ"ä…, 

oü“/ … %2%K!=›=þ2“ 

m %2%K!=›=þ2“ “2,ë, ,ë, 

Cü“/ “ USB-…=*%C,2ë 

oü“/ … "%“C!%,ƒ"%ä 2“ 

m*%2%!/ 2ìK!/ ì%ã32 ƒ"3÷=2ü “ …“2=…ä=!2…%L "/“%2%L " %C!äë……/. 

ä,=C=ƒ%…=.. 

b%ƒì%›…%, …*%!!*2…= %K?= …=“2!%L*= Prelude? 

• o!%"!ü2 C=!=ì2! MASTER TUNE. 

b%ƒì%›…%, "/“%2= K/ë= “ä",…32= ƒ= “÷2 !=K%2/ “ Cä=ëüþ ,ë, C!, C%ì%?, 

“%%K?…,L Pitch Bend, C%ë3÷……/. “ "…ø…ã% MIDI-3“2!%L“2"=? 

o!, C%C/2* C!"/“,2ü ë,ì,2 " 128 ã%ë%“%" C%ë,-%…,, 3› ƒ"3÷=?, …%2/ 

K3ä32 %2*ëþ÷=2ü“ . 

o!%"!ü2 -%!ì=2 !=ƒì2*, USB-…=*%C,2ë . 

Prelude C%ää!›,"=2 USB-…=*%C,2ë,, !=ƒì÷……/ " “,“2ì FAT. e“ë, ,“- 

C%ëüƒ3ì/L USB-…=*%C,2ëü ,“C%ëüƒ32 ä!3ã3þ “,“2ì3, C!-%!ì=2,!3L2 

ã% " “,“2ì3 FAT. 

o!%"!ü2 “ëä3þ?. 

• b%ƒì%›…%, USB-…=*%C,2ëü ƒ=?,?… %2 ƒ=C,“,? 

• b%ƒì%›…%, …= USB-…=*%C,2ë …ä%“2=2%÷…% “"%K%ä…%L C=ì 2,? 

o!%"!ü2 “ëä3þ?. 

• qC,“*, "%“C!%,ƒ"ä…, … %2%K!=›=þ2“ C!, ä%K="ë…,,/3ä=ë…,,/ 

!ä=*2,!%"=…,, Cü“ " C=C* ROLAND Kƒ ,“C%ëüƒ%"=…, C!%ã!=ìì/ 

Playlist Editor. 

• b%ƒì%›…%, … !=“C%ƒ…=2“ USB-…=*%C,2ëü. 

• b%ƒì%›…%, USB-…=*%C,2ëü %2-%!ì=2,!%"=… …*%!!*2…%. Prelude 

C%ää!›,"=2 USB-…=*%C,2ë,, !=ƒì÷……/ " “,“2ì FAT. e“ë, 

,“C%ëüƒ3ì/L USB-…=*%C,2ëü ,“C%ëüƒ32 ä!3ã3þ “,“2ì3, 

C!-%!ì=2,!3L2 ã% " “,“2ì3 FAT. 

• b%ƒì%›…%, Cü“/ !=“C%ë%›…/ … " *%!…"%L C=C*? 

oü“/ … %2%K!=›=þ2“ C!, ä%K="ë…,,/3ä=ë…,,/!ä=*2,!%"=…,, " 

C=C* ROLAND Kƒ ,“C%ëüƒ%"=…, C!%ã!=ìì/ Playlist Editor. 

• b%ƒì%›…%, USB-…=*%C,2ëü %2-%!ì=2,!%"=… …*%!!*2…%. Prelude 

C%ää!›,"=2 USB-…=*%C,2ë,, !=ƒì÷……/ " “,“2ì FAT. e“ë, 

,“C%ëüƒ3ì/L USB-…=*%C,2ëü ,“C%ëüƒ32 ä!3ã3þ “,“2ì3, 

C!-%!ì=2,!3L2 ã% " “,“2ì3 FAT. 

o!%"!ü2 ,ì…= -=Lë%". 

• hì -=Lë= äë “2,ë ,ë, Cü“/ Prelude … ä%ë›…% K/2ü äë,…… 16 

“,ì"%ë%" (ƒ= ,“*ëþ÷…,ì !=“ø,!…, ). d%C3“2,ì/ “ëä3þ?, “,ì"%ë/. 

A~Z 0~9 ! # $ % & 4 ( ) - @ ^ _ ` { } 

• t=Lë/ “2,ëL ä%ë›…/ ,ì2ü !=“ø,!…, œ.stlB, -=Lë/ Cü“ # 

!=“ø,!…, œ.midB. 

o!%"!ü2 “ëä3þ?. 

• b%ƒì%›…%, 2,C -=Lë= Cü“/ … C%ää!›,"=2“ Prelude. 

• b%ƒì%›…%, ä=……/ -=Lë= Cü“/ C%"!›ä…/. 

• oü“/ … %2%K!=›=þ2“ C!, ä%K="ë…,,/3ä=ë…,,/!ä=*2,!%"=…,, " 

C=C* ROLAND Kƒ ,“C%ëüƒ%"=…, C!%ã!=ìì/ Playlist Editor. 

# 

“2!. 45 

# 

# 

# 

# 

“2!. 49 

“2!. 49 

# 

“2!. 30 

“2!. 49 

54

q%%K?…, %K %ø,K*=. 

b “ë3÷= %“3?“2"ë…, …*%!!*2…%L %C!=ö,, …= .*!=… "/"%ä,2“ “%%K?…, %K %ø,K*. 

nC,“=…, “%%K?…,L %K %ø,K*=. C!,"ä…/ " 2=Kë,ö. 

q%%K?…, g…=÷…, r“2!=……, 

USB Memory Not 

Ready! 

Read Error! 

Write Error! 

Incorrect File! 

System Memory 

Damaged! 

File Not Found! 

MIDI Buffer Full! 

MIDI Offline! 

Now Playing! 

USB-…=*%C,2ëü … C%ä*ëþ÷…. 

nø,K*= ÷2…, ä=……/.. 

d=……/ “ USB-…=*%C,2ë … ÷,2=þ2“ . 

t=Lë C%"!›ä…. 

m"!…/L -%!ì=2 -=Lë=. 

nø,K*= ƒ=C,“,. 

d=……/ … “%.!=… þ2“ …= USB-…=*%C,2ëü. 

h“÷!C=…= “"%K%ä…= C=ì 2ü …= 

USB-…=*%C,2ë. 

t=Lë ,ë, C=C*= …= USB-…=*%C,2ë ƒ=?,?- 

…/ %2 ƒ=C,“,. 

m"!…/L -%!ì=2 -=Lë=. 

oü“= … C!…“…= ,ƒ C!%ã!=ìì/ Playlist 

Editor …= USB-…=*%C,2ëü. 

m"!…= ÷=“2%2= “.ìCë,!%"=…, . 

o%"!›ä…, “,“2ì…%L C=ì 2,. 

t=Lë … …=Lä… " C=ì 2, Prelude. 

t=Lë … …=Lä… …= USB-…=*%C,2ë. 

o%C/2*= C!,ì= “ë,ø*%ì K%ëüø%ã% C=*2= 

MIDI-ä=……/.. 

p=ƒ!/" “%ä,……, C% MIDI. 

hä2 "%“C!%,ƒ"ä…, “2,ë /Cü“/. 

o%ä*ëþ÷,2 USB-…=*%C,2ëü. 

o%"2%!,2 C%C/2*3 ƒ=ã!3ƒ*,. 

o!%"!ü2 C!=",ëü…%“2ü C%ä*ëþ÷…, 

USB-…=*%C,2ë . 

m ,“C%ëüƒ3L2 .2%2 -=Lë. 

m ,“C%ëüƒ3L2 .2%2 -=Lë. 

o%"2%!,2 C%C/2*3 ƒ=C,“,. 

o!%"!ü2 C!=",ëü…%“2ü C%ä*ëþ÷…, 

USB-…=*%C,2ë . 

rä=ë,2 “ USB-…=*%C,2ë ……3›…/ -=Lë/. h“- 

C%ëüƒ3L2 …%"/L, ÷,“2/L USB-…=*%C,2ëü. 

q…,ì,2 ƒ=?,23 %2 ƒ=C,“, “ -=Lë= ,ë, C=C*, …= 

USB-…=*%C,2ë. 

m ,“C%ëüƒ3L2 .2%2 -=Lë. 

b/K!,2 Cü“3 " C!%ã!=ìì Playlist Editor , C%"- 

2%!…% %2C!="ü2 …= USB-…=*%C,2ëü. 

h“C%ëüƒ3L2 2%ëü*% ÷=“2%23 44.1 *cö. 

b%““2=…%",2 ƒ="%ä“*, …=“2!%L*,. e“ë, .2% … 

C%ì%ã=2, %K!=2,2“ü " ì“2…/L “!",“…/L ö…2! 

Roland. 

o%"2%!…% ƒ=C,ø,2 -=Lë " C=ì 2ü Prelude. 

o%"2%!…% ƒ=C,ø,2 -=Lë …= USB-…=*%C,2ëü. 

rì…üø,2 *%ë,÷“2"% MIDI-ä=……/., C%“23C=þ?,. 

" Prelude. 

o!%"!ü2 “%“2% …, MIDI-*=Kë , C%ä*ëþ÷……%ã% 

* !=ƒAì3 Prelude MIDI IN. 

n“2=…%",2 "%“C!%,ƒ"ä…, "!3÷…3þ ,ë, ä%›ä,- 

2“ü ="2%ì=2,÷“*%ã% %*%…÷=…, . 

Now Recording! 

hä2 ƒ=C,“ü. n“2=…%",2 ƒ=C,“ü "!3÷…3þ ,ë, ä%›ä,2“ü ="2%- 

ì=2,÷“*%ã% %*%…÷=…, . 

Memory Full! 

Cannot Record! 

Cannot Store Anymore 

Styles! 

Cannot Store Anymore 

Songs! 

m."=2*= C=ì 2, äë “%.!=……, Cü“/ ,ë, 

“2,ë . 

g=C,“ü …"%ƒì%›…=. 

që,ø*%ì ì…%ã% “2,ëL. 

që,ø*%ì ì…%ã% Cü“. 

rä=ë,2 …,“C%ëüƒ3ì/ ä=……/ ,ƒ !=ƒäë= USER 

C=ì 2, Prelude. 

g=C,“ü …"%ƒì%›…=, “ë, "*ëþ÷…= *…%C*= 

BACKING TYPE [USB MEMORY PLAYER]. m=›ì,2 

ëþK3þ ä!3ã3þ *…%C*3 ,ƒ ã!3CC/ BACKING TYPE. 

rä=ë,2 …,“C%ëüƒ3ì/ C%ëüƒ%"=2ëü“*, “2,ë,. 

rä=ë,2 …,“C%ëüƒ3ì/ C%ëüƒ%"=2ëü“*, Cü“/. 

55

qC,“%* .--*2%" 

o=!=ì2!/ ì3ëü2,.--*2%" 

l3ëü2,.--*2 ,“C%ëüƒ32 78 !=ƒë,÷…/. =ëã%!,2ì%". m*%2%!/ ,ƒ …,. “%ä!›=2 ä"= , K%ë C%“ëä%"=2ëü…% "*ëþ÷……/. .--*2%". 

FILTER (10 2,C%") 

01 EQUALIZER “2!. 58 

02 SPECTRUM “2!. 58 

03 ISOLATOR “2!. 58 

04 LOW BOOST “2!. 58 

05 SUPER FILTER “2!. 59 

06 STEP FILTER “2!. 59 

07 ENHANCER “2!. 59 

08 AUTO WAH “2!. 60 

09 HUMANIZER “2!. 60 

10 SPEAKER SIMULATOR “2!. 60 

MODULATION (12 2,C%") 

11 PHASER “2!. 61 

12 STEP PHASER “2!. 61 

13 MULTI STAGE PHASER “2!. 61 

14 INFINITE PHASER “2!. 62 

15 RING MODULATOR “2!. 62 

16 STEP RING MODULATOR “2!. 62 

17 TREMOLO “2!. 62 

18 AUTO PAN “2!. 63 

19 STEP PAN “2!. 63 

20 SLICER “2!. 63 

21 ROTARY “2!. 64 

22 VK ROTARY “2!. 64 

CHORUS (12 2,C%") 

23 CHORUS “2!. 64 

24 FLANGER “2!. 65 

25 STEP FLANGER “2!. 65 

26 HEXA-CHORUS “2!. 65 

27 TREMOLO CHORUS “2!. 66 

28 SPACE-D “2!. 66 

29 3D CHORUS “2!. 66 

30 3D FLANGER “2!. 67 

31 3D STEP FLANGER “2!. 67 

32 2BAND CHORUS “2!. 67 

33 2BAND FLANGER “2!. 68 

34 2BAND STEP FLANGER “2!. 68 

DYNAMICS (8 2,C%") 

35 OVERDRIVE “2!. 69 

36 DISTORTION “2!. 69 

37 VS OVERDRIVE “2!. 69 

38 VS DISTORTION “2!. 69 

39 GUITAR AMP SIMULATOR “2!. 69 

40 COMPRESSOR “2!. 70 

41 LIMITER “2!. 70 

42 GATE “2!. 70 

DELAY (13 2,C%") 

43 DELAY “2!. 71 

44 LONG DELAY “2!. 71 

45 SERIAL DELAY “2!. 71 

46 MODULATION DELAY “2!. 72 

47 3TAP PAN DELAY “2!. 72 

48 4TAP PAN DELAY “2!. 72 

49 MULTI TAP DELAY “2!. 73 

50 REVERSE DELAY “2!. 73 

51 SHUFFLE DELAY “2!. 73 

52 3D DELAY “2!. 74 

53 TIME CTRL DELAY “2!. 74 

54 LONG TIME CTRL DLY “2!. 74 

55 TAPE ECHO “2!. 75 

LO-FI (5 2,C%") 

56 LOFI NOISE “2!. 75 

57 LOFI COMPRESS “2!. 75 

58 LOFI RADIO “2!. 76 

59 TELEPHONE “2!. 76 

60 PHONOGRAPH “2!. 76 

PITCH (3 2,C=) 

61 PITCH SHIFTER “2!. 76 

62 2VOI PITCH SHIFTER “2!. 77 

63 STEP PITCH SHIFTER “2!. 77 

REVERB (2 2,C=) 

64 REVERB “2!. 77 

65 GATED REVERB “2!. 78 

COMBINATION (12 2,C%") 

66 OVERDRIVE → CHORUS “2!. 78 

67 OVERDRIVE → FLANGER “2!. 78 

68 OVERDRIVE → DELAY “2!. 78 

69 DISTORTION → CHORUS “2!. 79 

70 DISTORTION → FLANGER “2!. 79 

71 DISTORTION → DELAY “2!. 79 

72 ENHANCER → CHORUS “2!. 79 

73 ENHANCER → FLANGER “2!. 79 

74 ENHANCER → DELAY “2!. 80 

75 CHORUS → DELAY “2!. 80 

76 FLANGER → DELAY “2!. 80 

77 CHORUS → FLANGER “2!. 81 

PIANO (1 2,C) 

78 SYMPATHETIC RESO “2!. 81 

56

g…=÷…, 4Note’ 

g…=÷…, %C!äë……/. C=!=ì2!%" (2=*,., *=* Rate ,ë, Delay Time) 

ì%›…% ƒ=ä="=2ü " 2!ì,…=. äë,2ëü…%“2L …%2 %2…%“,2ëü…% 

3“2=…%"ë……%ã% 2ìC=. 

o%ä%K…/ C=!=ì2!/ ,ìþ2 C!*ëþ÷=2ëü œnum/noteB, *%2%!/L 

C%ƒ"%ë 2 "/K!=2ü, K3ä2 ë, ƒ…=÷…, ƒ=ä=…% " 2!ì,…=. 

äë,2ëü…%“2L …%2 ,ë, " ÷,“ë%"%ì ",ä. 

e“ë, äë C=!=ì2!= Rate (Delay Time) 2!K32“ "/K!=2ü ÷,“ë%"% 

ƒ…=÷…,, 3“2=…%",2 äë C=!=ì2!= œnum/noteB ƒ…=÷…, œHzB 

(œmsecB). dë !=K%2/ “ …%2…/ì, äë,2ëü…%“2 ì, "/K!,2 ƒ…=÷…, 

œNOTEB. 

qëä3þ?, 3D-.--*2/ ,“C%ëüƒ3þ2 2.…%ë%ã,þ RSS (Roland Sound 

Space) äë “%ƒä=…, .--*2= 2!.ì!…%ã% ƒ"3÷=…, : 

52: 3D DELAY 

29: 3D CHORUS 

30: 3D FLANGER 

31: 3D STEP FLANGER 

o!, ,“C%ëüƒ%"=…,, ä=……/. .--*2%" !*%ì…ä32“ !=“C%ë=ã=2ü 

*%ë%…*, “ëä3þ?,ì %K!=ƒ%ì (“ì. !,“.). j!%ì 2%ã%, 3Kä,2“ü, ÷2% 

*%ë%…*, !=ƒì?…/ …= ä%“2=2%÷…%ì !=““2% …,, %2 “2… “% "“. 

“2%!%…. 

fig.33-002 

n“%K……%“2, 3D-.--*2%" 

o=!=ì2! NUM/NOTE 

30 30 

* e“ë, äë C=!=ì2!= Rate ƒ…=÷…, ƒ=ä=…% " 2!ì,…=. 

äë,2ëü…%“2L …%2, C!, "%“C!%,ƒ"ä…,, MIDI--=Lë%" 

ì%ä3ë ö, “,….!%…,ƒ,!32“ “ 2ìC%ì. 

m%2…/ ƒ…=÷…, : 

fig.MFX-note2.e_88 

64-ÿ òðèîëü Øåñòüäåñÿò÷åñòâåðòàÿ Òðèäöàòüâòîðàÿ òðèîëü 

Òðèäöàòüâòîðàÿ Øåñòíàäöàòàÿ òðèîëü Òðèäöàòüâòîðàÿ ñ òî÷êîé 

Øåñòíàäöàòàÿ Âîñüìàÿ òðèîëü Øåñòíàäöàòàÿ ñ òî÷êîé 

Âîñüìàÿ 

×åòâåðòíàÿ òðèîëü Âîñüìàÿ ñ òî÷êîé 

×åòâåðòü 

Ïîëîâèííàÿ òðèîëü ×åòâåðòü ñ òî÷êîé 

e“ë, ë"= , C!="= *%ë%…*, !=“C%ë%›…/ “ë,ø*%ì ä=ë*%, ,ë, 

“ë, ,“C%ëüƒ32“ ì…%ã% !"!K!=ö,,, 3D-.--*2 ì%›2 K/2ü 

%÷…ü Cë%.% !=ƒë,÷,ì. 

j=›ä/L ,ƒ 3D-.--*2%" %Kë=ä=2 C=!=ì2!%ì œOutput ModeB. o!, 

C!%“ë3ø,"=…,, ÷!ƒ *%ë%…*, "/K!,2 äë ä=……%ã% C=!=ì2!= 

ƒ…=÷…, œSPEAKERB. o!, C!%“ë3ø,"=…,, ÷!ƒ …=3ø…,*, "/K!,2 

ƒ…=÷…, œPHONESB. }2% C%ƒ"%ë,2 %C2,ì,ƒ,!%"=2ü 2!.ì!…/L 

.--*2 C%ä 2 ,ë, ,…/ 3“ë%", C!%“ë3ø,"=…, . 

Ïîëîâèííàÿ íîòà 

Öåëàÿ íîòà 

Äâîéíàÿ íîòà 

Öåëàÿ òðèîëü 

Äâîéíàÿ òðèîëü 

Ïîëîâèíêà ñ òî÷êîé 

Öåëàÿ ñ òî÷êîé 

e“ë, ƒ=ä=2ü "!ì ƒ=ä!›*, (Delay Time) " 2!ì,…=. 

äë,2ëü…%“2L …%2, ƒ=ìäë…, 2ìC= … K3ä2 "%ƒäL“2"%"=2ü 

…= "!ì ƒ=ä!›*, ä% K“*%…÷…%“2,. }2% “" ƒ=…% “ 2ì, ÷2% 

äë "!ì ƒ=ä!›*, ,ì2“ %C!äë……/L C!äë; “ë, "!ì 

ƒ=ä!›*, ƒ=ä=…% " 2!ì,…=. äë,2ëü…%“2L …%2 C!, 

ƒ=ìäë…,, 2ìC= "!ì ƒ=ä!›*, K3ä2 ,ƒì… 2ü“ C%*= … 

K3ä2 ä%“2,ã…32% C!äëü…% ƒ…=÷…,. n…% “%"C=ä=2 “ 

C!äëü…/ì ƒ…=÷…,ì "!ì…, ƒ=ä!›*, C!, 3*=ƒ=…,, ã% " 

÷,“ë%"%ì ",ä. 

57

01: EQUALIZER 

)2/!.C%ë%“…/L .*"=ë=Lƒ! (…,ƒ, “!ä,…= x 2, "!.). 

fig.MFX-01 

L in 

R in 

4-Band EQ 

4-Band EQ 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Low Freq 200, 400 cö 

0…2!=ëü…= ÷=“2%2= -,ëü2!= 

m) 

Low Gain -15 $ +15 äa 

r“,ë…, m). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. 

÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=- 

2ëü…/. $ “…,›=2“ 

Mid1 Freq 200 $ 8000 cö 

0…2!=ëü…= ÷=“2%2= -,ëü2!= 

q) 1 

Mid1 Gain -15 $ +15 äa r“,ë…, q) 1 

Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 

d%K!%2…%“2ü -,ëü2!= q) 1. 

)ì "/ø ƒ…=÷…, Q, 2ì 3› 

C%ë%“=, …= *%2%!3þ "%ƒäL“2"3- 

2 -,ëü2!. 

Mid2 Freq 200 $ 8000 cö 

0…2!=ëü…= ÷=“2%2= -,ëü2!= 

q) 2 

Mid2 Gain -15 $ +15 äa r“,ë…, q) 2 

Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0 

d%K!%2…%“2ü -,ëü2!= q) 2. 

)ì "/ø ƒ…=÷…, Q, 2ì 3› 

C%ë%“=, …= *%2%!3þ "%ƒäL“2"3- 

2 -,ëü2!. 

High Freq 2000, 4000, 8000 cö 

0…2!=ëü…= C%ë%“= -,ëü2!= 

b) 

High Gain -15 $ +15 äa 

r“,ë…, b). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- 

*,. ÷=“2%2 3“,ë,"=2“ , C!, 

%2!,ö=2ëü…/. $ “…,›=2“ 

Level 0 $ 127 nK?,L 3!%"…ü 

03: ISOLATOR 

}*"=ë=Lƒ!, “3?“2"……% “…,›=þ?,L ã!%ì*%“2ü , C%ƒ"%ë þ?,L 

“%ƒä="=2ü œ.*ƒ%2,÷“*%B ƒ"3÷=…,. 

fig.MFX-03 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Boost/ 

Cut Low 

Boost/ 

Cut Mid 

Boost/ 

Cut High 

Anti Phase 

Low Sw 

Anti Phase 

Low Level 

Anti Phase 

Mid Sw 

Anti Phase 

Mid Level 

Low Boost Sw 

Low Boost 

Level 

Isolator 

Isolator 

-60 $ +4 äa 

OFF, ON 

0 $ 127 

OFF, ON 

0 $ 127 

OFF, ON 

0 $ 127 

Low Boost 

Low Boost 

Level 0 $ 127 nK?,L 3!%"…ü 

L out 

R out 

r“,ë…, m)/q)/b). o!, ƒ…=÷…,, 

-60 äa ÷=“2%2…= C%ë%“= C!=*2,÷“*, 

3ä=ë 2“ ,ƒ %K?ã% “,ã…=ë=, C!, 

ƒ…=÷…,, 0 äa 3!%"…ü %2…%“,2ëü…% 

,“.%ä…%ã% … ,ƒì… 2“ . 

q%“2% …, -3…*ö,, AntiPhase, 

C%äìø,"=þ?L ,…"!2,!%"=……/L 

“,ã…=ë C!%2,"%C%ë%›…%ã% 

“2!%*=…=ë= " …,ƒ*%÷=“2%2…%ì 

ä,=C=ƒ%…. 

r!%"…ü ã!%ì*%“2, -3…*ö,, Antiphase. 

d=……/L .--*2 !=K%2=2 2%ëü*% C!, 

!=K%2 “% “2!%-%…,÷“*,ì 

“,ã…=ë%ì. 

q%“2% …, -3…*ö,, AntiPhase, 

C%äìø,"=þ?L ,…"!2,!%"=……/L 

“,ã…=ë C!%2,"%C%ë%›…%ã% 

“2!%*=…=ë= " “!ä…÷=“2%2…%ì 

ä,=C=ƒ%…. 

r!%"…ü ã!%ì*%“2, .2%L -3…*ö,,. 

q%“2% …, K3“2!= ("2%!,÷…/L 

3“,ë,2ëü) …,ƒ*,. ÷=“2%2. o%ƒ"%ë 2 

C%ë3÷,2ü ì%?…% K=“%"% ƒ"3÷=…,. 

r!%"…ü K3“2!=. q2C…ü C!% "ë…, 

.--*2= “,ëü…% ƒ=",“,2 %2 …=“2!%* 

ä!3ã,. -,ëü2!%" .--*2= Isolator. 

02: SPECTRUM 

c!=-,÷“*,L .*"=ë=Lƒ! “ C!ì……%L ä%K!%2…%“2üþ -,ëü2!%". 

fig.MFX-02 

L in 

Spectrum 

L out 

04: LOW BOOST 

a3“2! ("2%!,÷…/L 3“,ë,2ëü) …,ƒ*,. ÷=“2%2. 

fig.MFX-04 

L in Low Boost 2-Band EQ 

L out 

R in 

Spectrum 

R out 

R in 

Low Boost 

2-Band EQ 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Band1 (250Hz) 

Band2 (500Hz) 

Band3 (1000Hz) 






Q 

-15 $ +15 äa 

0.5, 1.0, 2.0, 4.0, 8.0 

r“,ë…, äë *=›ä%L ,ƒ C%ë%“ 

nä…%"!ì……% 3C!="ë…, 

ä%K!%2…%“2üþ "“. -,ëü2!%" 

Level 0 $ 127 nK?,L 3!%"…ü 

o=!=ì2! g…=÷…, nC,“=…, 

Boost 

Frequency 

50 $ 125 cö 

0…2!=ëü…= ÷=“2%2= 3“,ë,"=ì%ã% 

ä,=C=ƒ%…= 

Boost Gain 0 $ +12 äa r“,ë…, …,ƒ*,. ÷=“2%2 

Boost Width 

Low Gain 

High Gain 

WIDE, MID, 

NARROW 

-15 $ +15 äa 

-15 $ +15 äa 

Level 0 $ 127 nK?,L 3!%"…ü 

x,!,…= C%ë%“/ (ø,!%*= /“!ä… / 

3ƒ*= ) 

r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

58

05: SUPER FILTER 

t,ëü2! “ %÷…ü *!32/ì “C=ä%ì. )=“2%2= “!ƒ= ì%›2 C!,%ä,÷“*, 

,ƒì… 2ü“ . 

fig.MFX-05 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type 

Filter Slope 

Filter 

Cutoff 

Filter 

Resonance 

LPF, BPF, HPF, 

NOTCH 

-12, -24, -36 äa 

0 $ 127 

0 $ 127 

Filter Gain 0 $ +12 äa r“,ë…, -,ëü2!= 

Modulation 

Sw 

Modulation 

Wave 

Super Filter 

Super Filter 

OFF, ON 

TRI, SQR, SIN, 

SAW1, SAW2 

SAW1 

L out 

R out 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

BPF: ÷=“2%2/ " %Kë=“2, ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ=. 

NOTCH: ÷=“2%2/ "… %Kë=“2, ÷=“2%2/ 

“!ƒ=. 

t%!ì= “C=ä= *!,"%L -,ëü2!= 

-36 äa: %÷…ü *!32= 

-24 äa: *!32= 

-12 äa: C%ë%ã= 

)=“2%2= “!ƒ=. )ì "/ø ƒ…=÷…, 

C=!=ì2!=, 2ì "/ø ÷=“2%2=. 

cë3K,…= !ƒ%…=…“=. r“,ë,"=2 ä,=C=ƒ%… 

" %Kë=“2, ÷=“2%2/ “!ƒ=. 

b*ëþ÷…,/%2*ëþ÷…, C!,%ä,÷“*%L 

ì%ä3ë ö,, 

t%!ì= "%ë…/ LFO 

TRI: 2!3ã%ëü…= 

SQR: *"=ä!=2…= 

SIN: “,…3“%,ä=ëü…= 

SAW1: C,ë%%K!=ƒ…= 

SAW2: %K!=2…%-C,ë%%K!=ƒ…= 

SAW2 

Rate 

0.05 $ 10.00 Hz, 

note 

)=“2%2= ì%ä3ë ö,, 

Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Attack 0 $ 127 

q*%!%“2ü ,ƒì……, ÷=“2%2/ “!ƒ=. d=2 

"/!=›……/L .--*2 C!, Modulation 

Wave = SQR, SAW1 ,ë, SAW2. 

Level 0 $ 127 nK?,L 3!%"…ü 

06: STEP FILTER 

t,ëü2!, ÷=“2%2= “!ƒ= *%2%!%ã% ì%›2 ,ƒì… 2ü“ C%ø=ã%"%. 

h“C%ë…,2ëü ì%›2 “%ƒä="=2ü “%K“2"……/ C=22!…/ äë 3C!="ë…, 

÷=“2%2%L “!ƒ=. 

fig.MFX-06 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Step 01$16 0 $ 127 )=“2%2= “!ƒ= …= *=›ä%ì ,ƒ ø=ã%" 

Rate 

0.05 $ 10.00 Hz, 

note 

)=“2%2= ì%ä3ë ö,, 


q*%!%“2ü ,ƒì……, ÷=“2%2/ “!ƒ= C!, 

C!.%ä %2 ø=ã= * ø=ã3 

Filter Type 

Filter Slope 

Filter 

Resonance 

}--*2 3C!="ë 2 "!.…,ì, ã=!ì%…,*=ì,, ÷2% äë=2 ƒ"3* K%ë 

÷,“2/ì , !=ƒK%!÷,"/ì. 

fig.MFX-07 

LPF, BPF, HPF, 

NOTCH 

-12, -24, -36 äa 

0 $ 127 

Filter Gain 0 $ +12 äa r“,ë…, -,ëü2!= 

Level 0 $ 127 nK?,L 3!%"…ü 

07: ENHANCER 

L in 

R in 

Enhancer 

Enhancer 

Step Filter 

Step Filter 

Mix 

Mix 

L out 

R out 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

BPF: ÷=“2%2/ " %Kë=“2, ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ=. 

NOTCH: ÷=“2%2/ "… %Kë=“2, ÷=“2%2/ 

“!ƒ=. 

t%!ì= “C=ä= *!,"%L -,ëü2!= 

-12 äa: C%ë%ã= 

-24 äa: *!32= 

-36 äa: %÷…ü *!32= 

cë3K,…= !ƒ%…=…“=. r“,ë,"=2 ä,=C=ƒ%… 

" %Kë=“2, ÷=“2%2/ “!ƒ=. 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Sens 0 $ 127 )3"“2",2ëü…%“2ü .--*2= 

Mix 0 $ 127 

r!%"…ü ã…!,!3ì/. .--*- 

2%ì ã=!ì%…,* 


r“,ë…, m). o!, C%ë%›,- 

2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü 

…,ƒ*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2- 

“ . 


r“,ë…, b). o!, C%ë%›,- 

2ëü…/. ƒ…=÷…, . ã!%ì*%“2ü 

"/“%*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2- 

“ . 

Level 0 $ 127 nK?,L 3!%"…ü 

59

08: AUTO WAH 

}--*2 œ="2%-"=3B, 2.. -,ëü2! “ C!,%ä,÷“*,ì ,ƒì……,ì 

÷=“2%2/. 

fig.MFX-08 

L in 

Auto Wah 

2-Band EQ 

L out 

10: SPEAKER SIMULATOR 

hì,2=ö, *=K,…2= , ì,*!%-%…=. 

fig.MFX-10 

L in 

Speaker 

L out 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type LPF, BPF 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

BPF: ÷=“2%2/ " %Kë=“2, ÷=“2%2/ “!ƒ=. 

Manual 0 $ 127 r“2=…%"*= ö…2!=ëü…%L ÷=“2%2/ .--*2= 

Peak 0 $ 127 

cë3K,…= .--*2= " %Kë=“2, ö…2!=ëü…%L 

÷=“2%2/. )ì "/ø ƒ…=÷…, C=!=ì2!=, 

2ì 3› C%ë%“=. 

Sens 0 $ 127 )3"“2",2ëü…%“2ü -,ëü2!= 

Polarity UP, DOWN 

m=“2!%L*= C%ë !…%“2, LFO. 

UP: C!, ƒ=C3“* ä",›…, ,ä2 " “2%!%…3 

3"ë,÷…, ÷=“2%2/. 

DOWN: C!, ƒ=C3“* ä",›…, ,ä2 " 

“2%!%…3 3ì…üø…, ÷=“2%2/. 

Rate 

0.05 $ 10.00 Hz, 

note 

)=“2%2= ì%ä3ë ö,, 

Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä 

qä",ã -=ƒ/ ì›ä3 C!="/ì , ë"/ì 

“2!%*=…=ë=ì, 

Low Gain -15 $ +15 äa r“,ë…, m). 

High Gain -15 $ +15 äa r“,ë…, b). 

Level 0 $ 127 nK?,L 3!%"…ü 

09: HUMANIZER 

}--*2 ä%K="ë 2 ãë=“…/ ƒ"3*,, ,ì,2,!3 ÷ë%"÷“*,L ã%ë%“. 

fig.MFX-09 

L in 

R in 

Auto Wah 

Overdrive 

2-Band EQ 

Formant 

R out 

2-Band 

EQ 

L out 

Pan L 

Pan R 

R out 

R in 

Speaker 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Speaker Type (“ì. 2=Kë,ö3) Š,C *=K,…2= 

Mic Setting 1, 2, 3 

p=“C%ë%›…, ì,*!%-%…=, %2 

…=,K%ë Kë,ƒ*%ã% (1) ä% 

…=,K%ë ä=ëü…ã% (3). 

Mic Level 0 $ 127 c!%ì*%“2ü ì,*!%-%…= 

Direct Level 0 $ 127 c!%ì*%“2ü C! ì%ã% “,ã…=ë= 

Level 0 $ 127 nK?,L 3!%"…ü 

u=!=*2!,“2,*, *=K,…2%" 

o=!=ì2! œd,…=ì,*B %C!äë 2 ä,=ì2! (" äþLì=.) , *%ë,÷“2"% 

ä,…=ì,*%" " *=K,…2. 

g…=÷…, j%!C3“ d,…=ì,* l,*!%-%… 

SMALL 1 ì=ë…ü*,L %2*!/2/L 10 ä,…=ì,÷“*,L 


MIDDLE %2*!/2/L 12 x 1 ä,…=ì,÷“*,L 

JC-120 %2*!/2/L 12 x 2 ä,…=ì,÷“*,L 

BUILT-IN 1 %2*!/2/L 12 x 2 ä,…=ì,÷“*,L 

BUILT-IN 2 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BUILT-IN 3 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BUILT-IN 4 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BUILT-IN 5 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BG STACK 1 ƒ=*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BG STACK 2 K%ëüø%L ƒ=*!/2/L 12 x 2 *%…ä…“=2%!…/L 

MS STACK 1 K%ëüø%L ƒ=*!/2/L 12 x 4 *%…ä…“=2%!…/L 


METAL STACK K%ëüø%L ä"%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 

2-STACK K%ëüø%L ä"%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 

3-STACK K%ëüø%L 2!%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 

o=!=ì2! g…=÷…, nC,“=…, 

Drive Sw OFF, ON b*ëþ÷…,/%2*ëþ÷…, C!3“,ë…, 

Drive 0 $ 127 cë3K,…= C!3“,ë…, 

Vowel1 a, e, i, o, u 

Vowel2 a, e, i, o, u 

b/K%! ãë=“…/. ƒ"3*%" 

Rate 

0.05 $ 10.00 Hz, 

note 

)=“2%2= “ì…/ ãë=“…/. 

Depth 0 $ 127 cë3K,…= .--*2= 

Input Sync 

Sw 

OFF, ON 

b*ëþ÷…, (ON)/%2*ëþ÷…, (OFF) 

“,….!%…,ƒ=ö,, ƒ=C3“*= LFO %2 ".%ä…%ã% 

“,ã…=ë=. 

Input Sync 

Threshold 

0 $ 127 o%!%ã ã!%ì*%“2, C!ƒ=C3“*= LFO 

Manual 0 $ 100 

o%!%ã C!*ëþ÷…, …=K%!%" ãë=“…/. 

Vowel 1/2 

49 , ì…: cë=“…= 1 ƒ"3÷,2 ä%ëüø, 

÷ì ãë=“…= 2. 

50: cë=“…/ 1 , 2 ƒ"3÷=2 !="…% "!ì . 

51 , K%ë: cë=“…= 2 ƒ"3÷,2 ä%ëüø, 

÷ì ãë=“…= 1. 

Low Gain -15 $ +15 äa r“,ë…, m). 


Pan L64 $ 63R o=…%!=ì= .--*2= 

Level 0 $ 127 nK?,L 3!%"…ü 

60

11: PHASER 

q2!%-=ƒ!. qìø,"=…, ì%ä3ë,!%"=……%ã% “,ã…=ë= “ ,“.%ä…/ì. 

fig.MFX-11 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Mode 

4-STAGE, 

8-STAGE, 

j%ë,÷“2"% “2=ä,L -=ƒ!= 

12-STAGE 


r“2=…%"*= K=ƒ%"%L ÷=“2%2/, 

…=÷,…= “ *%2%!%L 

ì%ä3ë,!32“ ƒ"3*. 

Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, 

Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Polarity INVERSE, SYNCHRO 

r“2=…%"*= C%ë !…%“2, äë LFO 

C!="%ã% , ë"%ã% *=…=ë%". 

INVERSE: -=ƒ/ C!="%ã% , 

ë"%ã% *=…=ë= ,…"!2,!3þ2“ . 

o!, !=K%2 “ ì%…%“,ã…=ë%ì .2% 

C%ƒ"%ë 2 “%ƒä="=2ü 

“2!%.--*2. 

SYNCHRO: -=ƒ/ ë"%ã% , 

C!="%ã% *=…=ë%" “%"C=ä=þ2. 

h“C%ëüƒ3L2 C!, !=K%2 “% 

“2!%“,ã…=ë%ì. 

Resonance 0 $ 127 cë3K,…= !ƒ%…=…“= 

Cross 

Feedback 

o%“2C……% ,ƒì… þ?,L“ .--*2 -=ƒ!=. 

fig.MFX-12 

Phaser 

Phaser 

-98 $ +98% 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

Mix 0 $ 127 r!%"…ü -=ƒ!= 

Low Gain -15 $ +15 äa r“,ë…, m). 


Level 0 $ 127 nK?,L 3!%"…ü 

12: STEP PHASER 

L in 

R in 

Step Phaser 

Step Phaser 

Mix 

Mix 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Mode 

4-STAGE, 8-STAGE, 

12-STAGE 

),“ë% “2=ä,L -=ƒ!= 


r“2=…%"*= K=ƒ%"%L ÷=“2%2/, 

…=÷,…= “ *%2%!%L 

ì%ä3ë,!32“ ƒ"3*. 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Mix 

Mix 

2-Band 

EQ 

2-Band 

EQ 

o=!=ì2! g…=÷…, nC,“=…, 

Polarity INVERSE, SYNCHRO 

r“2=…%"*= C%ë !…%“2, äë LFO 

C!="%ã% , ë"%ã% *=…=ë%". 

INVERSE: -=ƒ/ C!="%ã% , 

ë"%ã% *=…=ë= ,…"!2,!3þ2“ . 

o!, !=K%2 “ ì%…%“,ã…=ë%ì .2% 

C%ƒ"%ë 2 “%ƒä="=2ü 

“2!%.--*2. 

SYNCHRO: -=ƒ/ ë"%ã% , 

C!="%ã% *=…=ë%" “%"C=ä=þ2. 

h“C%ëüƒ3L2 C!, !=K%2 “% 

“2!%“,ã…=ë%ì. 


Cross 

Feedback 

l…%ã%“2=ä,L…/L -=ƒ! “ K%ëüø%L ãë3K,…%L .--*2=. 

fig.MFX-13 

-98 $ +98% 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

Step Rate 0.10 $ 20.00 Hz, note )=“2%2= “ì…/ “2=ä,, -=ƒ!= 

Mix 0 $ 127 r!%"…ü -=ƒ!= 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 

Level 0 $ 127 nK?,L 3!%"…ü 

13: MULTI STAGE PHASER 

L in 

R in 

Multi Stage 

Phaser 

Resonance 

Mix 

2-Band 

EQ 

L out 

Pan L 

Pan R 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Mode 

4-STAGE, 

8-STAGE, 

12-STAGE, 

16-STAGE, 

j%ë,÷“2"% “2=ä,L -=ƒ!= 

20-STAGE, 

24-STAGE 


r“2=…%"*= K=ƒ%"%L ÷=“2%2/, 

…=÷,…= “ *%2%!%L 

ì%ä3ë,!32“ ƒ"3*. 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 


Mix 0 $ 127 r!%"…ü -=ƒ!= 

Pan L64 $ 63R q2!%C=…%!=ì= .--*2= 


r“,ë…, m). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. 

÷=“2%2 3“,ë,"=2“ , C!, %2!,- 

ö=2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- 

*,. ÷=“2%2 3“,ë,"=2“ , C!, 

%2!,ö=2ëü…/. $ “…,›=2“ 

Level 0 $ 127 nK?,L 3!%"…ü 

61

14: INFINITE PHASER 

t=ƒ! “ C%“2% ……/ì 3"ë,÷…,ì/“…,›…,ì ÷=“2%2/, “ *%2%!%L 

ì%ä3ë,!32“ ƒ"3*. 

fig.MFX-14 

L in 

R in 

Infinite Phaser 

2-Band EQ 

L out 

Pan L 

Pan R 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Mode 1, 2, 3, 4 

a%ë "/“%*, ƒ…=÷…, “%ƒä=þ2 

K%ë ãë3K%*,L .--*2. 

Speed -100 $ +100 

q*%!%“2ü "%ƒ!=“2=…, ,ë, “…,- 

›…, ÷=“2%2/, …= *%2%!%L K3- 

ä2 C!%,“.%ä,2ü ì%ä3ë ö, 

(œ+B: 3"ë,÷,"=2“ / œ-B: “…,›=- 

2“ ) 


Mix 0 $ 127 r!%"…ü -=ƒ!= 

Pan L64 $ 63R q2!%C=…%!=ì= .--*2= 


r“,ë…, m). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. 

÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=- 

2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- 

*,. ÷=“2%2 3“,ë,"=2“ , C!, 

%2!,ö=2ëü…/. $ “…,›=2“ 

Level 0 $ 127 nK?,L 3!%"…ü 

16: STEP RING MODULATOR 

j%ë%*%ëü…/L ì%ä3ë 2%! “ 16-ø=ã%"/ì “*"…“%!%ì äë “%ƒä=…, 

ì%ä3ë ö,%……/. C=22!…%". 

fig.MFX-16 

L in 

R in 

Step Ring Mod 

Step Ring Mod 

2-Band EQ 

2-Band EQ 

o=!=ì2! g…=÷…, nC,“=…, 

L out 

R out 

Step 01$16 0 $ 127 

)=“2%2= *%ë%*%ëü…%L ì%ä3ë ö,, 

…= *=›ä%ì ,ƒ ø=ã%". 

Rate 

0.05$10.00 Hz, note 

)=“2%2= 16 “ì…/ ø=ã%" “*"…- 

“%!=. 


q*%!%“2ü ,ƒì……, ÷=“2%2/ 

ì%ä3ë ö,, %2 %ä…%ã% ø=ã= 

“*"…“%!= ä% ä!3ã%ã% 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. 

÷=“2%2 3“,ë,"=2“ , C!, 

%2!,ö=2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü…/. 

$ “…,›=2“ 

Balance D100:0W $ D0:100W 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì,) 

Level 0 $ 127 nK?,L 3!%"…ü 

15: RING MODULATOR 

}--*2, C!,ì… þ?,L *% ".%ä…%ì3 “,ã…=ë3 =ìCë,23ä…3þ 

ì%ä3ë ö,þ, C!,ä=þ?3þ ƒ"3*3 œ*%ë%*%ë%C%ä%K…/LB .=!=*2!. 

)=“2%23 ì%ä3ë ö,,, " “"%þ %÷!äü, ì%›…% ,ƒì… 2ü " ƒ=",“,ì%“2, 

%2 3!%"… ".%ä…%ã% “,ã…=ë=. 

fig.MFX-15 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Frequency 0 $ 127 )=“2%2= ì%ä3ë ö,,. 

Sens 0 $ 127 cë3K,…= ì%ä3ë ö,,. 

Polarity UP, DOWN 

o=!=ì2! %C!äë 2 …=C!="ë…, 

ì%ä3ë ö,, ÷=“2%2/ ""!. (UP) ,ë, "…,ƒ 

(DOWN). 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

Balance 

Ring Mod 

Ring Mod 

D100:0W $ 

D0:100W 

2-Band EQ 

2-Band EQ 

Level 0 $ 127 nK?,L 3!%"…ü 

L out 

R out 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

17: TREMOLO 

o!,%ä,÷“*% ,ƒì……, ã!%ì*%“2, (2!ì%ë%). 

fig.MFX-17a 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Mod Wave 

Tremolo 

Tremolo 

TRI, SQR, SIN, SAW1, 

SAW2 

SAW1 

2-Band EQ 

2-Band EQ 

L out 

R out 

t%!ì= "%ë…/ ì%ä3ë ö,, 


SQR: *"=ä!=2…= 

SIN: “,…3“%,ä=ëü…= 

SAW1/2: C,ë%%K!=ƒ…= 

SAW2 


Depth 0 $ 127 cë3K,…= .--*2= 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

Level 0 $ 127 nK?,L 3!%"…ü 

62

18: AUTO PAN 

0,*ë,÷“*% C=…%!=ì,!%"=…, “,ã…=ë=. 

fig.MFX-18a 

L in Auto Pan 2-Band EQ 

L out 

20: SLICER 

œp=ƒ!ƒ= B ƒ"3* …= %2äëü…/ -!=ãì…2/, ä=……/L .--*2 

C!%K!=ƒ32 *=…2,ë……/L 2ìK! (…=C!,ì!, “2!3……/) " 

!,2ì,÷“*, ì3ƒ/*=ëü…/ -!=ƒ/. 

fig.MFX-20 

R in 

Auto Pan 

2-Band EQ 

R out 

L in 

Slicer 

L out 

o=!=ì2! g…=÷…, nC,“=…, 

Mod Wave 

16-ø=ã%"/L “*"…“%! äë ="2%ì=2,÷“*%ã% C=…%!=ì,!%"=…, . 

fig.MFX-19 

TRI, SQR, SIN, SAW1, 

SAW2 

t%!ì= "%ë…/ ì%ä3ë ö,, 


SQR: *"=ä!=2…= 

SIN: “,…3“%,ä=ëü…= 

SAW1/2: C,ë%%K!=ƒ…= 


Depth 0 $ 127 cë3K,…= .--*2= 

Low Gain -15 $ +15 äa r“,ë…, m). 

High Gain -15 $ +15 äa r“,ë…, b) 

Level 0 $ 127 nK?,L 3!%"…ü 

19: STEP PAN 

L in 

R in 

SAW1 

R 

L 

Step Pan 

Step Pan 

SAW2 

R 

L 

L out 

R out 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Step 01$16 0 $ 127 c!%ì*%“2ü …= *=›ä%ì ,ƒ ø=ã%" 

Rate 

0.05 $ 10.00 

Hz, note 


Input Sync 

Sw 

Input Sync 

Threshold 

Mode 

OFF, ON 

0 $ 127 

LEGATO, 

SLASH 

Shuffle 0 $ 127 

Slicer 

Level 0 $ 127 nK?,L 3!%"…ü 

R out 

)=“2%2= “ì…/ ø=ã%" “*"…“%!= 

q*%!%“2ü “ì…/ ã!%ì*%“2, ì›ä3 ø=ã=ì, 

“*"…“%!= 

o=!=ì2! %C!äë 2, K3ä2 ë, ƒ=C3“* 

C%“ëä%"=2ëü…%“2, “,….!%…,ƒ,!%"=2ü“ 

%2 …=÷=ë= …%"%L …%2/ (ON) ,ë, …2 (OFF) 

o%!%ã ã!%ì*%“2, äë !=“C%ƒ…="=…, …%"%L 

…%2/ 

o=!=ì2! %C!äë 2 .=!=*2! “ì…/ 

ã!%ì*%“2, C!, C!.%ä %2 %ä…%ã% ø=ã= * 

ä!3ã%ì3. 

LEGATO: Cë="…= “ì…= ã!%ì*%“2,. e“ë, 

ã!%ì*%“2ü “%“ä…,. ø=ã%" “%"C=ä=2, %…, 

K3ä32 ƒ"3÷=2ü “ë,2…%. 

SLASH: C!, C!.%ä %2 %ä…%ã% ø=ã= * 

ä!3ã%ì3 ã!%ì*%“2ü “…=÷=ë= “K!=“/"=2“ " 

0, = ƒ=2ì 32“=…="ë,"=2“ …= 3!%"… 

“ëä3þ?ã% ø=ã=. d=› “ë, 3!%"…, 

ã!%ì*%“2, “%“ä…,. ø=ã%" “%"C=ä=þ2, %…, 

K3ä32 ƒ"3÷=2ü !=ƒäëü…%. 

p,2ì,÷“*,L “ä",ã ÷2…/. 3ƒë%" 

“*"…“%!= %2…%“,2ëü…% …÷2…/. 

(œø=--ëB, œ“",…ãB). 

)ì "/ø ƒ…=÷…,, 2ì äë,2ëü… 

ƒ=ä!›*=. 

o=!=ì2! g…=÷…, nC,“=…, 

Step 01$16 L64 $ 63R o=…%!=ì= …= *=›ä%ì ,ƒ ø=ã%" 

Rate 0.05 $ 10.00 Hz, note )=“2%2= “ì…/ ø=ã%" “*"…“%!= 


Input Sync Sw 

Input Sync 

Threshold 

OFF, ON 

0 $ 127 

q*%!%“2ü “ì…/ C=…%!=ì/ %2 

%ä…%ã% ø=ã= * ä!3ã%ì3 

o=!=ì2! %C!äë 2, K3ä2 ë, 

ƒ=C3“* C%“ëä%"=2ëü…%“2, 

“,….!%…,ƒ,!%"=2ü“ %2 …=÷=ë= 

…%"%L …%2/ (ON) ,ë, …2 (OFF) 

o%!%ã ã!%ì*%“2, äë 

!=“C%ƒ…="=…, …%"%L …%2/ 

Level 0 $ 127 nK?= ã!%ì*%“2ü 

63

21: ROTARY 

}--*2 Rotary ,ì,2,!32 ƒ"3÷=…, "!=?=þ?,.“ ä,…=ì,*%", 

…*%ãä= ø,!%*% !=“C!%“2!=………/L äë %K!=K%2*, ƒ"3÷=…, 

.ë*2!%%!ã=…=. q 2ìK!=ì, .ë*2!%%!ã=…= %… “%÷2=2“ …=,K%ë 

“2“2"……%. 

fig.MFX-21 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Speed 

SLOW, FAST 

o!*ëþ÷…, ÷=“2%2/ "!=?…, 

ä",ã=2ë . 

SLOW: ƒ=ìäë…, ä% ÷=“2%2/, 

%C!äë……%L C=!=ì2!%ì Slow 

Rate. 

FAST: 3“*%!…, ä% ÷=“2%2/, 

ƒ=ä=……%L C=!=ì2!%ì Fast Rate. 

Woofer Slow 

Speed 

Woofer Fast 

Speed 

Woofer 

Acceleration 

l%ä,-,ö,!%"=……/L .--*2 Rotary “ ä%C%ë…,2ëü…/ì 3“,ë…,ì 

…,ƒ*,. ÷=“2%2. 

d=……/L .--*2 C!%,“.%ä,2 %2 "“2!%……%ã% " .ë*2!%%!ã=…/ “!,, 

Roland VK "!=?=þ?ã%“ ä,…=ì,*=. 

fig.MFX-22 

0.05 $ 10.00 cö 

0.05 $ 10.00 cö 

0 $ 15 

Woofer Level 0 $ 127 

Tweeter Slow 

Speed 

0.05 $ 10.00 cö 

Tweeter Fast 

Speed 

0.05 $ 10.00 cö 

Tweeter 

Acceleration 

0$15 

Tweeter Level 0 $ 127 

läë……= ÷=“2%2= "!=?…, 

(SLOW) …,ƒ*%÷=“2%2…%ã% ä,…=ì,*= 

a/“2!= ÷=“2%2= "!=?…, (FAST) 

…,ƒ*%÷=“2%2…%ã% ä,…=ì,*= 

r“*%!…, "!=?…, …,ƒ*%÷=“2%2- 

…%ã% ä,…=ì,*= %2 %ä…%L ÷=“2%2/ 

ä% ä!3ã%L. )ì "/ø ƒ…=÷…, C=- 

!=ì2!=, 2ì K%ëüø 3“*%!…,. 

c!%ì*%“2ü …,ƒ*%÷=“2%2…%ã% 

ä,…=ì,*= 

À…=ë%ã,÷…/ C=!=ì2!/ äë 

"/“%*%÷=“2%2…%ã% ä,…=ì,*= 

Separation 0 $ 127 o!%“2!=…“2"……= ø,!,…= ƒ"3*= 

Level 0 $ 127 nK?,L 3!%"…ü 

22: VK ROTARY 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Speed 

SLOW, FAST 

o!*ëþ÷…, ÷=“2%2/ 

"!=?…, ä,…=ì,*=. 

Brake 

OFF, ON 

b*ëþ÷…,/"/*ëþ÷…, "!=?- 

…, . o!, ƒ…=÷…,, ON "!=?- 

…, C%“2C……% C!*!=?=2“ . 

o!, ƒ…=÷…,, OFF ÷=“2%2= "!=- 

?…, C%“2C……% "%ƒ"!=?=2- 

“ * C!ä/ä3?ì3 ƒ…=÷…,þ. 

Woofer Slow 

Speed 

Woofer Fast 

Speed 

Rotary 

Rotary 

0.05 $ 10.00 cö 

0.05 $ 10.00 cö 

L out 

R out 

2-Band EQ 

2-Band EQ 

L out 

R out 

läë……= ÷=“2%2= "!=?…, 

(SLOW) …,ƒ*%÷=“2%2…%ã% 

ä,…=ì,*= 

a/“2!= ÷=“2%2= "!=?…, 

(FAST) …,ƒ*%÷=“2%2…%ã% 

ä,…=ì,*= 

o=!=ì2! g…=÷…, nC,“=…, 

Woofer Trans 

Up 

Woofer Trans 

Down 

q2!%-%…,÷“*,L .%!3“. b“2!%……/L -,ëü2! “ë3›,2 äë 

ä%C%ë…,2ëü…%ã% 3C!="ë…, ƒ"3÷=…,ì .--*2=. 

fig.MFX-23 

0 $ 127 

0 $ 127 

Woofer Level 0 $ 127 

Tweeter Slow 

Speed 

0.05 $ 10.00 cö 

Tweeter Fast 

Speed 

0.05 $ 10.00 cö 

Tweeter Trans 

Up 

0 $ 127 

Tweeter Trans 

Down 

0 $ 127 

Tweeter Level 0 $ 127 

r“*%!…, "!=?…, …,ƒ*%÷=“- 

2%2…%ã% ä,…=ì,*= %2 ÷=“2%2/ 

Slow ä% ÷=“2%2/ Fast. )ì "/ø 

ƒ…=÷…, C=!=ì2!=, 2ì K/“2- 

! 3“*%!…,. 

r“*%!…, "!=?…, …,ƒ*%÷=“- 

2%2…%ã% ä,…=ì,*= %2 ÷=“2%2/ 

Fast ä% ÷=“2%2/ Slow. )ì "/ø 

ƒ…=÷…, C=!=ì2!=, 2ì K/“2- 

! 3“*%!…,. 

c!%ì*%“2ü …,ƒ*%÷=“2%2…%ã% 

ä,…=ì,*= 

À…=ë%ã,÷…/ C=!=ì2!/ äë 

"/“%*%÷=“2%2…%ã% ä,…=ì,*= 

Spread 0 $ 10 

x,!,…= “2!%K=ƒ/ .--*2=. 

)ì K%ëüø ƒ…=÷…,, 2ì ø,! 

“2!%K=ƒ=. 

Low Gain -15 $ +15 äa r“,ë…, m). 


Level 0 $ 127 nK?,L 3!%"…ü 

23: CHORUS 

L in 

R in 

Chorus 

Chorus 

Balance D 

Balance D 

Balance W 

Balance W 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type OFF, LPF, HPF 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ 

“!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ 

“!ƒ=. 

Cutoff Freq 200 $ 8000 cö )=“2%2= “!ƒ= 

Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

Rate 0.05$10.00 Hz, note )=“2%2= ì%ä3ë ö,, 

Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä t=ƒ%"/L “ä",ã .--*2= 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

64

24: FLANGER 

q2!%-%…,÷“*,L -ë.…›! (-=ƒ/ LFO ë"%ã% , C!="%ã% *=…=ë%" 

“%"C=ä=þ2). }--*2 “%ƒä=2 !ƒ%…=…“ “ ì2=ëë,÷“*,ì C!,ƒ"3*%ì, 

C%ä%K…/L "ƒë23 ,ë, C%“=ä* !=*2,"…%ã% “=ì%ë2=. dë 

ä%C%ë…,2ëü…%ã% 3C!="ë…, ƒ"3÷=…,ì .--*2%ì C!ä3“ì%2!… 

"“2!%……/L -,ëü2!. 

fig.MFX-24 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type 

Flanger 

Feedback 

Feedback 

OFF, 

LPF, 

HPF 

Flanger 

Balance D 

Balance D 

2-Band 

EQ 

Balance W 

Balance W 

2-Band 

EQ 

L out 

R out 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ= 


Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , %K!=- 

K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä t=ƒ%"/L “ä",ã .--*2= 

Feedback -98 $ +98% 

cë3K,…= %K!=2…%L “" ƒ,. o!, %2- 

!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

Low Gain -15 $ +15 äa r“,ë…, m). 



a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) “,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type 

x“2,-=ƒ…/L .%!3“ äë C%ë3÷…, K%ã=2%ã% C!%“2!=…“2"……%ã% 

ƒ"3÷=…, . 

fig.MFX-26 

OFF, 

LPF, 

HPF 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ 

“!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ 

“!ƒ= 


Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä t=ƒ%"/L “ä",ã .--*2= 


cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

Step Rate 0.10 $ 20.00 Hz, note )=“2%2= “ì…/ ø=ã%" 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

26: HEXA-CHORUS 

L in 

Balance D 

Hexa Chorus 

L out 

Balance W 

Balance W 

R in 

Balance D 

R out 

25: STEP FLANGER 

të.…›!, 3 *%2%!%ã% "/“%2= ì%ä3ë ö,, ì… 2“ C%ø=ã%"%. )=“2%2= 

“ì…/ ø=ã%" ì%›2 K/2ü ƒ=ä=…= " 2!ì,…=. äë,2ëü…%“2L …%2 

%2…%“,2ëü…% 3*=ƒ=……%ã% 2ìC=. 

fig.MFX-25 

L in 

R in 

Step Flanger 

Feedback 

Feedback 

Step Flanger 

Balance D 

Balance D 

2-Band 

EQ 

Balance W 

Balance W 

2-Band 

EQ 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Pre Delay 

Deviation 

Depth 

Deviation 

0 $ 20 

-20$ +20 

Pan Deviation 0 $ 20 


Level 0 $ 127 nK?,L 3!%"…ü 

p=ƒK!%“ C=!=ì2!%" Pre Delay 

ì›ä3 !=ƒë,÷…/ì, ã%ë%“=ì, 

.%!3“= 

p=ƒK!%“ C=!=ì2!%" Depth ì›ä3 

!=ƒë,÷…/ì, ã%ë%“=ì, .%!3“= 

p=ƒK!%“ *=›ä%ã% ,ƒ ã%ë%“%" 

.%!3“= C% “2!%C=…%!=ì. 

0: "“ ã%ë%“= .%!3“= 

C%ƒ,ö,%…,!3þ2“ " ö…2!. 

20: ã%ë%“= .%!3“= !=“C!äë…/ “ 

,…2!"=ë%ì 60 %2…%“,2ëü…% 

ö…2!=. 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) 

, %K!=K%2=……/ì (W) “,ã…=ë=ì, 

65

27: TREMOLO CHORUS 

}--*2 .%!3“= “ ä%K="ë…,ì 2!ì%ë%. 

fig.MFX-27 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

Chorus Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, .%!3“= 

Chorus Depth 0 $ 127 cë3K,…= .%!3“= 

Tremolo Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, 2!ì%ë% 

Tremolo 

Separation 

Tremolo Phase 

Balance 

l3ëü2,.%!3“, ,“C%ëüƒ3þ?,L ä"3.-=ƒ…3þ “2!%ì%ä3ë ö,þ. n… 

“%ƒä=2 C!%ƒ!=÷…/L .--*2 .%!3“= Kƒ …›ë=2ëü…%ã% œC!,"*3“=B 

ì%ä3ë ö,,. 

fig.MFX-28 

0 $ 127 

0 $ 180 ã!=ä 

D100:0W $ D0:100W 

q2!%C=…%!=ì= .--*2= 

2!ì%ë% 

q2!%C=…%!=ì= .--*2= 

2!ì%ë% 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

28: SPACE-D 

L in 

R in 

Balance D 

Tremolo Chorus 

Space D 

Space D 

Balance D 

Balance D 

Balance D 

L out 

Balance W 

Balance W 

Balance W 

Balance W 

R out 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

29: 3D CHORUS 

Š!.ì!…/L .--*2 .%!3“= “ !=“C!%“2!=……,ì …= 90 ã!=ä3“%" 

"C!="% , "ë"% %2 “ë3ø=2ë . 

fig.MFX-29 

L 

R 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type 

3D Chorus 

OFF, 

LPF, 

HPF 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ 

“!ƒ= 

Cutoff Freq 200 $ 8000 cö )=“2%2= “!ƒ= -,ëü2!= 

Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä o!%“2!=…“2"……= ø,!,…= ƒ"3*= 

Output Mode SPEAKER, PHONES 

b/K%! ì2%ä= 3D-%K!=K%2*,. 

g…=÷…, SPEAKER %C2,ì=ëü…% 

äë *%ë%…%*, ƒ…=÷…, PHONES 

K%ëüø C%ä.%ä,2 äë !=K%2/ " 

…=3ø…,*=. 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

o=!=ì2! g…=÷…, nC,“=…, 

Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 

0 $ 180 ã!=ä 

q2!%C=…%!=ì= .--*2= 

2!ì%ë% 

Low Gain -15 $ +15 äa r“,ë…, m). 



a=ë=…“ ì›ä3 

…%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

66

30: 3D FLANGER 

Š!.ì!…/L .--*2 -ë.…›!= “ !=“C!%“2!=……,ì ƒ"3*= …= 90 

ã!=ä3“%" "C!="% , "ë"% %2 “ë3ø=2ë . 

fig.MFX-30 

L 

R 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type 

T!.ì!…/L .--*2 " *%ìK,…=ö,, “ C%ø=ã%"/ì -ë…›!%ì. 

fig.MFX-31 

OFF, 

LPF, 

HPF 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ 

“!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ 

“!ƒ= 


Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä o!%“2!=…“2"……= ø,!,…= ƒ"3*= 


cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

Output Mode SPEAKER, PHONES 

b/K%! ì2%ä= 3D-%K!=K%2*,. 


äë *%ë%…%*, ƒ…=÷…, PHONES 

K%ëüø C%ä.%ä,2 äë !=K%2/ " 

…=3ø…,*=.. 

Low Gain -15 $ +15 äa r“,ë…, m). 



a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

31: 3D STEP FLANGER 

L 

R 

o=!=ì2! g…=÷…, nC,“=…, 

Filter Type 

3D Flanger 

3D Step Flanger 

OFF, 

LPF, 

HPF 

2-Band 

EQ 

2-Band 

EQ 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

L out 

R out 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ 

“!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ 

“!ƒ= 


Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä o!%“2!=…“2"……= ø,!,…= ƒ"3*= 


cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

o=!=ì2! g…=÷…, nC,“=…, 

Step Rate 0.10 $ 20.00 Hz, note 

o!,%ä, “ *%2%!/ì ,ƒì… 2“ 

÷=“2%2=. 

Output Mode cö 

b/K%! ì2%ä= 3D-%K!=K%2*,. 


äë *%ë%…%*, ƒ…=÷…, PHONES 

K%ëüø C%ä.%ä,2 äë !=K%2/ " 

…=3ø…,*=.. 

Low Gain -15 $ +15 äa r“,ë…, m). 



a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

32: 2BAND CHORUS 

d"3.C%ë%“…/L .%!3“ “ !=ƒäëü…%L %K!=K%2*%L "/“%*,. , …,ƒ*,. 

÷=“2%2. 

fig.MFX-32 

L in 

R in 

Split 

Split 

High Band Chorus 

Low Band Chorus 

High Band Chorus 

Low Band Chorus 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Split Freq 200 $ 8000 cö 

)=“2%2= !=ƒäë…, 

ä,=C=ƒ%…%" m)/b) 

Low Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

(…,ƒ*%÷=“2%2…/L ä,=C=ƒ%…) 

Low Rate 0.05 $ 10.00 Hz, note 

)=“2%2= ì%ä3ë ö,, (…,ƒ*%÷=“- 

2%2…/L ä,=C=ƒ%…) 

Low Depth 0 $ 127 

cë3K,…= ì%ä3ë ö,, 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

Low Phase 0 $ 180 ã!=ä 

o!%“2!=…“2"……= ø,!,…= 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

High Pre Delay 0.0 $ 100.0 ì“ 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

("/“%*%÷=“2%2…/L ä,=C=ƒ%…) 

High Rate 0.05 $ 10.00 Hz, note 

)=“2%2= ì%ä3ë ö,, ("/“%*%÷=“- 

2%2…/L ä,=C=ƒ%…) 

High Depth 0 $ 127 

cë3K,…= ì%ä3ë ö,, 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

High Phase 0 $ 180 ã!=ä 

o!%“2!=…“2"……= ø,!,…= 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

67

33: 2BAND FLANGER 

d"3.C%ë%“…/L -ë.…›! “ !=ƒäëü…%L %K!=K%2*%L "/“%*,. , …,ƒ*,. 

÷=“2%2. 

fig.MFX-33 

L in 

Split 

High Band Flanger 

High Band Feedback 

Low Band Flanger 

Low Band Feedback 


L out 

34: 2BAND STEP FLANGER 

d"3.C%ë%“…/L ø=ã%"/L -ë…›! “ !=ƒäëü…%L %K!=K%2*%L "/“%*,. 

, …,ƒ*,. ÷=“2%2. 

fig.MFX-34 

L in 

Split 

High Band Step Flanger 


Low Band Step Flanger 



L out 

High Band Flanger 

High Band Step Flanger 

Split 


Split 


R in 

Low Band Flanger 

R out 

R in 

Low Band Step Flanger 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Split Freq 200 $ 8000 cö 

)=“2%2= !=ƒäë…, 

ä,=C=ƒ%…%" m)/b) 


g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

(…,ƒ*%÷=“2%2…/L ä,=C=ƒ%…) 

Low Rate 0.05 $ 10.00 Hz, note 

)=“2%2= ì%ä3ë ö,, (…,ƒ*%÷=“- 

2%2…/L ä,=C=ƒ%…) 


cë3K,…= ì%ä3ë ö,, 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

Low Phase 0 $ 180 ã!=ä 

o!%“2!=…“2"……= ø,!,…= 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

Low 

Feedback 

-98 $ +98% 


High Rate 


High Phase 

High 

Feedback 

Balance 

0.05 $ 10.00 Hz, note 

0 $ 180 ã!=ä 

-98 $ +98% 

D100:0W $ D0:100W 

cë3K,…= %K!=2…%L “" ƒ, 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

("/“%*%÷=“2%2…/L ä,=C=ƒ%…) 

)=“2%2= ì%ä3ë ö,, ("/“%*%÷=“- 

2%2…/L ä,=C=ƒ%…) 

cë3K,…= ì%ä3ë ö,, 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

o!%“2!=…“2"……= ø,!,…= 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

cë3K,…= %K!=2…%L “" ƒ, 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

(C!, %2!,ö=2ëü…/. ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ ). 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

o=!=ì2! g…=÷…, nC,“=…, 

Split Freq 

200 $ 8000 cö 


Low Rate 


Low Phase 

Low 

Feedback 

Low Step 

Rate 

0.05 $ 10.00 Hz, note 

0 $ 180 ã!=ä 

-98 $ +98% 

0.10 $ 20.00 Hz, note 


High Rate 


High Phase 

High 

Feedback 

High Step 

Rate 

Balance 

0.05 $ 10.00 Hz, note 

0 $ 180 ã!=ä 

-98 $ +98% 

0.10 $ 20.00 Hz, note 

D100:0W $ D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

)=“2%2= !=ƒäë…, 

ä,=C=ƒ%…%" m)/b) 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

(…,ƒ*%÷=“2%2…/L ä,=C=ƒ%…) 

)=“2%2= ì%ä3ë ö,, (…,ƒ*%÷=“- 

2%2…/L ä,=C=ƒ%…) 

cë3K,…= ì%ä3ë ö,, 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

o!%“2!=…“2"……= ø,!,…= 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

cë3K,…= %K!=2…%L “" ƒ, 

…,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

)=“2%2= “ì…/ ø=ã%" “*"…“%- 

!= …,ƒ*%÷=“2%2…%ã% ä,=C=ƒ%…= 

g=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë%ì 

("/“%*%÷=“2%2…/L ä,=C=ƒ%…) 

)=“2%2= ì%ä3ë ö,, ("/“%*%÷=“- 

2%2…/L ä,=C=ƒ%…) 

cë3K,…= ì%ä3ë ö,, 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

o!%“2!=…“2"……= ø,!,…= 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

cë3K,…= %K!=2…%L “" ƒ, 

"/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

(C!, %2!,ö=2ëü…/. ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ ). 

)=“2%2= “ì…/ ø=ã%" “*"…“%- 

!= "/“%*%÷=“2%2…%ã% ä,=C=ƒ%…= 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

68

35: OVERDRIVE 

l ã*,L C!ã!3ƒ (%"!ä!=L"), .=!=*2!…/L äë ë=ìC%"/. 3“,ë,2ëL 

ì%?…%“2,. 

fig.MFX-35 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Drive 0 $ 127 

cë3K,…= C!ã!3ƒ=. Š=*› 

"ë, 2 …= ã!%ì*%“2ü. 

Amp Type 

d,“2%!ø… C!ä“2="ë 2 “%K%L K%ë ›“2*,L "=!,=…2 .--*2= 

Overdrive. o=!=ì2!/ .2,. .--*2%" “%"C=ä=þ2. 

fig.MFX-36 

n"!ä!=L" “ ãë3K%*,ì C!ã!3ƒ%ì. 

fig.MFX-37 

SMALL, 

BUILT-IN, 

2-STACK, 

3-STACK 

Low Gain -15 $ +15 äa r“,ë…, m). 


Š,C ã,2=!…%ã% 3“,ë,2ë 

SMALL: ì=ë…ü*,L 

BUILT-IN: "“2!%……/L 

2-STACK: K%ëüø%L 2-“2.*%"/L 

3-STACK: K%ëüø%L 3-“2.*%"/L 

Pan L64 $ 63R q2!%C%ë%›…, .--*2= 

Level 0 $ 127 nK?,L 3!%"…ü 

36: DISTORTION 

L in 

R in 

37: VS OVERDRIVE 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Drive 0 $ 127 

cë3K,…= C!ã!3ƒ=. Š=*› "ë, 2 …= 

ã!%ì*%“2ü 

Tone 0 $ 127 ŠìK! C!ã!3›……%ã% “,ã…=ë= 

Amp Sw OFF, ON 

b*ëþ÷…,/%2*ëþ÷…, .ì3ë ö,, 

3“,ë,2ë . 

Amp Type 

Over 

drive 

Distortion 

Overdrive 

SMALL, 

BUILT-IN, 

2-STACK, 

3-STACK 

Amp 

Simulator 

Amp 

Simulator 

Amp 

Simulator 

2-Band 

EQ 

2-Band 

EQ 

2-Band 

EQ 

L out 

Pan L 

Pan R 

R out 

L out 

Pan L 

Pan R 

R out 

L out 

Pan L 

Pan R 

R out 

Š,C ã,2=!…%ã% 3“,ë,2ë 

SMALL: ì=ë…ü*,L 

BUILT-IN: "“2!%……/L 

2-STACK: K%ëüø%L 2-“2.*%"/L 

3-STACK: K%ëüø%L 3-“2.*%"/L 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

Pan L64 $ 63R q2!%C%ë%›…, .--*2= 

Level 0 $ 127 nK?,L 3!%"…ü 

38: VS DISTORTION 

f“2*,L "=!,=…2 .--*2= VS Overdrive. o=!=ì2!/ .2,. .--*2%" 

“%"C=ä=þ2. 

fig.MFX-38 

L in 

R in 

39: GUITAR AMP SIMULATOR 

hì,2=ö, ã,2=!…%ã% 3“,ë,2ë . 

fig.MFX-39 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Pre Amp Sw 

Pre Amp 

Type 

Pre Amp 

Volume 

Pre Amp 

Master 

Pre Amp 

Gain 

Pre Amp 

Bass 

Pre Amp 

Middle 

Pre Amp 

Treble 

Pre Amp 

Presence 

Pre Amp 

Bright 

Speaker Sw 

Distortion 

Pre Amp 

b*ëþ÷…,/%2*ëþ÷…, 

OFF, ON 

C!ä3“,ë…, 

JC-120, 

CLEAN TWIN, MATCH 

DRIVE, 

BG LEAD, MS1959I, 

MS1959II, MS1959I+II, 

SLDN LEAD, METAL5150, Š,C ã,2=!…%ã% 3“,ë,2ë 

METAL LEAD, 

OD-1, 

OD-2 TURBO, 

DISTORTION, 

FUZZ 

c!%ì*%“2ü , ãë3K,…= C!ã!3ƒ= 

0 $ 127 

3“,ë,2ë 

0 $ 127 nK?= ã!%ì*%“2ü 3“,ë,2ë 

LOW, 

MIDDLE, 

HIGH 

0 $ 127 

0 $ 127 (MATCH DRIVE: 

-127 $ 0) 

OFF, ON 

OFF, ON 

Amp 

Simulator 

2-Band 

EQ 

Speaker 

L out 

Pan L 

Pan R 

R out 

L out 

Pan L 

Pan R 

R out 

)3"“2",2ëü…%“2ü 3“,ë,2ë 

r!%"…ü "/“%*,./“!ä…,./…,ƒ*,. 

÷=“2%2. r!%"…ü “!ä…,. ÷=“2%2 

… *%…2!%ë,!32“ , “ë, " 

*=÷“2" 2,C= 3“,ë,2ë "/K!=2ü 

œMatch DriveB. 

œo!ƒ…“B (3!%"…ü 3ëü2!=- 

"/“%*,. ÷=“2%2) 

b/K%! ƒ…=÷…, œOnB äë=2 ƒ"3* 

!÷. 

o=!=ì2! !=K%2=2 “ 2,C=ì, 

3“,ë,2ëL œJC-120B, œClean TwinB 

, œBG LeadB. 

b*ëþ÷…, (ON)/%2*ëþ÷…, 

(OFF) ,ì,2=2=ö,, *=K,…2=. 

Speaker 

Type 

(“ì. 2=Kë,ö3 …= “2!. 70) Š,C *=K,…2= 

Mic Setting 1, 2, 3 

p=“C%ë%›…, ì,*!%-%…=, %2 

…=,K%ë Kë,ƒ*%ã% (1) ä% 

…=,K%ë ä=ëü…ã% (3). 

Mic Level 0 $ 127 c!%ì*%“2ü ì,*!%-%…= 

Direct Level 0 $ 127 c!%ì*%“2ü C! ì%ã% “,ã…=ë= 

Pan L64 $ 63R q2!%C%ë%›…, .--*2= 

Level 0 $ 127 nK?,L 3!%"…ü 

69

u=!=*2!,“2,*, *=K,…2%" 

o=!=ì2! œd,…=ì,*B 3*=ƒ/"=2 ä,=ì2! (" äþLì=.) , *%ë,÷“2"% 

ä,…=ì,*%" " *=K,…2 

g…=÷…, j=K,…2 d,…=ì,* l,*!%-%… 



MIDDLE %2*!/2/L 12 x 1 ä,…=ì,÷“*,L 

JC-120 %2*!/2/L 12 x 2 ä,…=ì,÷“*,L 

BUILT-IN 1 %2*!/2/L 12 x 2 ä,…=ì,÷“*,L 

BUILT-IN 2 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BUILT-IN 3 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BUILT-IN 4 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BUILT-IN 5 %2*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BG STACK 1 ƒ=*!/2/L 12 x 2 *%…ä…“=2%!…/L 

BG STACK 2 K%ëüø%L ƒ=*!/2/L 12 x 2 *%…ä…“=2%!…/L 



METAL STACK K%ëüø%L ä"%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 

2-STACK K%ëüø%L ä"%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 

3-STACK K%ëüø%L 2!%L…%L “2.* 12 x 4 *%…ä…“=2%!…/L 

40: COMPRESSOR 

}--*2 C!,ãë3ø=2 ã!%ì*, ƒ"3*, , 3“,ë,"=2 2,.,, “ãë=›,"= 2ì 

“=ì/ì …!%"…%“2, ,“C%ë……, . 

fig.MFX-40 

L in 

R in 

Compressor 

Compressor 

2-Band EQ 

2-Band EQ 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 


q*%!%“2ü "*ëþ÷…, *%ìC!““%!= C!, 

C!"/ø…,, 3!%"… THRESHOLD 

Threshold 0 $ 127 o%!%ã *%ìC!““,!%"=…, 

Post Gain 0 $ +18 äa b/.%ä…= ÷3"“2",2ëü…%“2ü. 


r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 

Level 0 $ 127 nK?,L 3!%"…ü 

41: LIMITER 

}--*2 C!,ãë3ø…, “ë,ø*%ì ã!%ì*,. ƒ"3*%", C!ä%2"!=?=þ?,L 

"%ƒ…,*…%"…, ,“*=›…,L. 

fig.MFX-41 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Release 0 $ 127 

q*%!%“2ü %2*ëþ÷…, ë,ì,2!= C!, “…,›- 

…,, 3!%"… …,› C%!%ã= THRESHOLD. 

Threshold 0 $ 127 o%!%ã *%ìC!““,!%"=…, 

Ratio 

1.5:1, 2:1, 4:1, 

100:1 

j%.--,ö,…2 *%ìC!““,, 

Post Gain 0 $ +18 äa b/.%ä…= ÷3"“2",2ëü…%“2ü. 


r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 

Level 0 $ 127 nK?,L 3!%"…ü 

42: GATE 

}--*2 C%ä="ë…, “,ã…=ë=, ã!%ì*%“2ü *%2%!%ã% …,› 

%C!äë……%ã% C%!%ã=. u%!%ø% ƒ"3÷,2 C!, œ%2!ƒ=…,,B ."%“2= 

!"!K!=ö,,. 

fig.MFX-42 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Threshold 0 $ 127 o%!%ã “!=K=2/"=…, .--*2= 

Mode GATE, DUCK 

Š,C ãL2=. 

GATE: ãL2 ƒ=*!/"=2“ C!, “…,›…,, 

ã!%ì*%“2, “,ã…=ë= …,› C%!%ã%"%ã% 

ƒ…=÷…, . 

DUCK (d=*,…ã): ãL2 ƒ=*!/"=2“ C!, 

3"ë,÷…,, ã!%ì*%“2, “,ã…=ë= "/ø 

C%!%ã%"%ã% ƒ…=÷…, . 

Attack 0 $ 127 b!ì =2=*, (%2*!/"=…, ãL2=) 

Hold 0 $ 127 

b!ì 3ä!›=…, ãL2= %2*!/2/ì C!, 

%C3“*=…,, 3!%"… “,ã…=ë= …,› 

C%!%ã%"%ã% 

Release 0 $ 127 b!ì %2C3“*=…, (ƒ=*!/"=…, ãL2=) 

Balance 

Limiter 

Limiter 

Gate 

Gate 

D100:0W $ 

D0:100W 

2-Band EQ 

2-Band EQ 

Level 0 $ 127 nK?,L 3!%"…ü 

L out 

R out 

L out 

R out 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

70

43: DELAY 

q2!%-%…,÷“*,L .--*2 ƒ=ä!›*,. 

e“ë, Feedback Mode = NORMAL: 

fig.MFX-43a 

L in 

R in 

e“ë, Feedback Mode = CROSS: 

fig.MFX-43b 

L in 

Delay 

Feedback 

Feedback 

Delay 

Delay 

Balance D 

Balance D 

Balance D 

2-Band 

EQ 

Balance W 

Balance W 

2-Band 

EQ 

2-Band 

EQ 

Balance W 

L out 

R out 

L out 

o=!=ì2! g…=÷…, nC,“=…, 

HF Damp 200 $ 8000 cö, BYPASS 

)=“2%2=, "/ø *%2%!%L 

C!%,“.%ä,2 C%ä="ë…, “,ã…=ë= 

ƒ=ä!›*,. e“ë, C%ä="ë…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

Pan 

L64 $ 63R 

o=…%!=ì,!%"=…, “,ã…=ë= 

ƒ=ä!›*, 

Low Gain -15 $ +15 äa r“,ë…, m) 



a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

45: SERIAL DELAY 

b ä=……%ì .--*2 ä" ƒ=ä!›*, “%ä,……/ C%“ëä%"=2ëü…%. 

nK!=2…= “" ƒü %K%,. ƒ=ä!›* …ƒ=",“,ì=, ÷2% C%ƒ"%ë 2 

“%ƒä="=2ü “ë%›…/ …=“/?……/ .--*2/. 

fig.MFX-45 

L in 

L out 

R in 

Feedback 

Feedback 

Delay 

Balance D 

Balance W 

2-Band 

EQ 

R out 

R in 

Delay 1 

Feedback 1 

Delay 2 

Feedback 2 

Pan L 

Pan R 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Left 

Delay Right 

Phase Left 

Phase Right 

Feedback 

Mode 

a%ë äë,2ëü…= ƒ=ä!›*=. 

fig.MFX-44 

0 $ 1300 ms, 

note 

NORMAL, 

INVERSE 

NORMAL, 

CROSS 


HF Damp 

200 $ 8000 cö, 

BYPASS 

b!ì ƒ=ä!›*, ë"%ã%/C!="%ã% *=…=ë%". 

t=ƒ= ƒ=ä!›*, 

Low Gain -15 $ +15 äa r“,ë…, m) 


Balance 

D100:0W $ 

D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

44: LONG DELAY 

L in 

R in 

Long Delay 

Feedback 

l=!ø!32,ƒ=ö, %K!=2…%L “" ƒ, ƒ=ä!›*. 

cë3K,…= %K!=2…%L “" ƒ,. o!, %2!,ö=2ëü- 

…/. (-) ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 3“2=…%",2 

ƒ…=÷…, BYPASS. 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

Pan L 

Pan R 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Delay1 Time 0 $ 1300 ms, note b!ì ƒ=ä!›*, 1 

Delay1 

Feedback 

Delay1 HF 

Damp 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

cë3K,…= %K!=2…%L “" ƒ, 

ƒ=ä!›*, 1. o!, %2!,ö=2ëü…/. 

(-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L 

C!%,“.%ä,2 C%ä="ë…, “,ã…=ë= 

ƒ=ä!›*, 1. e“ë, C%ä="ë…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

Delay2 Time 0 $ 1300 ms, note b!ì ƒ=ä!›*, 2 

Delay2 

Feedback 

Delay2 HF 

Damp 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

cë3K,…= %K!=2…%L “" ƒ, 

ƒ=ä!›*, 2. o!, %2!,ö=2ëü…/. 

(-) ƒ…=÷…, . C!"%!=÷,"=2“ 

-=ƒ=. 

)=“2%2=, "/ø *%2%!%L 

C!%,“.%ä,2 C%ä="ë…, “,ã…=ë= 

ƒ=ä!›*, 2. e“ë, C%ä="ë…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

Pan L64 $ 63R o=…%!=ì= ƒ=ä!›*, 


r“,ë…, m). o!, 

C%ë%›,2ëü…/. ƒ…=÷…, . 

ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. 

$ “…,›=2“ 


r“,ë…, b). o!, 

C%ë%›,2ëü…/. ƒ…=÷…, . 

ã!%ì*%“2ü "/“%*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. 

$ “…,›=2“ 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Time 0 $ 2600 ms, note b!ì ƒ=ä!›*, 

Phase 

NORMAL, 

INVERSE 

t=ƒ= ƒ=ä!›*, 


cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

71

46: MODULATION DELAY 

g=ä!›*= " *%ìK,…=ö,, “ ì%ä3ë ö,L. 

e“ë, Feedback Mode = NORMAL: 

fig.MFX-46a 

L in 

Delay 

Balance D 

Modulation 

2-Band 

EQ 

Balance W 

L out 

47: 3TAP PAN DELAY 

}--*2 “%“2%,2 ,ƒ 2!. ƒ=ä!›*: äë ë"%ã% (L), C!="%ã% (R) , 

ö…2!=ëü…%ã% (C) *=…=ë%". 

fig.MFX-47 

L in 

Left Tap 

Balance D 

2-Band 

EQ 

Balance W 

L out 

Feedback 

Feedback 

Triple Tap Delay 

Center Tap 

R in 

Balance D 

e“ë, Feedback Mode = CROSS: 

fig.MFX-46b 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Left 

Delay Right 

Feedback 

Mode 

0 $ 1300 ms, 

note 

NORMAL, 

CROSS 


HF Damp 

200 $ 8000 cö, 

BYPASS 

b!ì ƒ=ä!›*, ë"%ã%/C!="%ã% *=…=ë%" 

p›,ì ì=!ø!32,ƒ=ö,, %K!=2…%L “" ƒ, 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 3“2=…%",2 


Rate 

0.05 $ 10.00 Hz, 

note 

)=“2%2= ì%ä3ë ö,, 

Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä o!%“2!=…“2"……= ø,!,…= ƒ"3*= 

Low Gain -15 $ +15 äa r“,ë…, m). 


Balance 

Delay 

Delay 

Feedback 

Feedback 

Delay 

D100:0W $ 

D0:100W 

Modulation 

Balance D 

Modulation 

Modulation 

Balance D 

Balance W 

Level 0 $ 127 nK?,L 3!%"…ü 

2-Band 

EQ 

2-Band 

EQ 

Balance W 

Balance W 

2-Band 

EQ 

R out 

L out 

R out 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Left/ 

Right/Center 

Center 

Feedback 

HF Damp 

g=ä!›*= “ ÷2/!üì %2K%!=ì,. 

fig.MFX-48a 

0 $ 2600 ms, 

note 

-98 $ +98% 

200 $ 8000 cö, 

BYPASS 

b!ì ƒ=ä!›*, ë"%ã%/C!="%ã%/ö…2- 

!=ëü…%ã% *=…=ë%" 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 3“2=…%",2 


Left/Right/ 

Center Level 

0 $ 127 c!%ì*%“2ü äë *=›ä%L ,ƒ ƒ=ä!›* 

Low Gain -15 $ +15 äa r“,ë…, m). 


Balance 

D100:0W $ 

D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

48: 4TAP PAN DELAY 

L in 

R in 

1 

Feedback 

2 3 

Feedback 

Right Tap 

Quadruple Tap Delay 

4 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

Delay 1 

Delay 4 

Balance D 

Delay 2 

Delay 3 

Balance D 

Balance W 

2-Band 

EQ 

Balance D 

fig.MFX-48b 

q2!%C%ë%›…, *=›ä%ã% %2K%!= 

R out 

L out 

Balance W 

Balance W 

R out 

L 

R 

o=!=ì2! g…=÷…, nC,“=…, 

Delay 1$4 

Time 

Delay 1 

Feedback 

HF Damp 

0 $ 2600 ms, 

note 

-98 $ +98% 

200 $ 8000 cö, 

BYPASS 

b!ì ƒ=ä!›*, äë *=›ä%ã% %2K%!=. 

cë3K,…= %K!=2…%L “" ƒ,. o!, %2!,ö=2ëü- 

…/. ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 3“2=…%",2 


Delay 1$4 

Level 

0 $ 127 c!%ì*%“2ü *=›ä%L ƒ=ä!›*, 

Low Gain -15 $ +15 äa r“,ë…, m). 


Balance 

D100:0W $ 

D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

72

49: MULTI TAP DELAY 

}--*2 ,ƒ ÷2/!. ƒ=ä!›*. dë *=›ä%L ,ƒ …,. "!ì ì%›2 K/2ü 

3*=ƒ=…% " 2!ì,…=. äë,2ëü…%“2L …%2. j!%ì 2%ã%, äë *=›ä%L 

ƒ=ä!›*, …ƒ=",“,ì% %C!äë þ2“ C=…%!=ì= , 3!%"…ü. 

fig.MFX-49 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Delay 1$4 

Time 

Delay 1 

Feedback 

HF Damp 

}--*2 !"!“…%L ƒ=ä!›*,. gä“ü ƒ=ä!›*= ì%›2 K/2ü 

œC!"!…32=B %2…%“,2ëü…% ,“.%ä…%ã% “,ã…=ë= C% "!ì…,. 

fig.MFX-50 

0 $ 2600 ms, 

note 

-98 $ +98% 

200 $ 8000 cö, 

BYPASS 

b!ì ƒ=ä!›*, 1 $ 4 

cë3K,…= %K!=2…%L “" ƒ,. o!, %2!,ö=2ëü- 

…/. (-) ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 3“2=…%",2 


Delay 1$4 

Pan 

L64 $ 63R q2!%C%ë%›…, ƒ=ä!›* 1 $ 4 

Delay 1$4 

Level 

0 $ 127 c!%ì*%“2ü ƒ=ä!›* 1 $ 4 

Low Gain -15 $ +15 äa r“,ë…, m) 


Balance 

D100:0W $ 

D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

50: REVERSE DELAY 

L in 

R in 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

o=!=ì2! g…=÷…, nC,“=…, 

Threshold 0 $ 127 

r!%"…ü ã!%ì*%“2,, …=÷,…= “ 

*%2%!%ã% "*ëþ÷=2“ 

!"!“,"…= ƒ=ä!›*=. 

Rev Delay Time 0 $ 1300 ms, note b!ì !"!“…%L ƒ=ä!›*, 

Rev Delay 

Feedback 

Rev Delay HF 

Damp 

Rev Delay Pan 

Rev Delay 

Level 

Feed 

back 

Delay 1 $ 3 

Time 

Delay 1 

Multi Tap Delay 

Feedback 

Delay 2 

Rev. Delay 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

L64 $ 63R 

Delay 3 

Delay 4 

Rev 

Delay 

D3 

Balance D 

Balance D 

D1 

D2 

2-Band 

EQ 

Balance W 

Balance W 

2-Band 

EQ 

2-Band 

EQ 

2-Band 

EQ 

cë3K,…= %K!=2…%L “" ƒ, 

!"!“,"…%L ƒ=ä!›*,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L 

C!%,“.%ä,2 C%ä="ë…, “,ã…=ë= 

!"!“,"…%L ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 

3“2=…%",2 ƒ…=÷…, BYPASS. 

o=…%!=ì= .--*2= 

!"!“,"…%L ƒ=ä!›*, 

0 $ 127 r!%"…ü !"!“,"…%L ƒ=ä!›*, 

0 $ 1300 ms, note b!ì…= ƒ=ä!›* 1 $ 3 

L out 

R out 

L out 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Delay 3 

Feedback 

Delay HF Damp 

g=ä!›*= “% œ“",…ã%"=……%LB !,2ì,*%L. 

fig.MFX-51 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

cë3K,…= %K!=2…%L “" ƒ, 

ƒ=ä!›*, 3 

)=“2%2=, "/ø *%2%!%L 

C!%,“.%ä,2 C%ä="ë…, “,ã…=ë= 

ƒ=ä!›*,. e“ë, C%ä="ë…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

Delay 1 Pan’, 

4Delay 2 Pan 

L64 $ 63R o=…%!=ì= ƒ=ä!›* 1 , 2 

Delay 1 Level’, 

4Delay 2 Level 

0 $ 127 c!%ì*%“2ü ƒ=ä!›* 1 , 2 


r“,ë…, m). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. 

÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=- 

2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- 

*,. ÷=“2%2 3“,ë,"=2“ , C!, 

%2!,ö=2ëü…/. $ “…,›=2“ 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

51: SHUFFLE DELAY 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Time 

0 $ 2600 ms, 

note 

b!ì ƒ=ä!›*,. 

Shuffle 

Rate 

0 $ 100% 

Acceleration 0$15 


HF Damp 

200 $ 8000 cö, 

BYPASS 

qä",ã ÷2…/. C%"2%!%" ƒ=ä!›*, (b) %2…%- 

“,2ëü…% …÷2…/. (À). )ì "/ø ƒ…=÷…,, 

2ì ãë3K› œ“",…ãB. 

b!ì “ì…/ "!ì…, ƒ=ä!›*, %2 %ä…%ã% 

ƒ…=÷…, ä% ä!3ã%ã% 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 3“2=…%",2 


Pan A/B 0 $ 127 q2!%C=…%!=ì= ƒ=ä!›*, A/B 

Level A/B 0 $ 127 c!%ì*%“2ü ƒ=ä!›*, A/B 


r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 

Balance 

Feedback 

Delay 

D100:0W $ 

D0:100W 

Delay A 

Delay B 

Level 0 $ 127 nK?,L 3!%"…ü 

A 

B 

2-Band 

EQ 

2-Band 

EQ 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

L out 

R out 

73

52: 3D DELAY 

Š!.ì!…= ƒ=ä!›*= “ !=“C!%“2!=……,ì “,ã…=ë= …= 90 ã!=ä3“%" 

"C!="% , "ë"% %2 “ë3ø=2ë . 

fig.MFX-52 

L 

R 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Left 

Delay Right 

Delay Center 

0 $ 2600 ms, note 

b!ì ƒ=ä!›*, äë *=›ä%ã% ,ƒ 

*=…=ë%" 

Center 

Feedback 

HF Damp 

3D Delay L 

3D Delay C 

Feedback 

3D Delay R 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

Level 

2-Band 

EQ 

2-Band 

EQ 

L out 

R out 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

)=“2%2=, "/ø *%2%!%L 

C!%,“.%ä,2 C%ä="ë…, “,ã…=ë= 

ƒ=ä!›*,. e“ë, C%ä="ë…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

Left Level 

Right Level 

Center Level 

Output Mode 

0 $ 127 

SPEAKER, PHONES 

r!%"…ü *=›ä%L ,ƒ ƒ=ä!›* 

b/K%! ì2%ä= 3D-%K!=K%2*,. 


äë *%ë%…%*, ƒ…=÷…, PHONES 

K%ëüø C%ä.%ä,2 äë !=K%2/ " 

…=3ø…,*=. 

Low Gain -15 $ +15 äa r“,ë…, m) 



a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

o=!=ì2! g…=÷…, nC,“=…, 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) 

, %K!=K%2=……/ì (W) “,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

54: 

}--*2 äë,2ëü…%L ƒ=ä!›*, “ Cë="…/ì ,ƒì……,ì "!ì…, 

ƒ=ä!›*,. 

fig.MFX-54 

L in 

R in 

LONG TIME CTRL DLY 

(LONG TIME CONTROL DELAY) 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Time 

0 $ 2600 ms, 

note 

b!ì ƒ=ä!›*,. 

Acceleration 0 $ 15 

b!ì “ì…/ "!ì…, ƒ=ä!›*, %2 %ä…%ã% 

ƒ…=÷…, ä% ä!3ã%ã% (3“*%!…,) 


cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

HF Damp 

200 $ 8000 cö, 

BYPASS 

)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. e“ë, 

C%ä="ë…, … 2!K32“ , 3“2=…%",2 


Pan L64 $ 63R o=…%!=ì,!%"=…, ƒ=ä!›*, 

Low Gain -15 $ +15 äa r“,ë…, m). 


Balance 

D100:0W $ 

D0:100W 

Balance D 

Time Control Delay 

Feedback 

Balance D 

Level 0 $ 127 nK?,L 3!%"…ü 

2-Band 

EQ 

Balance W 

Balance W 

2-Band 

EQ 

L out 

R out 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

53: TIME CTRL DELAY 

q2!%.--*2 “ Cë="…/ì ,ƒì……,ì "!ì…, ƒ=ä!›*,. 

fig.MFX-53 

L in 

2-Band EQ 

L out 

Time Ctrl Delay 

Pan L 

Feedback 

Feedback 

Time Ctrl Delay 

Pan R 

R in 

2-Band EQ 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Delay Time 0 $ 1300 ms, note b!ì ƒ=ä!›*,. 

Acceleration 0 $ 15 

b!ì “ì…/ "!ì…, ƒ=ä!›*, %2 

%ä…%ã% ƒ…=÷…, ä% ä!3ã%ã% (3“*%- 

!…,) 


cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

HF Damp 

200 $ 8000 cö, 

BYPASS 

Low Gain -15 $ +15 äa r“,ë…, m) 


)=“2%2=, "/ø *%2%!%L C!%,“.%ä,2 

C%ä="ë…, “,ã…=ë= ƒ=ä!›*,. 

e“ë, C%ä="ë…, … 2!K32“ , 

3“2=…%",2 ƒ…=÷…, BYPASS. 

74

55: TAPE ECHO 

hì,2=ö, ë…2%÷…%ã% !"!K!=2%!= (..%-.--*2=) Roland RE-201 

Space Echo. 

fig.MFX-55 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Mode 

S, M, L, S+M, 

S+L, M+L, 

S+M+L 

j%ìK,…=ö, ã%ë%"%* äë “%ƒä=…, 

C=22!…= ƒ=ä!›*,. 

S: *%!%2*= M: “!ä… L: äë,……= 

Repeat Rate 0 $ 127 

q*%!%“2ü C!%2 ›*, ë…2/. )ì "/ø 

“*%!%“2ü, 2ì ì…üø "!ì ƒ=ä!›*, 

Intensity 0 $ 127 j%ë,÷“2"% C%"2%!%" 

Bass 

-15 $ +15 äa 

r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

Treble 

-15 $ +15 äa 

r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

Head S Pan 

Head M Pan 

Head L Pan 

Tape 

Distortion 

Wow/Flutter 

Rate 

Tape Echo 

L64 $ 63R 

0 $ 5 

0 $ 127 

Direct Level 

Direct Level 

L out 

Echo Level 

Echo Level 

R out 

o=…%!=ì,!%"=…, äë *=›ä%L ,ƒ 2!. ã%- 

ë%"%* 

cë3K,…= =…=ë%ã%"%ã% C!ã!3ƒ=, 

.=!=*2!…%ã% äë ì=ã…,2…%L ë…2/. 

q*%!%“2ü -ë=22!= (,ƒì……, ÷=“2%2/ 

"“ëä“2", …!="…%ì!…%“2, ä",›…, 

ë…2/) 

Wow/Flutter 

Depth 

0 $ 127 cë3K,…= -ë=22!= 

Echo Level 0 $ 127 c!%ì*%“2ü ..% 

Direct Level 0 $ 127 c!%ì*%“2ü ,“.%ä…%ã% “,ã…=ë= 

Level 0 $ 127 nK?,L 3!%"…ü 

o=!=ì2! g…=÷…, nC,“=…, 

W/P Noise 

LPF 

W/P Noise 

Level 

Disc Noise 

Type 

Disc Noise 

LPF 

Disc Noise 

Level 

Hum Noise 

Type 

Hum Noise 

LPF 

Hum Noise 

Level 

Low Gain 

High Gain 

Balance 

}--*2, “…,›=þ?,L *=÷“2"% ƒ"3÷=…, , %K/÷…% ,“C%ëüƒ32“ äë 

2"%!÷“*,. öëL. 

fig.MFX-57 

200 $ 8000 cö, 

BYPASS 

0…2!=ëü…= ÷=“2%2= %K!ƒ…%ã% -,ëü2!= 

"/“%*,. ÷=“2%2 " Kë%ì/!%ƒ%"%ì ø3ì. 

e“ë, C%ãë%?…, … 2!K32“ , 3“2=…%",2 


0 $ 127 c!%ì*%“2ü ø3ì= 

LP, EP, SP, RND 

200 $ 8000 cö, 

BYPASS 

Š,C ø3ì= ",…,ë%"%ã% ä,“*= 

0…2!=ëü…= ÷=“2%2= %K!ƒ…%ã% -,ëü2!= 

"/“%*,. ÷=“2%2 ",…,ë%"%ã% ä,“*=. e“ë, 

C%ãë%?…, … 2!K32“ , 3“2=…%",2 


0 $ 127 c!%ì*%“2ü ø3ì= ",…,ë%"%ã% ä,“*= 

50 cö, 60 cö )=“2%2= -%…%"%ã% ø3ì= 

200 $ 8000 cö, 

BYPASS 

0…2!=ëü…= ÷=“2%2= %K!ƒ…%ã% -,ëü2!= 

"/“%*,. ÷=“2%2 " -%…%"%ì ø3ì. e“ë, 

C%ãë%?…, … 2!K32“ , 3“2=…%",2 


0 $ 127 c!%ì*%“2ü -%…%"%ã% ø3ì= 

-15 $ +15 äa 

-15 $ +15 äa 

D100:0W $ 

D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

57: LOFI COMPRESS 

L in 

Compressor 

r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“2%2 

3“,ë,"=2“ , C!, %2!,ö=2ëü…/. $ 

“…,›=2“ 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

Lo-Fi 

2-Band 

EQ 

L out 

56: LOFI NOISE 

}--*2, "%““%ƒä=þ?,L !=ƒë,÷…/ 2,C/ ø3ì%", .=!=*2!…/ äë 

…C!%-““,%…=ëü…%L =3ä,%2.…,*,. 

fig.MFX-56 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

LoFi Type 1 $ 9 

r.3äø…, *=÷“2"= ƒ"3÷=…, . )ì "/ø 

ã!%ì*%“2ü “,ã…=ë=, 2ì K%ë ƒ=ì2… 

.--*2. 

Filter Type OFF, LPF, HPF 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ= 

Filter Cutoff 200 $ 8000 cö )=“2%2= “!ƒ= -,ëü2!= 

W/P Noise 

Type 

Lo-Fi 

Noise Gen. 

Lo-Fi 

WHITE, PINK 

2-Band 

EQ 

2-Band 

EQ 

p%ƒ%"/L/Kë/L 2,C ø3ì= 

L out 

R out 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Pre Filter 

Type 

1 $ 6 Š,C C!ä"=!,2ëü…%ã% -,ëü2!= 


r.3äø…, *=÷“2"= ƒ"3÷=…, . )ì "/ø 

ã!%ì*%“2ü “,ã…=ë=, 2ì K%ë ƒ=ì2… 

.--*2. 

Post Filter 

Type 

Post Filter 

Cutoff 

Low Gain 

High Gain 

Balance 

Compressor 

OFF, 

LPF, 

HPF 

200 $ 8000 cö )=“2%2= “!ƒ= 

-15 $ +15 äa 

-15 $ +15 äa 

D100:0W $ 

D0:100W 

Lo-Fi 

Level 0 $ 127 nK?,L 3!%"…ü 

2-Band 

EQ 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ= 

R out 

r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 

r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

75

58: LOFI RADIO 

o%ì,ì% “…,›…, *=÷“2"= ƒ"3÷=…, , ä=……/L .--*2 ã…!,!32 

ø3ì/ !=ä,%C!,ì…,*=. 

fig.MFX-60 

L in 

Balance D 

Phonograph 

Balance W 

L out 

fig.MFX-58 

L in 

Lo-Fi 

2-Band 

EQ 

L out 

R in 

Phonograph 

Balance D 

Balance W 

R out 

R in 

o=!=ì2! g…=÷…, nC,“=…, 


Filter Type 

OFF, 

LPF, 

HPF 

Filter Cutoff 200 $ 8000 cö )=“2%2= “!ƒ= 

Radio 

Detune 

Radio Noise 

Level 

Balance 

Level 

Radio 

0 $ 127 

Lo-Fi 

rì…üø…, *=÷“2"= ƒ"3÷=…, . )ì "/ø 

ã!%ì*%“2ü “,ã…=ë=, 2ì K%ë ƒ=ì2… 

.--*2. 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ= 

hì,2=ö, ƒ"3*= …=“2!%L*, !=ä,%. )ì 

"/ø ƒ…=÷…,, 2ì “,ëü… œ3.%äB 

÷=“2%2/. 

0 $ 127 c!%ì*%“2ü ƒ"3*= !=ä,%. 

-15 $ +15 äa 

-15 $ +15 äa 

2-Band 

EQ 

R out 

r“,ë…, m). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü …,ƒ*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 

r“,ë…, b). o!, C%ë%›,2ëü…/. ƒ…=÷…,- 

. ã!%ì*%“2ü "/“%*,. ÷=“2%2 3“,ë,"=2“ , 

C!, %2!,ö=2ëü…/. $ “…,›=2“ 

o=!=ì2! g…=÷…, nC,“=…, 

Signal 

Distortion 

0 $ 127 cë3K,…= ,“*=›…,L 

Frequency 

Range 

0 $ 127 

)=“2%2…/L ä,=C=ƒ%… .ë*2!%C!%,ã!/"=2ë 

. )ì "/ø ƒ…=÷…,, 2ì "/ø *=÷“2"% 

"%“C!%,ƒ"ä…, . 

Disc Type LP, EP, SP q*%!%“2ü "!=?…, ä,“*= C!%,ã!/"=2ë . 

Scratch Noise 

Level 

0 $ 127 x3ì %2 ö=!=C,… …= ä,“*. 

Dust Noise 

Level 

0 $ 127 x3ì %2 C/ë, …= ä,“*. 

Hiss Noise 

Level 

0 $ 127 mC!!/"…/L ø3ì 

Total Noise 

Level 

0 $ 127 nK?,L 3!%"…ü ø3ì= 

Wow 0 $ 127 

cë3K,…= C!,%ä,÷“*,. …!="…%ì!…%“2L 

"% "!=?…,, ä,“*= “ K%ëüø,ì ö,*ë%ì 

Flutter 0 $ 127 

cë3K,…= C!,%ä,÷“*,. …!="…%ì!…%“2L 

"% "!=?…,, ä,“*= “ *%!%2*,ì ö,*ë%ì 

Random 0 $ 127 

cë3K,…= “ë3÷=L…/. …!="…%ì!…%“2L "% 

"!=?…,, ä,“*= 

Total Wow/ 

Flutter 

Balance 

0 $ 127 

D100:0W $ 

D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

nK?= ãë3K,…= …!="…%ì!…%“2, 

"!=?…, 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

59: TELEPHONE 

fig.MFX-59 

61: 

q2!%-%…,÷“*,L “ä",ã "/“%2/ “ %K!=2…%L “" ƒüþ. 

fig.MFX-61 

PITCH SHIFTER 

(Feedback Pitch Shifter) 

L in 

Telephone 

L out 

L in 

2-Band EQ 

L out 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Voice 

Quality 

0 $ 15 j=÷“2"% 2ë-%……%L ë,…,, 

Treble -15 $ +15 äa o%ë%“= C!%C3“*=…, 2ë-%……%L ë,…,, 

Balance 

D100:0 $ 

D0:100W 

Telephone 

Level 0 $ 127 nK?,L 3!%"…ü 

60: PHONOGRAPH 

R out 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

hì,2=2%! C!%,ã!/"=2ë ",…,ë%"/. Cë=“2,…%*, !=ë,“2,÷…% 

"%““%ƒä=þ?,L !=ƒë,÷…/ ø3ì/, .=!=*2!…/ äë .ë*2!%C!%,ã!/"=2ë . 

R in 

Pitch Shifter 

Pitch Shifter 

2-Band EQ 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Coarse 

-24$ +12 semi 

qä",ã "/“%2/ ƒ"3÷=…, (" 

C%ë32%…=.). 

Fine 

-100$ +100 cent 

qä",ã "/“%2/ ƒ"3÷=…, (“ ø=ã%ì 

" 2 ö…2=). 



cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

Low Gain -15 $ +15 äa r“,ë…, m). 



a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

76

62: 

d"%L…%L “ä",ã "/“%2/ “ %K!=2…%L “" ƒüþ. 

fig.MFX-62 

L in 

R in 

j%ìK,…=ö, .--*2= “ä",ã= "/“%2/ “ 16-ø=ã%"/ì “*"…“%!%ì. 

fig.MFX-63 

2VOI PITCH SHIFTER (2VOICE PITCH 

SHIFTER) 

o=!=ì2! g…=÷…, nC,“=…, 

Pitch 1: 

Coarse 

Pitch 1:Fine 

-24 $ +12 semi 

-100 $ +100 cent 

qä",ã "/“%2/ ƒ"3÷=…, 1 (" 

C%ë32%…=.). 

qä",ã "/“%2/ ƒ"3÷=…, 1 (" 

ö…2=.). 

Pitch 1:Delay 0 $ 1300 ms, note b!ì ƒ=ä!›*, 1. 

Pitch 

1:Feedback 

Level 1 

Pan 1 R 

2Voice Pitch Shifter 

Pan 2 L 

Level 1 

-98 $ +98% 

cë3K,…= %K!=2…%L “" ƒ, “ä",ã= 

1. o!, %2!,ö=2ëü…/. (-) ƒ…=÷- 

…, . -=ƒ= ,…"!2,!32“ . 

Pitch 1:Pan L64 $ 63R o%ë%›…, " “2!% “ä",ã= 1 

Pitch 1:Level 0 $ 127 c!%ì*%“2ü “ä",ã= 1 

Pitch 2: 

Coarse 

-24 $ +12 semi 

Pitch 2:Fine -100 $ +100 cent 

Pitch 2:Delay 1 $ 1300 ì“ 

Š › “=ì/ C=!=ì2!/ äë 

Pitch 

“ä",ã= "/“%2/ 2 

-98 $ +98% 

2:Feedback 

Pitch 2:Pan L64 $ 63R 

Pitch 2:Level 0 $ 127 


r“,ë…, m). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. 

÷=“2%2 3“,ë,"=2“ , C!, %2!,ö=- 

2ëü…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü- 

…/. ƒ…=÷…, . ã!%ì*%“2ü "/“%- 

*,. ÷=“2%2 3“,ë,"=2“ , C!, 

%2!,ö=2ëü…/. $ “…,›=2“ 

Level Balance A100:0B $ A0:100B 

a=ë=…“ ã!%ì*%“2, ì›ä3 “ä",ã=ì, 

"/“%2/ 1 , 2 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

63: STEP PITCH SHIFTER 

L in 

R in 

Step Pitch Shifter 

Step Pitch Shifter 

Balance D 

Pan 1 L 

Pan 2 R 

Balance D 

2-Band 

EQ 

2-Band 

EQ 

L out 

Balance W 

Balance W 

R out 

L out 

R out 

o=!=ì2! Range Explanation 

Step 01$16 -24 $ +12 semi 

qä",ã "/“%2/ *=›ä%ã% ø=ã= (" 

C%ë32%…=.) 

Rate 

0.05 $ 10.00 Hz, note 

)=“2%2= “ì…/ ø=ã%" “*"…“%- 

!= 

o=!=ì2! Range Explanation 


q*%!%“2ü “ì…/ "/“%2/ …%2 C!, 

C!.%ä %2 %ä…%ã% ø=ã= * 

ä!3ã%ì3 

Gate Time 0 $ 127 

dë,2ëü…%“2ü ƒ"3÷=…, *=›ä%L 

…%2/ %2…%“,2ëü…% ø=ã= 

“*"…“%!= 

Fine 

-100 $ +100 cent 

Š%…*= C%ä“2!%L*= "/“%2/ (“ 

ø=ã%ì " 2 ö…2=) 



cë3K,…= %K!=2…%L “" ƒ, “ä",ã=. 

o!, %2!,ö=2ëü…/. (-) ƒ…=÷…, . 

C!"%!=÷,"=2“ -=ƒ=. 


r“,ë…, m). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü …,ƒ*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 


r“,ë…, b). o!, C%ë%›,2ëü…/. 

ƒ…=÷…, . ã!%ì*%“2ü "/“%*,. ÷=“- 

2%2 3“,ë,"=2“ , C!, %2!,ö=2ëü- 

…/. $ “…,›=2“ 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

64: REVERB 

p"!K!=ö, (,ì,2=ö, =*3“2,÷“*,. .=!=*2!,“2,* C%ì?…, ). 

fig.MFX-64 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Type 

Balance D 

Reverb 

Balance D 

ROOM1, ROOM2, 

STAGE1, STAGE2, 

HALL1, HALL2 

Pre Delay 0.0 $ 100.0 ì“ 

2-Band 

EQ 

Balance W 

Balance W 

2-Band 

EQ 

L out 

R out 

Š,C ,ì,2,!3ì%ã% C%ì?…, 

ROOM1: …K%ëüø= *%ì…=2=, 

!"!K!=ö, “ *%!%2*,ì ƒ=23- 

.=…,ì 

ROOM2: K%ëüø= *%ì…=2=, !- 

"!K!=ö, “ *%!%2*,ì ƒ=23.=- 

…,ì 

STAGE1: “ö…=, !"!K!=ö, “ 

"/!=›……/ì œ."%“2%ìB 

STAGE2: “ö…=, !"!K!=ö, “ 

"/!=›……/ì, !=……,ì, %2!=›- 

…, ì, 

HALL1: ƒ=ë, !"!K!=ö, “ ÷,“- 

2/ì ƒ"3*%ì 

HALL2: ƒ=ë, !"!K!=ö, “ K%- 

ã=2/ì ƒ"3*%ì 

o!ä"=!,2ëü…= ƒ=ä!›*= 

ì›ä3 C! ì/ì , %K!=K%2=……/ì 

“,ã…=ë=ì, 

Time 0 $ 127 dë,2ëü…%“2ü !"!K!=ö,, 

HF Damp 200 $ 8000 cö, BYPASS 

)=“2%2=, "/ø *%2%!%L “,ã…=ë 

!"!K!=2%!= C%ä="ë 2“ . 

e“ë, C%ãë%?…, … 2!K32“ , 

"/K!,2 ƒ…=÷…, BYPASS. 

Low Gain -15 $ +15 äa r“,ë…, m). 



a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

77

65: GATED REVERB 

67: OVERDRIVE → FLANGER 

p"!K!=ö, “ œ%K!ƒ=…,ìB ."%“2= .--*2=. 

fig.MFX-65 

L in 

Balance D 

Gated Reverb 

2-Band 

EQ 

Balance W 

Balance W 

L out 

fig.MFX-67 

L in 

Overdrive 

Balance D 

Feedback 

Flanger 

L out 

Balance W 

Balance W 

R in 

Balance D 

2-Band 

EQ 

R out 

R in 

Balance D 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Type 

Pre Delay 

fig.MFX-66 

NORMAL, REVERSE, 

SWEEP1, SWEEP2 

0.0 $ 100.0 ms 

Gate Time 5 $ 500 ì“ 

Š,C !"!K!=ö,, 

NORMAL: %K/÷…/L 

!"!K!=2%! 

REVERSE: !"!“,"…/L 

!"!K!=2%! 

SWEEP1: ä",›…, 

!"!K!=2%!= C% C=…%!=ì 

“C!="= …=ë"% 

SWEEP2: ä",›…, 

!"!K!=2%!= C% C=…%!=ì 

“ë"= …=C!="% 

o!ä"=!,2ëü…= ƒ=ä!›*= 

ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë=ì, 

b!ì ãL2= (%K!ƒ=…, 

!"!K!=ö,%……%ã% ."%“2=) 

Low Gain -15 $ +15 äa r“,ë…, m). 



a=ë=…“ ì›ä3 

…%K!=K%2=……/ì (D) , 

%K!=K%2=……/ì (W) “,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

66: OVERDRIVE → CHORUS 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Overdrive 

Drive 

0 $ 127 

Overdrive Pan L64 $ 63R 

Chorus Pre 

Delay 

0.0 $ 100.0 ì“ 

cë3K,…= C!ã!3ƒ=. Š=*› "ë, 2 

…= ã!%ì*%“2ü 

q2!%C%ë%›…, .--*2= 

%"!ä!=L" 

o!ä"=!,2ëü…= ƒ=ä!›*= 

.%!3“=. 

Chorus Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, 

Chorus Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Chorus 

Balance 

Overdrive 

Chorus 

D100:0W $ D0:100W 

Balance D 

Balance D 

Level 0 $ 127 nK?,L 3!%"…ü 

L out 

Balance W 

Balance W 

R out 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) .%!3“%ì 

“,ã…=ë=ì, 

o=!=ì2! g…=÷…, nC,“=…, 

Overdrive 

Drive 

fig.MFX-68 

0 $ 127 


Flanger Pre 

Delay 

0.0 $ 100.0 ì“ 

cë3K,…= C!ã!3ƒ=. Š=*› "ë, 2 

…= ã!%ì*%“2ü 

q2!%C%ë%›…, .--*2= 

%"!ä!=L" 

o!ä"=!,2ëü…= ƒ=ä!›*= 

-ë.…›!= 

Flanger Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, 

Flanger Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Flanger 

Feedback 

Flanger 

Balance 

-98 $ +98% 

D100:0W $ D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

68: OVERDRIVE → DELAY 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

-ë.…›!%ì “,ã…=ë=ì, 

Overdrive Drive 0 $ 127 

cë3K,…= C!ã!3ƒ=. Š=*› 

"ë, 2 …= ã!%ì*%“2ü 


q2!%C%ë%›…, .--*2= 

%"!ä!=L" 


Delay 

Feedback 

Delay HF Damp 

Delay Balance 

Overdrive 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

D100:0W $ D0:100W 

Balance D 

Delay 

Feedback 

Balance D 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

C!"%!=÷,"=2“ -=ƒ=. 

)=“2%2=, …=÷,…= “ *%2%!%L 

“,ã…=ë %K!=2…%L “" ƒ, 

C%ä="ë 2“ . e“ë, C%ãë%?…, 

… 2!K32“ , 3“2=…%",2 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

ƒ=ä!›*%L “,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

L out 

Balance W 

Balance W 

R out 

78

69: DISTORTION → CHORUS 

o=!=ì2!/ " 2%÷…%“2, “%"C=ä=þ2 “ C=!=ì2!=ì, .--*2= 

œ66: OVERDRIVE → CHORUSB, ƒ= ,“*ëþ÷…,ì “ëä3þ?,.: 

Overdrive Drive → Distortion Drive 

Overdrive Pan → Distortion Pan 

fig.MFX-69 

L in 

R in 

70: DISTORTION → FLANGER 

o=!=ì2!/ " 2%÷…%“2, “%"C=ä=þ2 “ C=!=ì2!=ì, .--*2= 

œ67: OVERDRIVE → FLANGERB, ƒ= ,“*ëþ÷…,ì “ëä3þ?,.: 



fig.MFX-70 

L in 

R in 

Distortion 

Distortion 

Balance D 

Chorus 

Balance D 

Flanger 

71: DISTORTION → DELAY 

Balance D 

Feedback 

Balance D 

L out 

Balance W 

Balance W 

R out 

L out 

Balance W 

Balance W 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Chorus Pre 

Delay 

fig.MFX-73 

0.0 $ 100.0 ì“ 

o!ä"=!,2ëü…= ƒ=ä!›*= 

.%!3“=. 


Chorus Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Chorus Balance D100:0W $ D0:100W 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) .%!3“%ì 

“,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

73: ENHANCER → FLANGER 

L in 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Enhancer Sens 0 $ 127 )3"“2",2ëü…%“2ü .*“=L2!= 

Enhancer Mix 0 $ 127 

Flanger Pre 

Delay 

0.0 $ 100.0 ì“ 

r!%"…ü ã…!,!3ì/. 

.*“=L2!%ì ã=!ì%…,* 

o!ä"=!,2ëü…= ƒ=ä!›*= 

-ë.…›!=. 


Flanger Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Flanger 

Feedback 

Enhancer 

Enhancer 

Mix 

Mix 

-98 $ +98% 

Flanger Balance D100:0W $ D0:100W 

Balance D 

Feedback 

Flanger 

Balance D 

Level 0 $ 127 nK?,L 3!%"…ü 

L out 

Balance W 

Balance W 

R out 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

-ë.…›!%ì “,ã…=ë=ì, 

o=!=ì2!/ " 2%÷…%“2, “%"C=ä=þ2 “ C=!=ì2!=ì, .--*2= 

œ68: OVERDRIVE→DELAYB, ƒ= ,“*ëþ÷…,ì “ëä3þ?,. ä"3.: 



fig.MFX-71 

L in 

Balance D 

L out 

Balance W 

Distortion 

Delay 

R in 

Feedback 

Balance D 

Balance W 

R out 

72: ENHANCER → CHORUS 

fig.MFX-72 

L in 

Enhancer 

Mix 

Balance D 

Chorus 

L out 

Balance W 

Balance W 

R in 

Enhancer 

Mix 

Balance D 

R out 

o=!=ì2! g…=÷…, nC,“=…, 



r!%"…ü ã…!,!3ì/. 

.*“=L2!%ì ã=!ì%…,* 

79

74: ENHANCER → DELAY 

76: FLANGER → DELAY 

fig.MFX-74 

fig.MFX-76 

L in 

R in 

Enhancer 

Enhancer 

Mix 

Mix 

Balance D 

Delay 

Feedback 

Balance D 

L out 

Balance W 

Balance W 

R out 

L in 

R in 

Balance D 

Feedback 

Flanger 

Balance D 

Balance W 

Balance W 

Balance D 

Delay 

Feedback 

Balance D 

L out 

Balance W 

Balance W 

R out 

o=!=ì2! g…=÷…, nC,“=…, 



r!%"…ü ã…!,!3ì/. 

.*“=L2!%ì ã=!ì%…,* 


Delay 

Feedback 

Delay HF Damp 

Delay Balance 

fig.MFX-75 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

D100:0W $ D0:100W 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

)=“2%2=, …=÷,…= “ *%2%!%L 

“,ã…=ë %K!=2…%L “" ƒ, 

C%ä="ë 2“ . e“ë, C%ãë%?…, 

… 2!K32“ , 3“2=…%",2 


a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

ƒ=ä!›*%L “,ã…=ë=ì, 

Level 0 $ 127 nK?,L 3!%"…ü 

75: CHORUS → DELAY 

L in 

R in 

Balance D 

Balance W 

Chorus 

Balance W 

Balance D 

Balance D 

Delay 

Feedback 

Balance D 

L out 

Balance W 

Balance W 

R out 

o=!=ì2! g…=÷…, nC,“=…, 

Flanger Pre 

Delay 

0.0 $ 100.0 ì“ 

o!ä"=!,2ëü…= ƒ=ä!›*= 

-ë.…›!= 


Flanger Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, -ë.…›!= 

Flanger 

Feedback 

Flanger 

Balance 

-98 $ +98% 

D100:0W $ D0:100W 


Delay 

Feedback 

Delay HF Damp 

Delay 

Balance 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

D100:0W $ D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

cë3K,…= %K!=2…%L “" ƒ, 

-ë.…›!=. o!, %2!,ö=2ëü…/. (-) 

ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, (-ë…›!) 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

)=“2%2=, …=÷,…= “ *%2%!%L 

“,ã…=ë %K!=2…%L “" ƒ, 

C%ä="ë 2“ . e“ë, C%ãë%?…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

ƒ=ä!›*%L “,ã…=ë=ì, 

o=!=ì2! g…=÷…, nC,“=…, 

Chorus Pre 

Delay 

0.0 $ 100.0 ì“ 

o!ä"=!,2ëü…= ƒ=ä!›*= 

.%!3“= 


Chorus Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, .%!3“= 

Chorus 

Balance 

D100:0W $ D0:100W 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

“,ã…=ë=ì, (.%!3“) 


Delay 

Feedback 

Delay HF 

Damp 

Delay 

Balance 

-98 $ +98% 

200 $ 8000 cö, BYPASS 

D100:0W $ D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

cë3K,…= %K!=2…%L “" ƒ, 

ƒ=ä!›*,. o!, %2!,ö=2ëü…/. (-) 

ƒ…=÷…, . -=ƒ= ,…"!2,!32“ . 

)=“2%2=, …=÷,…= “ *%2%!%L 

“,ã…=ë %K!=2…%L “" ƒ, 

C%ä="ë 2“ . e“ë, C%ãë%?…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì 

(D) , %K!=K%2=……/ì (W) 

ƒ=ä!›*%L “,ã…=ë=ì, 

80

77: CHORUS → FLANGER 

fig.MFX-77 

78: 

SYMPATHETIC RESO 

(SYMPATHETIC RESONANCE) 

L in 

Balance D 

Balance W 

Chorus 

Balance W 

Balance D 

Feedback 

Flanger 

L out 

Balance W 

Balance W 

o!, ,ã! …= =*3“2,÷“*%ì -%!2C,=…% “ …=›=2%L C!="%L Cä=ëüþ 

“"%K%ä…/ “2!3…/ ".%ä 2 " !ƒ%…=…“ ä!3ã “ ä!3ã%ì, “%ƒä="= 2ì 

“=ì/ì …%K/÷…% K%ã=2/L , ãë3K%*,L ƒ"3*. d=……/L .--*2 " 

2%÷…%“2, "%““%ƒä=2 "/ø%C,“=……% "ë…,. 

fig.MFX-78 

R in 

Balance D 

Balance D 

R out 

L in 

3-Band 

EQ 

L out 

o=!=ì2! g…=÷…, nC,“=…, 

Chorus Pre 

Delay 

0.0$100.0 ms o!ä"=!,2ëü…= ƒ=ä!›*= .%!3“= 

Chorus Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, .%!3“= 

Chorus Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, .%!3“= 

Chorus 

Balance 

Flanger Pre 

Delay 

D100:0W $ D0:100W 

0.0 $ 100.0 ì“ 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) 

, %K!=K%2=……/ì (W) “,ã…=ë=ì, 

(.%!3“) 

o!ä"=!,2ëü…= ƒ=ä!›*= 

-ë.…›!= 

Flanger Rate 0.05 $ 10.00 Hz, note )=“2%2= ì%ä3ë ö,, -ë…›!= 

Flanger Depth 0-127 cë3K,…= ì%ä3ë ö,, -ë.…›!= 

Flanger 

Feedback 

Flanger 

Balance 

-98 $ +98% 

D100:0W $ D0:100W 

Level 0 $ 127 nK?,L 3!%"…ü 

cë3K,…= %K!=2…%L “" ƒ, -ë.…›!=. 

o!, %2!,ö=2ëü…/. (-) ƒ…=÷…, . 

-=ƒ= ,…"!2,!32“ . 

a=ë=…“ ì›ä3 …%K!=K%2=……/ì (D) 

, %K!=K%2=……/ì (W) -ë.…›!%ì 

“,ã…=ë=ì, 

R in 

o=!=ì2! g…=÷…, nC,“=…, 

Depth 0 $ 127 cë3K,…= .--*2= 

Damper 0 $ 127 

cë3K,…= …=›=2, äìC-!…%L 

Cä=ë, (3C!="ë 2 ƒ"3÷=…,ì 

!ƒ%…=…“=) 

Pre LPF 

Pre HPF 

Peaking Freq 

16 $ 15000 cö, 

BYPASS 

BYPASS, 16 $15000 

cö 

200 $ 8000 cö 

o!ä"=!,2ëü…/L -,ëü2! …,ƒ*,. 

÷=“2%2 (BYPASS: %2*ëþ÷…) 

o!ä"=!,2ëü…/L -,ëü2! "/“%*,. 

÷=“2%2 (BYPASS: %2*ëþ÷…) 

0…2!=ëü…= ÷=“2%2= -,ëü2!= 

“!ä…,. ÷=“2%2 

Peaking Gain -15 $ +15 äa r“,ë…, “!ä…,. ÷=“2%2 

Peaking Q 0.5, 1.0, 2.0, 4.0, 8.0 

d%K!%2…%“2ü -,ëü2!= “!ä…,. 

÷=“2%2 (÷ì K%ëüø ƒ…=÷…,, 2ì 

3› C%ë%“=) 

HF Damp 

LF Damp 

Lid 6 $ 1 

Sym. Resonance 

16 $ 15000 cö, 

BYPASS 

BYPASS, 

16 $ 15000 cö 

3-Band 

EQ 

R out 

)=“2%2=, …=÷,…= “ *%2%!%L 

"/“%*, ÷=“2%2/ !ƒ%…=…“…%ã% 

“,ã…=ë= C%ä="ë þ2“ . e“ë, 

C%ãë%?…, … 2!K32“ , 

3“2=…%",2 ƒ…=÷…, BYPASS. 

)=“2%2=, …=÷,…= “ *%2%!%L …,ƒ*, 

÷=“2%2/ !ƒ%…=…“…%ã% “,ã…=ë= 

C%ä="ë þ2“ . e“ë, C%ãë%?…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

o=!=ì2! %C!äë 2, …=“*%ëü*% 

ø,!%*% %2*!/2= *!/ø*= !% ë 

EQ Low Freq 200, 400 Hz 0…2!=ëü…= ÷=“2%2= -,ëü2!= m) 

EQ Low Gain -15 $ +15 dB r“,ë…, -,ëü2!= m) 

EQ Mid Freq 200 $ 8000 Hz 0…2!=ëü…= ÷=“2%2= -,ëü2!= q) 

EQ Mid Gain -15 $ +15 dB r“,ë…, -,ëü2!= q) 

EQ Mid Q 0.5, 1.0, 2.0, 4.0, 8.0 

d%K!%2…%“2ü -,ëü2!= q). )ì 

ì…üø ƒ…=÷…,, 2ì ø,! C%ë%- 

“= -,ëü2!=. 

EQ High Freq 2000, 4000, 8000 Hz 0…2!=ëü…= ÷=“2%2= -,ëü2!= b) 

EQ High Gain -15 $ +15 dB r“,ë…, -,ëü2!= b) 

Level 0 $ 127 nK?,L 3!%"…ü 

81

o=!=ì2!/ .%!3“= 

b“2!%……/L " Prelude .--*2 .%!3“= ì%›2 !=K%2=2ü " !›,ì ƒ=ä!›*,. 

o=!=ì2!/ C%ƒ"%ë þ2 "/K!=2ü 2,C .--*2= (.%!3“ ,ë, ƒ=ä!›*=), = 2=*› %2*%!!*2,!%"=2ü ã% ä!3ã, C=!=ì2!/. 

o=!=ì2! g…=÷…, nC,“=…, 

Chorus Type 

01: CHORUS 

Filter Type 

0 (OFF), 

1 (CHORUS), 

2 (DELAY), 

3 (GM2 CHORUS) 

OFF, LPF, HPF 

b/K%! 2,C= .--*2=. 

0 (OFF): .--*2 %2*ëþ÷…. 

1 (CHORUS): .%!3“. 

2 (DELAY): ƒ=ä!›*=. 

3 (GM2 CHORUS): .%!3“ “2=…ä=!- 

2= GM2. 

Š,C -,ëü2!=. 

o=!=ì2! %C!äë 2 ä,=C=ƒ%… 

C!%C3“*=ì/. ÷=“2%2. 

OFF: -,ëü2! %2*ëþ÷… 

LPF: ÷=“2%2/ …,› ÷=“2%2/ “!ƒ=. 

HPF: ÷=“2%2/ "/ø ÷=“2%2/ “!ƒ= 


Pre Delay 0.0 $ 100.0 ì“ 

o!ä"=!,2ëü…= ƒ=ä!›*= ì›ä3 

C! ì/ì , %K!=K%2=……/ì “,ã…=ë=ì, 


Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Phase 0 $ 180 ã!=ä o!%“2!=…“2"……= ø,!,…= ƒ"3*= 

Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, 

02: DELAY 

Delay Left 

Delay Right 0 $ 1000 ms, note b!ì ƒ=ä!›*, L, R, C. 

Delay Center 

Center 

Feedback 

HF Damp 

Left Level 

Right Level 

Center Level 

-98$+98% 

200 $ 8000 cö, 

BYPASS 

03: GM2 CHORUS 

cë3K,…= %K!=2…%L “" ƒ,. o!, 

%2!,ö=2ëü…/. (-) ƒ…=÷…, . -=ƒ= 

,…"!2,!32“ . 

)=“2%2=, …=÷,…= “ *%2%!%L "/“%*, 

÷=“2%2/ “,ã…=ë= %K!=2…%L “" ƒ, 

C%ä="ë þ2“ . e“ë, C%ãë%?…, … 

2!K32“ , 3“2=…%",2 ƒ…=÷…, 

BYPASS. 

0 $ 127 c!%ì*%“2ü *=›ä%L ,ƒ ƒ=ä!›* 

e“ë, ƒ=ä=2ü "!ì ƒ=ä!›*, (Delay Time) " 2!ì,…=. 

äë,2ëü…%“2L …%2, ƒ=ìäë…, 2ìC= … K3ä2 "%ƒäL“2"%"=2ü 

…= "!ì ƒ=ä!›*, ä% K“*%…÷…%“2,. }2% “" ƒ=…% “ 2ì, ÷2% 

äë "!ì ƒ=ä!›*, 3“2=…="ë,"=2“ %C!äë……/L C!äë; 

“ë, "!ì ƒ=ä!›*, ƒ=ä=…% " 2!ì,…=. äë,2ëü…%“2L …%2, 

C!, ƒ=ìäë…,, 2ìC= "!ì ƒ=ä!›*, K3ä2 ,ƒì… 2ü“ C%*= 

… K3ä2 ä%“2,ã…32% C!äëü…% ƒ…=÷…,. n…% “%"C=ä=2 “ 

C!äëü…/ì ƒ…=÷…,ì "!ì…, ƒ=ä!›*, C!, 3*=ƒ=…,, ã% " 

÷,“ë%"%ì -%!ì=2. 

m%2…/ ƒ…=÷…, : 

fig.MFX-note2.e 

64-ÿ òðèîëü Øåñòüäåñÿò÷åñòâåðòàÿ Òðèäöàòüâòîðàÿ òðèîëü 

Òðèäöàòüâòîðàÿ 

Öåëàÿ íîòà 

Äâîéíàÿ íîòà 

Øåñòíàäöàòàÿ òðèîëü 

Òðèäöàòüâòîðàÿ ñ òî÷êîé 

Øåñòíàäöàòàÿ Âîñüìàÿ òðèîëü Øåñòíàäöàòàÿ ñ òî÷êîé 

Âîñüìàÿ 

×åòâåðòü 

Ïîëîâèííàÿ íîòà 

×åòâåðòíàÿ òðèîëü 

Ïîëîâèííàÿ òðèîëü 

Öåëàÿ òðèîëü 

Äâîéíàÿ òðèîëü 

Âîñüìàÿ ñ òî÷êîé 

×åòâåðòü ñ òî÷êîé 

Ïîëîâèíêà ñ òî÷êîé 

Öåëàÿ ñ òî÷êîé 

Pre-LPF 0 $ 7 

o!ä"=!,2ëü…/L -,ëü2!, “!ƒ=þ?,L 

"/“%*, ÷=“2%2/ “,ã…=ë=, C%ä="=ì%- 

ã% …= .%!3“. )ì "/ø ƒ…=÷…, C=- 

!=ì2!=, 2ì “3?“2"…… 

C%ä="ë…, "/“%*,. ÷=“2%2. 

Level 0 $ 127 r!%"…ü ã!%ì*%“2, .%!3“= 

Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, .%!3“= 

Delay 0 $ 127 g=ä!›*= .%!3“= 

Rate 0 $ 127 )=“2%2= ì%ä3ë ö,, 

Depth 0 $ 127 cë3K,…= ì%ä3ë ö,, 

Send Level 

To Reverb 

0 $ 127 r!%"…ü C%“/ë= …= !"!K!=2%! 

82

o=!=ì2!/ !"!K!=2%!= 

q C%ì%?üþ .2,. 3“2=…%"%* %C!äë 2“ 2,C !"!K!=2%!= , ã% .=!=*2!,“2,*,. 

o=!=ì2! 

Reverb 

Type 

g…=÷…, 

01: REVERB 

Type 

Time 0 $ 127 

HF Damp 

0 (OFF), 

1 (REVERB), 

2 (SRV ROOM), 

3 (SRV HALL), 

4 (SRV PLATE), 

5 (GM2 REVERB) 

ROOM1, 

ROOM2, 

STAGE1, 

STAGE2, HALL1, 

HALL2, 

DELAY, 

PAN-DELAY 

200 $ 8000 cö, 

BYPASS 

nC,“=…, 

Š,C !"!K!=ö,,: 

0 (OFF): !"!K!=2%! %2*ëþ÷…. 

1 (REVERB): %K/÷…= !"!K!=ö, . 

2 (SRV ROOM): ,ì,2=ö, *%ì…=2/. 

3 (SRV HALL): ,ì,2=ö, *%…ö!2…%ã% ƒ=ë=. 

4 (SRV PLATE): ,ì,2=ö, Cë=“2,…÷=2%ã% !- 

"!K!=2%!=. 

5 (GM2 REVERB): !"!K!=2%! “2=…ä=!2= 

GM2 

Š,C !"!K!=ö,,/ƒ=ä!›*, 

ROOM1: …K%ëüø= *%ì…=2=, !"!K!=ö, 

“ *%!%2*,ì ƒ=23.=…,ì 

ROOM2: K%ëüø= *%ì…=2=, !"!K!=ö, “ 

*%!%2*,ì ƒ=23.=…,ì 

STAGE1: “ö…=, !"!K!=ö, “ 

"/!=›……/ì œ."%“2%ìB 

STAGE2: “ö…=, !"!K!=ö, “ 

"/!=›……/ì, !=……,ì, %2!=›…, ì, 

HALL1: ƒ=ë, !"!K!=ö, “ ÷,“2/ì ƒ"3*%ì 

HALL2: ƒ=ë, !"!K!=ö, “ K%ã=2/ì ƒ"3*%ì 

DELAY: “2=…ä=!2…= ƒ=ä!›*= 

PAN-DELAY: o!*!“2…= ƒ=ä!›*= 

b!ì !"!K!=ö,, 

(Type: ROOM1-HALL2) 

b!ì ƒ=ä!›*, 

(Type: DELAY, PAN-DELAY) 

)=“2%2=, …=÷,…= “ *%2%!%L "/“%*, ÷=“2%2/ 

!"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . 

e“ë, C%ãë%?…, … 2!K32“ , 3“2=…%",2 


Delay 

Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, ƒ=ä!›*,, “ë, Type 

= DELAY ,ë, PAN-DELAY. 

02: SRV ROOM 

03: SRV HALL 

04: SRV PLATE 

o=!=ì2! 

g…=÷…, 

05: GM2 REVERB 

Character 0 $ 7 

nC,“=…, 

Š,C .--*2= 

0$5: !"!K!=2%! 

6, 7: ƒ=ä!›*= 

Pre-LPF 0 $ 7 

o%ä="ë…, "/“%*,. ÷=“2%2 C! ì%ã% “,ã…=ë=. 

)ì K%ëüø ƒ…=÷…,, 2ì "/“%*,. ÷=“2%2 

C%ä="ë 2“ 

Level 0 $ 127 nK?,L 3!%"…ü !"!K!=ö,, 

Time 0 $ 127 dë,2ëü…%“2ü !"!K!=ö,, 

Delay 

Feedback 0 $ 127 cë3K,…= %K!=2…%L “" ƒ, ƒ=ä!›*, (“ë, 

Character = 6 ,ë, 7). 

Pre 

Delay 

0.0 $ 100.0 ì“ 

o!ä"=!,2ëü…= ƒ=ä!›*= ì›ä3 C! ì/ì , 

%K!=K%2=……/ì “,ã…=ë%ì 

Time 0 $ 127 dë,2ëü…%“2ü !"!K!=ö,, 

Size 1 $ 8 p=ƒì! ,ì,2,!3ì%L *%ì…=2/ 

High Cut 

160 cö $ 12.5 *cö, 

BYPASS 

)=“2%2=, …=÷,…= “ *%2%!%L "/“%*, ÷=“2%2/ 

!"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . 

e“ë, C%ãë%?…, … 2!K32“ , 3“2=…%",2 


Density 0 $ 127 oë%2…%“2ü !"!K!=ö,, 

Diffusion 0 $ 127 

p=““,"=…, !"!K!=ö,, (…=,K%ë 

.--*2…% !=K%2=2 C!, äë,2ëü…%ì "!ì…, 

!"!K!=ö,,) 

LF Damp 

Freq 

LF Damp 

Gain 

HF Damp 

Freq 

HF Damp 

Gain 

50 $ 4000 cö 

-36 $ 0 äa 

4000 cö $ 

12.5 *cö 

-36 $ 0 äa 

)=“2%2=, …=÷,…= “ *%2%!%L …,ƒ*, ÷=“2%2/ 

!"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . 

cë3K,…= %“ë=Kë…, …,ƒ*,. ÷=“2%2 " “,ã…=ë 

!"!K!=2%!= 

)=“2%2=, …=÷,…= “ *%2%!%L "/“%*, ÷=“2%2/ 

!"!K!=ö,%……%ã% “,ã…=ë= C%ä="ë þ2“ . 

cë3K,…= %“ë=Kë…, "/“%*,. ÷=“2%2 " 

“,ã…=ë !"!K!=2%!= 

83

qC,“%* 2ìK!%" 

* m%ì!= 897 $ 1152 (2ìK!/) , 1185 $ 1193 (…=K%!/ 3ä=!…/.) %2…%“ 2“ * “2=…ä=!23 GM2. 

1. hì j=2ã%!, MSB LSB PC 

1 Rich Grand AC.PIANO 87 64 1 

2 88ConcertPno AC.PIANO 87 64 2 

3 UltimatGrand AC.PIANO 87 64 3 

4 X Pure Grand AC.PIANO 87 64 4 

5 So true... AC.PIANO 87 64 5 

6 ConcertPiano AC.PIANO 87 64 6 

7 Warm Piano AC.PIANO 87 64 7 

8 ConcertGrand AC.PIANO 87 64 8 

9 Hall Concert AC.PIANO 87 64 9 

10 Bright Tune AC.PIANO 87 64 10 

11 Mellow Tune AC.PIANO 87 64 11 

12 Studio Grand AC.PIANO 87 64 12 

13 DryStudio88 AC.PIANO 87 64 13 

14 First Choice AC.PIANO 87 64 14 

15 Rokkin' pF AC.PIANO 87 64 15 

16 Dark Grand AC.PIANO 87 64 16 

17 SC Grand+Pad AC.PIANO 87 64 17 

18 Warm Pad Pno AC.PIANO 87 64 18 

19 SC Grand+Vox AC.PIANO 87 64 19 

20 Cicada Piano AC.PIANO 87 64 20 

21 X Piano +Str AC.PIANO 87 64 21 

22 Warm Str Pno AC.PIANO 87 64 22 

23 Grand Hall AC.PIANO 87 64 23 

24 Rapsody AC.PIANO 87 64 24 

25 JD-800 Piano AC.PIANO 87 64 25 

26 SA Dance Pno AC.PIANO 87 64 26 

27 SC E-Grand AC.PIANO 87 64 27 

28 Back E-Grand AC.PIANO 87 64 28 

29 SC Grand+FM AC.PIANO 87 64 29 

30 SC Blend Pno AC.PIANO 87 64 30 

31 Piano Oz AC.PIANO 87 64 31 

32 FX Piano AC.PIANO 87 64 32 

33 AmbientPiano AC.PIANO 87 64 33 

34 SC Pure EP EL.PIANO 87 64 34 

35 SC Trem EP EL.PIANO 87 64 35 

36 SC Phase EP EL.PIANO 87 64 36 

37 PhaseEPLayer EL.PIANO 87 64 37 

38 SC E.Piano EL.PIANO 87 64 38 

39 StageEP Trem EL.PIANO 87 64 39 

40 Back2the60s EL.PIANO 87 64 40 

41 Stage EP EL.PIANO 87 64 41 

42 Stage Phazer EL.PIANO 87 64 42 

43 StageCabinet EL.PIANO 87 64 43 

44 Tine EP EL.PIANO 87 64 44 

45 LEO EP EL.PIANO 87 64 45 

46 LonesomeRoad EL.PIANO 87 64 46 

47 Age'n'Tines EL.PIANO 87 64 47 

48 Brill TremEP EL.PIANO 87 64 48 

49 Crystal EP EL.PIANO 87 64 49 

50 Vintage Tine EL.PIANO 87 64 50 

51 Celestial EP EL.PIANO 87 64 51 

52 Psycho EP EL.PIANO 87 64 52 

53 Mk2 Stg phsr EL.PIANO 87 64 53 

54 Dreaming EP EL.PIANO 87 64 54 

55 Balladeer EL.PIANO 87 64 55 

56 Remember EL.PIANO 87 64 56 

57 Vibe EP EL.PIANO 87 64 57 

58 sin(EP) EL.PIANO 87 64 58 

59 SC Pure Wuly EL.PIANO 87 64 59 

60 SC Trem Wuly EL.PIANO 87 64 60 

61 Super Wurly EL.PIANO 87 64 61 

62 Wurly Trem EL.PIANO 87 64 62 

63 VelSpdWurly EL.PIANO 87 64 63 

64 Fonky Fonky EL.PIANO 87 64 64 

65 FM EP mix EL.PIANO 87 64 65 

66 FM-777 EL.PIANO 87 64 66 

67 FM EPad EL.PIANO 87 64 67 

68 EP Stack EL.PIANO 87 64 68 

69 EP Belle EL.PIANO 87 64 69 

70 80s EP EL.PIANO 87 64 70 

71 SA EPiano EL.PIANO 87 64 71 

72 BrillClav DB KEYBOARDS 87 64 72 

73 Cell Clav KEYBOARDS 87 64 73 

74 VntgClav KEYBOARDS 87 64 74 

75 Cutter Clavi KEYBOARDS 87 64 75 


76 Funky D KEYBOARDS 87 64 76 

77 Phase Clavi KEYBOARDS 87 64 77 

78 BPF Clavi Ph KEYBOARDS 87 64 78 

79 Pulse Clavi KEYBOARDS 87 64 79 

80 PWM Clav KEYBOARDS 87 64 80 

81 Funky Line KEYBOARDS 87 64 81 

82 Biting Clav KEYBOARDS 87 64 82 

83 Analog Clavi KEYBOARDS 87 64 83 

84 Reso Clavi KEYBOARDS 87 64 84 

85 Snappy Clav KEYBOARDS 87 64 85 

86 Over-D6 KEYBOARDS 87 64 86 

87 Harpsy Clavi KEYBOARDS 87 64 87 

88 SC Harpsi KEYBOARDS 87 64 88 

89 Amadeus KEYBOARDS 87 64 89 

90 SC Celesta KEYBOARDS 87 64 90 

91 Himalaya Ice BELL 87 64 91 

92 FM Syn Bell BELL 87 64 92 

93 D-50 Fantsia BELL 87 64 93 

94 Wine Glass BELL 87 64 94 

95 MuBox Pad BELL 87 64 95 

96 SC Bell 1 BELL 87 64 96 

97 FM Heaven BELL 87 64 97 

98 SC Glocken BELL 87 64 98 

99 Music Bells BELL 87 64 99 

100 SC Musicbox BELL 87 64 100 

101 Music Box 2 BELL 87 64 101 

102 Kalimbells BELL 87 64 102 

103 Step Ice BELL 87 64 103 

104 SC Bell 2 BELL 87 64 104 

105 Candy Bell BELL 87 64 105 

106 SC Chime BELL 87 64 106 

107 Bell Ring BELL 87 64 107 

108 Tubular Bell BELL 87 64 108 

109 5th Key BELL 87 64 109 

110 Bell Monitor BELL 87 64 110 

111 TubyRuesday BELL 87 64 111 

112 Vibrations MALLET 87 64 112 

113 SC Vibe MALLET 87 64 113 

114 Ringy Vibes MALLET 87 64 114 

115 Airie Vibez MALLET 87 64 115 

116 SC Marimba MALLET 87 64 116 

117 FM Wood MALLET 87 64 117 

118 SC Xylo MALLET 87 64 118 

119 Ethno Keys MALLET 87 64 119 

120 Synergy MLT MALLET 87 64 120 

121 Icy Keys MALLET 87 64 121 

122 Steel Drums MALLET 87 64 122 

123 50`SteelDrms MALLET 87 64 123 

124 Xylosizer MALLET 87 64 124 

125 Toy Box MALLET 87 64 125 

126 AirPluck MALLET 87 64 126 

127 HardRockORG1 ORGAN 87 64 127 

128 HardRockORG2 ORGAN 87 64 128 

129 SuperDistORG ORGAN 87 65 1 

130 SuperDistLd2 ORGAN 87 65 2 

131 FullDraw Org ORGAN 87 65 3 

132 StakDraw Org ORGAN 87 65 4 

133 FullStop Org ORGAN 87 65 5 

134 SC Perc Org ORGAN 87 65 6 

135 VKHold4Speed ORGAN 87 65 7 

136 X Perc Organ ORGAN 87 65 8 

137 Rocky Organ ORGAN 87 65 9 

138 Euro Organ ORGAN 87 65 10 

139 Rhythm'n'B ORGAN 87 65 11 

140 Phono Organ ORGAN 87 65 12 

141 LoFi PercOrg ORGAN 87 65 13 

142 Rochno Org ORGAN 87 65 14 

143 R&B Organ 1 ORGAN 87 65 15 

144 R&B Organ 2 ORGAN 87 65 16 

145 SC Dist Bee ORGAN 87 65 17 

146 60's Org 1 ORGAN 87 65 18 

147 60's Org 2 ORGAN 87 65 19 

148 Smoky Organ ORGAN 87 65 20 

149 SC SoapOpera ORGAN 87 65 21 

150 Crummy Organ ORGAN 87 65 22 

84


151 Chapel Organ ORGAN 87 65 23 

152 Grand Pipe ORGAN 87 65 24 

153 Pipe Org/Mod ORGAN 87 65 25 

154 Masked Opera ORGAN 87 65 26 

155 Mid Pipe Org ORGAN 87 65 27 

156 Vodkakordion ACCRDION 87 65 28 

157 Squeeze Me! ACCRDION 87 65 29 

158 Guinguette ACCRDION 87 65 30 

159 HarWonderca HARMONICA 87 65 31 

160 BluesHrp V/S HARMONICA 87 65 32 

161 Green Bullet HARMONICA 87 65 33 

162 SC Brt Nylon AC.GUITAR 87 65 34 

163 SoftNyln Gtr AC.GUITAR 87 65 35 

164 SC Nylon Gt AC.GUITAR 87 65 36 

165 Wet Nyln Gtr AC.GUITAR 87 65 37 

166 Pre Mass Hum AC.GUITAR 87 65 38 

167 Thick Steel AC.GUITAR 87 65 39 

168 Uncle Martin AC.GUITAR 87 65 40 

169 Wide Ac Gtr AC.GUITAR 87 65 41 

170 Comp Stl Gtr AC.GUITAR 87 65 42 

171 Stl Gtr Duo AC.GUITAR 87 65 43 

172 SC 12str Gtr AC.GUITAR 87 65 44 

173 So good ! AC.GUITAR 87 65 45 

174 StratSeq'nce EL.GUITAR 87 65 46 

175 Jazz Guitar EL.GUITAR 87 65 47 

176 DynoJazz Gtr EL.GUITAR 87 65 48 

177 Clean Gtr EL.GUITAR 87 65 49 

178 Crimson Gtr EL.GUITAR 87 65 50 

179 Plug n' Gig EL.GUITAR 87 65 51 

180 Kinda Kurt EL.GUITAR 87 65 52 

181 Nice Oct Gtr EL.GUITAR 87 65 53 

182 Strat Gtr EL.GUITAR 87 65 54 

183 Touch Drive DIST.GUITAR 87 65 55 

184 SC Chunk DIST.GUITAR 87 65 56 

185 Trem-o-Vibe DIST.GUITAR 87 65 57 

186 LP Dist DIST.GUITAR 87 65 58 

187 Hurtling Gtr DIST.GUITAR 87 65 59 

188 Searing COSM DIST.GUITAR 87 65 60 

189 SC Loud Gtr DIST.GUITAR 87 65 61 

190 SC Plugged!! DIST.GUITAR 87 65 62 

191 Punker 1 DIST.GUITAR 87 65 63 

192 SC PowerChd DIST.GUITAR 87 65 64 

193 Punker 2 DIST.GUITAR 87 65 65 

194 Larsen /Aft DIST.GUITAR 87 65 66 

195 Rockin' Dly DIST.GUITAR 87 65 67 

196 Sonic Ac Bs BASS 87 65 68 

197 Ulti Ac Bass BASS 87 65 69 

198 Downright Bs BASS 87 65 70 

199 Cmp'd Fng Bs BASS 87 65 71 

200 Sonic Fng Bs BASS 87 65 72 

201 Ultimo Bass BASS 87 65 73 

202 Roomy Bass BASS 87 65 74 

203 FingerMaster BASS 87 65 75 

204 All Round Bs BASS 87 65 76 

205 R&B Bs/Slide BASS 87 65 77 

206 Sonic Pck Bs BASS 87 65 78 

207 Thumb Up! BASS 87 65 79 

208 Tubby Mute BASS 87 65 80 

209 Chicken Bass BASS 87 65 81 

210 Snug Bass BASS 87 65 82 

211 Return2Base! BASS 87 65 83 

212 Chorus Bass BASS 87 65 84 

213 A Big Pick BASS 87 65 85 

214 Basement BASS 87 65 86 

215 SC Fretnot 1 BASS 87 65 87 

216 SC Fretnot 2 BASS 87 65 88 

217 RichFretless BASS 87 65 89 

218 NewAge Frtls BASS 87 65 90 

219 SlapBass1 BASS 87 65 91 

220 Slap2 w/Fx BASS 87 65 92 

221 Got Pop? BASS 87 65 93 

222 JBass v/Thmb BASS 87 65 94 

223 SC Slap Bass BASS 87 65 95 

224 X Slap Bass BASS 87 65 96 

225 Low Bass SYNTH BASS 87 65 97 

226 Mini Like! SYNTH BASS 87 65 98 

227 MC-404 Bass SYNTH BASS 87 65 99 


228 SC Rubber Bs SYNTH BASS 87 65 100 

229 SH-101 Bs 1 SYNTH BASS 87 65 101 

230 SC Syn Bass1 SYNTH BASS 87 65 102 

231 Juno-106 Bs SYNTH BASS 87 65 103 

232 Smooth Bass SYNTH BASS 87 65 104 

233 SC Flat Bs SYNTH BASS 87 65 105 

234 Foundation SYNTH BASS 87 65 106 

235 Punch MG 2 SYNTH BASS 87 65 107 

236 Electro Rubb SYNTH BASS 87 65 108 

237 R&B Bass 1 SYNTH BASS 87 65 109 

238 Enorjizor SYNTH BASS 87 65 110 

239 LowFat Bass SYNTH BASS 87 65 111 

240 Doze Bass SYNTH BASS 87 65 112 

241 DCO Bass SYNTH BASS 87 65 113 

242 Virtual RnBs SYNTH BASS 87 65 114 

243 Saw&MG Bass SYNTH BASS 87 65 115 

244 MG+SubOsc Bs SYNTH BASS 87 65 116 



247 Not a Bass SYNTH BASS 87 65 119 

248 ResoSyn Bs 1 SYNTH BASS 87 65 120 

249 SH-1 Bass SYNTH BASS 87 65 121 

250 SH-101 Bs 2 SYNTH BASS 87 65 122 

251 Punch MG 1 SYNTH BASS 87 65 123 

252 MKS-50 SynBs SYNTH BASS 87 65 124 

253 Gashed Bass SYNTH BASS 87 65 125 

254 Q Bass SYNTH BASS 87 65 126 

255 Super-G DX SYNTH BASS 87 65 127 

256 Kickin' Bass SYNTH BASS 87 65 128 

257 OilDrum Bass SYNTH BASS 87 66 1 

258 Dust Bass SYNTH BASS 87 66 2 

259 Glide-iator SYNTH BASS 87 66 3 

260 SC AcidPunch SYNTH BASS 87 66 4 

261 TBasic SYNTH BASS 87 66 5 

262 SC Unison Bs SYNTH BASS 87 66 6 

263 Detune Bass SYNTH BASS 87 66 7 

264 Lo Bass SYNTH BASS 87 66 8 

265 SC GarageBs1 SYNTH BASS 87 66 9 

266 SC GarageBs2 SYNTH BASS 87 66 10 

267 Sub Sonic SYNTH BASS 87 66 11 

268 SC Jungle Bs SYNTH BASS 87 66 12 


270 Simply Basic SYNTH BASS 87 66 14 

271 Beepin Bass SYNTH BASS 87 66 15 

272 MC-TB Bass SYNTH BASS 87 66 16 

273 Acdg Bass SYNTH BASS 87 66 17 

274 Loco Voco SYNTH BASS 87 66 18 

275 Unplug it! SYNTH BASS 87 66 19 

276 S&H Bass SYNTH BASS 87 66 20 

277 Destroyed Bs SYNTH BASS 87 66 21 

278 SC Acid Bs SYNTH BASS 87 66 22 

279 Lo-Fi TB SYNTH BASS 87 66 23 

280 Drop Bass SYNTH BASS 87 66 24 

281 Big Mini SYNTH BASS 87 66 25 

282 Muffled MG SYNTH BASS 87 66 26 

283 Intrusive Bs SYNTH BASS 87 66 27 

284 Alpha SynBs SYNTH BASS 87 66 28 

285 TransistorBs SYNTH BASS 87 66 29 

286 Juno-60 Bass SYNTH BASS 87 66 30 

287 Storm Bass SYNTH BASS 87 66 31 

288 Alpha ResoBs SYNTH BASS 87 66 32 

289 SH-101 Vibe SYNTH BASS 87 66 33 

290 Fazee Bass SYNTH BASS 87 66 34 

291 Hi-Energy Bs SYNTH BASS 87 66 35 

292 SC Violin STRINGS 87 66 36 

293 Violin STRINGS 87 66 37 

294 Viola STRINGS 87 66 38 

295 SC Cello STRINGS 87 66 39 

296 Cello STRINGS 87 66 40 

297 Contrabass STRINGS 87 66 41 

298 Dolce Qrt STRINGS 87 66 42 

299 Chamber Str STRINGS 87 66 43 

300 Small Str STRINGS 87 66 44 

301 Marcato STRINGS 87 66 45 

302 Bright Str STRINGS 87 66 46 

303 String Ens STRINGS 87 66 47 

304 SonicStrings STRINGS 87 66 48 

85


305 Stringz 101 STRINGS 87 66 49 

306 Crossed Bows STRINGS 87 66 50 

307 Warm Strings STRINGS 87 66 51 

308 Stacc mp Str STRINGS 87 66 52 

309 Movie Scene STRINGS 87 66 53 

310 Hybrid Str 1 STRINGS 87 66 54 

311 Gang Strangs STRINGS 87 66 55 

312 Clustered!?! STRINGS 87 66 56 

313 Full Strings STRINGS 87 66 57 

314 X StrSection STRINGS 87 66 58 

315 Oct Strings STRINGS 87 66 59 

316 Sahara Str STRINGS 87 66 60 

317 Random Mood STRINGS 87 66 61 

318 X Hall Str STRINGS 87 66 62 

319 SC Slow Str STRINGS 87 66 63 

320 Hybrid Str 2 STRINGS 87 66 64 

321 Biggie Bows STRINGS 87 66 65 

322 Staccato VS STRINGS 87 66 66 

323 So Staccato STRINGS 87 66 67 

324 DelicatePizz STRINGS 87 66 68 

325 Vls PizzHall STRINGS 87 66 69 

326 Orch Pizz STRINGS 87 66 70 

327 Pizz'Stac VS STRINGS 87 66 71 

328 Mellow Tron STRINGS 87 66 72 

329 Tronic Str STRINGS 87 66 73 

330 Tape Memory STRINGS 87 66 74 

331 Wind & Str 1 ORCHESTRA 87 66 75 

332 Wind & Str 2 ORCHESTRA 87 66 76 

333 Farewell ORCHESTRA 87 66 77 

334 Orch & Horns ORCHESTRA 87 66 78 

335 Soft Orch 1 ORCHESTRA 87 66 79 

336 Soft Orch 2 ORCHESTRA 87 66 80 

337 Henry IX ORCHESTRA 87 66 81 

338 Ending Scene ORCHESTRA 87 66 82 

339 Symphonika ORCHESTRA 87 66 83 

340 Mix Hit 2 HIT&STAB 87 66 84 

341 Cheezy Movie HIT&STAB 87 66 85 

342 Philly Hit HIT&STAB 87 66 86 

343 Smear Hit 1 HIT&STAB 87 66 87 

344 Smear Hit 2 HIT&STAB 87 66 88 

345 Good Old Hit HIT&STAB 87 66 89 

346 Mix Hit 1 HIT&STAB 87 66 90 

347 Lo-Fi Hit HIT&STAB 87 66 91 

348 2ble Action HIT&STAB 87 66 92 

349 In da Cave HIT&STAB 87 66 93 

350 Housechord HIT&STAB 87 66 94 

351 Mod Chord HIT&STAB 87 66 95 

352 Dance Steam HIT&STAB 87 66 96 

353 Good Old Day WIND 87 66 97 

354 SC WindWood WIND 87 66 98 

355 Clarence.net WIND 87 66 99 

356 SC Oboe WIND 87 66 100 

357 Hall Oboe WIND 87 66 101 

358 English Horn WIND 87 66 102 

359 Bassoon WIND 87 66 103 

360 SC Flute FLUTE 87 66 104 

361 Piccolo FLUTE 87 66 105 

362 Andes Mood FLUTE 87 66 106 

363 HimalayaPipe FLUTE 87 66 107 

364 Solo Tp AC.BRASS 87 66 108 

365 Horn Chops AC.BRASS 87 66 109 

366 Flugel Horn AC.BRASS 87 66 110 

367 Spit Flugel AC.BRASS 87 66 111 

368 Mute Tp /Mod AC.BRASS 87 66 112 

369 Harmon Mute AC.BRASS 87 66 113 

370 Soft Tb AC.BRASS 87 66 114 

371 Solo Tb AC.BRASS 87 66 115 

372 Solo Bone AC.BRASS 87 66 116 

373 XP Horn AC.BRASS 87 66 117 

374 Grande Tuba AC.BRASS 87 66 118 

375 SC Tuba AC.BRASS 87 66 119 

376 StackTp Sect AC.BRASS 87 66 120 

377 Tb Section AC.BRASS 87 66 121 

378 TpTb Sect. AC.BRASS 87 66 122 

379 SC Brt Brass AC.BRASS 87 66 123 

380 SC BrsSect 1 AC.BRASS 87 66 124 

381 SC BrsSect 2 AC.BRASS 87 66 125 


382 Tpts & Tmbs AC.BRASS 87 66 126 

383 Brass & Sax AC.BRASS 87 66 127 

384 BrassPartOut AC.BRASS 87 66 128 

385 Simple Tutti AC.BRASS 87 67 1 

386 F.Horns Sect AC.BRASS 87 67 2 

387 Full sForza AC.BRASS 87 67 3 

388 Stereo Brass AC.BRASS 87 67 4 

389 Wide SynBrss SYNTH BRASS 87 67 5 

390 DetuneSawBrs SYNTH BRASS 87 67 6 

391 J-Pop Brass SYNTH BRASS 87 67 7 

392 80s Brass 1 SYNTH BRASS 87 67 8 


394 Ana Brass SYNTH BRASS 87 67 10 

395 Soft Brass SYNTH BRASS 87 67 11 

396 JP8000 Brass SYNTH BRASS 87 67 12 

397 Sonic Brass SYNTH BRASS 87 67 13 

398 Syn Brass SYNTH BRASS 87 67 14 

399 Syn Brass 2 SYNTH BRASS 87 67 15 

400 Xpand Brass SYNTH BRASS 87 67 16 

401 Xpand Brass2 SYNTH BRASS 87 67 17 

402 Super Saw SYNTH BRASS 87 67 18 

403 SoftSynBrass SYNTH BRASS 87 67 19 

404 Silky JP SYNTH BRASS 87 67 20 

405 Silk Brs Pad SYNTH BRASS 87 67 21 


407 X-Saw Brass1 SYNTH BRASS 87 67 23 

408 Cheesy Brass SYNTH BRASS 87 67 24 

409 Dual Saw Brs SYNTH BRASS 87 67 25 

410 Juno-106 Brs SYNTH BRASS 87 67 26 

411 Poly Brass SYNTH BRASS 87 67 27 

412 Stacked Brs SYNTH BRASS 87 67 28 

413 Soprano Sax SAX 87 67 29 

414 Solo Sop Sax SAX 87 67 30 

415 Alto mp SAX 87 67 31 

416 Alto Sax SAX 87 67 32 

417 Solo AltoSax SAX 87 67 33 

418 AltoLead Sax SAX 87 67 34 

419 XP TnrBrethy SAX 87 67 35 

420 Tenor Sax SAX 87 67 36 

421 Fat TenorSax SAX 87 67 37 

422 Baritone Sax SAX 87 67 38 

423 Sax Sect. 1 SAX 87 67 39 

424 Sax Sect. 2 SAX 87 67 40 

425 Horny Sax SAX 87 67 41 

426 FXM Alto Sax SAX 87 67 42 

427 Porta SoloLd HARD LEAD 87 67 43 

428 Porta Lead HARD LEAD 87 67 44 

429 Wind Syn Ld HARD LEAD 87 67 45 

430 SC Saw Ld 1 HARD LEAD 87 67 46 

431 SC Saw Ld 2 HARD LEAD 87 67 47 

432 Juno Lead HARD LEAD 87 67 48 

433 Follow Me HARD LEAD 87 67 49 

434 DC Triangle HARD LEAD 87 67 50 

435 Sqr-Seqence HARD LEAD 87 67 51 

436 Pure Square HARD LEAD 87 67 52 

437 Griggley HARD LEAD 87 67 53 

438 SC LegatoSaw HARD LEAD 87 67 54 

439 Lone Prophat HARD LEAD 87 67 55 

440 Dual Profs HARD LEAD 87 67 56 

441 Gwyo Press HARD LEAD 87 67 57 

442 Q DualSaws HARD LEAD 87 67 58 

443 Mogulator Ld HARD LEAD 87 67 59 

444 DirtyVoltage HARD LEAD 87 67 60 

445 Clean? HARD LEAD 87 67 61 

446 Distortion HARD LEAD 87 67 62 

447 SC Syn Ld HARD LEAD 87 67 63 

448 SynLead 0322 HARD LEAD 87 67 64 

449 X-Sink Delay HARD LEAD 87 67 65 

450 Destroyed Ld HARD LEAD 87 67 66 

451 Synchro Lead HARD LEAD 87 67 67 

452 Sync Ld Mono HARD LEAD 87 67 68 

453 SyncModulate HARD LEAD 87 67 69 

454 Distorted MG HARD LEAD 87 67 70 

455 SonicVampire HARD LEAD 87 67 71 

456 Blue Meanie HARD LEAD 87 67 72 

457 SC Dist Lead HARD LEAD 87 67 73 

458 Ringmod Lead HARD LEAD 87 67 74 

86


459 Stimulation HARD LEAD 87 67 75 

460 BodyElectric HARD LEAD 87 67 76 

461 Classic Lead HARD LEAD 87 67 77 

462 Feat Lead HARD LEAD 87 67 78 

463 Wire Sync HARD LEAD 87 67 79 

464 Epic Lead HARD LEAD 87 67 80 

465 Bag Lead HARD LEAD 87 67 81 

466 Wezcoast HARD LEAD 87 67 82 

467 HyperJupiter HARD LEAD 87 67 83 

468 Vintagolizer HARD LEAD 87 67 84 

469 C64 Lead HARD LEAD 87 67 85 

470 303 NRG HARD LEAD 87 67 86 

471 Cell SquLead SOFT LEAD 87 67 87 

472 SC Sqr Lead SOFT LEAD 87 67 88 

473 SH Sqr Lead SOFT LEAD 87 67 89 

474 Round SQR SOFT LEAD 87 67 90 

475 Windy Synth SOFT LEAD 87 67 91 

476 Sqr Diamond SOFT LEAD 87 67 92 

477 Sinetific SOFT LEAD 87 67 93 

478 PeakArpSine SOFT LEAD 87 67 94 

479 Howards Lead SOFT LEAD 87 67 95 

480 SoloNzPeaker SOFT LEAD 87 67 96 

481 Juno SftLd SOFT LEAD 87 67 97 

482 R&B TriLead SOFT LEAD 87 67 98 

483 R&B Tri Ld2 SOFT LEAD 87 67 99 

484 Jupiter Lead SOFT LEAD 87 67 100 

485 Dig-n-Duke SOFT LEAD 87 67 101 

486 SC SoftLead SOFT LEAD 87 67 102 

487 Mid Saw Ld SOFT LEAD 87 67 103 

488 X-Pulse Lead SOFT LEAD 87 67 104 

489 Mild 2-SawLd SOFT LEAD 87 67 105 

490 Mew Lead SOFT LEAD 87 67 106 

491 Shy Soloist SOFT LEAD 87 67 107 

492 Theramax SOFT LEAD 87 67 108 

493 Therasqu SOFT LEAD 87 67 109 

494 GR Lead SOFT LEAD 87 67 110 

495 SH-2 Lead SOFT LEAD 87 67 111 

496 SC ResoLead SOFT LEAD 87 67 112 

497 Modulated Ld SOFT LEAD 87 67 113 

498 Synthi Fizz SOFT LEAD 87 67 114 

499 Waspy Lead SOFT LEAD 87 67 115 

500 Pulstar Ld SOFT LEAD 87 67 116 

501 Naked Lead SOFT LEAD 87 67 117 

502 Alpha Spit SOFT LEAD 87 67 118 

503 Vliolin Lead SOFT LEAD 87 67 119 

504 Mod Lead SOFT LEAD 87 67 120 

505 JP Saw Lead SOFT LEAD 87 67 121 

506 Tristar SOFT LEAD 87 67 122 

507 Chubby Lead SOFT LEAD 87 67 123 

508 Sneaky Leady SOFT LEAD 87 67 124 

509 Shaku Lead SOFT LEAD 87 67 125 

510 Legato Tkno SOFT LEAD 87 67 126 

511 SCResoSaw Ld SOFT LEAD 87 67 127 

512 SliCed Lead SOFT LEAD 87 67 128 

513 Mini Growl SOFT LEAD 87 68 1 

514 Evangelized SOFT LEAD 87 68 2 

515 Air Lead SOFT LEAD 87 68 3 

516 Juno-D Maj7 TECHNO SYNTH 87 68 4 

517 Sweet House TECHNO SYNTH 87 68 5 

518 Periscope TECHNO SYNTH 87 68 6 

519 5th Voice TECHNO SYNTH 87 68 7 

520 HPF Sweep TECHNO SYNTH 87 68 8 

521 BPF Saw TECHNO SYNTH 87 68 9 

522 Moon Synth TECHNO SYNTH 87 68 10 

523 DelyResoSaws TECHNO SYNTH 87 68 11 

524 R-Trance TECHNO SYNTH 87 68 12 

525 Braatz... TECHNO SYNTH 87 68 13 

526 AllinOneRiff TECHNO SYNTH 87 68 14 

527 YZ Again TECHNO SYNTH 87 68 15 

528 Flazzy Lead TECHNO SYNTH 87 68 16 

529 Coffee Bee TECHNO SYNTH 87 68 17 

530 SC-303 TECHNO SYNTH 87 68 18 

531 Dance Saws TECHNO SYNTH 87 68 19 

532 AluminmWires TECHNO SYNTH 87 68 20 

533 Fred&Barney TECHNO SYNTH 87 68 21 

534 Electrostars TECHNO SYNTH 87 68 22 

535 LoFiSequence TECHNO SYNTH 87 68 23 


536 MelodicDrums TECHNO SYNTH 87 68 24 

537 TB Wah TECHNO SYNTH 87 68 25 

538 Waving TB303 TECHNO SYNTH 87 68 26 

539 Digi Seq TECHNO SYNTH 87 68 27 

540 Seq Saw TECHNO SYNTH 87 68 28 

541 Reso Seq Saw TECHNO SYNTH 87 68 29 

542 DetuneSeqSaw TECHNO SYNTH 87 68 30 

543 Technotribe TECHNO SYNTH 87 68 31 

544 Teethy Grit TECHNO SYNTH 87 68 32 

545 Repertition TECHNO SYNTH 87 68 33 

546 Killerbeez TECHNO SYNTH 87 68 34 

547 Acid Lead TECHNO SYNTH 87 68 35 

548 Tranceformer TECHNO SYNTH 87 68 36 

549 Anadroid TECHNO SYNTH 87 68 37 

550 Shroomy TECHNO SYNTH 87 68 38 

551 Noize R us TECHNO SYNTH 87 68 39 

552 Beep Melodie TECHNO SYNTH 87 68 40 

553 Morpher TECHNO SYNTH 87 68 41 

554 Uni-G TECHNO SYNTH 87 68 42 

555 Power Synth TECHNO SYNTH 87 68 43 

556 Hoover Again TECHNO SYNTH 87 68 44 

557 Alpha Said.. TECHNO SYNTH 87 68 45 

558 Ravers Awake TECHNO SYNTH 87 68 46 

559 Tekno Gargle TECHNO SYNTH 87 68 47 

560 Tranceiver TECHNO SYNTH 87 68 48 

561 Techno Dream TECHNO SYNTH 87 68 49 

562 Techno Pizz TECHNO SYNTH 87 68 50 

563 VirtualHuman PULSATING 87 68 51 

564 Strobot PULSATING 87 68 52 

565 SC Strobe PULSATING 87 68 53 

566 Strobe X PULSATING 87 68 54 

567 Rhythmic 5th PULSATING 87 68 55 

568 Cell Pad PULSATING 87 68 56 

569 DarknessSide PULSATING 87 68 57 

570 Shape of X PULSATING 87 68 58 

571 Sonic Dance PULSATING 87 68 59 

572 ShapeURMusic PULSATING 87 68 60 

573 Synth Force PULSATING 87 68 61 

574 Trance Split PULSATING 87 68 62 

575 Step Trance PULSATING 87 68 63 

576 Chop Synth PULSATING 87 68 64 

577 Euro Teuro PULSATING 87 68 65 

578 Auto Trance PULSATING 87 68 66 

579 Eureggae PULSATING 87 68 67 

580 Sorry4theDLY PULSATING 87 68 68 

581 Beat Pad PULSATING 87 68 69 

582 TMT Seq Pad PULSATING 87 68 70 

583 ForYourBreak PULSATING 87 68 71 

584 HPF Slicer PULSATING 87 68 72 

585 Sliced Choir PULSATING 87 68 73 

586 Digi-Doo PULSATING 87 68 74 

587 PanningFrmnt PULSATING 87 68 75 

588 Dirty Beat PULSATING 87 68 76 

589 Electrons PULSATING 87 68 77 

590 Protons PULSATING 87 68 78 

591 Brisk Vortex PULSATING 87 68 79 

592 SC Throbulax PULSATING 87 68 80 

593 SC Lonizer PULSATING 87 68 81 

594 diGital Pad PULSATING 87 68 82 

595 StepPitShift PULSATING 87 68 83 

596 Pad Pulses PULSATING 87 68 84 

597 Seq-Pad 2 PULSATING 87 68 85 

598 DSP Chaos PULSATING 87 68 86 

599 Dancefloor PULSATING 87 68 87 

600 Minor Thirds PULSATING 87 68 88 

601 FX World PULSATING 87 68 89 

602 Mr. Fourier PULSATING 87 68 90 

603 Nu Trance X PULSATING 87 68 91 

604 Auto 5thSaws PULSATING 87 68 92 

605 Cross Talk PULSATING 87 68 93 

606 Reanimation PULSATING 87 68 94 

607 VoX Chopper PULSATING 87 68 95 

608 Trevor's Pad PULSATING 87 68 96 

609 Fantomas Pad PULSATING 87 68 97 

610 Jazzy Arps PULSATING 87 68 98 

611 Keep Running PULSATING 87 68 99 

612 Step In PULSATING 87 68 100 

87


613 Echo Echo PULSATING 87 68 101 

614 Keep going PULSATING 87 68 102 

615 Arposphere PULSATING 87 68 103 

616 Voco Riff PULSATING 87 68 104 

617 Pulsator PULSATING 87 68 105 

618 Motion Bass PULSATING 87 68 106 

619 Sine Magic PULSATING 87 68 107 

620 Juno-D Slice PULSATING 87 68 108 

621 Pulsatron PULSATING 87 68 109 

622 Mega Sync PULSATING 87 68 110 

623 Passing by SYNTH FX 87 68 111 

624 Lazer Points SYNTH FX 87 68 112 

625 Retro Sci-Fi SYNTH FX 87 68 113 

626 Magic Chime SYNTH FX 87 68 114 

627 SC Try This! SYNTH FX 87 68 115 

628 New Planetz SYNTH FX 87 68 116 

629 Jet Noise SYNTH FX 87 68 117 

630 Chaos 2003 SYNTH FX 87 68 118 

631 Control Room SYNTH FX 87 68 119 

632 OutOf sortz SYNTH FX 87 68 120 

633 Scatter SYNTH FX 87 68 121 

634 Low Beat-S SYNTH FX 87 68 122 

635 WaitnOutside SYNTH FX 87 68 123 

636 Breath Echo SYNTH FX 87 68 124 

637 SoundStrange SYNTH FX 87 68 125 

638 Cosmic Pulse SYNTH FX 87 68 126 

639 Faked Piano SYNTH FX 87 68 127 

640 SC Crystal SYNTH FX 87 68 128 

641 ResoSweep Dn SYNTH FX 87 69 1 

642 Zap B3 & C4 SYNTH FX 87 69 2 

643 PolySweep Nz SYNTH FX 87 69 3 

644 Strange Land SYNTH FX 87 69 4 

645 S&H Voc SYNTH FX 87 69 5 

646 12th Planet SYNTH FX 87 69 6 

647 Scare SYNTH FX 87 69 7 

648 Hillside SYNTH FX 87 69 8 

649 Mod Scanner SYNTH FX 87 69 9 

650 SoundOnSound SYNTH FX 87 69 10 

651 Gasp SYNTH FX 87 69 11 

652 ResoSweep Up SYNTH FX 87 69 12 

653 Magic Wave SYNTH FX 87 69 13 

654 Shangri-La SYNTH FX 87 69 14 

655 CerealKiller SYNTH FX 87 69 15 

656 Cosmic Drops SYNTH FX 87 69 16 

657 Space Echo SYNTH FX 87 69 17 

658 Robot Sci-Fi SYNTH FX 87 69 18 

659 Stacc Heaven OTHER SYNTH 87 69 19 

660 Juno Poly OTHER SYNTH 87 69 20 

661 DigitalDream OTHER SYNTH 87 69 21 

662 Jucy Saw OTHER SYNTH 87 69 22 

663 Cue Tip OTHER SYNTH 87 69 23 

664 Waspy Synth OTHER SYNTH 87 69 24 

665 TB-Sequence OTHER SYNTH 87 69 25 

666 Europe Xpres OTHER SYNTH 87 69 26 

667 Squeepy OTHER SYNTH 87 69 27 

668 DOC Stack OTHER SYNTH 87 69 28 

669 Sweep Lead OTHER SYNTH 87 69 29 

670 80s Saws 1 OTHER SYNTH 87 69 30 



673 Digitaless OTHER SYNTH 87 69 33 

674 Flip Pad OTHER SYNTH 87 69 34 

675 Short Detune OTHER SYNTH 87 69 35 

676 forSequence OTHER SYNTH 87 69 36 

677 Memory Pluck OTHER SYNTH 87 69 37 

678 Metalic Bass OTHER SYNTH 87 69 38 

679 Aqua OTHER SYNTH 87 69 39 

680 Big Planet OTHER SYNTH 87 69 40 

681 Wet Atax OTHER SYNTH 87 69 41 

682 Houze Clavi OTHER SYNTH 87 69 42 

683 SuperSawSlow OTHER SYNTH 87 69 43 

684 Cell Trance OTHER SYNTH 87 69 44 

685 Trancy X OTHER SYNTH 87 69 45 

686 Trancy Synth OTHER SYNTH 87 69 46 

687 Juno Trnce OTHER SYNTH 87 69 47 

688 Saw Stack OTHER SYNTH 87 69 48 

689 Frgile Saws OTHER SYNTH 87 69 49 


690 Steamed Sawz OTHER SYNTH 87 69 50 

691 RAVtune OTHER SYNTH 87 69 51 

692 Bustranza OTHER SYNTH 87 69 52 

693 AftTch Ji-n OTHER SYNTH 87 69 53 

694 JP OctAttack OTHER SYNTH 87 69 54 

695 Oct Unison OTHER SYNTH 87 69 55 

696 Xtatic OTHER SYNTH 87 69 56 

697 Dirty Combo OTHER SYNTH 87 69 57 

698 FM's Attack OTHER SYNTH 87 69 58 

699 Digi-vox Syn OTHER SYNTH 87 69 59 

700 Fairy Factor OTHER SYNTH 87 69 60 

701 Tempest OTHER SYNTH 87 69 61 

702 X-Racer OTHER SYNTH 87 69 62 

703 TB Booster OTHER SYNTH 87 69 63 

704 Syn-Orch/Mod OTHER SYNTH 87 69 64 

705 Pressyn OTHER SYNTH 87 69 65 

706 High Five OTHER SYNTH 87 69 66 

707 4DaCommonMan OTHER SYNTH 87 69 67 

708 Orgaenia OTHER SYNTH 87 69 68 

709 Sleeper OTHER SYNTH 87 69 69 

710 Sugar Synth OTHER SYNTH 87 69 70 

711 Ice Palace OTHER SYNTH 87 69 71 

712 Story Harp OTHER SYNTH 87 69 72 

713 LostParadise OTHER SYNTH 87 69 73 

714 Magnetic 5th OTHER SYNTH 87 69 74 

715 DigimaX OTHER SYNTH 87 69 75 

716 Exhale OTHER SYNTH 87 69 76 

717 X-panda OTHER SYNTH 87 69 77 

718 Saw Keystep OTHER SYNTH 87 69 78 

719 4mant Cycle OTHER SYNTH 87 69 79 

720 Modular OTHER SYNTH 87 69 80 

721 Angel Pipes OTHER SYNTH 87 69 81 

722 Wired Synth OTHER SYNTH 87 69 82 

723 Analog Dream OTHER SYNTH 87 69 83 

724 DCO Bell Pad OTHER SYNTH 87 69 84 

725 Cell Fanta OTHER SYNTH 87 69 85 

726 Juno 5th OTHER SYNTH 87 69 86 

727 DoubleBubble OTHER SYNTH 87 69 87 

728 Cell Comb BRIGHT PAD 87 69 88 

729 Super SynStr BRIGHT PAD 87 69 89 

730 80s Str BRIGHT PAD 87 69 90 

731 PhaseStrings BRIGHT PAD 87 69 91 

732 Voyager BRIGHT PAD 87 69 92 

733 Cosmic Rays BRIGHT PAD 87 69 93 

734 Stringship BRIGHT PAD 87 69 94 

735 Fat Stacks BRIGHT PAD 87 69 95 

736 Strings R Us BRIGHT PAD 87 69 96 

737 Electric Pad BRIGHT PAD 87 69 97 

738 Neo RS-202 BRIGHT PAD 87 69 98 

739 OB Rezo Pad BRIGHT PAD 87 69 99 

740 Synthi Ens BRIGHT PAD 87 69 100 

741 Giant Sweep BRIGHT PAD 87 69 101 

742 Mod Dare BRIGHT PAD 87 69 102 

743 Cell Space BRIGHT PAD 87 69 103 

744 Digi-Swell BRIGHT PAD 87 69 104 

745 Sonic Surfer BRIGHT PAD 87 69 105 

746 New Year Day BRIGHT PAD 87 69 106 

747 Polar Morn BRIGHT PAD 87 69 107 

748 Distant Sun BRIGHT PAD 87 69 108 

749 PG Chimes BRIGHT PAD 87 69 109 

750 Saturn Rings BRIGHT PAD 87 69 110 

751 Brusky BRIGHT PAD 87 69 111 

752 2 Point 2 BRIGHT PAD 87 69 112 

753 2.2 Pad BRIGHT PAD 87 69 113 

754 two.two Pad BRIGHT PAD 87 69 114 

755 SaturnHolida BRIGHT PAD 87 69 115 

756 Neuro-Drone BRIGHT PAD 87 69 116 

757 In The Pass BRIGHT PAD 87 69 117 

758 Polar Night BRIGHT PAD 87 69 118 

759 Cell 5th BRIGHT PAD 87 69 119 

760 MistOver5ths BRIGHT PAD 87 69 120 

761 Gritty Pad BRIGHT PAD 87 69 121 

762 India Garden BRIGHT PAD 87 69 122 

763 BillionStars BRIGHT PAD 87 69 123 

764 Sand Pad BRIGHT PAD 87 69 124 

765 ReverseSweep BRIGHT PAD 87 69 125 

766 HugeSoundMod BRIGHT PAD 87 69 126 

88


767 Metal Swell BRIGHT PAD 87 69 127 

768 NuSoundtrack BRIGHT PAD 87 69 128 

769 Phat Strings BRIGHT PAD 87 70 1 

770 Soft OB Pad SOFT PAD 87 70 2 

771 SC Hollow SOFT PAD 87 70 3 

772 SC Sqr Pad SOFT PAD 87 70 4 

773 Silk Pad SOFT PAD 87 70 5 

774 WarmReso Pad SOFT PAD 87 70 6 

775 SC Soft Pad SOFT PAD 87 70 7 

776 Air Pad SOFT PAD 87 70 8 

777 Soft Breeze SOFT PAD 87 70 9 

778 JP Strings 1 SOFT PAD 87 70 10 

779 JP Strings 2 SOFT PAD 87 70 11 

780 DelayStrings SOFT PAD 87 70 12 

781 NorthStrings SOFT PAD 87 70 13 

782 SC Syn Str SOFT PAD 87 70 14 

783 Slow Saw Str SOFT PAD 87 70 15 

784 Syn Strings SOFT PAD 87 70 16 

785 OB Slow Str SOFT PAD 87 70 17 

786 Strings Pad SOFT PAD 87 70 18 

787 R&B SoftPad SOFT PAD 87 70 19 

788 Reso Pad SOFT PAD 87 70 20 

789 Phat Pad SOFT PAD 87 70 21 

790 SC PhaserPad SOFT PAD 87 70 22 

791 Mystic Str SOFT PAD 87 70 23 

792 Glass Organ SOFT PAD 87 70 24 

793 Wind Pad SOFT PAD 87 70 25 

794 Combination SOFT PAD 87 70 26 

795 HumanKindnes SOFT PAD 87 70 27 

796 BeautyPad SOFT PAD 87 70 28 

797 Atmospherics SOFT PAD 87 70 29 

798 Terra Nostra SOFT PAD 87 70 30 

799 OB Aaahs SOFT PAD 87 70 31 

800 Vulcano Pad SOFT PAD 87 70 32 

801 Cloud #9 SOFT PAD 87 70 33 

802 Organic Pad SOFT PAD 87 70 34 

803 Hum Pad SOFT PAD 87 70 35 

804 Vox Pad SOFT PAD 87 70 36 

805 Digital Aahs SOFT PAD 87 70 37 

806 Tri 5th Pad SOFT PAD 87 70 38 

807 SC MovinPad SOFT PAD 87 70 39 

808 Seq-Pad 1 SOFT PAD 87 70 40 

809 Follow SOFT PAD 87 70 41 

810 Consolament SOFT PAD 87 70 42 

811 Spacious Pad SOFT PAD 87 70 43 

812 JD Pop Pad SOFT PAD 87 70 44 

813 JP-8 Phase SOFT PAD 87 70 45 

814 Nu Epic Pad SOFT PAD 87 70 46 

815 Forever SOFT PAD 87 70 47 

816 Flange Dream SOFT PAD 87 70 48 

817 Evolution X SOFT PAD 87 70 49 

818 Heaven Pad SOFT PAD 87 70 50 

819 Angelis Pad SOFT PAD 87 70 51 

820 Juno-106 Str SOFT PAD 87 70 52 

821 JupiterMoves SOFT PAD 87 70 53 

822 Oceanic Pad SOFT PAD 87 70 54 

823 Fairy's Song SOFT PAD 87 70 55 

824 Borealis SOFT PAD 87 70 56 

825 JX Warm Pad SOFT PAD 87 70 57 

826 Analog Bgrnd SOFT PAD 87 70 58 

827 Choir Aahs 1 VOX 87 70 59 

828 Choir Aahs 2 VOX 87 70 60 

829 ChoirOoh/Aft VOX 87 70 61 

830 Angels Choir VOX 87 70 62 

831 Angelique VOX 87 70 63 

832 Gospel Oohs VOX 87 70 64 

833 Choir&Str VOX 87 70 65 

834 Aah Vox VOX 87 70 66 

835 Synvox VOX 87 70 67 

836 Uhmmm VOX 87 70 68 

837 Morning Star VOX 87 70 69 

838 Syn Opera VOX 87 70 70 

839 BeautifulOne VOX 87 70 71 

840 Ooze VOX 87 70 72 

841 Aerial Choir VOX 87 70 73 

842 3D Vox VOX 87 70 74 

843 Film Cue VOX 87 70 75 


844 Paradise VOX 87 70 76 

845 Sad ceremony VOX 87 70 77 

846 Lost Voices VOX 87 70 78 

847 Jazz Doos VOX 87 70 79 

848 Beat Vox VOX 87 70 80 

849 Talk 2 Me VOX 87 70 81 

850 FM Vox VOX 87 70 82 

851 Let's Talk! VOX 87 70 83 

852 Nice Kalimba PLUCKED 87 70 84 

853 Quiet River PLUCKED 87 70 85 

854 Teky Drop PLUCKED 87 70 86 

855 Pat is away PLUCKED 87 70 87 

856 SC Sitar 1 PLUCKED 87 70 88 

857 SC Sitar 2 PLUCKED 87 70 89 

858 Sitar on C PLUCKED 87 70 90 

859 Sitar Baby PLUCKED 87 70 91 

860 Elec Sitar PLUCKED 87 70 92 

861 Neo Sitar PLUCKED 87 70 93 

862 SaraswatiRvr PLUCKED 87 70 94 

863 Bosporus PLUCKED 87 70 95 

864 Santur Stack PLUCKED 87 70 96 

865 Aerial Harp PLUCKED 87 70 97 

866 Harpiness PLUCKED 87 70 98 

867 Skydiver PLUCKED 87 70 99 

868 TroubadorEns PLUCKED 87 70 100 

869 Jamisen PLUCKED 87 70 101 

870 Koto PLUCKED 87 70 102 

871 Monsoon PLUCKED 87 70 103 

872 Bend Koto PLUCKED 87 70 104 

873 LongDistance ETHNIC 87 70 105 

874 Ambi Shaku ETHNIC 87 70 106 

875 SC Lochscape ETHNIC 87 70 107 

876 SC PipeDream ETHNIC 87 70 108 

877 SC Far East ETHNIC 87 70 109 

878 Banjo FRETTED 87 70 110 

879 Timpani+Low PERCUSSION 87 70 111 

880 Timpani Roll PERCUSSION 87 70 112 

881 Bass Drum PERCUSSION 87 70 113 

882 Ambidextrous SOUND FX 87 70 114 

883 En-co-re SOUND FX 87 70 115 

884 Mobile Phone SOUND FX 87 70 116 

885 ElectroDisco BEAT&GROOVE 87 70 117 

886 Groove 007 BEAT&GROOVE 87 70 118 

887 In Da Groove BEAT&GROOVE 87 70 119 

888 Sweet 80s BEAT&GROOVE 87 70 120 

889 Autotrance BEAT&GROOVE 87 70 121 

890 Juno Pop BEAT&GROOVE 87 70 122 

891 Compusonic 1 BEAT&GROOVE 87 70 123 

892 Compusonic 2 BEAT&GROOVE 87 70 124 

893 80s Combo COMBINATION 87 70 125 

894 Analog Days COMBINATION 87 70 126 

895 Techno Craft COMBINATION 87 70 127 

896 Lounge Kit COMBINATION 87 70 128 

897 Piano 1 AC.PIANO 121 0 1 

898 Piano 1w AC.PIANO 121 1 

899 European Pf AC.PIANO 121 2 





904 Honky-tonk AC.PIANO 121 0 4 

905 Honky-tonk 2 AC.PIANO 121 4 

906 E.Piano 1 EL.PIANO 121 0 5 

907 St.Soft EP EL.PIANO 121 1 

908 FM+SA EP EL.PIANO 121 2 

909 Wurly EL.PIANO 121 3 

910 E.Piano 2 EL.PIANO 121 0 6 

911 Detuned EP 2 EL.PIANO 121 1 

912 St.FM EP EL.PIANO 121 2 

913 EP Legend EL.PIANO 121 3 

914 EP Phase EL.PIANO 121 4 

915 Harpsichord KEYBOARDS 121 0 7 

916 Coupled Hps. KEYBOARDS 121 1 

917 Harpsi.w KEYBOARDS 121 2 

918 Harpsi.o KEYBOARDS 121 3 

919 Clav. KEYBOARDS 121 0 8 

920 Pulse Clav KEYBOARDS 121 1 

89


921 Celesta KEYBOARDS 121 0 9 

922 Glockenspiel BELL 121 0 10 

923 Music Box BELL 121 0 11 

924 Vibraphone MALLET 121 0 12 

925 Vibraphone w MALLET 121 1 

926 Marimba MALLET 121 0 13 

927 Marimba w MALLET 121 1 

928 Xylophone MALLET 121 0 14 

929 Tubular-bell BELL 121 0 15 

930 Church Bell BELL 121 1 

931 Carillon BELL 121 2 

932 Santur PLUCKED 121 0 16 

933 Organ 1 ORGAN 121 0 17 

934 Trem. Organ ORGAN 121 1 

935 60's Organ 1 ORGAN 121 2 

936 70's E.Organ ORGAN 121 3 

937 Organ 2 ORGAN 121 0 18 

938 Chorus Or.2 ORGAN 121 1 

939 Perc. Organ ORGAN 121 2 

940 Organ 3 ORGAN 121 0 19 

941 Church Org.1 ORGAN 121 0 20 

942 Church Org.2 ORGAN 121 1 

943 Church Org.3 ORGAN 121 2 

944 Reed Organ ORGAN 121 0 21 

945 Puff Organ ORGAN 121 1 

946 Accordion Fr ACCRDION 121 0 22 

947 Accordion It ACCRDION 121 1 

948 Harmonica HARMONICA 121 0 23 

949 Bandoneon ACCRDION 121 0 24 

950 Nylon-str.Gt AC.GUITAR 121 0 25 

951 Ukulele AC.GUITAR 121 1 

952 Nylon Gt.o AC.GUITAR 121 2 

953 Nylon Gt.2 AC.GUITAR 121 3 

954 Steel-str.Gt AC.GUITAR 121 0 26 

955 12-str.Gt AC.GUITAR 121 1 

956 Mandolin AC.GUITAR 121 2 

957 Steel + Body AC.GUITAR 121 3 

958 Jazz Gt. EL.GUITAR 121 0 27 

959 Pedal Steel EL.GUITAR 121 1 

960 Clean Gt. EL.GUITAR 121 0 28 

961 Chorus Gt. EL.GUITAR 121 1 

962 Mid Tone GTR EL.GUITAR 121 2 

963 Muted Gt. EL.GUITAR 121 0 29 

964 Funk Pop EL.GUITAR 121 1 

965 Funk Gt.2 EL.GUITAR 121 2 

966 Jazz Man EL.GUITAR 121 3 

967 Overdrive Gt DIST.GUITAR 121 0 30 

968 Guitar Pinch DIST.GUITAR 121 1 

969 DistortionGt DIST.GUITAR 121 0 31 

970 Feedback Gt. DIST.GUITAR 121 1 

971 Dist Rtm GTR DIST.GUITAR 121 2 

972 Gt.Harmonics EL.GUITAR 121 0 32 

973 Gt. Feedback EL.GUITAR 121 1 

974 Acoustic Bs. BASS 121 0 33 

975 Fingered Bs. BASS 121 0 34 

976 Finger Slap BASS 121 1 

977 Picked Bass BASS 121 0 35 

978 Fretless Bs. BASS 121 0 36 

979 Slap Bass 1 BASS 121 0 37 

980 Slap Bass 2 BASS 121 0 38 

981 Synth Bass 1 SYNTH BASS 121 0 39 

982 SynthBass101 SYNTH BASS 121 1 

983 Acid Bass SYNTH BASS 121 2 

984 Clavi Bass SYNTH BASS 121 3 

985 Hammer SYNTH BASS 121 4 

986 Synth Bass 2 SYNTH BASS 121 0 40 

987 Beef FM Bass SYNTH BASS 121 1 

988 RubberBass 2 SYNTH BASS 121 2 

989 Attack Pulse SYNTH BASS 121 3 

990 Violin STRINGS 121 0 41 

991 Slow Violin STRINGS 121 1 

992 Viola STRINGS 121 0 42 

993 Cello STRINGS 121 0 43 

994 Contrabass STRINGS 121 0 44 

995 Tremolo Str STRINGS 121 0 45 

996 PizzicatoStr STRINGS 121 0 46 

997 Harp PLUCKED 121 0 47 


998 Yang Qin PLUCKED 121 1 

999 Timpani PERCUSSION 121 0 48 

1000 Strings STRINGS 121 0 49 

1001 Orchestra ORCHESTRA 121 1 

1002 60s Strings STRINGS 121 2 

1003 Slow Strings STRINGS 121 0 50 

1004 Syn.Strings1 STRINGS 121 0 51 

1005 Syn.Strings3 STRINGS 121 1 

1006 Syn.Strings2 SOFT PAD 121 0 52 

1007 Choir Aahs VOX 121 0 53 

1008 Chorus Aahs VOX 121 1 

1009 Voice Oohs VOX 121 0 54 

1010 Humming VOX 121 1 

1011 SynVox VOX 121 0 55 

1012 Analog Voice VOX 121 1 

1013 OrchestraHit HIT&STAB 121 0 56 

1014 Bass Hit HIT&STAB 121 1 

1015 6th Hit HIT&STAB 121 2 

1016 Euro Hit HIT&STAB 121 3 

1017 Trumpet AC.BRASS 121 0 57 

1018 Dark Trumpet AC.BRASS 121 1 

1019 Trombone AC.BRASS 121 0 58 

1020 Trombone 2 AC.BRASS 121 1 

1021 Bright Tb AC.BRASS 121 2 

1022 Tuba AC.BRASS 121 0 59 

1023 MutedTrumpet AC.BRASS 121 0 60 

1024 MuteTrumpet2 AC.BRASS 121 1 

1025 French Horns AC.BRASS 121 0 61 

1026 Fr.Horn 2 AC.BRASS 121 1 

1027 Brass 1 AC.BRASS 121 0 62 

1028 Brass 2 AC.BRASS 121 1 

1029 Synth Brass1 SYNTH BRASS 121 0 63 

1030 JP Brass SYNTH BRASS 121 1 

1031 Oct SynBrass SYNTH BRASS 121 2 

1032 Jump Brass SYNTH BRASS 121 3 

1033 Synth Brass2 SYNTH BRASS 121 0 64 

1034 SynBrass sfz SYNTH BRASS 121 1 

1035 Velo Brass 1 SYNTH BRASS 121 2 

1036 Soprano Sax SAX 121 0 65 

1037 Alto Sax SAX 121 0 66 

1038 Tenor Sax SAX 121 0 67 

1039 Baritone Sax SAX 121 0 68 

1040 Oboe WIND 121 0 69 

1041 English Horn WIND 121 0 70 

1042 Bassoon WIND 121 0 71 

1043 Clarinet WIND 121 0 72 

1044 Piccolo FLUTE 121 0 73 

1045 Flute FLUTE 121 0 74 

1046 Recorder FLUTE 121 0 75 

1047 Pan Flute FLUTE 121 0 76 

1048 Bottle Blow FLUTE 121 0 77 

1049 Shakuhachi ETHNIC 121 0 78 

1050 Whistle FLUTE 121 0 79 

1051 Ocarina FLUTE 121 0 80 

1052 Square Wave HARD LEAD 121 0 81 

1053 MG Square HARD LEAD 121 1 

1054 2600 Sine HARD LEAD 121 2 

1055 Saw Wave HARD LEAD 121 0 82 

1056 OB2 Saw HARD LEAD 121 1 

1057 Doctor Solo HARD LEAD 121 2 

1058 Natural Lead HARD LEAD 121 3 

1059 SequencedSaw HARD LEAD 121 4 

1060 Syn.Calliope SOFT LEAD 121 0 83 

1061 Chiffer Lead SOFT LEAD 121 0 84 

1062 Charang HARD LEAD 121 0 85 

1063 Wire Lead HARD LEAD 121 1 

1064 Solo Vox SOFT LEAD 121 0 86 

1065 5th Saw Wave HARD LEAD 121 0 87 

1066 Bass & Lead HARD LEAD 121 0 88 

1067 Delayed Lead HARD LEAD 121 1 

1068 Fantasia OTHER SYNTH 121 0 89 

1069 Warm Pad SOFT PAD 121 0 90 

1070 Sine Pad SOFT PAD 121 1 

1071 Polysynth OTHER SYNTH 121 0 91 

1072 Space Voice VOX 121 0 92 

1073 Itopia VOX 121 1 

1074 Bowed Glass SOFT PAD 121 0 93 

90


1075 Metal Pad BRIGHT PAD 121 0 94 

1076 Halo Pad BRIGHT PAD 121 0 95 

1077 Sweep Pad SOFT PAD 121 0 96 

1078 Ice Rain OTHER SYNTH 121 0 97 

1079 Soundtrack SOFT PAD 121 0 98 

1080 Crystal BELL 121 0 99 

1081 Syn Mallet BELL 121 1 

1082 Atmosphere AC.GUITAR 121 0 100 

1083 Brightness OTHER SYNTH 121 0 101 

1084 Goblin PULSATING 121 0 102 

1085 Echo Drops BRIGHT PAD 121 0 103 

1086 Echo Bell BRIGHT PAD 121 1 

1087 Echo Pan BRIGHT PAD 121 2 

1088 Star Theme BRIGHT PAD 121 0 104 

1089 Sitar PLUCKED 121 0 105 

1090 Sitar 2 PLUCKED 121 1 

1091 Banjo FRETTED 121 0 106 

1092 Shamisen PLUCKED 121 0 107 

1093 Koto PLUCKED 121 0 108 

1094 Taisho Koto PLUCKED 121 1 

1095 Kalimba PLUCKED 121 0 109 

1096 Bagpipe ETHNIC 121 0 110 

1097 Fiddle STRINGS 121 0 111 

1098 Shanai ETHNIC 121 0 112 

1099 Tinkle Bell BELL 121 0 113 

1100 Agogo PERCUSSION 121 0 114 

1101 Steel Drums MALLET 121 0 115 

1102 Woodblock PERCUSSION 121 0 116 

1103 Castanets PERCUSSION 121 1 

1104 Taiko PERCUSSION 121 0 117 

1105 Concert BD PERCUSSION 121 1 

1106 Melo. Tom 1 PERCUSSION 121 0 118 

1107 Melo. Tom 2 PERCUSSION 121 1 

1108 Synth Drum PERCUSSION 121 0 119 

1109 808 Tom PERCUSSION 121 1 

1110 Elec Perc PERCUSSION 121 1 

1111 Reverse Cym. PERCUSSION 121 0 120 

1112 Gt.FretNoise AC.GUITAR 121 0 121 

1113 Gt.Cut Noise AC.GUITAR 121 1 

1114 String Slap AC.GUITAR 121 2 

1115 Breath Noise SYNTH FX 121 0 122 

1116 Fl.Key Click SYNTH FX 121 1 

1117 Seashore SOUND FX 121 0 123 

1118 Rain SOUND FX 121 1 

1119 Thunder SOUND FX 121 2 

1120 Wind SOUND FX 121 3 

1121 Stream SOUND FX 121 4 

1122 Bubble SOUND FX 121 5 

1123 Bird SOUND FX 121 0 124 

1124 Dog SOUND FX 121 1 

1125 Horse-Gallop SOUND FX 121 2 

1126 Bird 2 SOUND FX 121 3 

1127 Telephone 1 SOUND FX 121 0 125 

1128 Telephone 2 SOUND FX 121 1 

1129 DoorCreaking SOUND FX 121 2 

1130 Door SOUND FX 121 3 

1131 Scratch SOUND FX 121 4 

1132 Wind Chimes SOUND FX 121 5 

1133 Helicopter SOUND FX 121 0 126 

1134 Car-Engine SOUND FX 121 1 

1135 Car-Stop SOUND FX 121 2 

1136 Car-Pass SOUND FX 121 3 

1137 Car-Crash SOUND FX 121 4 

1138 Siren SOUND FX 121 5 

1139 Train SOUND FX 121 6 

1140 Jetplane SOUND FX 121 7 

1141 Starship SOUND FX 121 8 

1142 Burst Noise SOUND FX 121 9 

1143 Applause SOUND FX 121 0 127 

1144 Laughing SOUND FX 121 1 

1145 Screaming SOUND FX 121 2 

1146 Punch SOUND FX 121 3 

1147 Heart Beat SOUND FX 121 4 

1148 Footsteps SOUND FX 121 5 

1149 Gun Shot SOUND FX 121 0 128 

1150 Machine Gun SOUND FX 121 1 

1151 Lasergun SOUND FX 121 2 


1152 Explosion SOUND FX 121 3 

1153 GW Std Kit RHYTHM 86 64 1 

1154 WD Std Kit RHYTHM 86 64 2 

1155 LD Std Kit RHYTHM 86 64 3 

1156 TY Std Kit RHYTHM 86 64 4 

1157 StandardKit1 RHYTHM 86 64 5 



1160 Rock Kit 1 RHYTHM 86 64 8 

1161 Rock Kit 2 RHYTHM 86 64 9 

1162 Brush Jz Kit RHYTHM 86 64 10 

1163 Orch Kit RHYTHM 86 64 11 

1164 909 808 Kit RHYTHM 86 64 12 

1165 Limiter Kit RHYTHM 86 64 13 

1166 HipHop Kit 1 RHYTHM 86 64 14 

1167 R&B Kit RHYTHM 86 64 15 

1168 HiFi R&B Kit RHYTHM 86 64 16 

1169 Machine Kit1 RHYTHM 86 64 17 

1170 Kit-Euro:POP RHYTHM 86 64 18 

1171 House Kit RHYTHM 86 64 19 

1172 Nu Technica RHYTHM 86 64 20 

1173 Machine Kit2 RHYTHM 86 64 21 

1174 ArtificalKit RHYTHM 86 64 22 

1175 Noise Kit RHYTHM 86 64 23 

1176 Kick Menu RHYTHM 86 64 24 

1177 Snare Menu RHYTHM 86 64 25 

1178 Snr/Rim Menu RHYTHM 86 64 26 

1179 HiHat Menu RHYTHM 86 64 27 

1180 Tom Menu RHYTHM 86 64 28 

1181 Clp&Cym&Hit RHYTHM 86 64 29 

1182 FX/SFX Menu RHYTHM 86 64 30 

1183 Percussion RHYTHM 86 64 31 

1184 Scrh&Voi&Wld RHYTHM 86 64 32 

1185 GM2 STANDARD RHYTHM 120 0 1 

1186 GM2 ROOM RHYTHM 120 0 9 

1187 GM2 POWER RHYTHM 120 0 17 

1188 GM2 ELECTRIC RHYTHM 120 0 25 

1189 GM2 ANALOG RHYTHM 120 0 26 

1190 GM2 JAZZ RHYTHM 120 0 33 

1191 GM2 BRUSH RHYTHM 120 0 41 

1192 GM2 ORCHSTRA RHYTHM 120 0 49 

1193 GM2 SFX RHYTHM 120 0 57 

91

qC,“%* …=K%!%" 3ä=!…/. 

c!3CC= Preset 

1 hì 

1153 GW Std Kit 

1154 WD Std Kit 

1155 LD Std Kit 

1156 TY Std Kit 

1157 StandardKit1 



1160 Rock Kit 1 

1161 Rock Kit 2 

1162 Brush Jz Kit 

1163 Orch Kit 

1164 909 808 Kit 

1165 Limiter Kit 

1166 HipHop Kit 1 

1167 R&B Kit 

1168 HiFi R&B Kit 

1169 Machine Kit1 

1170 Kit-Euro:POP 

1171 House Kit 

1172 Nu Technica 

1173 Machine Kit2 

1174 ArtificalKit 

1175 Noise Kit 

1176 Kick Menu 

1177 Snare Menu 

1178 Snr/Rim Menu 

1179 HiHat Menu 

1180 Tom Menu 

1181 Clp&Cym&Hit 

1182 FX/SFX Menu 

1183 Percussion 

1184 Scrh&Voi&Wld 

c!3CC= GM 

1 hì 

1185 GM2 STANDARD 

1186 GM2 ROOM 

1187 GM2 POWER 

1188 GM2 ELECTRIC 

1189 GM2 ANALOG 

1190 GM2 JAZZ 

1191 GM2 BRUSH 

1192 GM2 ORCHSTRA 

1193 GM2 SFX 

92

c!3CC= Preset 

1153 

GW Std Kit 

1154 

WD Std Kit 

1155 

LD Std Kit 

1156 

TY Std Kit 

1157 

StandardKit1 

1158 

StandardKit2 

Dance Kick Dance Kick Dance Kick Dance Kick MaxLow Kick2 Dance Kick 

Dry Kick 1 Dry Kick 1 Dry Kick 1 Dry Kick 1 Rk CmpKick Dry Kick 1 

Snr Roll Snr Roll Snr Roll Snr Roll Gospel Clap Snr Roll 

Power Kick Power Kick Power Kick Power Kick Sweep Bass Power Kick 

Amb.Snr 2 Amb.Snr 2 Amb.Snr 2 Amb.Snr2 p Sft Snr Gst Amb.Snr 2p 

Power Kick Reg.Kick 2 Reg.Kick 2 Power Kick HipHop Kick2 Power Kick 

Reg.PHH Reg.PHH Reg.PHH Reg.PHH Reg.PHH Reg.PHH 

Reg.Kick Reg.Kick 1 Reg.Kick 1 Reg.Kick Reg.Kick 1 Reg.Kick 1 

SF Kick 1 WD Kick LD Kick TY Kick Reg.Kick 2 Reg.Kick 2 

SF CStk WD CStk LD CStk TY CStk Reg.Stick Wild Stick 

SF Snr WD Snr LD Snr TY Snr Reg.Snr 2 Amb.Snr 1 

SF Snr Gst SF Snr Gst Reg.Snr Gst SF SnrGst Reg.Snr Gst Reg.Snr Gst 

SF Rim WD Rim LD Rim TY Rim Reg.Snr 1 Amb.Snr 2 

RR F.Tom RR F.Tom RR F.Tom RR F.Tom Reg.F.Tom Reg.F.Tom 

Reg.CHH 1 Reg.CHH 1 Reg.CHH 1 Reg.CHH 1 Reg.CHH 1 Reg.CHH 1 

SF L.Tom TY L.Tom LD L.Tom TY L.Tom Reg.L.Tom Reg.L.Tom 

Reg.CHH 2 Reg.CHH 2 Reg.CHH 2 Reg.CHH 2 Reg.CHH 2 Reg.CHH 2 

SF M.Tom TY M.Tom LD M.Tom TY M.Tom Reg.M.Tom 1 Reg.M.Tom 

Reg.OHH Reg.OHH Reg.OHH Reg.OHH Reg.OHH Reg.OHH 

SF MT Flm TY M.Tom LD M.Tom TY M.Tom Reg.M.Tom 2 Reg.M.TomFlm 

SF H.Tom TY H.Tom LD H.Tom TY H.Tom Reg.H.Tom 1 Reg.H.Tom 

Crash Cym1a Crash Cym1a Crash Cym1a Crash Cym 2 Crash Cym1 Crash Cym1a 

SF HT Flm TY H.Tom LD H.Tom TY H.Tom Reg.H.Tom 2 Reg.H.TomFlm 

Rock Ride 1 Rock Ride 1 Rock Ride 1 Rock Ride 1 Rock Ride Rock Ride 1 

China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal China Cymbal 

Splash Cym Splash Cym Splash Cym Splash Cym Ride Edge Splash Cym 

Tamborine2 Tamborine 3 Tamborine 3 Tamborine2 Tamborine Tamborine 

Rock Crash 1 Rock Crash 1 Rock Crash 1 Crash Cym1a Crash Cym2a Rock Crash 1 

Cowbell3 Cowbell3 Cowbell3 Cowbell3 Cowbell Low Cowbell Hi 

Crash Cym1b Crash Cym1b Crash Cym1 Crash Cym1b Crash Cym2b Crash Cym1b 

Cowbell2 Lng Cowbell2 Lng Cowbell Cowbell2 Lng Cowbell Hi Cowbell Low 

Rock Ride 2 Rock Ride 2 Rock Ride 2 Rock Ride 2 Ride Bell Rock Ride 2 

Conga 2H Mt Conga Hi Mt Conga 2H Mt Conga 2H Mt Conga Hi Mt Conga Hi Mt 

Conga 2L Mt Conga Lo Mt Conga 2L Mt Conga 2L Mt Conga Lo Mt Conga Lo Mt 

Conga 2H Slp Conga Hi Slp Conga 2H Slp Conga 2H Slp Conga Lo Conga Hi Slp 

Conga 2H Op Conga Hi Op Conga 2H Op Conga 2H Op Conga Hi Op Conga Hi Op 

Conga 2L Op Conga Lo Op Conga Lo Op Conga 2L Op Conga Lo Op Conga Lo Op 

Timbare 4 Timbale Hi Timbale 1 Timbare 4 Timbale Hi Timbale Hi 

Timbare 3 Timbale Low Timbale 2 Timbare 3 Timbale Low Timbale Low 

Agogo 2 Hi Mild Agogo H Agogo 2 Hi Agogo 2 Hi Agogo Bell H Mild Agogo H 

Agogo 2 Low Mild Agogo L Agogo 2 Low Agogo 2 Low Agogo Bell L Mild Agogo L 

Cabasa 2 Cabasa Up Cabasa 2 Cabasa 2 Cabasa Up Cabasa Up 

Shaker 2 Maracas Shaker 2 Shaker 1 Maracas Maracas 

Whistle Shrt Whistle Shrt Whistle Shrt Whistle Shrt Whistle Shrt Whistle Shrt 

Whistle Long Whistle Long Whistle Whistle Long Whistle Long Whistle Long 

Guiro 2 Up Guiro Short Guiro 2 Up Guiro 2 Up Guiro Short Guiro Short 

Guiro 2 Down Guiro Long Guiro Long Guiro 2 Down Guiro Long Guiro Long 

Claves 2 Claves Claves 2 Claves 2 Claves Claves 

Wood Block2H Wood Block H Wood Block2H Wood Block2H Wood Block H Wood Block H 

Wood Block2L Wood Block L Wood Block2L Wood Block2L Wood Block L Wood Block L 

Cuica 2 Low Cuica Mute Cuica 2 Low Cuica 2 Low Cuica Mute Cuica Mute 

Cuica 2 Hi Cuica Open Cuica 2 Hi Cuica 2 Hi Cuica Open Cuica Open 

Triangle Mt Triangle Mt Triangle Mt Triangle Mt Triangle Mt Triangle Mt 

Triangle Op Triangle Op Triangle Op Triangle Op Triangle Op Triangle Op 

Cabasa2 Cut Cabasa Cut Cabasa2 Cut Cabasa2 Cut Cabasa Cut Cabasa Cut 

DigiSpectrum DigiSpectrum DigiSpectrum DigiSpectrum Castanet DigiSpectrum 

Wind Chime Wind Chime Wind Chime Wind Chime Bongo Hi Mt Wind Chime 

Wood Block2M Wood Block M Wood Block2M Wood Block2M Bongo Hi Slp Wood Block M 

Cajon 2 Cajon 2 Cajon 2 Cajon 2 Bongo Lo Slp Cajon 2 

ConcertBD ConcertBD ConcertBD ConcertBD Bongo Hi Op ConcertBD 

R&B Kick R&B Kick R&B Kick R&B Kick Bongo Lo Op R&B Kick 

Dry Kick 2 Dry Kick 2 Dry Kick 2 Dry Kick 2 Cajon 1 Dry Kick 2 

Old Kick Old Kick Old Kick Old Kick Cajon 2 Old Kick 

Jazz Doos Jazz Doos Jazz Doos Jazz Doos Cajon 3 Jazz Doos 

Agogo Noise Agogo Noise Agogo Noise Agogo Noise Vint Snr 2 Agogo Noise 

Rock OHH Rock OHH Rock OHH Rock OHH Shaker 3 Rock OHH 

JD Anklungs JD Anklungs JD Anklungs JD Anklungs WD Rim JD Anklungs 

Rock OHH Rock OHH Rock OHH Rock OHH Mix Kick 1 Rock OHH 

Cajon 3 Cajon 3 Cajon 3 Cajon 3 Mix Kick 2 Mix Kick 1 

Cajon 1 Cajon 1 Cajon 1 Cajon 1 Mix Kick 3 Cajon 1 

Mix Kick 4 Mix Clap Mix Kick 4 TY Rim f Mix Kick 4 Mix Kick 2 

Gospel Clap Gospel Clap Gospel Clap Gospel Clap Mix Kick 5 Gospel Clap 

Bright Clap Bright Clap Bright Clap Bright Clap Mix Clap 1 Bright Clap 

Rock Rd Cup Rock Rd Cup Rock Rd Cup Rock Rd Cup Wind Chime Rock Rd Cup 

Cowbell Cowbell Cowbell Cowbell Tibet Cymbal Cowbell 

Crash Cym 2 Crash Cym 2 Crash Cym 2 Crash Cym 2 Crotale Crash Cym 2 

93

1159 

StandardKit3 

1160 

Rock Kit 1 

1161 

Rock Kit 2 

1162 

Brush Jz Kit 

1163 

Orch Kit 

1164 

909 808 Kit 

HipHop Kick2 R&B Kick MaxLow Kick2 TR909 Kick1a Timpani Roll TR909 Kick 2 

Syn Swt Atk1 Rk CmpKick MaxLow Kick1 TR909 Kick1b ConcertBD 2 TR909 Kick 4 

Lo-Bit Stk 1 Sft Snr Gst LD Rim mf Jazz Snr R8 Shaker 1 Urbn Sn Roll 

TR707 Kick Dry Kick 4 Power Kick Reg.Kick 1 Jngl pkt Snr TR909 Kick 5 

TR808 Snr 5 Snr Roll Mix Clap 2 Soft Jz Roll Reverse Cym TR909 Snr 3 

Vint Kick 1 SH32 Kick Vint Kick Reg.Kick 2 Snr Roll TR909 Kick 3 

Reg.PHH Reg.PHH Rock CHH2 Reg.PHH Jazz Ride TR909 PHH 2 

Vint Kick 2 Reg.Kick 1 Rock Kick Jazz Kick 1 Timpani Roll TR909 Kick 6 

Old Kick 1 Reg.Kick 2 Rk CmpKick Jazz Kick 2 ConcertBD 1 TR909 Kick 1 

Lo-Bit Stk 4 Reg.Stick Wild Stick Hard Stick Hard Stick TR909 Rim 

Reg.Snr 1 Reg.Snr2 Maple Snr Jazz Rim Amb.Snr 2 TR909 Snr 1 

Amb Clap Reg.Snr Gst Sft Snr Gst Jz Brsh Swsh Gospel Clap TR909 Clap 1 

TY Rim Reg.Snr1 Reg.Snr1 Jazz Snr Concert SD TR909 Snr 2 

Jazz Lo Tom1 Reg.F.Tom Sharp L.Tom1 Reg.F.Tom 1 Timpani F TR909 Tom L 

Reg.CHH 1 Reg.CHH 1 Rock CHH 1 Reg.CHH 1 Timpani F# TR909 CHH 1 

Jazz Lo Tom2 Reg.L.Tom Sharp L.Tom2 Reg.L.Tom 1 Timpani G TR909 Tom L 

Reg.CHH 2 Reg.CHH 2 Reg.PHH Reg.CHH 2 Timpani G# TR909 PHH 1 

Jazz Mid Tom Reg.M.Tom Sharp L.Tom3 Reg.M.Tom 1 Timpani A TR909 Tom M 

Reg.OHH Reg.OHH Rock OHH Reg.OHH Timpani A# TR909 OHH 2 

Jazz Mid Tom Reg.M.TomFlm Sharp H.Tom1 Reg.M.Tom 1 Timpani B TR909 Tom M 

Jazz Hi Tom Reg.H.Tom Sharp H.Tom2 Reg.H.Tom 1 Timpani C TR909 Tom H 

Crash Cym1 Crash Cym1a Crash Cym1 Jazz Crash Timpani C# TR909 Crash 

Jazz Hi Tom Reg.H.TomFlm Sharp H.Tom3 Reg.H.Tom 1 Timpani D TR909 Tom H 

Rock Rd Edge Rock Ride 1 Ride Cymbal Jazz Ride 1 Timpani D# TR909 Ride 1 

China Cymbal China Cymbal China Cymbal China Cym 1 Timpani E TR909 Crash1 

Rock Rd Cup Splash Cym Ride Bell Ride Edge Timpani f TR909 Ride 2 

Tamborine Tamborine Tamborine 3 Tamborine Tamborine 3 CR78 Tamb 1 

Splash Cym Rock Crash 1 Rock Crash 2 Crash Cym Concert Cym TR909 Crash2 

Cowbell Cowbell Hi Cowbell Mute Cowbell Low Cowbell Mute JD Sm Metal 

Rock Crash 2 Crash Cym1b Splash Cym Crash Cym Concert Cym2 TR909 Ride 3 

TR808 Cym Cowbell Low Cowbell Cowbell Hi Ride Cymbal Syn Swt Atk3 

Jazz Ride Rock Ride 2 Rock Rd Cup Ride Bell Crash Cym1 TR808 Kick 1 

Bongo Hi Conga Hi Mt Conga Hi Mt Conga Hi Mt Bongo Hi Op TR808 Kick 2 

Bongo Lo Conga Lo Mt Conga Lo Mt Conga Lo Mt Bongo Lo Op TR808 Rim 

Conga Hi Mt Conga Hi Slp Conga Slp Op Conga Lo Slp Conga Hi Mt TR808 Snr 2 

Conga Hi Conga Hi Op Conga Hi Op Conga Hi Op Conga Hi Op TR808 Clap 2 

Conga Lo Conga Lo Op Conga Lo Op Conga Lo Op Conga Lo Op TR808 Snr 4 

Timbale Hi Timbale Hi Timbale Hi Timbale Hi Timbale Hi TR808 Tom L 

Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low TR808 CHH 1 

Cowbell Hi Agogo Bell H Agogo Bell H Agogo Bell H Agogo Bell H TR808 Tom L 

Cowbell Low Agogo Bell L Agogo Bell L Agogo Bell L Agogo Bell L TR808 CHH 2 

Cabasa Cabasa Up Cabasa Up Cabasa Up Cabasa Up TR808 Tom M 

Shaker Maracas Maracas Maracas Maracas TR808 OHH 1 

Noise OHH 2 Whistle Shrt Whistle Shrt Jazz Kick 1 Whistle Shrt TR808 Tom M 

Scratch 5 Whistle Long Whistle Long Jazz Kick 2 Whistle Long TR808 Tom H 

Syn Low Atk2 Guiro Short Guiro Short Hard Stick Guiro Short TR808Cowbell 

MG Zap 3 Guiro Long Guiro Long Jazz Rim Guiro Long TR808 Tom H 

Syn Swt Atk1 Claves Claves Sft Snr Gst Claves TR606 Cym 

Syn Swt Atk4 Wood Block H Wood Block H Jazz Snr Wood Block H TR606 OHH 1 

Bongo Hi Slp Wood Block L Wood Block L Reg.F.Tom 2 Wood Block L TR606 OHH 2 

Noise OHH Cuica Mute Cuica Mute Reg.CHH 1 Cuica Mute CR78 Tamb 2 

Noise CHH Cuica Open Cuica Open Reg.L.Tom 2 Cuica Open CR78 OHH 1 

Triangle 1 Triangle Mt Triangle Mt Reg.CHH 2 Triangle Mt Cowbell Mute 

Triangle 2 Triangle Op Triangle Op Reg.M.Tom 2 Triangle Op CR78 OHH 2 

Cajon 1 Cabasa Cut Cabasa Cut Reg.OHH Cabasa Cut Syn Swt Atk5 

Cajon 3 DigiSpectrum Wind Chime Reg.M.TomFlm Finger Snap TR808 OHH 2 

Wind Chime Wind Chime Dist Chord 1 Reg.H.Tom 2 Wind Chime 808 Maracas 

SprgDrm Hit Dist Chord 1 Dist Chord 2 Jazz Cymbal Tibet Cymbal TR808 Claves 

Crotale Dist Chord 2 Dist Chord 3 Reg.H.TomFlm Vibraslap Triangle Mt 

R8 Click Dist Chord 3 Dist Chord 4 Jazz Ride 2 Crotale Triangle Op 

Metro Bell Dist Chord 4 Dist Chord 5 China Cym 2 Applause Narrow Hit 2 

DR202 Beep Dist Chord 5 Dist Chord 6 Cajon 1 TubulrBel F TR808 Cym1 

Reverse Cym Rock CHH 2 Rock CHH 2 Cajon 2 TubulrBel F# MG Zap 4 

Xylo Seq. Cowbell 2a Dist Chord 7 Cajon 3 TubulrBel G Scratch 1 

Vinyl Noise Rock CHH 1 DistGtr Nz 1 Vint Snr 2 TubulrBel G# MG Zap 1 

Mobile Phone Cowbell 2b DistGtr Nz 2 Shaker 3 TubulrBel A TR606 Snr 2 

Group Snap Rock OHH DistGtr Nz 3 WD Rim f TubulrBel A# Synth Saw 

Laser Fng.EB2 Sld JD Switch Mix Kick 1 TubulrBel B Digi Breath 

Siren Cajon 3 Cajon 3 Mix Kick 2 TubulrBel C TR808 Cym2 

AnalogKick 3 Cajon 2 Cajon 2 Mix Kick 3 TubulrBel C# TR808 Conga1 

Old Kick 2 Cajon 1 Cajon 1 Mix Kick 4 TubulrBel D TR808 Conga2 

Reg.Kick Gospel Clap Real Clap Mix Kick 5 TubulrBel D# Cajon 1 

TR909 Snr 4 Rock Crash 2 Gospel Clap Mix Clap 1 TubulrBel E Vint Snr 3 

TR808 Snr 2 Rock Rd Cup Tibet Cymbal Wind Chime TubulrBel f Door Creak 

Short Snr1 Club FinSnap Tamborine 1 Tibet Cymbal Church Bell1 Vint.Phone 

Vint Snr 4 TR909 Snr 6 Tamborine 2 Crotale Church Bell2 Door Creak 

94

1165 

Limiter Kit 

1166 

HipHop Kit 1 

1167 

R&B Kit 

1168 

HiFi R&B Kit 

1169 

Machine Kit1 

1170 

Kit-Euro:POP 

Dance Kick 1 PlasticKick2 70's Kick MaxLow Kick2 TR909 Kick 2 TR707 Kick 

HipHop Kick1 Group Snap AnalogKick 6 FB Kick TR909 Kick 4 AnalogKick 1 

WD CStk Snr Roll Urbn Sn Roll Rough Kick1a Light Snr Dirty Snr 6 

R&B Kick 1 AnalogKick 3 HipHop Kick2 MaxLow Kick1 Mix Kick 5 FB Kick 

Wild Stick GoodOld Snr5 R&B ShrtSnr1 Rough Kick3 DR660 Snr BrushRoll 

Dance Kick 2 Dist Kick Old Kick Rk CmpKick Mix Kick 2 PlasticKick2 

Hip PHH Noise CHH HipHop CHH TR909 Kick 5 TR808 PHH Reg.CHH 2 

LD Kick TR707 Kick EuroHit Kick Rough Kick1b AnalogKick 6 Power Kick 

R&B Kick 2 Dry Kick 4 TR909 Kick 1 R&B Kick 70's Kick 1 TR909 Kick 6 

Lo-Bit Stk 2 Jazz Rim Dry Stick 4 Hard Stick TR808 Rim R&B ShrtRim1 

Wild Stick Dirty Snr 2 Dirty Snr 2 GoodOld Snr3 Jngl pktSnr1 TR909 Snr 3 

Dist Clap Old Clap Maple Snr GoodOld Snr4 Funk Clap TR909 Clap 1 

DR660 Snr Vint Snr 4a Short Snr2 GoodOld Snr2 Jngl pktSnr2 TR909 Snr 4a 

Reg.F.Tom p TR909 Tom L TR808 Tom 1 Lo-Bit Snr 1 MG Attack Sharp L.Tom2 

Lo-Bit CHH 2 HipHop CHH 2 TR606 CHH 2 Noise CHH TR808 CHH 1 TR909 CHH 1 

Reg.F.Tom f Deep Tom L Reg.F.Tom Jazz Snr MG Attack Sharp L.Tom1 

Lo-Bit CHH 4 Lo-Bit PHH TR909 CHH 2 Hip PHH TR808 PHH TR909 PHH 1 

Reg.L.Tom TR909 Tom M TR808 Tom 2 Lo-Bit Snr 2 MG Blip Sharp M.Tom 

Lo-Bit OHH 2 Lo-Bit OHH 2 Lo-Bit OHH 2 Reg.OHH TR808 OHH 1 TR909 OHH 2 

Reg.L.TomFlm Deep Tom M Reg.M.Tom Vint Snr 2 MG Blip Sharp M.Tom 

Reg.H.Tom TR909 Tom H TR808 Tom 3 WD Snr Beam HiQ Sharp H.Tom 

Crash Cym 1 Crash Cym1 p Rock Crash 1 TR808 Cym 1 TR606 Cym 2a TR909 Crash 

Reg.H.TomFlm Deep Tom H Reg.H.Tom GoodOld Snr6 Beam HiQ Sharp H.Tom 

Lo-Bit OHH 1 Rock Crash 1 Splash Cym TR606 Cym 2 Lo-Bit OHH1a TR909 Ride 

TR606 Cym 2 Rock Rd Edge Rock Rd Edge White Noise TR606 Cym 2 China Cymbal 

Jazz Ride 1 China Cymbal Concert Cym Bright Form Lo-Bit OHH1b Rock Rd Edge 

Tamborine 1 Snap Cheap Clap CR78 Tamb CR78 Tamb 1 Tamborine 3 

TR606 OHH TR808 Conga2 Snap SBF Hrd Ld 1 TR606 Cym 2b Crash Cym1 p 

Vibraslap Vint Snr 4 Lo-Bit Snr 2 JD Sm Metal JD Sm Metal1 Cowbell 

Mix Kick 2 TR808Cowbell Wood Block TR808 Cym 2 Lo-Bit OHH1c Rock Crash 2 

Hip PHH Guiro Long Shaku Noise Syn Swt Atk3 Syn Swt Atk3 Vibraslap 

Mix Kick 2 Guiro 2 Syn Hrd Atk1 TR909 Kick4a AnalogKick 6 TR606 Cym 2 

Rough Kick Guiro 1 JD MetalWind TR909 Kick4b 70's Kick 2 Bongo Lo Op 

Dry Stick Shaker 3 Maracas TR808 Rim R8 Comp Rim Bongo Hi Op 

GoodOld Snr5 Noise CHH Cabasa Up TR808 Snr 2 Pocket Snr Conga Hi Mt 

R8 Clap Cabasa 2 Cabasa Down TR808 Clap 2 TR909 Clap 2 Conga Hi Op 

Jngl pkt Snr Vibraslap Cabasa Cut TR808 Snr 4 Vint Snr 4 Conga Lo Op 

TR808 Tom Mix Kick 2 Tamborine 1 TR808 Tom 4 TR606 Tom L Conga Efx 

Noise CHH 1 Dist Snr Tamborine 2 TR808 CHH 1 Dance CHH Shaker 3 

TR808 Tom Sweep Bass Tamborine 1 TR808 Tom 3 TR606 Tom L Shaker 2 

Noise CHH 2 Short Snr1 Triangle Mt TR808 CHH 2 Lo-Bit CHH 1 CR78 Beat 

TR606 Tom L1 CR78 CHH Triangle Op TR808 Tom 2 TR606 Tom M Cabasa Cut 1 

Lo-Bit OHH 2 Shaker 2 Xylo Seq. TR808 OHH 1 Reg.OHH Cabasa Cut 2 

TR606 Tom L2 CR78 Tamb Philly Hit TR808 Tom 1 TR606 Tom M Lo-Bit PHH 

TR606 Tom H1 Noise OHH LoFi Min Hit Scratch 3 TR606 Tom H Scratch 7 

Crash Cym 2 Slight Bell Vinyl Noise Scratch 4 TR909 Crash1 Syn Low Atk2 

TR606 Tom H2 Tibet Cymbal Cajon 1 Scratch 5 TR606 Tom H MG Zap 7 

Jazz Ride 2 Wind Chime Cajon 2 Scratch 6 Lite OHH 1 Syn Swt Atk1 

Splash Cym Scratch 2 Cajon 3 Old Clap TR909 Crash2 Syn Swt Atk4 

Rock Rd Edge Scratch 1 Conga Hi Mt Hand Clap Lite OHH 2 Conga Thumb 

Tamborine 3 Scratch 10 Conga Lo Mt R8 Clap CR78 Tamb 2 Triangle 1 

Guiro Long Scratch 9 Conga Hi Slp Cabasa Cut TR909 Crash Triangle 2 

Gospel Clap Smear Hit 2 Conga Lo Slp R8 Shaker JD Sm Metal2 Euro Hit 1 

Tibet Cymbal Lofi Min Hit Conga Hi Op Tamborine 2 Lite OHH 3 Tao Hit 

Wind Chime Thin Beef Conga Lo Op Cabasa Down Syn Swt Atk1 Narrow Hit 2 

Mix Kick 1 Dist Hit Conga Slp Op Cabasa Cut TR808 OHH 2 Euro Hit 2 

Mix Kick 2 Narrow Hit 2 Conga Efx Tibet Cymbal 808 Maracas Wind Chime 

Mix Kick 4 MG Attack Conga Thumb Crotale TR808 Claves Timpani Roll 

Vint Snr 1 MG Zap 9 Noise OHH Slight Bell Triangle Mt Crotale 

Vint Snr 2 Mix Clap 3 Shaker 3 Wind Chime Triangle Op R8 Click 

Vint Snr 3 R8 Shaker Castanet Triangle 1 Narrow Hit 2 Metro Bell 

Vint Snr 4 Cabasa Down CR78 Beat Mild CanWave Euro Hit MC500 Beep 1 

Noise CHH Cabasa Cut CR78 OHH Cheap Clap MG Zap 4 MC500 Beep 2 

CR78 CHH MaxLow Kick1 CR78 CHH JD Plunk Scratch 1 Atmosphere 

Noise CHH 3 MaxLow Kick2 Lite OHH Syn Swt Atk2 MG Zap 1 Agogo Noise 

Noise OHH 2 Lo-Bit Snr 1 CR78 Tamb DistGtr Nz 2 TR606 Snr 2 Car Slip 

Noise OHH 1 Dance CHH JD Vox Noise River Synth Saw Group Snap 

Heartbeat Wild Stick Guiro 2 Fast Bubble Digi Breath Laser 

Scratch 2 MC500 Beep 1 Metro Click Train Pass DigiSpectrum ConcertBD 

Scratch 5 MC500 Beep 2 Metro Bell LoFi Min Hit Shaker 3 AnalogKick 3 

Scratch 1 Gospel Clap Wind Chime Pink Noise Conga 2H Slp Old Kick 

Scratch 4 TR606 Cym Crotale Agogo Noise Cajon 1 Reg.Kick 

Scratch 6 China Cymbal Crash Cym1 p SynVox Nz 1 Vint Snr 3 TR909 Snr 4b 

Mobile Phone Rock Crash 2 TR909 Crash SynVox Nz 2 Door Creak 1 TR808 Snr 2 

Sweep Bass 1 CR78 OHH CR78 OHH R8 Click Vint.Phone Vint Snr 4 

Sweep Bass 2 Concert Cym Rev.Lite OHH Syn Swt Atk1 Door Creak 2 Light Snr 

95

1171 

House Kit 

1172 

Nu Technica 

1173 

Machine Kit2 

1174 

ArtificalKit 

1175 

Noise Kit 

1176 

Kick Menu 

TR909 Kick 3 SH32 Kick 1 AnalogKick 5 TR909 Kick 2 TR909 Kick 2 ----- 

SH32 Kick JD EML 5th 1 AnalogKick6a AnalogKick 2 TR909 Kick 4 ----- 

Urbn Sn Roll AnalogKick 6 Analog Snr 1 TR808 Snr 5 Urbn SnRoll1 ----- 

TR909 Kick 2 TR909 Kick 5 AnalogKick1a TR909 Kick 3 TR909 Kick 5 ----- 

TR909 Snr 6 Plastic Kc3a TR808 Snr 4 Vint Snr 3 Door Creak 1 ----- 

TR909 Kick 5 R&B Kick FB Kick FB Kick TR909 Kick 1 ----- 

TR909 PHH 2 TR707 Kick TR808 PHH TR606 Cym 2a SynSwt Atk7a ----- 

TR909 Kick4a Plastic Kc3b AnalogKick6b AnalogKick 3 Cajon 3a Reg.Kick p 

TR909 Kick4b SH32 Kick 2 AnalogKick6c TVF Trigger Cajon 3b Reg.Kick f 

TR909 Rim TR909 Snr 5 R&B ShrtRim2 TR909 Rim Laser Reg.Kick ff 

TR909 Snr 4 Syn Mtl Atk2 TR909 Snr 1 TR909 Snr 1 Door Creak2a Rock Kick p 

TR909 Clap 2 Flange Snr TR707 Clap Claptail Train Pass Rock Kick f 

TR909 Snr 5 TR909 Snr 3 Lo-Bit Snr 2 TR909 Snr 3 Door Creak2b Jazz Kick p 

TR909 Tom L Dance CHH Deep Tom L TR909 Tom L2 Syn Swt AtkL Jazz Kick mf 

TR909 CHH 2 TR606DstCHH1 TR606 CHH 1 TR909 CHH 1 SynSwt Atk7b Jazz Kick f 

TR909 Tom L TR909 PHH 2 Deep Tom L TR909 Tom L1 Syn Swt AtkL Dry Kick 1 

TR909 PHH 2 TR606 PHH 2a TR606 PHH 1 TR909 PHH 1 Syn Mtl Atk2 Tight Kick 

TR909 Tom M TR909 OHH 1 Deep Tom M TR909 Tom M2 Syn Swt AtkM Old Kick 

TR909 OHH 2 Lite OHH TR909 OHH 2 TR909 OHH 2 White Noise Jz Dry Kick 

TR909 Tom M Rock Rd Cup Deep Tom M TR909 Tom M1 Syn Swt AtkM Dry Kick 2 

TR909 Tom H Syn Hrd Atk4 Deep Tom H TR909 Tom H2 Syn Swt AtkH Dry Kick 3 

TR909 Crash1 MG Zap 7a Lite OHH TR909 Crash Syn Mtl Atk1 Power Kick 

TR909 Tom H MG Zap 9 Deep Tom H TR909 Tom H1 Syn Swt AtkH R&B Kick L 

TR909 Ride 1 MG Zap 8 TR808 OHH 1 TR909 Ride SynLow Atk1a Rk CmpKick 

TR909 Crash2 MG Zap 10 TR606 Cym 2a White Noise1 Crotale 1 Dance Kick 

TR909 Ride 2 HipHop CHH 2 TR909 Ride 1 CR78 Beat Laser 1 HipHop Kick1 

CR78 Tamb Syn Swt Atk3 CR78 Tamb Tamborine 3 MG Zap 11 HipHop Kick2 

MG Zap 4 Reg.PHH TR606 Cym 2b Atmosphere Laser 2 TR909 Kick 1 

JD Sm Metal Syn Swt Atk6 JD Sm Metal Cowbell Mute MG Zap 4a TR808 Kick 

MG Zap 5 HipHop OHH TR909 Ride 2 Syn Swt Atk1 Digi Loop 1 TR909 Kick 4 

Syn Swt Atk3 TR909 OHH 2 Syn Swt Atk3 Cowbell MG Zap 6a WD Kick mf 

AnalogKick 2 TR909 R.Crsh AnalogKick1b Reverse Cym SynLow Atk2a WD Kick f 

TR909 Kick 2 TR909 Crash AnalogKick 4 AnalogKick 5 SynLow Atk2b WD Kick ff 

TR909 Rim Rock Crash 1 Urbn SnRoll1 Metal Vox W1 MG Attack LD Kick mf 

TR909 Snr 1 MG Zap 2 Analog Snr 2 Metal Vox W2 Syn Hrd Atk4 LD Kick f 

TR909 Clap 1 MG Zap 9 Dist Clap Metal Vox W3 Train Pass LD Kick ff 

TR909 Snr 2 Smear Hit 2 Analog Snr 3 White Noise2 Syn Mtl Atk1 TY Kick mf 

TR909 D.TomL Low Square R8 Shaker White Noise3 Syn Swt AtkL TY Kick f 

TR909 CHH 1 JD WoodCrak1 TR909 CHH 2 TR606 Cym 2b Syn Swt Atk7 TY Kick ff 

TR909 D.TomL Piano Atk Nz R8 Shaker MG Blip Syn Swt AtkL SF Kick 1 

TR808 CHH 2 JD WoodCrak2 TR909 PHH 2 MG Blip Rev. Syn Mtl Atk2 SF Kick 2 

TR909 D.TomM DR202 Beep 1 Syn Hrd Atk1 DigiSpectrum Syn Swt AtkM MaxLow Kick1 

TR909 OHH 1 JD WoodCrak3 TR909 OHH 2 Ice Crash DigiSpectrum MaxLow Kick2 

TR909 D.TomM Syn Pulse 2 SynHrd Atk1a Metal Vox L2 Syn Swt AtkM Dist Kick 

TR909 D.TomH DR202 Beep 2 SynHrd Atk1b Thin Beef Syn Swt AtkH FB Kick 

TR909 Crash3 Narrow Hit2a TR909 Crash LoFi Min Hit Digi Loop 1 Rough Kick1 

TR909 D.TomH E.Gtr Harm SynHrd Atk1c Trance Saw Syn Swt AtkH Rough Kick2 

TR909 Ride 3 Narrow Hit2b TR909 Ride 3 TB DstSqr SynLow Atk1b Rough Kick3 

TR909 Crash4 Euro Hit TR909 Crash Finger Snap Crotale 2 PlasticKick1 

TR909 Ride 4 Jazz Lo Tom1 TR909 Ride 1 Conga Slp Op Laser 3 70's Kick 

Tamborine 2 TR909 D.TomL CR78 Tamb Conga Lo Op MG Zap 11 AnalogKick 1 

MG Zap 2 Jazz Lo Tom2 MG Zap 2 Conga Hi Op Laser 4 PlasticKick2 

Cowbell Low TR909 D.TomM JD Sm Metal Triangle Mt MG Zap 4b PlasticKick3 

MG Zap 6 Jazz Lo Tom3 MG Zap 6 Triangle Op Crotale 3 TR909 Kick 2 

Cowbell Hi TR909 D.TomH Syn Swt Atk1 Cabasa Cut MG Zap 6b AnalogKick 2 

MG Zap 7 AnalogKick 3 MG Zap 7 R8 Shaker Syn Low Atk2 TR909 Kick 3 

Conga Hi Mt AnalogKick 5 808 Maracas AnalogKick 1 808 Maracas AnalogKick 3 

Conga Lo Mt Club Clap TR808 Claves PlasticKick2 TR808 Claves AnalogKick 4 

Conga Lo Slp TR808 Snr 7 Triangle Mt PlasticKick3 Triangle Mt AnalogKick 5 

Conga Hi Op TR808 Snr 3 Triangle Op TR909 Kick 1 Triangle Op AnalogKick 6 

Conga Lo Op TR909 Snr 6a Euro Hit AnalogKick 4 Dry Lo Tom TR606DstKick 

Timbale Hi TR909 CHH 2 Scratch 4 AnalogKick 6 Conga Thumb TR909 Kick 5 

Timbale Low TR606DstCHH2 Brt Strat C TR909 Snr 2 Funk Gtr SH32 Kick 

Agogo Bell H Dance CHH Crotale TR909 Snr 4 Digi Loop 1 TR707 Kick 

Agogo Bell L TR606 PHH 2b MG Zap 4 TR909 Snr 5 MG Zap 4c TR909 Kick 6 

Cabasa Down TR909 OHH 2 Urbn SnRoll2 TR909 Snr 6 Urbn SnRoll2 Mix Kick 1 

Maracas TR606 OHH Calc.Saw TR808 Snr 1 Sweep Saw Mix Kick 2 

Guiro Short CR78 OHH White Noise TR808 Snr 2 White Noise Mix Kick 3 

Guiro Long Juno Sqr HD Blow Loop TR808 CHH 1 Monsoon Mix Kick 4 

Claves TR909 Snr 6b Shaker 2 TR808 OHH 1 Shaker 3 Mix Kick 5 

Wood Block L TR808 Kick Shaker 3 TR909 CHH 2 Scream Dry Kick 4 

Wood Block H JD EML 5th 2 Cajon 1 TR909 OHH 2 Cajon 1 Sweep Bass 

Triangle Mt TR707 Clap Euro Hit Lite CHH Euro Hit Vint Kick 

Triangle Op Dist Clap Laugh Lite OHH Laugh Small Kick 

Castanet MG Zap 5 Office Phone TR606 Cym 2c ConcertBD ----- 

Whistle MG Zap 7b Door Creak China Cymbal Timpani ----- 

96

1177 

Snare Menu 

1178 

Snr/Rim Menu 

1179 

HiHat Menu 

1180 

Tom Menu 

1181 

Clp&Cym&Hit 

1182 

FX/SFX Menu 

----- ----- ----- ----- ----- ----- 

----- ----- ----- ----- ----- ----- 

----- ----- ----- ----- ----- ----- 

----- ----- ----- ----- ----- ----- 

----- ----- ----- ----- ----- ----- 

----- ----- ----- ----- ----- ----- 

----- ----- ----- ----- ----- ----- 

Reg.Snr1 p GoodOld Snr1 Reg.CHH 1 p Reg.F.Tom p Hand Clap MG Zap 1 

Reg.Snr1mf GoodOld Snr2 Reg.CHH 1 mf Reg.F.Tom f Club Clap MG Zap 2 

Reg.Snr1 f GoodOld Snr3 Reg.CHH 1 f Reg.L.Tom p Real Clap MG Zap 3 

Reg.Snr1ff GoodOld Snr4 Reg.CHH 1 ff Reg.L.Tom f Bright Clap MG Zap 4 

Reg.Snr2 p GoodOld Snr5 Reg.CHH 2 mf Reg.M.Tom p R8 Clap MG Zap 5 

Reg.Snr2 f GoodOld Snr6 Reg.CHH 2 f Reg.M.Tom f Gospel Clap MG Zap 6 

Reg.Snr2ff Dirty Snr 1 Reg.CHH 2 ff Reg.H.Tom p Amb Clap MG Zap 7 

Amb.Snr1 p Dirty Snr 2 Reg.PHH mf Reg.H.Tom f TR808 Clap 1 MG Zap 8 

Amb.Snr1 f Dirty Snr 4 Reg.PHH f Reg.L.TomFlm TR808 Clap 2 MG Zap 9 

Amb.Snr2 p Dirty Snr 5 Reg.OHH mf Reg.M.TomFlm TR909 Clap 1 MG Zap 10 

Amb.Snr2 f Dirty Snr 6 Reg.OHH f Reg.H.TomFlm TR909 Clap 2 MG Zap 11 

Piccolo Snr Dirty Snr 7 Reg.OHH ff Jazz Lo Tom TR707 Clap MG Blip 

Maple Snr Grit Snr 1 Rock CHH1 mf Jazz Mid Tom Cheap Clap Beam HiQ 

Reg.Snr Gst Grit Snr 2 Rock CHH1 f Jazz Hi Tom Mix Clap 1 MG Attack 

Sft Snr Gst Grit Snr 3 Rock CHH2 mf Jazz Lo Flm Mix Clap 2 Syn Low Atk1 

Jazz Snr p LoBit SnrFlm Rock CHH2 f Jazz Mid Flm Mix Clap 3 Syn Low Atk2 

Jz Brsh Slap Lo-Bit Snr 1 Rock OHH Jazz Hi Flm Mix Clap 4 Syn Hrd Atk1 

Jz Brsh Swsh Dirty Snr 3 Lo-Bit CHH 1 Sharp Lo Tom Dist Clap Syn Hrd Atk2 

Swish&Turn p Lo-Bit Snr 2 Lo-Bit CHH 2 Sharp Hi Tom Dist Clap 2 Syn Hrd Atk3 

Swish&Turn f Analog Snr 1 Lo-Bit CHH 3 Dry Lo Tom Crash Cym1 p Syn Hrd Atk4 

Concert SD Tiny Snare Lo-Bit CHH 4 TR909 Tom Crash Cym1 f Syn Mtl Atk1 

Snr Roll Lp R&B ShrtSnr1 Lo-Bit CHH 5 TR909 DstTom Crash Cym 2 Syn Mtl Atk2 

BrushRoll Lp TR808 Snr 1 HipHop CHH TR808 Tom Rock Crash 1 Syn Swt Atk1 

WD Snr p TR808 Snr 2 TR909 CHH 1 TR606 Tom Rock Crash 2 Syn Swt Atk2 

WD Snr mf TR808 Snr 3 TR909 CHH 2 Deep Tom Splash Cym Syn Swt Atk3 

WD Snr f TR606 Snr 1 TR808 CHH 1 RR F.Tom mp Jazz Crash Syn Swt Atk4 

WD Snr ff MrchCmp Snr TR808 CHH 2 RR F.Tom f Ride Cymbal Syn Swt Atk5 

WD Rim p Reggae Snr TR606 CHH 1 RR F.Tom ff Ride Bell Syn Swt Atk6 

WD Rim mf DR660 Snr TR606 CHH 2 LD L.Tom mf Rock Rd Cup Syn Swt Atk7 

WD Rim f Jngl pkt Snr TR606 DstCHH LD L.Tom f Rock Rd Edge R8 Click 

WD Rim ff Pocket Snr Noise CHH LD L.Tom ff Jazz Ride p MC500 Beep 1 

LD Snr p Flange Snr Lite CHH LD M.Tom mf Jazz Ride mf MC500 Beep 2 

LD Snr mf Analog Snr 2 CR78 CHH LD M.Tom f China Cymbal DR202 Beep 

LD Snr f Analog Snr 3 Dance CHH LD M.Tom ff TR909 Crash JD Switch 

LD Snr ff TR909 Snr 1 Lo-Bit PHH LD H.Tom mf TR909 Ride Cutting Nz 

LD Rim mf TR909 Snr 2 Hip PHH LD H.Tom f Concert Cym1 Vinyl Noise 

LD Rim f TR909 Snr 3 TR909 PHH 1 LD H.Tom ff Concert Cym2 Applause 

LD Rim ff TR909 Snr 4 TR909 PHH 2 TY L.Tom mf TR606 Cym River 

TY Snr p TR909 Snr 5 TR808 PHH TY L.Tom f TR808 Cym Thunder 

TY Snr mf TR909 Snr 6 TR606 PHH 1 TY L.Tom ff Reverse Cym Monsoon 

TY Snr f TR808 Snr 4 TR606 PHH 2 TY M.Tom mf ClassicHseHt Stream 

TY Snr ff Lite Snare HipHop OHH TY M.Tom f Narrow Hit 1 Bubble 

TY Rim p TR808 Snr 5 TR909 OHH 1 TY M.Tom ff Narrow Hit 2 Bird Song 

TY Rim mf TR808 Snr 6 TR909 OHH 2 TY H.Tom mf Euro Hit Dog Bark 

TY Rim f TR606 Snr 2 TR808 OHH 1 TY H.Tom f Dist Hit Gallop 

TY Rim ff CR78 Snare TR808 OHH 2 TY H.Tom ff Thin Beef Vint.Phone 

SF Snr p Urbn Sn Roll TR606 OHH SF L.Tom mf Tao Hit Office Phone 

SF Snr mf Reg.Stick Lo-Bit OHH 1 SF L.Tom ff Smear Hit 1 Mobile Phone 

SF Snr f Soft Stick Lo-Bit OHH 2 SF M.Tom mf Smear Hit 2 Door Creak 

SF Snr ff Hard Stick Lo-Bit OHH 3 SF M.Tom f LoFi Min Hit Door Slam 

SF SnrGst1 Wild Stick Lite OHH SF M.Tom ff Orch. Hit Car Engine 

SF SnrGst2 R&B ShrtRim1 CR78 OHH SF H.Tom mf Punch Hit Car Slip 

SF Rim p R&B ShrtRim2 Noise OHH 1 SF H.Tom f O'Skool Hit Car Pass 

SF Rim mf WD CStk mf Noise OHH 2 SF H.Tom ff Philly Hit Crash Seq. 

SF Rim f WD CStk f ----- RR FT Flm ff ----- Gun Shot 

SF Rim ff LD CStk mf ----- SF LT Flm ff ----- Siren 

Light Snr ff LD CStk f ----- SF MT Flm f ----- Train Pass 

Click Snr p TY CStk mf ----- SF HT Flm p ----- Airplane 

Click Snr ff TY CStk f ----- SF HT Flm f ----- Laugh 

Jazz Snr mf SfCrsStk p ----- SF HT Flm ff ----- Scream 

Jazz Snr f SfCrsStk f ----- ----- ----- Punch 

Jazz Rim p Lo-Bit Stk 1 ----- ----- ----- Heartbeat 

Soft Jz Roll Lo-Bit Stk 2 ----- ----- ----- Footsteps 

----- Dry Stick 1 ----- ----- ----- Machine Gun 

----- Dry Stick 2 ----- ----- ----- Laser 

----- Dry Stick 3 ----- ----- ----- Thunder Lp 

----- R8 Comp Rim ----- ----- ----- Metro Bell 

----- TR909 Rim ----- ----- ----- Metro Click 

----- TR808 Rim ----- ----- ----- ----- 

97

1183 

Percussion 

1184 

Scrh&Voi&Wld 

Cowbell ----- 

Cowbell Mute ----- 

Cowbell2 Lng ----- 

Cowbell2 Edg ----- 

Cowbell3 mf ----- 

Cowbell3 f ----- 

Wood Block ----- 

Wood Block2H Scratch 1 

Wood Block2L Scratch 2 

Claves Scratch 3 

TR808 Claves Scratch 4 

Claves 2 Scratch 5 

CR78 Beat Scratch 6 

Castanet Scratch 7 

Whistle Scratch 9 

Whistle Long Scratch 10 

Whistle Shrt 

Aah Formant 

Bongo Hi Mt 

Eeh Formant 

Bongo Hi Slp 

Iih Formant 

Bongo Lo Slp 

Ooh Formant 

Bongo Hi Op 

Uuh Formant 

Bongo Lo Op 

Metal Vox W1 

Conga Hi Mt 

Metal Vox W2 

Conga Lo Mt 

Metal Vox W3 

Conga Hi Slp JD Gamelan 1 

Conga Lo Slp JD Gamelan 2 

Conga Hi Op JD Gamelan 3 

Conga Lo Op JD Gamelan 4 

Conga Slp Op JD Gamelan 5 

Conga Efx JD Gamelan 6 

Conga Thumb JD Gamelan 7 

Conga 2H Op JD Gamelan 8 

Conga 2H Mt JD Gamelan 9 

Conga 2H Slp 

JD Gamelan10 

Conga 2L Op 

JD Gamelan11 

Conga 2L Mt 

JD Gamelan12 

Timbale 1 Cajon 1 

Timbale 2 Cajon 2 

Timbare 3 Cajon 3 

Timbare 4 Cajon 4 

Cabasa Up 

SprgDrm Hit 

Cabasa Down 

Cuica 

Cabasa Cut 

Cuica 2 Hi 

Cabasa2 

Cuica 2 Low 

Cabasa2 Cut ----- 

Shaker ----- 

Maracas ----- 

808 Maracas ----- 

R8 Shaker ----- 

Guiro 1 ----- 

Guiro 2 ----- 

Guiro Long ----- 

Guiro 2 Up ----- 

Guiro 2 Down ----- 

Guiro 2 Fast ----- 

Vibraslap ----- 

Tamborine 1 ----- 



Tamborine4 f ----- 

Tamborine4 p ----- 

CR78 Tamb ----- 

Timpani p ----- 

Timpani f ----- 

Timpani Roll ----- 

Timpani Lp ----- 

ConcertBD p ----- 

ConcertBD f ----- 

ConcertBD ff ----- 

ConcertBD Lp ----- 

Triangle 1Op ----- 

Triangle 1Mt ----- 

Triangle 2 ----- 

Tibet Cymbal ----- 

Wind Chime ----- 

Crotale ----- 

98

c!3CC= GM 

Note No. 

27 

28 

29 

30 

31 

32 

33 

34 

35 

C2 36 

37 

38 

39 

40 

41 

42 

43 

44 

45 

46 

47 

C3 48 

49 

50 

51 

52 

53 

54 

55 

56 

57 

58 

59 

C4 60 

61 

62 

63 

64 

65 

66 

67 

68 

69 

70 

71 

C5 72 

73 

74 

75 

76 

77 

78 

79 

80 

81 

82 

83 

C6 84 

85 

86 

87 

88 

1185 (PC: 1) 

GM2 STANDARD 

1186 (PC: 9) 

GM2 ROOM 

1187 (PC: 17) 

GM2 POWER 

1188 (PC: 25) 

GM2 ELECTRIC 

1189 (PC: 26) 

GM2 ANALOG 

1190 (PC: 33) 

GM2 JAZZ 

High Q High Q High Q High Q High Q High Q 

Slap Slap Slap Slap Slap Slap 

Scratch Push Scratch Push Scratch Push Scratch Push Scratch Push Scratch Push 

Scratch Pull Scratch Pull Scratch Pull Scratch Pull Scratch Pull Scratch Pull 

Sticks Sticks Sticks Sticks Sticks Sticks 

Square Click Square Click Square Click Square Click Square Click Square Click 

Metron Click Metron Click Metron Click Metron Click Metron Click Metron Click 

Metron Bell Metron Bell Metron Bell Metron Bell Metron Bell Metron Bell 

Kick Drum 2 Kick Drum 2 Power Kick 2 Kick Drum 2 Kick Drum 2 Jazz Kick 2 

Kick Drum 1 Kick Drum 1 Power Kick 1 Elec.Kick 1 Ana.Kick 1 Jazz Kick 1 

Side Stick Side Stick Side Stick Side Stick Ana.Rim Sho Side Stick 

Aco.Snare Aco.Snare PowerSnareDr E.SnareDrum1 Ana.Snare 1 Aco.Snare 

Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap 

Elec.Snare Elec.Snare Elec.Snare E.SnareDrum2 Elec.Snare Elec.Snare 

Low Tom 2 Room LowTom2 PowerLowTom2 E.Low Tom 2 Ana.Low Tom2 Low Tom 2 

ClosedHi-hat ClosedHi-hat ClosedHi-hat ClosedHi-hat Ana.ClosedHH ClosedHi-hat 

Low Tom 1 Room LowTom1 PowerLowTom1 E.Low Tom 1 Ana.Low Tom1 Low Tom 1 

Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat Pedal Hi-hat Ana.ClosedHH Pedal Hi-hat 

Mid Tom 2 Room MidTom2 PowerMidTom2 E.Mid Tom 2 Ana.Mid Tom2 Mid Tom 2 

Open Hi-hat Open Hi-hat Open Hi-hat Open Hi-hat Ana.Open HH Open Hi-hat 

Mid Tom 1 Room MidTom1 PowerMidTom1 E.Mid Tom 1 Ana.Mid Tom1 Mid Tom 1 

High Tom 2 Room Hi Tom2 Power HiTom2 E.Hi Tom 2 Ana.Hi Tom2 High Tom 2 

CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Ana.Cymbal CrashCymbal1 

High Tom 1 Room Hi Tom1 Power HiTom1 E.Hi Tom 1 Ana.Hi Tom1 High Tom 1 

Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 Ride Cymbal1 

China Cymbal China Cymbal China Cymbal Reverse Cym. China Cymbal China Cymbal 

Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell Ride Bell 

Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine 

SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal 

Cowbell Cowbell Cowbell Cowbell Ana.Cowbell Cowbell 

CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 

Vibra-slap Vibra-slap Vibra-slap Vibra-slap Vibra-slap Vibra-slap 

Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 Ride Cymbal2 

High Bongo High Bongo High Bongo High Bongo High Bongo High Bongo 

Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo Low Bongo 

MuteHi Conga MuteHi Conga MuteHi Conga MuteHi Conga Ana.Hi Conga MuteHi Conga 

OpenHi Conga OpenHi Conga OpenHi Conga OpenHi Conga Ana.MidConga OpenHi Conga 

Low Conga Low Conga Low Conga Low Conga Ana.LowConga Low Conga 

High Timbale High Timbale High Timbale High Timbale High Timbale High Timbale 

Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale Low Timbale 

High Agogo High Agogo High Agogo High Agogo High Agogo High Agogo 

Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo Low Agogo 

Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa 

Maracas Maracas Maracas Maracas Ana.Maracas Maracas 

ShortWhistle ShortWhistle ShortWhistle ShortWhistle ShortWhistle ShortWhistle 

Long Whistle Long Whistle Long Whistle Long Whistle Long Whistle Long Whistle 

Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro 

Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro 

Claves Claves Claves Claves Ana.Claves Claves 

Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock Hi WoodBlock 

LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock LowWoodBlock 

Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica 

Open Cuica Open Cuica Open Cuica Open Cuica Open Cuica Open Cuica 

MuteTriangle MuteTriangle MuteTriangle MuteTriangle MuteTriangle MuteTriangle 

OpenTriangle OpenTriangle OpenTriangle OpenTriangle OpenTriangle OpenTriangle 

Shaker Shaker Shaker Shaker Shaker Shaker 

Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell Jingle Bell 

Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree 

Castanets Castanets Castanets Castanets Castanets Castanets 

Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo 

Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo 

----- ----- ----- ----- ----- ----- 

99

Note No. 

27 

28 

29 

30 

31 

32 

33 

34 

35 

C2 36 

37 

38 

39 

40 

41 

42 

43 

44 

45 

46 

47 

C3 48 

49 

50 

51 

52 

53 

54 

55 

56 

57 

58 

59 

C4 60 

61 

62 

63 

64 

65 

66 

67 

68 

69 

70 

71 

C5 72 

73 

74 

75 

76 

77 

78 

79 

80 

81 

82 

83 

C6 84 

85 

86 

87 

88 

1191 (PC: 41) 

GM2 BRUSH 

1192 (PC: 49) 

GM2 ORCHSTRA 

1193 (PC: 57) 

GM2 SFX 

High Q ClosedHi-hat ----- 

Slap Pedal Hi-hat ----- 

Scratch Push Open Hi-hat ----- 

Scratch Pull Ride Cymbal1 ----- 

Sticks Sticks ----- 

Square Click Square Click ----- 

Metron Click Metron Click ----- 

Metron Bell Metron Bell ----- 

Jazz Kick 2 Concert BD 2 ----- 

Jazz Kick 1 Concert BD 1 ----- 

Side Stick Side Stick ----- 

Brush Tap Concert SD ----- 

Brush Slap Castanets High Q 

Brush Swirl Concert SD Slap 

BrushLowTom2 Timpani F Scratch Push 

ClosedHi-hat Timpani F# Scratch Pull 

BrushLowTom1 Timpani G Sticks 

Pedal Hi-hat Timpani G# Square Click 

BrushMidTom2 Timpani A Metron Click 

Open Hi-hat Timpani A# Metron Bell 

BrushMidTom1 Timpani B GtFret Noise 

Brush HiTom2 Timpani c Cut Noise Up 

CrashCymbal1 Timpani c# Cut Noise Dw 

Brush HiTom1 Timpani d Slap_St.Bass 

Ride Cymbal1 Timpani d# Fl.Key Click 

China Cymbal Timpani e Laughing 

Ride Bell Timpani f Scream 

Tambourine Tambourine Punch 

SplashCymbal SplashCymbal Heart Beat 

Cowbell Cowbell Footsteps 1 

CrashCymbal2 Concert Cym2 Footsteps 2 

Vibra-slap Vibra-slap Applause 

Ride Cymbal2 Concert Cym1 Door Creak 

High Bongo High Bongo Door 

Low Bongo Low Bongo Scratch 

MuteHi Conga MuteHi Conga Wind Chimes 

OpenHi Conga OpenHi Conga Car-Engine 

Low Conga Low Conga Car-Stop 

High Timbale High Timbale Car-Pass 

Low Timbale Low Timbale Car-Crash 

High Agogo High Agogo Siren 

Low Agogo Low Agogo Train 

Cabasa Cabasa Jetplane 

Maracas Maracas Helicopter 

ShortWhistle ShortWhistle Starship 

Long Whistle Long Whistle Gun Shot 

Short Guiro Short Guiro Machine Gun 

Long Guiro Long Guiro Lasergun 

Claves Claves Explosion 

Hi WoodBlock Hi WoodBlock Dog 

LowWoodBlock LowWoodBlock Horse-Gallop 

Mute Cuica Mute Cuica Birds 

Open Cuica Open Cuica Rain 

MuteTriangle MuteTriangle Thunder 

OpenTriangle OpenTriangle Wind 

Shaker Shaker Seashore 

Jingle Bell Jingle Bell Stream 

Bell Tree Bell Tree Bubble 

Castanets Castanets ----- 

Mute Surdo Mute Surdo ----- 

Open Surdo Open Surdo ----- 

----- Applause ----- 

100

dk“ g`leŠnj 

101

p=“C%ƒ…="=…, =**%!ä%" 

● = q23C…, =**%!ä=. 

★ = m%2/, …%K.%ä,ì/ äë "ƒ 2, =**%!ä=, “ë, äë C=!=ì2!= œChord ModeB "/K!=…% ƒ…=÷…, INTEL (“2!. 37). 

C C# D E E F 

CM7 C#M7 DM7 E M7 EM7 FM7 

C7 C#7 D7 E 7 E7 F7 

Cm C#m Dm E m Em Fm 

Cm7 C#m7 Dm7 E m7 Em7 Fm7 

CmM7 C#mM7 DmM7 E mM7 EmM7 FmM7 

Cdim C#dim Ddim E dim Edim Fdim 

Cm7 ( 5 ) 

C#m7 ( 5 ) 

Dm7 ( 5 ) E m7 ( 5 ) Em7 ( 5 ) 

Fm7 ( 5 ) 

Caug C#aug Daug E aug Eaug Faug 

Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4 

C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4 

102

p=“C%ƒ…="=…, =**%!ä%" 

● = q23C…, =**%!ä=. 

★ = m%2/, …%K.%ä,ì/ äë "ƒ 2, =**%!ä=, “ë, äë C=!=ì2!= œChord ModeB "/K!=…% ƒ…=÷…, INTEL (“2!. 37). 

F# G A A B B 

F#M7 GM7 A M7 AM7 B M7 BM7 

F#7 G7 A 7 A7 B 7 B7 

F#m Gm A m Am B m Bm 

F#m7 Gm7 A m7 Am7 B m7 Bm7 

F#mM7 GmM7 A mM7 AmM7 B mM7 BmM7 

F#dim Gdim A dim Adim B dim Bdim 

F#m7 ( 5 ) 

Gm7 ( 5 ) A m7 ( 5 ) Am7 ( 5 ) B m7 ( 5 ) Bm7 ( 5 ) 

F#aug Gaug A aug Aaug B aug Baug 

F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4 

F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4 

103

MIDI Implementation Chart 

Ìîäåëü: Prelude 

Ôóíêöèÿ 

Êàðòà MIDI-ôóíêöèé 

Äàòà : 15.10.08 

Âåðñèÿ : 1.00 

Ïåðåäà÷à Ïðèåì Ïðèìå÷àíèÿ 

Basic 

Channel 

Default 

Changed 

1 – 16 

1 – 16 

1 – 16 

1 – 16 

Mode 

Note 

Number : 

Velocity 

Default 

Messages 

Altered 

True Voice 

Note ON 

Note OFF 

Mode 3 

Mode 3, 4 (M = 1) 

************** 

0 – 127 0 – 127 

************** 

0 – 127 

O 

O *3 

Mode 3 

Mode 3, 4 (M = 1) 

O 

O 

* 2 

Aftertouch 

Key's 

Channel's 

O *3 

O *3 

O 

O 

Pitch Bend 

O *1 

O *1 

Control 

Change 

0, 32 

1 

2 

4 

5 

6, 38 

7 

8 

10 

11 

16 

17 

18 

19 

64 

65 

66 

67 

68 

69 

70 

71 

72 

73 

74 

75 

76 

77 

78 

80 

81 

82 

83 

84 

91 

92 

93 

94 

95 

96, 97 

98, 99 

100, 101 

102 – 119 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

*1 

*1 

O 

O 

X 

X 

O 

O 

O 

X 

O 

O 

X 

X 

X 

X 

O 

O 

O 

O 

O 

X 

X 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O 

O (Reverb) 

X 

O (Chorus) 

X 

X 

X 

X 

O 

X 

*1 

*1 

Bank select 

Modulation 

Breath type 

Foot type 

Portamento time 

Data entry 

Volume 

Balance 

Panpot 

Expression 

General purpose controller 1 




Hold1 

Portamento 

Sostenuto 

Soft 

Legato foot switch 

Hold2 

Sound variation 

Resonance 

Release time 

Attack time 

Cutoff 

Decay time 

Vibrato rate 

Vibrato depth 

Vibrato delay 





Portamento control 

General purpose effects 1 

Tremolo 

General purpose effects 3 

Celeste 

Phaser 

Increment, Decrement 

NRPN LSB,MSB 

RPN LSB,MSB 

Program 

Change : True Number 

System Exclusive 

System 

Common 

System 

Realtime 

Aux 

Messages 

Ïðèìå÷àíèÿ 

: Song Position 

: Song Select 

: Tune 

: Clock 

: Command 

: All Sound Off 

: Reset All Controllers 

: Local ON/OFF 

: All Note Off 

: Active Sensing 

: System Reset 

O *1 

************** 

O 

O *1 

X 

X 

O *1 

O *1 

O *3 

O *3 

X 

O *3 

O 

X 

O *1 

0 – 127 

O 

O 

X 

X 

O *1 

O *1 

O 

O 

X 

O (123 – 127) 

O 

X 

* 1 O X âûáèðàåòñÿ. 

* 2 Ðàñïîçíàåòñÿ êàê M=1 äàæå åñëè M>1. 

* 3 Ïåðåäàåòñÿ ñ òðåêîâ àâòîàêêîìïàíåìåíòà. 

Program Number 1 – 128 

Mode 1 : OMNI ON, POLY 

Mode 3 : OMNI OFF, POLY 

Mode 2 : OMNI ON, MONO 

Mode 4 : OMNI OFF, MONO 

O : Äà 

X : Íåò 

104

Š.…,÷“*, .=!=*2!,“2,*, 

Prelude: l3ƒ/*=ëü…/L “,…2ƒ=2%! 

q%"ì“2,ì “% “2=…ä=!2%ì General MIDI 2 

■ jë=",=23!= 

61 *ë=",ø= (÷3"“2",2ëü…= * “*%!%“2, …=›=2, ) 

■ c…!=2%! ƒ"3*= 

l=*“. C%ë,-%…, 

o=!2,, 

b%ë…%"= C=ì 2ü 

128 ã%ë%“%" 

16 C=!2,L + *ë=",=23!…/ C=!2,, 

256 lK (" 16-K,2…%ì .*","=ë…2) 

o!“2…= C=ì 2ü o!-%!ì=…“/: 128 

ŠìK!/: 896 + 256 (GM2) + World 

m=K%!/ 3ä=!…/.: 32 + 9 (GM2) + 

World 

o=ì 2ü 

o!-%!ì=…“/: 128 

C%ëüƒ%"=2ë 

}--*2/ MFX: b!.… /…,›… C=!2,,, 78 

2,C%" 

Chorus: 3 2,C= 

Reverb: 5 2,C%" 

■ `**%ìC=…ì…2 

p›,ì/ 

Style, Song, USB Memory Player 

ŠìC (MIDI) Style, Song: %2 20 ä% 250 

USB Memory Player: %2 5 ä% 300 

b=!,=ö,, “2,ë 4 Intro, 4 Main, 4 Ending, 4 Fill In 

Sync Start, Stop 

One Touch Setting 

oü“/ (16-2!*%"/L 

“*"…“%!) 

USB-C!%,ã!/"=2ëü 

o!“2…= C=ì 2ü 

o=ì 2ü 

C%ëüƒ%"=2ë 

■ o!%÷ 

16 2!*%", !›,ì/ Mix , Replace, 

Count in, Punch In-Out, Input Quantize 

999 Cü“ 

MIDI: -%!ì=2 0/1 

À3ä,%: WAV, AIFF, MP3 

q2,ë,: 130 + World 

q2,ë,: 100 

oü“/: 200 

* o0( /%0%/.+-%-(( / ,?2( /.+

106

Äàííûé ïðîäóêò îòâå÷àåò òðåáîâàíèÿì äèðåêòèâû EMC 2004/108/EC. 

Íà òåððèòîðèè ñòðàí ÅÑ äàííûé ïðîäóêò çàïðåùåíî âûáðàñûâàòü 

âìåñòå ñ áûòîâûì ìóñîðîì! Äëÿ óòèëèçàöèè ïðèøåäøèõ â íåãîäíîñòü 

ïðîäóêòîâ ïîäîáíîãî êëàññà ñóùåñòâóþò ñïåöèàëüíûå åìêîñòè!

R® 

602.00.0322.01 RES 692-08 p3*%"%ä“2"% C%ëüƒ%"=2ë (RU) Prelude

Prelude - Roland

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