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Sonnox - Audio Media

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contents<br />

I S S U E 2 4 6 • M A Y • 2 0 1 1<br />

REGULARS<br />

GEOFOCUS: NETHERLANDS 24<br />

JIM EVANS finds out how TM <strong>Audio</strong> and Lightco<br />

have worked together to fit out De Vorstin in the<br />

Netherlands.<br />

WHAT’S UP UK 26<br />

KEVIN HILTON finds out what Peel’s bid for<br />

Pinewood could mean for the studio.<br />

CUT SCENE 28<br />

The annual games-fest starts to come together for<br />

Develop 2011, and we look at some highlights of<br />

the programme so far.<br />

FINAL CUT: BATTLEFIELD:<br />

BAD COMPANY 2 36<br />

Having won the BAFTA for Use of <strong>Audio</strong>, the audio<br />

creators of Bad Company’s sequel at DICE talk to<br />

JOHN BROOMHALL about what makes this game<br />

so special.<br />

VIDEO GUIDE 54<br />

Quantel gets a closer look in comparison to newer<br />

manufacturers, as KEVIN HILTON considers the<br />

players on the field of colour correction today.<br />

CLASSIC CUT:<br />

NO COUNTRY FOR OLD MEN 58<br />

STEPHEN DEUTSCH uncovers how when sound<br />

and music are considered early in the production<br />

process, they can become so integral as to<br />

become invisible.<br />

FEATURES<br />

PROLIGHT + SOUND<br />

SHOW REPORT 6<br />

A bumper-packed show report with all the latest<br />

releases, updates, and news hot from Frankfurt.<br />

PRODUCTION REPORT:<br />

PAPA SANGRE 40<br />

LISA GEE steals a creative insight into the game<br />

NEWS<br />

RECORDING 16<br />

Lynx says hello to Hilo; Native Instruments<br />

Kompletes the picture; Olympic LS20 is ready<br />

to record.<br />

BROADCAST/NAB 18<br />

SSL upgrades its broadcast consoles; Riedel<br />

launches MediorNet; Minnetonka wins with ACLS<br />

and AWE; Axia Radius – low cost IP console; new<br />

DK compact meter.<br />

POST 22<br />

Voice & Music becomes Soho Square Studios;<br />

CEDAR respeed launches; Alcons install at<br />

Universal Pictures.<br />

REVIEWS<br />

SONNOX FRAUNHOFER<br />

PRO CODEC 38<br />

PAUL MAC enjoys a testing time with the pro<br />

codec plug-in that assures perfect quality.<br />

WAVES ONEKNOB 44<br />

Oneknob actually multi-tasks beautifully via a<br />

fuss-free and simple interface, says STEPHEN<br />

BENNETT.<br />

UAD-2 SATELLITE 46<br />

The range of UAD plug-ins are brought to a new<br />

audience with the UAD-2 Satellite, says SIMON<br />

TILLBROOK, but just how good will they be?<br />

ELECTRO-VOICE RE320 48<br />

Electro-voice seems to have done the nearimpossible,<br />

says ROB TAVAGLIONE – updated the<br />

classic RE20 to even closer perfection.<br />

PRODUCT SAMPLER:<br />

RECORDERS 50<br />

AUDIO MEDIA whittles down the recorders list to<br />

Special Supplement<br />

Monitoring &<br />

Headphones<br />

RUSHES<br />

AUDIOMEDIA<br />

AUDIO-FOR-VIDEO • BROADCAST • INTERNET AUDIO • LIVE SOUND • MULTIMEDIA • POST PRODUCTION • RECORDING<br />

THE INTERNATIONAL<br />

BUYER’S GUIDE<br />

THE WORLD’S LEADING PROFESSIONAL AUDIO TECHNOLOGY MAGAZINE<br />

NEUMANN KH120 30<br />

The KH 120 studio monitors utterly convince<br />

with a sound so unremarkable as to be quite<br />

remarkable, says ALISTAIR McGHEE.<br />

DIGICO SD10 & SD10B 32<br />

With just a few tweaks, the SD10 can just as<br />

perfectly take to the stage as to the studio, says<br />

STEPHEN BENNETT.<br />

ROLAND M-480 & R-1000 33<br />

Roland branches out with its new live console and<br />

recorder. STEPHEN BENNETT finds out just why<br />

these will work so well in a field occupied with<br />

dominant players.<br />

A SPECIAL PROMOTIONAL PUBLICATION FROM THE NEWBAY MEDIA GROUP<br />

MONITORING &<br />

HEADPHONES<br />

2011<br />

INTERNATIONAL EDITION<br />

AUDIO MEDIA<br />

PRODUCED BY<br />

In association with:<br />

01-Monitors&Headphones-2011-editorial-cover.indd 1 05/05/2011 08:45<br />

LITTLE LABS 500 SERIES VOG 34<br />

All beef without the muddy clutter, says SIMON<br />

TILLBROOK of the little bass resonance tool.<br />

SHADOW HILLS OPTOGRAPH 35<br />

Despite setting a high bar for itself, the latest<br />

with graphics limited only by imagination, and a<br />

world defined only by sound.<br />

present some of the very best for any number of<br />

applications.<br />

Shadow Hills release doesn’t disappoint, says<br />

SIMON TILLBROOK.<br />

2<br />

AUDIO MEDIA MAY 2011

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