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building the american landscape - Univerza v Novi Gorici

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If, on <strong>the</strong> one hand, it is correct to say that <strong>the</strong> people who devised this particular<br />

way of referring to <strong>the</strong> American <strong>landscape</strong> were Europeans, or ra<strong>the</strong>r of European<br />

origin, on <strong>the</strong> o<strong>the</strong>r hand <strong>the</strong> meaning of <strong>the</strong>ir particular experience and of <strong>the</strong><br />

novelty of exploring <strong>the</strong> Great Plains and mountain ranges of America should never<br />

be forgotten.<br />

Back in Old Europe, man had had <strong>the</strong> possibility of getting to know and making his<br />

mark on <strong>the</strong> <strong>landscape</strong>, of gauging and changing it within <strong>the</strong> realms of possible,<br />

and had done so by superimposing projects and cultures lasting hundreds of years.<br />

Tested ownership systems controlled <strong>the</strong> enjoyment and understanding of <strong>the</strong><br />

<strong>landscape</strong>, at least in this day and age. Not by chance was <strong>the</strong> idea of a public park,<br />

interpreted as a natural <strong>landscape</strong> to be preserved for large numbers of citizens,<br />

developed in <strong>the</strong> new continent, far from <strong>the</strong> horti conclusi (walled gardens), from<br />

<strong>the</strong> Renaissance gardens, from <strong>the</strong> parks of <strong>the</strong> great royal palaces and from <strong>the</strong><br />

hunting reserves, wonderful private <strong>landscape</strong>s, owned by <strong>the</strong> noble aristocracy or<br />

by <strong>the</strong> rich bourgeoisie.<br />

Thus, <strong>the</strong> Renaissance tradition of considering <strong>the</strong> garden project as an integral part<br />

of <strong>the</strong> architecture merged with <strong>the</strong> American need to plan increasingly large areas.<br />

They did not wish to limit <strong>the</strong> latter to a chessboard pattern of geometrically<br />

aligned avenues, parterres and rond‐points (circular areas where avenues meet), but<br />

preferred to follow <strong>the</strong> English tradition of reproducing or enhancing pre‐existing<br />

and perhaps even picturesque sites, using sophisticated reproductions to create a<br />

convincing marriage between <strong>the</strong> work of man and <strong>the</strong> work of nature.<br />

The work of Thomas Jefferson (1743‐1826) in Monticello, Virginia is a typical<br />

example of <strong>the</strong> <strong>landscape</strong>, which was being created at <strong>the</strong> time, a cross between a<br />

geometrical and a scientific approach, where <strong>the</strong> <strong>landscape</strong> architect became an<br />

attentive land surveyor, farmer and botanist.<br />

Whereas, in <strong>the</strong> course of <strong>the</strong> nineteenth century, Europe was experimenting new<br />

approaches to <strong>the</strong> art of territory and town planning by redefining public spaces<br />

and reconsidering housing policies with close reference to <strong>the</strong> social<br />

transformations of <strong>the</strong> time, America initially introduced an intellectual discussion<br />

3

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