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Listening Room<br />

Vecteur AV-6<br />

Multichannel Amp<br />

Sure, you can set up a home<br />

<strong>the</strong>atre (or audio surround)<br />

system by buying <strong>the</strong> best<br />

amplifiers and stacking <strong>the</strong>m up<br />

to <strong>the</strong> ceiling. And perhaps <strong>the</strong>y’ll even<br />

survive <strong>the</strong> heat buildup. Then again,<br />

it’s much easier to buy a single chassis<br />

with all <strong>the</strong> power amplification you’ll<br />

ever need. Too bad multichannel amps<br />

are such lousy compromises.<br />

But <strong>the</strong>y don’t have to be.<br />

The AV-6 is large and heavy, though<br />

it is nei<strong>the</strong>r one if you consider that it<br />

contains no fewer than six channels. And<br />

<strong>the</strong>y’re not channels that are intended<br />

for listening at a whisper, ei<strong>the</strong>r. The<br />

advertised power is 120 watts per channel,<br />

enough to feed a substantial home<br />

<strong>the</strong>atre system in a large room. Of<br />

course, with <strong>the</strong> advent of music surround<br />

systems, such as that of SACD,<br />

an amplifier like this has non-video uses<br />

as well. It may even be an interesting<br />

choice for two-channel use, a possibility<br />

we’ll get to shortly.<br />

As you’d expect, <strong>the</strong>re’s not much<br />

to <strong>the</strong> front panel: just <strong>the</strong> on-standby<br />

button and a small pilot light. The rear<br />

50 ULTRA HIGH FIDELITY <strong>Magazine</strong><br />

is all business as well, with a good quality<br />

jack and proper binding posts for each of<br />

<strong>the</strong> six channels. The removable power<br />

cord is billed as audiophile quality,<br />

though it appears to be <strong>the</strong> usual molded<br />

cord with a better quality AC plug. Well,<br />

that’s better than nothing.<br />

The AV-6 has two power supplies,<br />

each with its own massive toroidal<br />

transformer, as you’ll see from <strong>the</strong><br />

picture on <strong>the</strong> next page. The configuration<br />

explains <strong>the</strong> unusual choice of six<br />

channels — with two power supplies, <strong>the</strong><br />

good balance can be maintained only if<br />

<strong>the</strong> number of channels is even divisible<br />

by two. Each power supply, <strong>the</strong>n, handles<br />

three channels. Unlike some multichannel<br />

amps, <strong>the</strong> AV-6 is not modular, and<br />

Six channels on a<br />

very heavy chassis.<br />

Is it as good as <strong>the</strong><br />

o<strong>the</strong>r amps of <strong>the</strong><br />

marque?<br />

you can’t add or subtract sections, nor<br />

are o<strong>the</strong>r <strong>version</strong>s available.<br />

The top, which also covers <strong>the</strong> sides<br />

of <strong>the</strong> amplifier, is heavily coated on both<br />

sides by what appears to be a bituminous<br />

material, with <strong>the</strong> result that you can’t<br />

make it ring no matter how hard you<br />

hit it. Though we often see covers with<br />

damping pads glued to <strong>the</strong> inside, we<br />

don’t recall ever seeing quite this level<br />

of damping before. Does it matter? Well,<br />

if you believe that any electrical circuit<br />

can act like a microphone (and we do, for<br />

reasons you’ll understand in a moment),<br />

this is a nice thing to see.<br />

We believe that an AV amplifier is<br />

competent only if it can hold its own<br />

in a music system. For that reason, we<br />

held our listening session in <strong>the</strong> Alpha<br />

room, using just two of <strong>the</strong> Vecteur’s six<br />

channels. We selected channels 3 and 4,<br />

because those two are fed by different<br />

power supplies. We broke out a set of<br />

favorite LPs, and challenged <strong>the</strong> Vecteur<br />

AV-6 to show us what it could do.<br />

It showed us right from <strong>the</strong> first notes<br />

on <strong>the</strong> first recording, Façade (Reference<br />

Recordings RR-16 or RR-2102CD). Our

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