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building the american landscape - Univerza v Novi Gorici

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The prospects and developments of <strong>the</strong> rural cemetery were also carefully studied<br />

in England by John Claudius Loudon (1783‐1843), one of <strong>the</strong> greatest <strong>landscape</strong><br />

designers of <strong>the</strong> first half of <strong>the</strong> nineteenth century and disseminator of <strong>the</strong> ideas of<br />

Capability Brown. Loudon was, above all, a prolific author of publications on<br />

horticulture, gardening, agriculture and botany, in which he developed a precise<br />

idea of how to treat <strong>the</strong> <strong>landscape</strong>. He was probably one of <strong>the</strong> first to combine <strong>the</strong><br />

architectural problem with gardening problems, and understood how <strong>the</strong> project<br />

design of a <strong>landscape</strong> required multiple aspects to be taken into careful<br />

consideration. For this purpose, in 1833 he was to write The Encyclopedia of<br />

Cottage, Farm and Villa Architecture, a collection of over 1,400 pages, containing<br />

approximately two hundred illustrations of rural architecture and <strong>the</strong> descriptions<br />

of numerous styles to be used depending on <strong>the</strong> situation. He intended his works to<br />

illustrate <strong>the</strong> advantages of having a method of project design, which differed from<br />

<strong>the</strong> geometric models and which was an evolution of <strong>the</strong> picturesque design: “[…] is<br />

<strong>the</strong> gardenesque style, characterised by distinctness in <strong>the</strong> separate parts when<br />

closely examined, but, when viewed as a whole, governed by <strong>the</strong> same general<br />

principles of composition as <strong>the</strong> picturesque style, <strong>the</strong> parts, though not blended,<br />

being yet connected” 230 . The most rapid vehicle for his ideas was <strong>the</strong> publication of<br />

<strong>the</strong> Gardener’s Magazine and register of rural and domestic improvement, printed<br />

in London from <strong>the</strong> beginning of 1826 until his death. The first issues discussed<br />

various topics, from a horticultural point of view to give practical advice for “[…]<br />

improving <strong>the</strong> knowledge of gardeners” 231 understood “[…] as an art of design and<br />

taste” 232 . These were publications known and read by those in <strong>the</strong> trade on both<br />

sides of <strong>the</strong> ocean. From his very first writings, Loudon bore in mind <strong>the</strong> originality<br />

of <strong>the</strong> social role of <strong>landscape</strong> gardening and <strong>the</strong> <strong>landscape</strong> architect. As time<br />

passed, he not only contained his use of <strong>the</strong>se terms, but he also defined <strong>the</strong><br />

creative contribution of <strong>the</strong> discipline and <strong>the</strong> purposes of entertainment of <strong>the</strong><br />

park:<br />

230 LOUDON, John Claudius, The Gardener’s Magazine and register of rural and domestic<br />

improvement, London, Longman, Brown, Green and Longmans, 1843, p. 166<br />

231 Ibid., p. 3<br />

232 Ibid., p. 5<br />

140

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