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Gossip&News<br />

Gossip&News<br />

DLP Rear Projection<br />

DLP stands for Digital Light sor. Invented by Texas Instruments, it’s<br />

Procesa<br />

tiny digitally-controlled mirror which<br />

throw light on a screen. Of course you<br />

need thousands of <strong>the</strong>m to make up a<br />

high resolution video image. The DLP<br />

first turned up in those light but potent<br />

front projectors, such as <strong>the</strong> ones from<br />

DreamVision.<br />

Now <strong>the</strong> DLP is popping up in<br />

rear-projection HDTV monitors. We<br />

were surprised to find <strong>the</strong>se new sets<br />

from Samsung, because Samsung’s<br />

Was it <strong>the</strong> victim of its own overconfidence?<br />

Recoton became known for<br />

audio and video accessories, from cables<br />

to universal remotes. But it also had an<br />

appetite for big-name loudspeakers, and<br />

swallowed such famous brands as NHT,<br />

Jensen, Advent and AR.<br />

As <strong>the</strong> wheels began falling off last<br />

year Recoton sold NHT (to Rockford)<br />

to pick up some badly-needed cash. But<br />

rear projection TV’s (using cathode<br />

ray tubes) had disappointed us when we<br />

were selecting our own reference monitor.<br />

They were built for brightness and<br />

punch, to run in what some critics call<br />

“torch mode.”<br />

The new DLP sets are something<br />

else again. At <strong>the</strong> demonstration we<br />

had, <strong>the</strong> range of colors and tones was<br />

impressive indeed. Reds did not drift<br />

toward orange. Indeed, on <strong>the</strong> larger of<br />

<strong>the</strong> two sets it had occasional flashes of<br />

hot pink. What is perhaps more impressive<br />

is that yellows actually<br />

come out yellow. That’s our<br />

favorite benchmark<br />

We looked especially<br />

closely at <strong>the</strong> blacks, since<br />

that is reputed to be <strong>the</strong><br />

weak spot of <strong>the</strong> DLP. No<br />

problem here. Not only are<br />

<strong>the</strong>y dark, but <strong>the</strong> sets dig<br />

out a lot of detail from <strong>the</strong><br />

shadows.<br />

The smallest of <strong>the</strong><br />

three (109 cm) will cost<br />

C$5000 (about US$3650),<br />

less than double <strong>the</strong> price<br />

of a CRT-based rear projection<br />

set. Perhaps more<br />

significant is that you don’t<br />

have to mortgage your<br />

home to replace <strong>the</strong> lamp<br />

that lights up <strong>the</strong> screen. A<br />

new one costs just C$375.<br />

Goodbye Recoton<br />

this year <strong>the</strong> axles fell off too, and <strong>the</strong><br />

company was put on <strong>the</strong> auction block<br />

by a bankruptcy trustee.<br />

The winner of <strong>the</strong> auction (for US$40<br />

million, plus $5 million accumulated<br />

debt) is German car radio and budget<br />

electronics maker Audiovox. Audiovox is<br />

especially interested in Jensen’s car products,<br />

but says it will continue marketing<br />

<strong>the</strong> home speaker brands.<br />

Woof!<br />

You think making a subwoofer is<br />

tough? You need good designers. Oh<br />

yeah, and you need good lawyers too.<br />

That’s what Canadian company<br />

Audio Products International (Mirage,<br />

Energy) discovered when it was working<br />

on some new small subwoofers. It got<br />

sued by Carver, maker of <strong>the</strong> best-known<br />

very small subwoofer. Carver said o<strong>the</strong>r<br />

small subs infringed on its patents, and<br />

API would have to pay Carver a licensing<br />

fee. As some companies already did.<br />

Or it would have to go to court.<br />

Which API did. In <strong>the</strong> United States…<br />

before a jury…just when US media were<br />

bad-mouthing Canada over some little<br />

war somewhere.<br />

The result? Although <strong>the</strong> fine points<br />

of subwoofer design may seem a little<br />

esoteric for nontechnical jurors, API<br />

won. The jury agreed with <strong>the</strong> defence<br />

that API’s designs predated <strong>the</strong> 1999<br />

Carver patent.<br />

The “Moon”<br />

Turns 30<br />

Perhaps <strong>the</strong> best-produced rock<br />

recording in history was Pink Floyd’s<br />

Dark Side of <strong>the</strong> Moon. Produced in 1973<br />

on a mere 16 tracks, it spent <strong>the</strong> next 15<br />

years on <strong>the</strong> Billboard chart.<br />

For its 30th anniversary, EMI has<br />

re-released it as a hybrid SACD. The<br />

5.1 channel surround was supervised by<br />

<strong>the</strong> original engineer, James Guthrie,<br />

working with <strong>the</strong> original multitrack<br />

tape. Mastering was by Doug Sax, well<br />

known for his work at Sheffield. The<br />

famous prism artwork has been redone<br />

too, with a purple-toned painting replacing<br />

<strong>the</strong> original black background.<br />

EMI has also re-released it on vinyl.<br />

That especially grabbed our attention,<br />

since — by pure happenstance — we<br />

used <strong>the</strong> original 1973 LP for two of<br />

<strong>the</strong> reviews in this issue.<br />

ULTRA HIGH FIDELITY <strong>Magazine</strong> 69

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