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Handed Down - Nevada Arts Council

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1996–1997<br />

Paiute Cradleboards:<br />

Ivie Garfield and Sharon Barton<br />

Achild living on the Ft. McDermitt Reservation in<br />

north central <strong>Nevada</strong> and raised from her earliest<br />

days in a willow cradleboard is already learning what it<br />

means to be Paiute. She is protected by the buckskin<br />

cover laced tight around her like a pair of sheltering<br />

arms; she is surrounded by the elements of nature like<br />

willow and hide that connect her to her place on the<br />

earth; and she is a part of the human community as she<br />

is carried where her parents go and propped up on a<br />

sofa or against a tree in the midst of adult activity. Both<br />

practically and symbolically, the cradleboard is central<br />

to Native American identity in the Great Basin.<br />

In her community of McDermitt, Ivie Garfield is acknowledged<br />

as a master maker of cradleboards. She has<br />

made them for all her children and grandchildren, as well<br />

as for many other people in the area. Her mother and<br />

grandmother were also artists in willow, and it was from<br />

them that Ivie learned. The first basket a newborn gets is<br />

boat shaped, and is used for about a month, traditionally<br />

a time when mother and child lived in a small dwelling<br />

outside the main house and saw no outsiders. Some<br />

women still maintain this practice by staying in a separate<br />

room in the house, and Ivie and her apprentice Sharon<br />

Barton agree that this is easier on both mother and child<br />

since they have few distractions. When the baby and<br />

mother return to the main house after a month, the child<br />

receives its full-size basket. It is made of small willow<br />

sticks woven together with split willow<br />

strings and attached to a long oval frame<br />

of heavy willow. The board is covered<br />

with a buckskin or canvas cover that<br />

laces up the front to hold the child in.<br />

At the top is a shade of very fine willows<br />

woven together and decorated with a<br />

pattern in yarn that tells whether the<br />

baby is a girl or a boy. The shade keeps<br />

light out of the baby’s eyes, it can protect<br />

the child should the board tip over,<br />

and a blanket can be draped over it when the baby sleeps.<br />

Both Ivie and Sharon, who is her niece, were born in<br />

McDermitt, which is a ranching community on the Oregon<br />

border. Ivie has lived there for all of her 77 years.<br />

During the apprenticeship they worked on identifying<br />

and gathering the proper willows, cleaning and splitting<br />

them, and weaving. Ivie also tans her own deer hides for<br />

the covers, something Sharon hasn’t taken on yet. One<br />

hide will cover one cradleboard, but Ivie has no set pattern<br />

she uses. Rather, she fits the particular hide to the<br />

frame, paying attention to the grain of the hide and the<br />

way it stretches. Ivie says she can remember every person<br />

she has made a cradleboard for; for the important<br />

part she plays in introducing children to their Paiute<br />

Heritage she is certain to be remembered as well.<br />

Ivie Garfield with some of her cradleboards.<br />

Ivie’s cradleboards<br />

Cradleboard frames hanging in a<br />

willow in Ivie’s yard.<br />

46

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