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Cinema<br />

Placing <strong>the</strong><br />

Centre Speaker<br />

If you’re using a front projection<br />

screen, or even a plasma TV, placing<br />

<strong>the</strong> centre speaker is a piece of<br />

cake. With any o<strong>the</strong>r kind of television<br />

set, it gets difficult. In most installations<br />

<strong>the</strong> speaker is positioned in front<br />

of <strong>the</strong> TV. At best that’s too low, and it<br />

is almost certainly too far forward. Still,<br />

that was initially where we had placed<br />

<strong>the</strong> centre speaker of our Kappa system.<br />

There didn’t appear to be a choice.<br />

If <strong>the</strong> speaker’s not too large you could<br />

put it on top of <strong>the</strong> TV set, of course, but<br />

<strong>the</strong>re are three obvious problems.<br />

First, even a shielded speaker, if it’s<br />

placed right on a TV with a direct-view<br />

cathode ray tube, will cause <strong>the</strong> image<br />

to go psychedelic. Second, because<br />

<strong>the</strong>y stopped making flat-topped TVs<br />

decades ago, <strong>the</strong> speaker will fall off<br />

if you so much as brea<strong>the</strong> on it. And<br />

third, putting a potent vibration source<br />

like a loudspeaker atop 75 kg of plastic<br />

is…well, inadvisable.<br />

You can, of course, order up a piece<br />

of custom furniture, with a space for <strong>the</strong><br />

TV to tuck into, and an upper shelf for<br />

<strong>the</strong> central speaker. Expensive. And a<br />

closed shelf is not <strong>the</strong> ideal place for any<br />

speaker. And… don’t ever change your<br />

TV set.<br />

The better solution is UHF’s speaker<br />

platform. We actually considered developing<br />

it as a commercial product, until<br />

we thought about <strong>the</strong> fact that <strong>the</strong>re<br />

would have to be a different <strong>version</strong><br />

for every model of TV on <strong>the</strong> market.<br />

That would give a new sense to <strong>the</strong><br />

Putting a centre<br />

speaker right atop a<br />

TV set? Sure…if you<br />

know how.<br />

term “multiple inventory.” Fortunately,<br />

<strong>the</strong> platform isn’t difficult to build by<br />

anyone who owns a power drill, and<br />

perhaps a protractor.<br />

Here’s <strong>the</strong> assignment we gave ourselves.<br />

The platform had to accept <strong>the</strong><br />

six very different centre speakers we had<br />

rounded up for our very first test series.<br />

It had to be unconditionally stable even<br />

if someone brushed up against it (or if<br />

<strong>the</strong> cat…but we don’t want to go <strong>the</strong>re).<br />

And — this is <strong>the</strong> tough part — it had<br />

to be decoupled mechanically from <strong>the</strong><br />

TV so that <strong>the</strong> speaker wouldn’t make<br />

anything rattle.<br />

It was easier than it looked.<br />

We began with a standard prefinished<br />

shelf, 46 cm wide (enough to<br />

handle most centre speakers) and 25 cm<br />

deep. We were fortunate enough to find<br />

one with a shaped front edge, which<br />

made it look more like a commercial<br />

product. Placing <strong>the</strong> shelf on top of our<br />

Hitachi rear projection TV, we could see<br />

that it fit comfortably, with about half its<br />

depth sticking out at <strong>the</strong> rear. It was not,<br />

of course, stable enough by itself. If we<br />

let go it would slide right off.<br />

Now came <strong>the</strong> customization. The<br />

front bezel of <strong>the</strong> TV is narrow, just<br />

12 cm deep. There is <strong>the</strong>n a 2.5 cm drop<br />

to a deeper (16.5 cm) sloping hood (see<br />

<strong>the</strong> diagram on <strong>the</strong> next page). Dimensions<br />

will vary with <strong>the</strong> TV model, but<br />

<strong>the</strong> layout is quite consistent. Clearly, it<br />

would be necessary to make a support<br />

that could press against that sloping<br />

surface, to stabilize <strong>the</strong> platform.<br />

At <strong>the</strong> same time, we couldn’t allow<br />

vibrations from <strong>the</strong> speaker to shake up<br />

<strong>the</strong> plastic casing of <strong>the</strong> TV. We needed<br />

to decouple <strong>the</strong> speaker acoustically<br />

from <strong>the</strong> TV itself, but how. Some sort<br />

of cushion? We rejected that solution out<br />

of hand, because a speaker needs to be<br />

held rigidly in place if it is to project its<br />

full dynamic range. Spikes? Sure, if we<br />

accepted major cosmetic damage to <strong>the</strong><br />

TV, or even — with <strong>the</strong> heaviest of our<br />

test speakers — its total destruction.<br />

The perfect solution was right in our<br />

own Audiophile Store. It is <strong>the</strong> Soundcare<br />

Superspike.<br />

The Superspike, which is a cone and<br />

a protective “dish” in a single sealed unit,<br />

is unique. The picture on this page shows<br />

one assembled and dismantled. The spike<br />

Not to be missed<br />

The world’s greatest harpist, plus an<br />

exceptional flutist. Original recording<br />

by Keith Johnson, masterfully brought<br />

to CD by Bruce Leek.<br />

ULTRA HIGH FIDELITY <strong>Magazine</strong> 55

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