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building the american landscape - Univerza v Novi Gorici

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estricted to his <strong>the</strong>oretical works. Downing was frequently called by rich, private<br />

individuals to give landscaping and architectural advice, work in which he used his<br />

vast repertory of solutions he had described in his texts. Almost nothing remains of<br />

<strong>the</strong>se interventions as a result of transformations over <strong>the</strong> years, 252 and his analysis<br />

of <strong>the</strong> project for <strong>the</strong> layout of <strong>the</strong> Mall in Washington [Figures 115‐117].<br />

Downing was invited by <strong>the</strong> President of <strong>the</strong> United States, Millard Fillmore (1800‐<br />

1874) to prepare <strong>the</strong> general plan for a large L‐shaped area between <strong>the</strong> Capitol<br />

Building and <strong>the</strong> White House, at <strong>the</strong> time known as <strong>the</strong> public grounds [Figure<br />

116]. The intention was to design and draw up a proposal for a layout to be<br />

developed on a large portion of <strong>the</strong> city, which had yet to be determined.<br />

Washington was founded on <strong>the</strong> basis of guidelines prepared by Pierre Charles<br />

L’Enfant in 1791 and attention at <strong>the</strong> time had focused on <strong>the</strong> geometric design of<br />

<strong>the</strong> blocks. The ground plan had created a design featuring alternating streets on a<br />

grid, with wide diagonal boulevards converging on <strong>the</strong> government <strong>building</strong>s.<br />

L’Enfant’s idea was that <strong>the</strong> area of <strong>the</strong> Mall should accommodate a scenic Grand<br />

Avenue of extraordinary magnificence [Figure 115]. Downing’s proposal, however,<br />

rejected this rigid geometric design and was set out as a picturesque utopia, a town<br />

planning experiment aiming to mediate <strong>the</strong> relationship between <strong>the</strong> architecture<br />

of power, <strong>the</strong> city and <strong>the</strong> countryside.<br />

Downing’s project for <strong>the</strong> Mall in Washington was not merely a <strong>landscape</strong> project,<br />

but ra<strong>the</strong>r it sparked <strong>the</strong> emerging problem of large scale town planning. So, for <strong>the</strong><br />

first time, landscaping played a part in a proposal to develop <strong>the</strong> city.<br />

The solution to adopt a <strong>landscape</strong> plan, moreover, gave <strong>the</strong> opportunity to soften<br />

some of <strong>the</strong> incongruent styles of <strong>the</strong> <strong>building</strong>s overlooking <strong>the</strong> public grounds. The<br />

construction of <strong>the</strong> headquarters of <strong>the</strong> Smithsonian Institution, nicknamed The<br />

Castle as a result of <strong>the</strong> project designed by James Renwick Jr. (1818‐1895), had<br />

undermined <strong>the</strong> uniform style of <strong>the</strong> area which was based on <strong>the</strong> Neo‐classical<br />

codes of <strong>the</strong> federal (Greek) style.<br />

252 Springside, Poughkeepsie, New York, (1850) remains <strong>the</strong> only surviving <strong>landscape</strong> work by Andrew<br />

Jackson Downing, which he followed from creation to completion. The <strong>landscape</strong> of Springside<br />

embraced <strong>the</strong> natural forests and environment and designed <strong>the</strong> architectures and <strong>the</strong> layout of<br />

farm and cultivated grounds. At least two of Downing’s planned <strong>building</strong>s were built (a barn and a<br />

gardener’s cottage) and <strong>the</strong> main house planned remained only a drawing.<br />

150

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