Handed Down - Nevada Arts Council

Handed Down - Nevada Arts Council Handed Down - Nevada Arts Council

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1993–1994 Washoe Baskets: Amy Barber and Jody Barber Steele On a sunny summer afternoon, Amy Barber sits on the sofa in a warm corner of her little house near Woodfords, California, and lifts a damp spiral of split willow from a bowl of water. With an awl held between the last two fingers of her right hand she works an opening between the coils of a basket and inserts the new willow under the end of another split willow and wraps it tightly around the coils. Amy works with rags wrapped around the fingers of her right hand so she won’t be cut as she pulls the willows taut. A stitch at a time, she shapes round baskets of pale willow with dark bracken fern root designs, as her Washoe ancestors have done for generations. Amy Barber has lived all of her 85 years in the tiny Washoe community at Woodfords on the Nevada-California border, and she is used to making creative use of the resources around her. She talks matter-of-factly about grinding pine nuts in the hollow of a big rock outside, cooking acorn soup by heating it in a basket with hot rocks, and boulder hopping across the Carson River canyon to find willows. Her mother and grandmother were basket makers, and Amy used to help them gather and prepare willow when she was young. She started making baskets when she was seven or eight, but stopped when she got older and only returned to the craft in her senior years. She now has a houseful of round baskets, which she mostly makes for friends and family members. Jody Steele learning to split a willow. Amy Barber working on a round basket. Amy’s granddaughter Jody Barber Steele knows her grandmother is a cultural treasure, and spends as much time as she can in the little house by the creek at Woodfords. Jody also learned the basics of basketry as a child, from Amy, and now in her mid-30’s, with children of her own, she is coming back to the tradition. Amy has showed her where to find good willows, and watches with amusement and sympathetic advice as Jody struggles to learn to split willows into three parts to make the threads for sewing a coiled basket. “People see the basket already made, they think it’s easy, but it’s not that easy,” Amy explains. “The hard work is where you get the stuff first, the material. If you haven’t got the material you can’t make it.” Jody continues, “Then knowing how to prepare it. I think it’s easy by comparison to do the basket, to actually weave it.” 26

1993–1994 Argentinean Guitar: Oscar Carrescia and Olga Carbia We think of Argentina as a Hispanic country, but it has a very complex and cosmopolitan history that includes people from Italy, Germany, France and many other countries and cultures. The blending and interaction among these cultures makes for a fascinating artistic environment. Oscar Carrescia was born in Buenos Aires of Italian parents, and discovered an early fascination with and aptitude for music. He recalls hearing a violinist practicing while he and his friends played soccer in the streets of a northern Argentinean town, and when his father asked what he’d like as a gift, a violin was what he wanted. When the family moved back to Buenos Aires, Oscar entered the music conservatory at age 12, and went on to earn a master’s degree in performance on the violin and the guitar. He played with the youth radio orchestra, and then with the National Symphony for about six years, before moving to the United States. In Las Vegas, he played at the Dunes for many years, and has been running a music store and school for the last 17 years, dedicating himself mainly to teaching and directing the Las Vegas Youth Camerata Orchestra. Olga Carbia is also from an Italian family in Argentina, and also grew up with a love of music, but her focus is different from Oscar’s. “Of course I do have a great appreciation for classical music, because, like I told you, my mom was from Italy and she played us the opera and classical at an early age,” she explains. “But then when I was born in my country, I developed very nationalistic roots, and then I paid very close attention to the music from the farm workers and the people that are struggling, and this is what I identify with the most. Of course I do appreciate the classic music as a soothing and magnificent experience because I grew up in that, but I identify myself with the music from my land, with the people that struggle to survive, the simple people that with the music they fight, the little simple things of life, the treasure for nature and who they are. And in those very simple songs, the lyrics are very deep, very specific…with that I define myself.” Olga performs South American and Caribbean music with a group in Las Vegas called Amauta, which means “teacher” in the Quechua Indian language. She already knew how to sing many traditional songs, but she wanted to be able to play them on the guitar as well. In her apprenticeship with Oscar, she learned basic chords and playing techniques used in traditional music, and mastered several traditional songs including a samba and the well-known “Malageña.” He’s a great teacher,” Olga says of Oscar. “He tell you ‘Bravo! Bravo!’ when you come up with one little simple thing, make you feel good.” Oscar Carrescia and Olga Carbia. Olga Carbia (second from left) performing with Amauta. 27

1993–1994<br />

Washoe Baskets:<br />

Amy Barber and Jody Barber Steele<br />

On a sunny summer afternoon, Amy Barber sits<br />

on the sofa in a warm corner of her little house<br />

near Woodfords, California, and lifts a damp spiral of<br />

split willow from a bowl of water. With an awl held<br />

between the last two fingers of her right hand she works<br />

an opening between the coils of a basket and inserts<br />

the new willow under the end of another split willow<br />

and wraps it tightly around the coils. Amy works with<br />

rags wrapped around the fingers of her right hand so<br />

she won’t be cut as she pulls the willows taut. A stitch<br />

at a time, she shapes round baskets of pale willow with<br />

dark bracken fern root designs, as her Washoe ancestors<br />

have done for generations.<br />

Amy Barber has lived all of her 85 years in the tiny<br />

Washoe community at Woodfords on the <strong>Nevada</strong>-California<br />

border, and she is used to making creative use<br />

of the resources around her. She talks matter-of-factly<br />

about grinding pine nuts in the hollow of a big rock<br />

outside, cooking acorn soup by heating it in a basket<br />

with hot rocks, and boulder hopping across the Carson<br />

River canyon to find willows. Her mother and grandmother<br />

were basket makers, and Amy used to help them<br />

gather and prepare willow when she was young. She<br />

started making baskets when she was seven or eight,<br />

but stopped when she got older and only returned to<br />

the craft in her senior years. She now has a houseful of<br />

round baskets, which she mostly makes for friends and<br />

family members.<br />

Jody Steele<br />

learning to split a<br />

willow.<br />

Amy Barber working on a round basket.<br />

Amy’s granddaughter Jody Barber Steele knows her<br />

grandmother is a cultural treasure, and spends as much<br />

time as she can in the little house by the creek at Woodfords.<br />

Jody also learned the basics of basketry as a child,<br />

from Amy, and now in her mid-30’s, with children of<br />

her own, she is coming back to the tradition. Amy has<br />

showed her where to find good willows, and watches<br />

with amusement and sympathetic advice as Jody struggles<br />

to learn to split willows into three parts to make the<br />

threads for sewing a coiled basket.<br />

“People see the basket already made, they think it’s<br />

easy, but it’s not that easy,” Amy explains. “The hard<br />

work is where you get the stuff first, the material. If you<br />

haven’t got the material you can’t make it.” Jody continues,<br />

“Then knowing how to prepare it. I think it’s easy<br />

by comparison to do the basket, to actually weave it.”<br />

26

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