25.10.2014 Views

Handed Down - Nevada Arts Council

Handed Down - Nevada Arts Council

Handed Down - Nevada Arts Council

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

1989–1990<br />

Saddlemaking:<br />

Spider Teller and Ira Walker<br />

Northern <strong>Nevada</strong> has a large contingent of Indian<br />

buckaroos, and at least one Indian saddle maker.<br />

Spider Teller has a saddle shop in Owyhee, on the<br />

Duck Valley Shoshone-Paiute Reservation, and crafts<br />

custom gear for working cowboys in the area. Now<br />

in his mid-40’s, Spider was raised in Owyhee and has<br />

worked on ranches around Tonopah and in Idaho.<br />

He studied saddle making in 1971 and has been at it<br />

ever since. Spider is fascinated by concepts of design in<br />

stamping leather for saddles, and draws all his designs<br />

freehand on the damp leather. “You know just about<br />

where everything’s going to go, you already got it in<br />

your mind, you know, where your flowers are going<br />

to go, how your stems are going to go,” he says. He<br />

begins by drawing in the main elements—the large<br />

flowers and stems—with a swivel knife, then filling in<br />

with buds, scrolls and leaves and adding details with<br />

other stamping tools. Spider is critical of saddle designs<br />

that “just go out to nowhere” and works hard to tie all<br />

elements of his designs together.<br />

Ira Walker was raised in Owyhee and has been<br />

“hanging around” Spider’s shop since it opened, picking<br />

up quite a bit of leatherworking skill. He has made<br />

one saddle, and says a lot of his knowledge is coming<br />

back as he works closely with Spider. He was raised<br />

in the ranching life, and currently makes his living as<br />

a roper on the rodeo circuit. Spider says Ira is “pretty<br />

much along” in saddle making, and after helping him<br />

with one saddle will make one on his own. Naturally,<br />

Spider spent a lot of time teaching<br />

him to use a swivel knife and perfecting<br />

his stamping and designing.<br />

According to Spider, “Like<br />

on your stamping tools, lot of guys<br />

think it’s easy. You’ve got to hold<br />

it tight in your hand, otherwise<br />

it’ll get to jumping on you. If you<br />

don’t hit it hard, you’re not going<br />

to get a dark…you’re not going to<br />

get that color to it.” He dampens<br />

the leather and wraps it in plastic for a few days to get<br />

it really wet for the initial designing, but then lets it get<br />

almost dry before stamping the details in order to get a<br />

good dark color.<br />

There are a lot of details to look for in a saddle—<br />

quality of the leather, construction details, fit and comfort—but<br />

Spider admits that he is always trying to improve<br />

his work. “There’s always a mistake on a saddle,<br />

always, you always make a mistake on a saddle, it just<br />

can’t be perfect,” he says. But as long as there are cowboys,<br />

saddle makers will keep trying to get it right.<br />

Spider Teller<br />

with one of his<br />

saddles.<br />

Spider Teller and Ira Walker<br />

working in Spider’s shop<br />

in Owyhee.<br />

13

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!