building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
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Thus, we could define <strong>the</strong>se lands today as memory <strong>landscape</strong>s, because <strong>the</strong>y bear<br />
traces of something from a world which cannot be recreated and which certainly<br />
cannot be restricted to agricultural or horticultural and ornamental practices.<br />
However, <strong>the</strong> plantations, so indissolubly linked to <strong>the</strong> country life, were places<br />
which inspired a wide range of literature, which spread <strong>the</strong> political positions and<br />
<strong>the</strong> cause of <strong>the</strong> anti‐slavery movement. Among <strong>the</strong>se publications, <strong>the</strong> best known<br />
is Uncle Tom’s Cabin (1852) by Harriet Beecher Stowe (1811‐1896), which had a<br />
great success and wide diffusion as a “protest novel”. It distinguished itself among<br />
<strong>the</strong> numerous novels printed at that time, both in favour and against slavery. The<br />
novel speaks of stereotyped characters, <strong>the</strong> good owner, <strong>the</strong> ignorant, affectionate<br />
slave (Uncle Tom) and <strong>the</strong> cruel slave‐driver. All <strong>the</strong> characters described by Stowe<br />
portray strong feelings and display every type of extreme human behaviour. The<br />
actions and manifestations from a wide sample of psyche occur in a melancholy<br />
script, heightened by a vein of predestination which marks <strong>the</strong> various protagonists.<br />
On <strong>the</strong> eve of <strong>the</strong> decline of <strong>the</strong> plantation system 51 , <strong>the</strong> pious loyalty of Uncle Tom<br />
is an appeal to non‐violence in a world dominated by prejudices, even though <strong>the</strong><br />
intention of <strong>the</strong> authoress was not directed against <strong>the</strong> Sou<strong>the</strong>rn states, but ra<strong>the</strong>r<br />
against slavery itself. It is Uncle Tom who gives us a touching description of his<br />
world as he sees it flow away from <strong>the</strong> pier of a Mississippi boat:<br />
The slanting light of <strong>the</strong> setting sun quivers on <strong>the</strong> sea‐like expanse of<br />
<strong>the</strong> river; <strong>the</strong> shivery canes, and <strong>the</strong> tall, dark cypress, hung with<br />
wreaths of dark, funereal moss, glow in <strong>the</strong> golden ray, as <strong>the</strong> heavilyladen<br />
steamboat marches onward. Piled with cotton‐bales, from many a<br />
plantation, up over deck and sides, till she seems in <strong>the</strong> distance a<br />
square massive block of gray, she moves heavily onward to <strong>the</strong> nearing<br />
mart. [...] For a hundred or more miles above New Orleans, <strong>the</strong> river is<br />
higher than <strong>the</strong> surrounding country, and rolls its tremendous volume<br />
between massive levees twenty feet in height. The traveller from <strong>the</strong><br />
deck of <strong>the</strong> steamer, as from some floating castle top, overlooks <strong>the</strong><br />
whole country for miles and miles around. Tom, <strong>the</strong>refore, had spread<br />
out full before him, in plantation after plantation, a map of <strong>the</strong> life to<br />
which he was approaching. He saw <strong>the</strong> distant slaves at <strong>the</strong>ir toil; he saw<br />
afar <strong>the</strong>ir villages of huts gleaming out in long rows on many a<br />
plantation, distant from <strong>the</strong> stately mansions and pleasure‐grounds of<br />
<strong>the</strong> master; and as <strong>the</strong> moving picture passed on, his poor, foolish heart<br />
51 See PHILLIPS, B. Ulrich, “The decadence of <strong>the</strong> Plantation System”, Annals of <strong>the</strong> American<br />
Academy of Political Social Science, Vol. 35, N. 1, The New South, 1910, pp. 37‐41<br />
32