Sonnox - Audio Media
Sonnox - Audio Media
Sonnox - Audio Media
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contents<br />
I S S U E 2 4 6 • M A Y • 2 0 1 1<br />
REGULARS<br />
GEOFOCUS: NETHERLANDS 24<br />
JIM EVANS finds out how TM <strong>Audio</strong> and Lightco<br />
have worked together to fit out De Vorstin in the<br />
Netherlands.<br />
WHAT’S UP UK 26<br />
KEVIN HILTON finds out what Peel’s bid for<br />
Pinewood could mean for the studio.<br />
CUT SCENE 28<br />
The annual games-fest starts to come together for<br />
Develop 2011, and we look at some highlights of<br />
the programme so far.<br />
FINAL CUT: BATTLEFIELD:<br />
BAD COMPANY 2 36<br />
Having won the BAFTA for Use of <strong>Audio</strong>, the audio<br />
creators of Bad Company’s sequel at DICE talk to<br />
JOHN BROOMHALL about what makes this game<br />
so special.<br />
VIDEO GUIDE 54<br />
Quantel gets a closer look in comparison to newer<br />
manufacturers, as KEVIN HILTON considers the<br />
players on the field of colour correction today.<br />
CLASSIC CUT:<br />
NO COUNTRY FOR OLD MEN 58<br />
STEPHEN DEUTSCH uncovers how when sound<br />
and music are considered early in the production<br />
process, they can become so integral as to<br />
become invisible.<br />
FEATURES<br />
PROLIGHT + SOUND<br />
SHOW REPORT 6<br />
A bumper-packed show report with all the latest<br />
releases, updates, and news hot from Frankfurt.<br />
PRODUCTION REPORT:<br />
PAPA SANGRE 40<br />
LISA GEE steals a creative insight into the game<br />
NEWS<br />
RECORDING 16<br />
Lynx says hello to Hilo; Native Instruments<br />
Kompletes the picture; Olympic LS20 is ready<br />
to record.<br />
BROADCAST/NAB 18<br />
SSL upgrades its broadcast consoles; Riedel<br />
launches MediorNet; Minnetonka wins with ACLS<br />
and AWE; Axia Radius – low cost IP console; new<br />
DK compact meter.<br />
POST 22<br />
Voice & Music becomes Soho Square Studios;<br />
CEDAR respeed launches; Alcons install at<br />
Universal Pictures.<br />
REVIEWS<br />
SONNOX FRAUNHOFER<br />
PRO CODEC 38<br />
PAUL MAC enjoys a testing time with the pro<br />
codec plug-in that assures perfect quality.<br />
WAVES ONEKNOB 44<br />
Oneknob actually multi-tasks beautifully via a<br />
fuss-free and simple interface, says STEPHEN<br />
BENNETT.<br />
UAD-2 SATELLITE 46<br />
The range of UAD plug-ins are brought to a new<br />
audience with the UAD-2 Satellite, says SIMON<br />
TILLBROOK, but just how good will they be?<br />
ELECTRO-VOICE RE320 48<br />
Electro-voice seems to have done the nearimpossible,<br />
says ROB TAVAGLIONE – updated the<br />
classic RE20 to even closer perfection.<br />
PRODUCT SAMPLER:<br />
RECORDERS 50<br />
AUDIO MEDIA whittles down the recorders list to<br />
Special Supplement<br />
Monitoring &<br />
Headphones<br />
RUSHES<br />
AUDIOMEDIA<br />
AUDIO-FOR-VIDEO • BROADCAST • INTERNET AUDIO • LIVE SOUND • MULTIMEDIA • POST PRODUCTION • RECORDING<br />
THE INTERNATIONAL<br />
BUYER’S GUIDE<br />
THE WORLD’S LEADING PROFESSIONAL AUDIO TECHNOLOGY MAGAZINE<br />
NEUMANN KH120 30<br />
The KH 120 studio monitors utterly convince<br />
with a sound so unremarkable as to be quite<br />
remarkable, says ALISTAIR McGHEE.<br />
DIGICO SD10 & SD10B 32<br />
With just a few tweaks, the SD10 can just as<br />
perfectly take to the stage as to the studio, says<br />
STEPHEN BENNETT.<br />
ROLAND M-480 & R-1000 33<br />
Roland branches out with its new live console and<br />
recorder. STEPHEN BENNETT finds out just why<br />
these will work so well in a field occupied with<br />
dominant players.<br />
A SPECIAL PROMOTIONAL PUBLICATION FROM THE NEWBAY MEDIA GROUP<br />
MONITORING &<br />
HEADPHONES<br />
2011<br />
INTERNATIONAL EDITION<br />
AUDIO MEDIA<br />
PRODUCED BY<br />
In association with:<br />
01-Monitors&Headphones-2011-editorial-cover.indd 1 05/05/2011 08:45<br />
LITTLE LABS 500 SERIES VOG 34<br />
All beef without the muddy clutter, says SIMON<br />
TILLBROOK of the little bass resonance tool.<br />
SHADOW HILLS OPTOGRAPH 35<br />
Despite setting a high bar for itself, the latest<br />
with graphics limited only by imagination, and a<br />
world defined only by sound.<br />
present some of the very best for any number of<br />
applications.<br />
Shadow Hills release doesn’t disappoint, says<br />
SIMON TILLBROOK.<br />
2<br />
AUDIO MEDIA MAY 2011