Tentative Schedule - University Interscholastic League
Tentative Schedule - University Interscholastic League
Tentative Schedule - University Interscholastic League
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Revised 9/28/2012 page 1 of 8<br />
TENTATIVE SCHEDULE<br />
UIL / UNIVERSITY OF TEXAS AT AUSTIN • STUDENT ACTIVITIES CONFERENCE<br />
AUSTIN • SEPTEMBER 29, 2012<br />
The UIL/UT-Austin Student Activities Conference will acquaint students and coaches with the nature<br />
and rules of the UIL academic contests. Conference workshops help prepare you for the Spring Meet<br />
competitions and provide opportunities to meet state directors and experts for each contest. The<br />
conference is free and there is no pre-registration.<br />
This is a TENTATIVE PROGRAM. Please continue to check this webpage for updates and complete room<br />
assignments. A final printed program will be available the day of the conference.<br />
MAPS: See the UT campus map at: http://www.utexas.edu/maps/<br />
BUILDINGS: All academic and speech sessions will be held in the <strong>University</strong> Teaching Center (UTC).<br />
One-Act Play sessions will be held in the Winship Drama Building (WIN), Lab Theatre (LAB) and in the<br />
Art Building (ART).<br />
INFORMATION DESK: Located in the ground floor foyer of UTC and lobby of Winship Drama Bldg. Maps<br />
and programs for the UIL conference will be available.<br />
NOTE: In an effort to conserve paper and resources, we plan to significantly reduce the quantity of paper<br />
handouts distributed at each student activity conference. PDF files of presentation materials (as<br />
available) will be posted to a conference web page that will be accessible during and after the event<br />
(uiltexas.org/academics/student-activity-conferences). Wi-fi Internet access may be available at some<br />
sites but is not guaranteed, and no tech support will be available. Those wishing to access online<br />
handouts during the event should plan to use data services available through their own service<br />
providers (3G/4G, mobile hot spots, etc.).<br />
PARKING: CARS may park in the UT parking garages at Brazos (BRG), and San Jacinto (SJG). Cars<br />
may also park in Dobie Parking Garage, 2005 Whitis Ave., east of Guadalupe immediately south of the<br />
corner of Whitis Ave. and 21st St. All garage parking is on a self-pay, space-available basis. Please<br />
note that most garages do not staff a cashier on weekends. However there are automated pay stations<br />
near the garage exits. Vehicles without a UT parking permit that park on campus in areas other than<br />
the garage may receive a citation.<br />
DO NOT PARK in any restricted parking space on campus or you WILL BE TICKETED or TOWED.<br />
SCHOOL BUSES may drop off students at 100 W 21st Street in front of the Littlefield Fountain (near<br />
UTC), or at 500 E. 23rd St. on the north yellow curb in front of the Bass Concert Hall (near OAP<br />
sessions). Buses may NOT park on campus, including the intramural fields at 51st and Guadalupe,<br />
without a permit. If buses park on campus without a permit, they will receive a citation. Buses MAY<br />
park on a space available basis at 1800 Comal Street, south of Martin Luther King Jr. Blvd.<br />
For more UT parking information, please go to: www.utexas.edu/parking/visitor<br />
HOSPITALITY: Available in UTC 3.104. Open 8:30 a.m. – 1:00 p.m. UIL invites coordinators, academic<br />
coaches and administrators to stop by for a cup of coffee and light refreshments.<br />
ACADEMIC COORDINATORS: Dr. David Stevens, UIL Director of Academics<br />
*NOTE ROOM CHANGE*<br />
9:30 – 10:30 a.m. UIL Academics: Know it all. An overview of your role as the campus coordinator and<br />
what UIL offers. We will cover TILF scholarships information, the new Barbara Jordan Historical<br />
Essay and the Latino Essay Contests available this year, and tips on planning, organizing and<br />
keeping your head above water. UTC 1.104<br />
10:45 – noon • Success Depends on Preparation. An overview of preparing for district competition and<br />
beyond. Processes, procedures, responsibilities and more. UTC 1.104<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE
Revised 9/28/2012 page 2 of 8<br />
ACCOUNTING: LaVerne Funderburk, CPA, state contest director<br />
9:00 – 10:30 a.m. • Basics of the Contest Including Elementary Problem Solving. (Bring a pencil<br />
please.) UTC 1.102<br />
10:45 – noon • The Wonder of the Worksheet. (This is a district concept, but the demonstration<br />
problem is from the 2012 State test.) (Bring a pencil and calculator please.) UTC 1.102<br />
CALCULATOR APPLICATIONS: Dr. David Bourell, state contest director<br />
9:00 – 10:30 a.m. • Introduction to the Calculator Applications Contest. UTC 3.132<br />
10:45 – noon • Contest Update and Workshop on “Tricky” Stated Problems. UTC 3.132<br />
12:15 – 1:30 p.m. • Taking and Scoring a Full Contest. UTC 3.132<br />
COMPUTER APPLICATIONS: Linda Tarrant, state contest director<br />
9:00 – 10:30 a.m. • Going for the Gold. Session covers advanced skills for students trying to reach the<br />
higher rungs of competition. Computer exercise will cover some of the advanced skills in Access for<br />
contestants, and this is pretty fast paced. Bring your own computer (BYOC). UTC 1.130<br />
10:45 – noon • Rules and Regs for newer coaches and kids. Session covers miles of material about the<br />
contest and how it works. Typical contest and test taking skills will be reviewed, and the rules will be<br />
explained as well as what you need to know. Some basic skills in Access will be introduced. Bring<br />
your own computer (BYOC). UTC 1.130<br />
COMPUTER SCIENCE: Dr. Shyamal Mitra, state contest director<br />
*NOTE ROOM CHANGE*<br />
9:00 – 10:30 • Introduction to the Computer Science Contest. Includes contest rules, news, updates<br />
and a short practice test. UTC 3.110<br />
10:45 – noon • Computer Science, Advanced Content. Covers selected topics in Java for the written<br />
test, plus problem-solving techniques for programming and tips on preparing for the contests. UTC<br />
3.110<br />
12:15 – 1:30 p.m. • How to Run a Programming Contest. (It’s not as hard as you think!) Covers the<br />
programming component for district competition, including how-to’s, comparisons and<br />
demonstrations of the different options available. Attendance by academic coordinators and meet<br />
directors is encouraged. UTC 3.110<br />
CURRENT ISSUES & EVENTS: David Garlock, state contest director<br />
10:45 – noon • How to prepare for the CI&E contest. Where to find resources and places I will look for<br />
questions. Sample questions you WON’T find on a test. Basic rules and tie-breaking procedures.<br />
How to handle the tie-breaking essay question. UTC 4.134<br />
JOURNALISM: Jeanne Acton, UIL director of journalism<br />
9:00 – 10:30 a.m. • Feature Writing Contest. UTC 3.122<br />
10:45 – 11:30 a.m. • News Writing Contest. UTC 3.122<br />
11:30 – noon • Editorial Writing. UTC 3.122<br />
12:15 – 1 p.m. • Headline Writing. Presenter Laura Barrett, Hutto HS. UTC 3.122<br />
12:15 – 12:45 p.m. • Journalism Adviser’s Meeting with Jeanne Acton. UTC 1.146<br />
LITERARY CRITICISM: Mark Bernier, state contest director<br />
9:00 – 10:30 a.m. • The Literary Criticism Contest: An Overview for Beginners: The Structure of the<br />
Test; Approaches to the Handbook; Reading the Literature. The last thirty minutes will focus on<br />
sample test questions. UTC 3.124<br />
10:45 – noon • Literary Analysis: Parts 2 and 3 of the Literary Criticism Contest. We will explicate a<br />
selection of representative poems in a manner that should prepare the student for the contest. UTC<br />
3.124<br />
12:15 – 1:30 p.m. • The Literary Criticism Reading List: What to Pay Attention to in McCullers's The<br />
Heart Is a Lonely Hunter, Wilde's Importance of Being Earnest, and Coleridge's poetry (selected).<br />
UTC 3.124<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE
Revised 9/28/2012 page 3 of 8<br />
MATHEMATICS & NUMBER SENSE: Larry White, state contest director<br />
9:00 – 10:30 a.m. — Number Sense contest: guideline, rules, resources, practice materials, etc. SAC<br />
2012 Number Sense Test B (take/grade)–NEW 10 min-80 question test. Q&A: discuss/answer<br />
questions from the test or past tests. UTC 2.102A<br />
10:45 – noon — Mathematics contest: guideline, rules, resources, practice materials, etc. SAC 2012<br />
Mathematics Test (take/grade)–New 20 min-26 question test. Q&A: discuss/answer questions from<br />
the test or past tests. Discuss special problems and the 2012- 2013 emphasis topics: Platonic solids,<br />
Pascal's Triangle, and Binomial Theorem. Q&A: questions, concerns, suggestions, etc. UTC 2.102A<br />
SESSION CANCELLED 12:15 – 1:30 p.m. — UIL Constitution and Contest Rules: discussion and<br />
clarifications. Number Sense Contest: discuss special problems. Mathematics Contest: discuss<br />
special problems and the 2012-2013 emphasis topics: Platonic solids, Pascal's Triangle, and<br />
Binomial Theorem. Q&A: questions, concerns, suggestions, etc. UTC 2.102A<br />
READY WRITING: Ruben Rodriguez, state contest director<br />
9:00 – 10:30 a.m. • Preparing for the Ready Writing Contest. A review of UIL rules, the ready writing<br />
rubric and contest fundamentals. For first-year competitors and beginning coaches. UTC 3.102<br />
10:45 – 12 noon • Coaches Round Table Discussion. A chance to share ideas & insights among<br />
coaches and with the state director. UTC 3.102<br />
SCIENCE: Dr. Linda Gaul, Dr. Paul McCord, Dr. James Friedrichsen, state contest directors<br />
9:00 – 10:30 a.m. • Introduction to the UIL Science Contest including a practice quiz. For students and<br />
coaches. UTC 3.134<br />
10:45 – noon • UIL Science round table discussion with time for Questions and Answers for the contest<br />
director. Come help new coaches with ideas for how to build a successful team and bring questions<br />
to ask the contest director. For science coaches. UTC 3.134<br />
12:15 – 1:30 p.m. • Introduction to the UIL Science Contest including a practice quiz. For students and<br />
coaches. [Repeat of session 1] UTC 3.134<br />
SOCIAL STUDIES: Larry McCarty, state contest director<br />
9:00 – 10:30 a.m. • Preparing for the Social Studies Contest: Native American Influence on U.S.<br />
History. A review of UIL rules, the primary reading selection EMPIRE OF THE SUMMER MOON by<br />
S.C. Gwynne, the secondary reading selections and the essay rubric. This session will also include<br />
specific ideas regarding effective ways to prepare for competition. UTC 4.134<br />
SPELLING/VOCABULARY: Marcia Hilsabeck, state contest director<br />
10:45 a.m. – 12 noon. • Introduction to the UIL Spelling and Vocabulary Contest: What the Test is –<br />
and is not; How Spelling fits into the English Language; Ways to study and prepare for competition;<br />
Materials to make and buy; The Payoff – What’s in it for you. UTC 3.112<br />
SPEECH & DEBATE: Jana Riggins, UIL Director of Speech & Debate<br />
9:00 – 10:30 a.m.<br />
• Prose and Poetry: An Introduction. Acquaints beginning students with the UIL interpretation<br />
contests rules and procedures. Includes student demonstration. Emily Houghton, Bandera HS.<br />
UTC 2.112A<br />
• Taking Your Performance to the Next Level. For advanced prose and poetry students. This<br />
session will provide students with ideas on how to better analyze their literature and create a<br />
performance that takes the audience on an unforgettable journey. Barbara Ixba, Lake Travis HS.<br />
UTC 4.102<br />
• An Introduction to Congress. Watch a model congressional assembly in action and learn more<br />
about this potential pilot contest for UIL. Janet Melton, Lampasas HS. UTC 4.104<br />
• Economics for Extemporaneous Speaking & Debate. Core economic concepts applied to<br />
current events for extemporaneous speakng and debate events. Gregory Rehmke, Economic<br />
Thinking. UTC 4.122<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE
Revised 9/28/2012 page 4 of 8<br />
• Introduction to Lincoln-Douglas Debate. Familiarizes beginning students with value debate.<br />
Learn debate format for LD, along with speaker responsibilities and case construction. Cheri<br />
Wienecke, Lometa HS. UTC 4.110<br />
• Advanced LD Debate: The Effective Use of Philosophy. Exploration of various philosophies with<br />
a focus on the more prominent philosophers used in LD debate. Includes how to incorporate these<br />
in debate cases. Robey Holland, UIL. UTC 4.124<br />
• Getting Started in Cross-Examination Debate. For beginners. The basics of C-X team debate.<br />
Explanation of policy debate terminology, speaker responsibilities, and case construction. Betty<br />
Sue Smallwood, Burnet HS. UTC 4.112<br />
• Advanced CX Debate Theory. For advanced CX debaters. An in-depth discussion for varsity<br />
debaters on how to structure and argue kritiks and counterplans. Russell Kirkscey, Blanco HS.<br />
UTC 4.132<br />
10:45 – noon<br />
• Oral Interpretation: How Do I? Wondering how to write a great introduction? How to document<br />
your literary work? What to wear for tournaments? And what about…..? Then, this is the session<br />
for you! Bring your questions about prose and poetry competition and get the answers you need to<br />
be “in the know”. Ron Dodson, Austin. UTC 2.112A<br />
• Advanced Oral Interpretation: Brainstorming New Categories. For advanced interp students<br />
and coaches. New categories will be developed for next school year 2013-14. Bring your ideas to<br />
the table. Jana Riggins, UIL Director. UTC 4.102<br />
• An Introduction to Extemporaneous Speaking. For beginners. The basics to get started in<br />
persuasive and informative speaking. Student demonstration included. Charlene Strickland,<br />
Hardin-Simmons <strong>University</strong>. UTC 4.104<br />
• LD Debate: Fall Topic Analysis. An in-depth examination of the UIL fall value topic. Larry<br />
McCarty, Bellville. UTC 4.110<br />
• CX Debate Demonstration. Watch a model policy debate round moderated by a state champion<br />
coach. Russell Kirkscey. UTC 4.132<br />
• Advanced CX Debate: The Economics of Federal Transportation Infrastructure Reform.<br />
Economic analysis of transportation debate over rebuilding and expanding federal infrastructure.<br />
Discussion of congestion pricing and private highways, tunnels and bridges. Gregory Rehmke,<br />
Economic Thinking. UTC 4.124<br />
12:15 – 1:30 p.m.<br />
• Prose and Poetry Performance Hour. Performances by state medalists critiqued by experienced<br />
judges. Critics: Ron Dodson, Austin; Charlene Strickland, Hardin-Simmons <strong>University</strong>; Phillip<br />
Taylor, Rogers HS. UTC 2.112A<br />
• Electronic Extemp Files. A discussion on using electronic retrieval devices in Extemporaneous<br />
Speaking. Instructions on how to set up electronic files for use in the UIL prep room. Rebecca<br />
Meek, Devine HS. UTC 4.112<br />
• Advanced Extemporaneous Speaking: Taking Your Speech to the Next Level. This session will<br />
provide students with ideas on how to improve your introductions, macro and microstructure, as<br />
well as your prep time allocations. Barbara Ixba, Lake Travis HS. UTC 4.102<br />
• LD Debate: Show Me How It’s Done. A demonstration of a Lincoln-Douglas debate round by<br />
successful varsity debaters. Moderated by Cheri Wienecke, Lometa HS. UTC 4.132<br />
• Advanced LD Debate: Economics & Values of Voting, Lobbying and Special Interest. The<br />
debate over federal restrictions on campaign docnations: Is it a debate over freedome of speech<br />
or corporate and special interest lobbying? Discussion of history, economics and value issues<br />
involved to better prepare you to debate the UIL Fall LD topic. Gregory Rehmke, Economic<br />
Thinking. UTC 4.124<br />
• CX Debate Topic Analysis. Examining affirmative and negative positions on the infrastructure<br />
topic. Larry McCarty, Bellville. UTC 4. 110<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE
Revised 9/28/2012 page 5 of 8<br />
• Coaches Corner. For speech and debate coaches. Meet your state director, hear about updates<br />
on UIL speech and debate, ask questions one-on-one, and pick up free materials. Session ends at<br />
1:15 p.m. Jana Riggins, UIL State Speech Director. UTC 4.104<br />
ONE ACT PLAY: Luis Muñoz, UIL State Theatre Director. Host: Brant Pope, Chair Department of<br />
Theatre and Dance. Sessions will take place in the Winship Drama Building (WIN), Lab Theatre (LAB)<br />
and Art Building (ART)<br />
9:00 – 10:30 a.m.<br />
• From Scratch: Devising New Work. In this active workshop, participants will devise short<br />
performance pieces drawing inspiration from objects, visual art, or text. Learn how to create<br />
theatre no matter what resources are available to you! Lara Dossett. WIN 1.108<br />
• Managing Scenic Construction. Taking scenic construction from the napkin or the drafted plate to<br />
the stage. A quick look at organizing, planning, estimating, and creating construction drawings to<br />
build and load-in a set. David Vieira and Nathan Graham. WIN 1.134<br />
• Cosplay: The Imagination and Beyond. Do you have a favorite fictional character? Have you ever<br />
wanted to dress up as that character for Halloween or just because it's awesome? Well there is a<br />
term for that! It's called Cosplay, or costume play. Cosplay is a form of performance art in itself<br />
and is also part of a larger subculture wherein groups of people come together to share in their<br />
love of characters. Come learn about it today! Kelly Ruiz. WIN 1.130<br />
• Down and Dirty Dramaturgy: Script Analysis for the Actor. What is dramaturgy, and more<br />
importantly, how can I use it to my advantage? This session examines how research and<br />
character development can go hand in hand. Rachel Gilbert. WIN 1.148<br />
• Know Your Rules. OAP in 2012-13. Join us for a point-by-point discussion of changes and how<br />
they will affect your play selection and planning. Directors of all levels are encouraged to attend<br />
this session. Luis Munoz, State Theatre Director. WIN. 2.112<br />
• The Improv Dojo. Learn to make strong offers, support your scene partner, and find your inner<br />
improv zen in the Improv Dojo. Noah Martin. WIN 1.172<br />
• Theatrical Design 2013: Get into The Hobbit! We’ll go over the concept and explain the entry<br />
process. For directors and students. Ron Watson, Theatrical Design Director. WIN 1.164<br />
• Let’s Kick Some Butt! An Intro to Stage Combat. In this workshop, you will be introduced to the<br />
fundamentals of stage combat. Come learn how to make your audience believe you're actually<br />
fighting without anyone getting hurt! Megan Nevels and Patrick Shaw. WIN 2.116<br />
• Behind the Mask. An introduction to the language and physicality of masks. Students will have an<br />
opportunity to view demonstrations and participate in physical storytelling with expressive masks.<br />
Quetta Carpenter. WIN 2.120<br />
• Hip Hop Theatre. Calling all b-boys, b-girls, poets and hip hop aficionados! In this workshop we will<br />
explore the four basic pillars of hip hop culture (MCing, DJing, dance and graffiti) and use them to<br />
create an original performance piece. Meg Greene and Sidney Monroe. WIN 2.124<br />
• Theatre 2.0: How Technology and Social Media Have Changed the Game. Learn and discuss<br />
how technologies such as video and projections have changed design and production on stage,<br />
and how social media like Twitter and Facebook have changed the professional and personal lives<br />
of performers and designers. Patrick Lord. WIN 2.136<br />
• Color Your Soul – Color’s Effect on an Audience and You. Why is it that evil characters are<br />
costumed in dark colors, and not yellow or pink? Why should you care about the color of the walls<br />
on stage? This session will give a glimpse into the use of color theory and color psychology and<br />
how they influence audience experiences and emotions. William Anderson and Stephanie Busing.<br />
WIN 2.138<br />
• Monologues and Auditioning. Bring a 60-second monologue from a play. It must be memorized,<br />
well-prepared and worked on. We will use this as a practical means to learn a bit more about<br />
acting technique and auditions. Only a few students will work, but all will learn! Lucien Douglas.<br />
WIN 2.180<br />
• Creating Change Through Theatre. Explore the topics you really care about with the Living<br />
Newspaper Program. We'll use devising techniques to create our own piece of theatre exploring<br />
themes of social justice. Liz Schildkret. WIN B.202<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE
Revised 9/28/2012 page 6 of 8<br />
• Armor for Theatre, Opera, and Film. Using leather, silicone, and plastic resin students will learn<br />
how to create authentic-looking armor. Jim Glavan. WIN Scene shop<br />
• What's it Like at UT? A panel of undergraduate students talk about their expectations of college<br />
life at UT--and what it's really like...including the ins and outs of the Department of Theatre and<br />
Dance. ART 1.102<br />
• Henry V. Shakespeare's grand, expansive history of Henry the Fifth is distilled into an hour-long<br />
performance for a single player and audience. Drawing on those watching to imagine the settings<br />
and to be the clergymen, nobles, and soldiers he addresses, Robert Faires carries the audience<br />
into the royal courts and battlefields of England and France. LAB<br />
10:45 – noon<br />
• Is Acting Reacting? An Exploration of the Role Reactions Play in Enhancing Acting Skills.<br />
Participants will engage in activities and discussion centered on the role reactions fulfill during the<br />
practice of acting, and how specific focus on reacting can enhance authenticity on stage. Ben<br />
Hardin. WIN 1.108<br />
• Building Theatre Through Improvisation. Create characters and stories through dynamic theatre<br />
games and improv structures. A fun and interactive session for anyone who would like to explore<br />
improvisation. Joan Lazarus. WIN 1.134<br />
• Cosplay: The Imagination and Beyond. Do you have a favorite fictional character? Have you ever<br />
wanted to dress up as that character for Halloween or just because it's awesome? Well there is a<br />
term for that! It's called Cosplay, or costume play. Cosplay is a form of performance art in itself<br />
and is also part of a larger subculture wherein groups of people come together to share in their<br />
love of characters. Come learn about it today! Kelly Ruiz. WIN 1.130<br />
• From Scratch: Devising New Work. In this active workshop, participants will devise short<br />
performance pieces drawing inspiration from objects, visual art, or text. Learn how to create<br />
theatre no matter what resources are available to you! Lara Dossett. WIN 1.148<br />
• Stage Management 101. For students and directors. What exactly is stage<br />
management? Strategies for the 50-minute official rehearsal. How to pack and what to pack.<br />
Jenny Nichols, UIL Staff. WIN 2.112<br />
• Read Between the Lines: Finding New Meaning in Old Monologues. Monologues often become<br />
monotonous because performers don't get past their first impressions of the text. Come play with<br />
text from classic and contemporary plays to help create new meaning and new interpretations of<br />
text. Bethany Lynn Corey. WIN 1.172<br />
• Theatrical Design Contest: What is it? How do I get my kids involved? Do I have to draw?!? The<br />
answers to these and many more questions will be answered. For directors and students. Ron<br />
Watson, Theatrical Design Director. WIN 1.164<br />
• Let’s Kick Some Butt! An Intro to Stage Combat. In this workshop, you will be introduced to the<br />
fundamentals of stage combat. Come learn how to make your audience believe you're actually<br />
fighting without anyone getting hurt! Megan Nevels and Patrick Shaw. WIN 2.116<br />
• Stage Combat. Basic steps, kicks, falls, punches. Technique for execution and appropriate<br />
maneuvers. Jim Daniels. WIN 2.120<br />
• The Future is Now! An Automated Lighting Demo. Experience the direction of lighting in this<br />
new century. Automated Lighting (often called robotic lighting) is now found in all major venues<br />
and is where lighting is heading. Amarante Lucero. WIN 2.121<br />
• Hip Hop Theatre. Calling all b-boys, b-girls, poets and hip hop aficionados! In this workshop we will<br />
explore the four basic pillars of hip hop culture (MCing, DJing, dance and graffiti) and use them to<br />
create an original performance piece. Meg Greene and Sidney Monroe. WIN 2.124<br />
• Theatre 2.0: How Technology and Social Media Have Changed the Game. Learn and discuss<br />
how technologies such as video and projections have changed design and production on stage,<br />
and how social media like Twitter and Facebook have changed the professional and personal lives<br />
of performers and designers. Patrick Lord. WIN 2.136<br />
• Knot-Tying 101. A hands-on introduction or refresher course in knot-terminology and commonly<br />
practiced knots in the theatrical industry. Nathan Graham. WIN 2.138<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE
Revised 9/28/2012 page 7 of 8<br />
• Monologues and Auditioning. Bring a 60-second monologue from a play. It must be memorized,<br />
well-prepared and worked on. We will use this as a practical means to learn a bit more about<br />
acting technique and auditions. Only a few students will work, but all will learn! Lucien Douglas.<br />
WIN 2.180<br />
• How to Change the World Through Theatre. Theatre's fun and stuff, but what's the point? Can it<br />
change the world? Answer: YES. Come find out how. Natalie Goodnow. WIN B.202<br />
• Armor for Theatre, Opera, and Film. Using leather, silicone, and plastic resin students will learn<br />
how to create authentic-looking armor. Jim Glavan. WIN Scene shop<br />
• Costume Shop Tour. Get a “behind the scenes” tour of the costume shop at UT. Learn how a<br />
professional costume shop functions and how the costume design becomes the fabulous garment<br />
you see onstage. Barbara Pope. WIN Costume shop<br />
• Baby Harp Seal Diaries. Writer and Actor Alex Garza will present a solo performance, utilizing<br />
varying monologues and characters based upon the theme of our struggle for survival as animals<br />
and human beings on our planet. This humorous and serious one-man play will be followed by a<br />
question-and answer and discussion about the process of creating monologues for the classroom<br />
and stage. Alex Garza. ART 1.102<br />
• War Games. War Games explores the story of Jonah, a young boy whose father is deployed in<br />
Afghanistan. Jonah and his family work to navigate the harsh emotional realities of war and<br />
discover a language that they can all understand. Learn about Theatre for Young Audiences that<br />
explores adult themes in this performance and post-show discussion. Meg Greene and Lindsay<br />
Hearn. LAB<br />
12:15 – 1:30 p.m.<br />
• Is Acting Reacting? An Exploration of the Role Reactions Play in Enhancing Acting Skills.<br />
Participants will engage in activities and discussion centered on the role reactions fulfill during the<br />
practice of acting, and how specific focus on reacting can enhance authenticity on stage. Ben<br />
Hardin. WIN 1.108<br />
• Audition Techniques – The Cold Read. Learn to thrive in your auditions. Students will explore<br />
new and energizing ways to be present in the audition room and book roles with the cold read! Liz<br />
Kimball. WIN 1.134<br />
• What Are You Laughing At? The Nuts and Bolts of Comedy. In this workshop, we will practice<br />
the craft of comedy, using narrative techniques such as escalation, reversal, discovery, and<br />
surprise. After analyzing some selected TV and Film clips, we will break into groups and make our<br />
own original comedy sketches! Brian Kettler. WIN 1.148<br />
• I’m Lost. What do I need to know to participate in UIL One-Act Play? This will be a step-by-step<br />
lesson on how to use the UIL website, manuals and forms. New teachers are encouraged to<br />
attend this session. Jenny Nichols, UIL Staff. WIN 1.164<br />
• Read Between the Lines: Finding New Meaning in Old Monologues. Monologues often become<br />
monotonous because performers don't get past their first impressions of the text. Come play with<br />
text from classic and contemporary plays to help create new meaning and new interpretations of<br />
text. Bethany Lynn Corey. WIN 1.172<br />
• Panel Judging Procedures and Standards of Evaluation for One-Act Play. 2011-12 saw some<br />
major changes in judging procedures at the region and state levels. This workshop will guide you<br />
through the process utilized when you use panel judging. Meet some judges and hear their<br />
opinions on the new system. This workshop is highly recommended for all. Luis Munoz, State<br />
Theatre Director. WIN 2.112<br />
• Give and Take: How to respond, connect and be ALIVE in the moment! What is an authentic<br />
response on stage? How do you build an ensemble that listens, responds, and plays together?<br />
This active workshop will take you through engaging ensemble exercises which help develop skills<br />
of focus, listening, action and reaction. Come ready to move, discover, and create together. Katie<br />
Dawson. WIN 2.116<br />
• Stage Combat. Basic steps, kicks, falls, punches. Technique for execution and appropriate<br />
maneuvers. Jim Daniels. WIN 2.120<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE
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• The Future is Now! An Automated Lighting Demo. Experience the direction of lighting in this<br />
new century. Automated Lighting (often called robotic lighting) is now found in all major venues<br />
and is where lighting is heading. Amarante Lucero. WIN 2.121<br />
• Get Your Act Together! Work together to explore a few essential acting strategies to keep in your<br />
acting tool-belt! Emily Thomas. WIN 2.124<br />
• Theatre for Young Audiences on Broadway – Lion King, War Horse, Wicked, and… Video<br />
clips, study guides and other documents bring Theatre for Young Audiences on Broadway to the<br />
classroom. Coleman A. Jennings. WIN 2.136<br />
• Introduction to Model Building for the Stage. A presentation of the tools, materials, and craft of<br />
scale model construction. The session will consist of the presentation, discussion of examples, as<br />
well as a question and answer section. James Ogden. WIN 2.138<br />
• Monologues and Auditioning. Bring a 60-second monologue from a play. It must be memorized,<br />
well-prepared and worked on. We will use this as a practical means to learn a bit more about<br />
acting technique and auditions. Only a few students will work, but all will learn! Lucien Douglas.<br />
WIN 2.180<br />
• How to Change the World Through Theatre. Theatre's fun and stuff, but what's the point? Can it<br />
change the world? Answer: YES. Come find out how. Natalie Goodnow. WIN B.202<br />
• Air Power! A brief look at the mechanics and practical application of pneumatics in scenic effects.<br />
David Vieira. WIN Scene shop<br />
• Costume Shop Tour. Get a “behind the scenes” tour of the costume shop at UT. Learn how a<br />
professional costume shop functions and how the costume design becomes the fabulous garment<br />
you see onstage. Barbara Pope. WIN Costume shop<br />
• Baby Harp Seal Diaries. Writer and Actor Alex Garza will present a solo performance, utilizing<br />
varying monologues and characters based upon the theme of our struggle for survival as animals<br />
and human beings on our planet. This humorous and serious one-man play will be followed by a<br />
question-and answer and discussion about the process of creating monologues for the classroom<br />
and stage. Alex Garza. ART 1.102<br />
• Penguins On Tour! The company of the new play for young audiences And then Came Tango by<br />
UT student Emily Freeman share scenes from the production in development and talk about their<br />
work as they prepare to bring this adorable play on tour to elementary schools. Penguins, dance,<br />
live music, what could be more fun? Roxanne Schroeder-Arce and Grace Holmes. LAB<br />
UNIVERSITY INTERSCHOLASTIC LEAGUE