Issue 1 - November 2006 - Jewish Public Library
Issue 1 - November 2006 - Jewish Public Library
Issue 1 - November 2006 - Jewish Public Library
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Prologue<br />
The <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> Archives – It’s now or never<br />
Vol. I, <strong>Issue</strong> 1<br />
<strong>November</strong> <strong>2006</strong><br />
In this issue of the<br />
<strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong><br />
Archives Magazine<br />
Take a Bow<br />
Mr. Gesser!<br />
The Archivist’s<br />
Desk<br />
History’s Helpers<br />
Archivists:<br />
Here to Serve<br />
L’affaire Dreyfus<br />
The Red Carpet <strong>Issue</strong>!<br />
Your Archives taking the centre stage!
down licence plate numbers at a Pete Seeger concert,<br />
no one container is without great historical discoveries.<br />
The material also illustrates Gesser’s genius in<br />
his dedication and promotion of Canadian artists and<br />
productions such as Hootenanny! and the Canadian<br />
Festival at Town Hall in New York, productions such as<br />
Duddy (the musical adaptation of Mordecai Richler’s<br />
The Apprenticeship of Duddy Kravitz), La Passion de Narcisse<br />
Mandoux, and Les Feux Follets as well as artists<br />
like Hélène Baillargeon, Alan Mills, Jean Carignan and<br />
Monique Leyrac.<br />
Sam Gesser (left) with Nana Mouskouri and fellow folk legend, Harold Leventhal.<br />
Take a Bow Mr. Gesser!<br />
In March of 2005, the JPL-Archives received a<br />
large donation of original material from Mr. Sam<br />
Gesser, Montreal’s premier impresario. Beginning in<br />
the late 1940s, Mr. Gesser presented some of the 20th<br />
century’s greatest artists and entertainers including<br />
Liberace, Harry Belafonte, Pete Seeger, Nana<br />
Mouskouri, Maureen Forrester, Glenn Gould and Tony<br />
Bennett. He brought to Montreal the sounds of the<br />
folk music movement of the 1950s and 1960s, also<br />
preserving and promoting this music through his work<br />
recording Canada’s folk tradition for legendary record<br />
label Folkways.<br />
The material of the Fonds is consistent in format – photographs,<br />
contracts and other financial and administrative<br />
documents from concert, tour and show<br />
productions – but<br />
the stories behind<br />
these records are<br />
rich and diverse.<br />
From bringing in<br />
the motley “Les<br />
Ballets Trockadero<br />
de Monte Carlo”<br />
to watching the<br />
RCMP taking<br />
Sam Gesser being toasted by Nana Mouskouri, Monique<br />
Leyrac, Maureen Forrester, Harry Belafonte,<br />
Pete Seeger, Sam’s wife Ruth Gesser and mother Ida<br />
Gesser. Celebration ’80, Place des Arts.<br />
The handbills in the Fonds also provide a thorough<br />
examination of the history of Montreal’s concert halls.<br />
Gesser produced and presented concerts at Comédie<br />
Canadienne, founded by Canadian theatre legend<br />
Gratien Gélinas, Her Majesty’s Theatre (the same<br />
theatre that as a child, Gesser snuck into to watch<br />
shows), Saidye Bronfman Centre, L’Érmitage and,<br />
beginning from its opening in 1963, Place des Arts.<br />
His involvement in Place des Arts and the records of<br />
the concerts he organized at this historical venue are<br />
especially significant as Place des Arts does not have<br />
complete records of events from its very early years.<br />
The material then is also an extremely vital research<br />
resource for any person studying Canadian theatre<br />
and entertainment.<br />
The <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> Archives considers the Sam<br />
Gesser Fonds to be one of the most significant donations<br />
of the last sixty years. In addition to the presentation<br />
of the Fonds at the Gala <strong>2006</strong> Tribute to Sam<br />
Gesser, the JPL-Archives is also working on a virtual<br />
exhibit of the Sam Gesser material, expected date of<br />
completion early winter <strong>2006</strong>. The material speaks of<br />
Mr. Gesser’s work in the Montreal <strong>Jewish</strong> community<br />
and also documents the entertainment history of the<br />
city, Quebec and Canada.<br />
The tributes to Sam Gesser and his work continue<br />
with the recent announcement from the Canadian<br />
Songwriters’ Hall of Fame. Mr. Gesser will be awarded<br />
the Prix du Patrimoine Frank Davies at the CSHF<br />
Annual Gala on Januart 28th. For more information<br />
visit the CSHF at www.cansong.ca
The Archivist’s<br />
Desk<br />
Direct from the ink quill<br />
of William Shakespeare,<br />
“What is past is prologue”, wise words reflective of<br />
the work of archives. History and the repositories<br />
that preserve its forms are not stagnant, but rather<br />
a force that occurs everyday around us. The <strong>Jewish</strong><br />
<strong>Public</strong> <strong>Library</strong> Archives strive to communicate the<br />
importance of community history through its collections<br />
and is pleased to be able to share this dedication<br />
through this, the first issue of Prologue. This e-newsletter<br />
will promote the story behind our collections, to share<br />
the history of the community and to broaden discussion<br />
about why archives are vital to cultural identity.<br />
Reconstruction of the Archives wall, Spring <strong>2006</strong><br />
As this inaugural e-newsletter arrives in your in-box,<br />
final renovations are underway in our facilities. Beginning<br />
in October 2005, the Archives were forced to<br />
place the majority of collections into remote storage<br />
for the safety of the materials. All of the collections<br />
have been safely returned to their shelves and are fully<br />
accessible to visitors. These collections will also be<br />
witness to the exciting expansion of the JPL-Archives<br />
facilities. When finished, the <strong>Library</strong>’s Rare Book<br />
collection will be placed with the archival collections<br />
and staff, volunteers and researchers will have a larger<br />
space in which to work. To see pictures of this work<br />
unfolding, visit the JPL-Archives site at: www.jewishpubliclibrary.org/archives/archives.html<br />
History’s Helpers<br />
The JPL-Archives is extremely fortunate in the wonderful<br />
volunteers and students that have worked in<br />
our facilities over the last year. We would like to take<br />
this opportunity to acknowledge the fantastic work<br />
they did and are continuing to do. Without their<br />
skills and dedication, the Archives would not be able<br />
to strive forward as it is.<br />
Janice Camlot, Sarah Janes and<br />
Deborah Ray<br />
Janice, Sarah and Deborah were part of the crew that<br />
unpacked and reorganized all of the JPL-Archives<br />
collections once the wall was re-built. All three are<br />
graduating students at McGill University’s Graduate<br />
School of <strong>Library</strong> and Information Studies.<br />
Eva Neumann<br />
Eva is entering her first year of library school and<br />
during her time volunteering with us she worked on<br />
several collections, including the Photograph Collection,<br />
the Sam Gesser Fonds and was also responsible<br />
for the creation of the Tilya and Eric Helfield Fonds<br />
Finding Aid.<br />
Aaron Spiro<br />
Aaron came to us through the Krueger Scholarship<br />
programme. He is an upper-year student in history<br />
at McGill and worked on several collections at the<br />
Archives including the Sam Gesser Fonds and the<br />
Charles and Ninel Segal Fonds as well assisting in the<br />
evacuation of material last October.<br />
Theresa Walsh<br />
Theresa started with the Archives in the summer<br />
working under a Young Canada Works grant on the<br />
Photograph Collection project. She will continue<br />
working with us on this project thanks to a generous<br />
donation from the Birks Family Foundation and a<br />
grant extension from the Canadian <strong>Library</strong> Association<br />
(CLA) and YCW.<br />
Danya Vered<br />
Danya is a McGill University history undergraduate<br />
student interested in the work of cultural heritage institutions.<br />
She will be lending her excellent research<br />
and language skills to assist in the arrangement and<br />
description of the Poster Collection.
?<br />
Did you know…<br />
In addition to the Sam Gesser Fonds, the <strong>Jewish</strong> <strong>Public</strong><br />
<strong>Library</strong> Archives preserves several additional red<br />
carpet worthy collections:<br />
Harry Gulkin<br />
Montreal-based producer Harry Gulkin is behind<br />
many classic films, including Mordecai Richler’s Jacob<br />
Two-Two and the Hooded Fang and Ted Allen’s Lies My<br />
Father Told Me. His collection celebrates his wonderful<br />
contributions to cinema in Quebec. The Harry<br />
Gulkin Fonds includes scripts, promotional material,<br />
correspondence as well as photographs and production<br />
documents. Mr. Gulkin donated the material to<br />
the Archives Spring 2005.<br />
Chayele Grober<br />
Born in Bialystok, Grober was an internationally acclaimed<br />
writer and actress in the Yiddish and Hebrew<br />
theatre. She settled in Montreal in the 1930s but<br />
before and after this enjoyed a celebrated career.<br />
The JPL Archives holds a small collection of correspondence<br />
and ephemera material related to<br />
her writing and acting.<br />
Ralph Novek<br />
Ralph Novek was a playwright as well as casual<br />
scriptwriter for CBC Radio. His early work reflects<br />
his social activism in the early communist<br />
movement and later his support of Canadian<br />
soldiers fighting in World War II. The Fonds,<br />
which includes copies of scripts and plays as<br />
well as articles, was donated to the JPL-Archives<br />
in July <strong>2006</strong> by Ralph Novek’s son, Joel<br />
Novek, a professor of sociology at the University<br />
of Winnipeg.<br />
JPL Poster Collection<br />
The JPL Poster Collection has some extremely<br />
interesting items, especially the early-20th<br />
century posters of Yiddish theatre events.<br />
The posters, in various languages including<br />
English, French, Hebrew, Polish and Yiddish,<br />
illustrate the history of theatre, political rallies,<br />
philanthropy campaigns as well as <strong>Jewish</strong> <strong>Public</strong><br />
<strong>Library</strong> and community events. A major project is<br />
currently underway to digitize a selection of the posters<br />
for research and promotion use.<br />
Ethel Stark<br />
Ethel Stark,<br />
violinist and conductor,<br />
became<br />
the first woman<br />
to perform as a<br />
soloist in a radio<br />
program broadcast<br />
in 1934<br />
across the United<br />
States. Born in<br />
Montreal, Stark<br />
was active in the<br />
cultural world of<br />
her native city;<br />
she founded<br />
the Montreal<br />
Women’s Symphony Orchestra in 1940. She also<br />
performed and taught in numerous countries including<br />
Japan. The Ethel Stark Fonds is preserved at the<br />
<strong>Library</strong> and Archives of Canada but the JPL-Archives<br />
has a small collection of concert ephemera, including<br />
a poster<br />
from Japan,<br />
and a small<br />
amount<br />
of correspondence<br />
between<br />
Stark and<br />
Ernest<br />
Bloch.<br />
Ethel Stark, violinist and conductor,<br />
JPL Archives Photograph Collection<br />
‘Der Payatz’ presentation at Monument Nationale, JPL Poster Collection
Archivists:<br />
Here<br />
to<br />
Serve<br />
By Eiran Harris<br />
Vandalized window of Fred Rose’s campaign headquarters, Léa Roback Fonds<br />
Every guest who visits our archives to conduct<br />
research departs happy and satisfied. It is both a joy<br />
and a pleasure to observe the delight expressed by our<br />
guests upon successful completion of their projects.<br />
The following represents but a small sample of their<br />
interests:<br />
Krisha S., Montreal<br />
Holocaust Commemorations in Canada<br />
Simo M., Helsinki, Finland<br />
Mordecai Husid Literary Collection<br />
Paula L., Great North Productions, Edmonton,<br />
Alberta<br />
Visuals for television programme about Fred Rose,<br />
Canada’s only Communist Member of Parliament<br />
Marie-Hélène M. et Dominic M., UQAM<br />
<strong>Jewish</strong> emigrant writers<br />
Ayelet W., California<br />
<strong>Jewish</strong> Montreal in the 1920s<br />
Suzanne R., Concordia University<br />
Ida Maze, Yiddish poet<br />
Dominique C., Memorial University<br />
<strong>Jewish</strong> Labour Committee Collection<br />
Perec Z., Montreal<br />
Workmen’s Circle Collection<br />
Eiran Harris is the<br />
JPL’s resident Archivist<br />
Emeritus.<br />
He is generally<br />
well tempered,<br />
extremely knowledgeable<br />
and<br />
has been known<br />
to exchange bits of<br />
wisdom for cookies.
L’affaire Dreyfus<br />
This newsletter was partially conceived to promote<br />
some of the lesser known, yet significant, Special<br />
Collections of the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong>. In this first<br />
issue, we have the distinct pleasure of presenting the<br />
Dreyfus Affair Collection.<br />
The Dreyfus Affair was a political scandal which<br />
divided France during the 1890s and early 1900s. It<br />
involved the wrongful treason conviction of <strong>Jewish</strong><br />
military officer Alfred Dreyfus.<br />
Building an<br />
endowment fund…<br />
To preserve the future, to supply cookies to the archivists,<br />
the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> initiated a campaign<br />
to build much-needed funds for the Archives. The<br />
JPL-A would like to thank the following initial donors<br />
to this fund<br />
Myer Zuraw<br />
Ben Pekeles<br />
Issie Nachshen<br />
Kenneth Atlas<br />
Charles and Ninel Segal<br />
Alfred Dreyfus<br />
To join these donors in helping to preserve your history,<br />
please contact Jennifer Solomon at (514) 345-2627,<br />
ext. 3042.<br />
Captain Alfred Dreyfus was the highest-ranking<br />
<strong>Jewish</strong> artillery officer in the French army. Charged<br />
with passing military secrets to the German Embassy<br />
in Paris, he was convicted of treason in 1894 and imprisoned<br />
on Devil’s Island. The conviction was based<br />
on documents which were found in the waste-paper<br />
basket of the German military attaché, and which<br />
initially appeared to the French military authorities to<br />
implicate Dreyfus. Fearing that the sometimes anti-<br />
Semitic press would learn of the affair and accuse<br />
the French army of covering up for a <strong>Jewish</strong> officer,<br />
the French military command pushed for an early<br />
trial and conviction. By the time they realised that<br />
they had very little evidence against Dreyfus (and<br />
that what they had was not at all conclusive), it was<br />
already politically impossible to withdraw the prosecution<br />
without provoking a political scandal that would<br />
have brought down the French government. The<br />
subsequent court martial was notable for numerous<br />
errors of procedure.<br />
The writer Émile Zola is often thought to have exposed<br />
the affair to the general public in a famous open<br />
letter to President Félix Faure to which the French<br />
statesman and journalist Georges Clemenceau appended<br />
the eye-catching title “J’accuse !” (I Accuse!);<br />
it was published 13 January 1898 in the newspaper<br />
L’Aurore (The Dawn). In the words of historian Barbara<br />
Tuchman, it was “one of the great commotions of<br />
history.” Zola in fact was a latecomer who did, however,<br />
bring world-wide attention and publicity to Dreyfus’<br />
unjust treatment. The real credit for exposing<br />
the flaws behind Dreyfus’ conviction belongs to four<br />
others: Dreyfus’ brother Mathieu, who fought a lonely<br />
campaign for several years; the journalist Bernard<br />
Lazare; a whistle-blower in the intelligence service,<br />
Colonel Picquart, who was the new chief of French
counter-espionage and was, ironically, an anti-Semite<br />
himself but who wished to have the real traitor Major<br />
Ferdinand Walsin Esterhazy exposed[1]; and finally<br />
the politician Scheurer-Kestner, who brought the<br />
injustice to the attention of the French political class.<br />
Picquart himself was “reassigned” to Tunisia, North<br />
Africa in December 1896 for his continual attempts<br />
to expose Major Esterhazy and rehabilitate Dreyfus.<br />
The abundant production of iconographic materials<br />
was due in part to the newness of their media.<br />
That photography was just becoming popularized<br />
can be seen in the many small photographic portraits<br />
mounted on paperboard backings, referred to as cartes<br />
de visite. The Dreyfus Affair material is truly unique,<br />
a perfect example of the treasures held in the stacks of<br />
the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong>.<br />
Dreyfus was put on trial in 1894 and was accused of<br />
espionage, found guilty and sentenced to life in prison<br />
on Devil’s Island. In September of 1899, he was offered<br />
a pardon from the president of France, which he<br />
declined.<br />
While the JPL’s Dreyfus Affair Collection includes<br />
numerous materials dating from the 1880s and early<br />
1890s, and many others that appeared between 1909<br />
and 1961, its strength lies in the period contemporary<br />
to the Affair itself. The three most intense years--<br />
1898 to 1900--saw the greatest production, and a<br />
correspondingly high proportion of the material in<br />
the Collection dates from this time: approximately<br />
eighty-five percent of the books and pamphlets and<br />
virtually all of the manuscripts and ephemera in the<br />
Collection.<br />
The JPL owns books and pamphlets written by the<br />
principal figures: Bernard Lazare, Joseph Reinach,<br />
Georges Clemenceau, Maurice Barrès, Emile Zola,<br />
Jean Jaurès, Alfred Dreyfus, Yves Guyot, Ferdinand<br />
Brunetière, Ferdinand Walsin Esterhazy, Francis de<br />
Pressensé, Emile Duclaux, Abbé Ludovic Trarieux,<br />
Louis Havet, Jules Lemaître, Jean Ajalbert, and<br />
others. If we associate many of these names with<br />
the pro-Dreyfus campaign, the reason is simple:<br />
while anti-Dreyfusards overwhelmingly dominated<br />
the popular press, Dreyfusards carried the day on<br />
the field of l’édition, of independent publishing.<br />
Separately issued publications ranging in size from<br />
several-page pamphlets to several-hundred-page<br />
studies and essays lent themselves far better to the<br />
painstaking pursuit of Truth and Justice than the<br />
brief, sensational articles that became the trademark<br />
of so much of the daily press. Yet they could hardly<br />
compete with the newspapers, which could also follow<br />
events as they unfolded day by day. As a result,<br />
many of these books and pamphlets sold poorly and<br />
failed to galvanize public opinion on a massive scale<br />
in the way that the papers did.<br />
Colourful ephemera from the Dreyfus Affair Collection.
In the next issue…<br />
<br />
<br />
<br />
Capturing Memory on Film<br />
Learning through the Lens<br />
New to the Archives<br />
Give us your ideas! The next two issues of Prologue<br />
are planned already but if you have a suggestion for<br />
topics you would like covered, e-mail Shannon Hodge<br />
at archives@jplmontreal.org.<br />
Virtually Yours!<br />
The JPL and the Archives are pleased to present a<br />
basic introduction to the <strong>Jewish</strong> <strong>Public</strong> <strong>Library</strong> Rare<br />
Book Collection. For those individuals who would<br />
like to catch up on Josephus, in Latin that is, or interested<br />
in deciphering prayers in Geez, check out the<br />
virtual introduction to the Rare Books through the<br />
Archives website.<br />
The JPL-A on the road!<br />
The JPL-A was pleased to participate in several<br />
external exhibits and publications over the past year.<br />
Working with researchers and other heritage institutions<br />
is an excellent indication of the importance of<br />
Archives in communicating Canada’s cultural history.<br />
Prayer book for Shabbat and holidays that are reckoned by the moon,<br />
prayers for burials and for difficult times.<br />
Asforegie (Dabat district, Gondar province) Ethiopia, 178-.<br />
For more information, visit ATSA at:<br />
http://www.atsa.qc.ca/pages/frags2home.asp.<br />
300 ans de manuels scolaires au Québec<br />
Organized by the Bibliothèque et archives nationales<br />
du Québec, the exhibit borrowed Hebrew manuals<br />
and flashcards from the Bernard Figler material of the<br />
JPL’s <strong>Jewish</strong> Canadiana collection. The exhibit runs<br />
at the Grande Bibliothèque from <strong>November</strong> 21st to<br />
May 27th.<br />
On the bookshelf<br />
The latest book to take advantage of the JPL-A<br />
Photograph Collection is Mordecai Richler Was Here,<br />
published in Canada under<br />
Madison Press Books.<br />
The book is conveniently<br />
available in the <strong>Library</strong>!<br />
In the display cases<br />
Lace Up: Canada’s Passion for Skating<br />
This Canadian Museum of Civilization exhibit contains<br />
JPL-A material on Louis Rubenstein, Canada’s<br />
first world fancy-skating champion and an active leader<br />
in the Montreal <strong>Jewish</strong> community. The exhibit<br />
runs until April 1, 2007.<br />
FRAG on the Main<br />
Created by ATSA (Action Terroriste Socialement<br />
Acceptable), FRAG on the Main displays the colorful<br />
heritage of St. Laurent Boulevard as viewed through<br />
images and historical descriptions. Featured prominently<br />
is Léa Roback, activist and union organizer.<br />
North America’s oldest <strong>Jewish</strong> lending institution, the JPL is an<br />
agency of FEDERATION CJA. The JPL Archives contain 800<br />
linear meters of textual documents, 17,000 photographs as well<br />
as artifacts, textiles and ephemera reflective of Montreal’s <strong>Jewish</strong><br />
community’s culture and history.<br />
We are located at: 5151 Côte Ste-Catherine<br />
(514) 345-2627, x 3015