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Cinema<br />
Placing <strong>the</strong><br />
Centre Speaker<br />
If you’re using a front projection<br />
screen, or even a plasma TV, placing<br />
<strong>the</strong> centre speaker is a piece of<br />
cake. With any o<strong>the</strong>r kind of television<br />
set, it gets difficult. In most installations<br />
<strong>the</strong> speaker is positioned in front<br />
of <strong>the</strong> TV. At best that’s too low, and it<br />
is almost certainly too far forward. Still,<br />
that was initially where we had placed<br />
<strong>the</strong> centre speaker of our Kappa system.<br />
There didn’t appear to be a choice.<br />
If <strong>the</strong> speaker’s not too large you could<br />
put it on top of <strong>the</strong> TV set, of course, but<br />
<strong>the</strong>re are three obvious problems.<br />
First, even a shielded speaker, if it’s<br />
placed right on a TV with a direct-view<br />
cathode ray tube, will cause <strong>the</strong> image<br />
to go psychedelic. Second, because<br />
<strong>the</strong>y stopped making flat-topped TVs<br />
decades ago, <strong>the</strong> speaker will fall off<br />
if you so much as brea<strong>the</strong> on it. And<br />
third, putting a potent vibration source<br />
like a loudspeaker atop 75 kg of plastic<br />
is…well, inadvisable.<br />
You can, of course, order up a piece<br />
of custom furniture, with a space for <strong>the</strong><br />
TV to tuck into, and an upper shelf for<br />
<strong>the</strong> central speaker. Expensive. And a<br />
closed shelf is not <strong>the</strong> ideal place for any<br />
speaker. And… don’t ever change your<br />
TV set.<br />
The better solution is UHF’s speaker<br />
platform. We actually considered developing<br />
it as a commercial product, until<br />
we thought about <strong>the</strong> fact that <strong>the</strong>re<br />
would have to be a different <strong>version</strong><br />
for every model of TV on <strong>the</strong> market.<br />
That would give a new sense to <strong>the</strong><br />
Putting a centre<br />
speaker right atop a<br />
TV set? Sure…if you<br />
know how.<br />
term “multiple inventory.” Fortunately,<br />
<strong>the</strong> platform isn’t difficult to build by<br />
anyone who owns a power drill, and<br />
perhaps a protractor.<br />
Here’s <strong>the</strong> assignment we gave ourselves.<br />
The platform had to accept <strong>the</strong><br />
six very different centre speakers we had<br />
rounded up for our very first test series.<br />
It had to be unconditionally stable even<br />
if someone brushed up against it (or if<br />
<strong>the</strong> cat…but we don’t want to go <strong>the</strong>re).<br />
And — this is <strong>the</strong> tough part — it had<br />
to be decoupled mechanically from <strong>the</strong><br />
TV so that <strong>the</strong> speaker wouldn’t make<br />
anything rattle.<br />
It was easier than it looked.<br />
We began with a standard prefinished<br />
shelf, 46 cm wide (enough to<br />
handle most centre speakers) and 25 cm<br />
deep. We were fortunate enough to find<br />
one with a shaped front edge, which<br />
made it look more like a commercial<br />
product. Placing <strong>the</strong> shelf on top of our<br />
Hitachi rear projection TV, we could see<br />
that it fit comfortably, with about half its<br />
depth sticking out at <strong>the</strong> rear. It was not,<br />
of course, stable enough by itself. If we<br />
let go it would slide right off.<br />
Now came <strong>the</strong> customization. The<br />
front bezel of <strong>the</strong> TV is narrow, just<br />
12 cm deep. There is <strong>the</strong>n a 2.5 cm drop<br />
to a deeper (16.5 cm) sloping hood (see<br />
<strong>the</strong> diagram on <strong>the</strong> next page). Dimensions<br />
will vary with <strong>the</strong> TV model, but<br />
<strong>the</strong> layout is quite consistent. Clearly, it<br />
would be necessary to make a support<br />
that could press against that sloping<br />
surface, to stabilize <strong>the</strong> platform.<br />
At <strong>the</strong> same time, we couldn’t allow<br />
vibrations from <strong>the</strong> speaker to shake up<br />
<strong>the</strong> plastic casing of <strong>the</strong> TV. We needed<br />
to decouple <strong>the</strong> speaker acoustically<br />
from <strong>the</strong> TV itself, but how. Some sort<br />
of cushion? We rejected that solution out<br />
of hand, because a speaker needs to be<br />
held rigidly in place if it is to project its<br />
full dynamic range. Spikes? Sure, if we<br />
accepted major cosmetic damage to <strong>the</strong><br />
TV, or even — with <strong>the</strong> heaviest of our<br />
test speakers — its total destruction.<br />
The perfect solution was right in our<br />
own Audiophile Store. It is <strong>the</strong> Soundcare<br />
Superspike.<br />
The Superspike, which is a cone and<br />
a protective “dish” in a single sealed unit,<br />
is unique. The picture on this page shows<br />
one assembled and dismantled. The spike<br />
Not to be missed<br />
The world’s greatest harpist, plus an<br />
exceptional flutist. Original recording<br />
by Keith Johnson, masterfully brought<br />
to CD by Bruce Leek.<br />
ULTRA HIGH FIDELITY <strong>Magazine</strong> 55