building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
building the american landscape - Univerza v Novi Gorici
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Francois‐René de Chateaubriand (1768‐1848), who talked about it in three tales 9<br />
inspired by his experiences in <strong>the</strong> forests of North America (1791).<br />
As in Bartram, here too, <strong>the</strong> inhabitants of <strong>the</strong> wild territories of <strong>the</strong> New World<br />
resembled <strong>the</strong> characters described by Rousseau 10 according to <strong>the</strong> taste of <strong>the</strong><br />
Europeans of <strong>the</strong> time. The <strong>landscape</strong>s were also accurately described, and <strong>the</strong><br />
visions of nature combined toge<strong>the</strong>r and developed parallel to those of <strong>the</strong> ancient<br />
world 11 . In his scientific report of <strong>the</strong> voyage made to Latin America between 1799<br />
and 1804 Le voyage aux regions equinoxiales du Nouveau Continent (1810‐1825),<br />
Alexander Von Humboldt (1769‐1859) described majestic <strong>landscape</strong>s, full of natural<br />
beauty, however, <strong>the</strong> Old Europe, with its baggage of antiquity and classicism,<br />
remained a frequent term of comparison, despite continuous and sincere denials:<br />
Between <strong>the</strong> tropics on <strong>the</strong> contrary, in <strong>the</strong> lower regions of both Indies,<br />
everything in nature appears new and marvellous. In <strong>the</strong> open plains,<br />
and amid <strong>the</strong> gloom of forests, almost all <strong>the</strong> remembrances of Europe<br />
are effaced; for it is <strong>the</strong> vegetation that determines <strong>the</strong> character of a<br />
<strong>landscape</strong>, and acts upon our imagination by its mass, <strong>the</strong> contrast of its<br />
forms, and <strong>the</strong> glow of its colours. 12<br />
On <strong>the</strong> contrary, Thomas Jefferson (1743‐1826), one of <strong>the</strong> authors of <strong>the</strong><br />
Declaration of Independence (1776) and third President of <strong>the</strong> United States (1801‐<br />
1809), did not limit himself to simple descriptions or idealizations. He was <strong>the</strong> first<br />
American to work as project designer to “build” <strong>the</strong> <strong>landscape</strong> in his estate of<br />
Monticello (1769‐1809) 13 [Figures 1‐12]. Numerous studies 14 have analyzed <strong>the</strong><br />
various phases of <strong>the</strong> construction of <strong>the</strong> Monticello villa and <strong>the</strong> planning choices<br />
9 Les Natchez (written between 1793 and 1799 but published only in 1826), Atala (1801) and René<br />
(1802)<br />
10 See CUNLIFFE, Marcus, The Literature of <strong>the</strong> United States, Harmondsworth, Penguin Books, 1969<br />
pp. 42‐43 (It. tr. Storia della letteratura <strong>american</strong>a, Torino, Einaudi, 1970, pp. 44‐45)<br />
11 See DUBBINI, Renzo, Geografie dello sguardo. Visione e paesaggio in età moderna, Einaudi, Torino<br />
1994, pp. 66‐80<br />
12 HUMBOLDT Von, Alexander, Le voyage aux regions equinoxiales du Nouveau Continent, Paris,<br />
1810‐1825 (English translation by Helen Maria Williams, Personal Narrative of Travels to <strong>the</strong><br />
Equinoctial Regions of <strong>the</strong> New Continent, [London, Longman, 1818] New York, AMS press, 1966, vol<br />
III, p. 354)<br />
13 The Monticello estate is included in <strong>the</strong> list of UNESCO World Heritage Sites, toge<strong>the</strong>r with <strong>the</strong><br />
University of Virginia of Charlottesville (1817‐1826), ano<strong>the</strong>r example of <strong>the</strong> interest in <strong>the</strong><br />
relationship between architecture and <strong>the</strong> natural <strong>landscape</strong>.<br />
14 See Bibliography. Here we only mention: BEISWANGER, William, Monticello in Measured Drawings,<br />
Charlottesville, Thomas Jefferson Memorial Foundation, 1998;<br />
15