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Free Advice<br />

for a while now. There’s a reason.<br />

The best sound can be had from<br />

professional-level I/O cards, which cost<br />

considerably more than <strong>the</strong> CardDeluxe.<br />

However <strong>the</strong> CardDeluxe will sound<br />

better than most of <strong>the</strong> sound cards<br />

you’ll see in PC stores, and it can even<br />

record in 24 bits and 96 kHz sampling<br />

rate. Shut down all unneeded peripherals,<br />

disconnect from <strong>the</strong> Internet, and<br />

record onto a high speed hard disc that<br />

has been freshly reformatted.<br />

I am building a new music/family room.<br />

The music system has 10 plugs, including<br />

tape decks and spotlight.<br />

Should I have <strong>the</strong> electrician set up five<br />

of your hospital grade connectors in tandem<br />

on one circuit, or is this overkill? Would one<br />

or two (for <strong>the</strong> power amp/ preamp/ CD /<br />

turntable) suffice with <strong>the</strong> balance of equipment<br />

on regular connectors?<br />

Ron Kennedy<br />

DEUX-MONTAGNES, QC<br />

Ron, if your electrician puts in that<br />

many plugs, he will daisy-chain <strong>the</strong>m,<br />

and from <strong>the</strong> third outlet onward <strong>the</strong><br />

quality will deteriorate.<br />

A better choice, though admittedly<br />

a more complicated one, is to have him<br />

put in two lines (<strong>the</strong> labor costs a lot more<br />

than <strong>the</strong> wire), and daisy chain from<br />

each Hubbell on those circuits to cheap<br />

outlets. Add a Gutwire Stingray power<br />

bar (4 outlets) and you have a total of<br />

seven good connectors and four ordinary<br />

ones. In <strong>the</strong> Hubbell closest to where <strong>the</strong><br />

power line comes in, plug in <strong>the</strong> power<br />

amplifier and <strong>the</strong> power bar.<br />

Naim is giving me no end of trouble,<br />

when <strong>the</strong>y tell <strong>the</strong>ir authorized dealers that<br />

customers will “blow up” a Naim amp if you<br />

connect it to any o<strong>the</strong>r preamp !<br />

Have you done this before and is <strong>the</strong>re<br />

any risk? I am now worried that I might<br />

damage my new Copland preamp! If <strong>the</strong>y<br />

were trying to scare me, <strong>the</strong>y succeeded!<br />

David McGuire<br />

DALLAS, TX<br />

We’re not sure why <strong>the</strong>y do this,<br />

David. Spectral also does something<br />

like this: <strong>the</strong>ir warranty is void if you<br />

don’t use <strong>the</strong>ir cables, or <strong>the</strong> ones from<br />

MIT. There’s no danger of damaging<br />

<strong>the</strong> Copland, and (although our lawyers<br />

wouldn’t want us to get too categorical)<br />

we don’t put much stock in <strong>the</strong> warning<br />

about <strong>the</strong> amp ei<strong>the</strong>r. It sounds like a<br />

grain of truth that got expanded into a<br />

whole beach by <strong>the</strong> time it got to <strong>the</strong><br />

dealer.<br />

The possibility is this. If <strong>the</strong> amplifier<br />

is very wideband but was designed<br />

on <strong>the</strong> assumption that <strong>the</strong> preamplifier<br />

would limit <strong>the</strong> bandwidth, <strong>the</strong>n it may<br />

misbehave. Specifically, very high frequency<br />

signals (available from analog<br />

and SACD/DVD-A, but not CD) may<br />

cause slew-rate distortion.<br />

That’s a worst-case scenario. Translating<br />

that into <strong>the</strong> amplifier “blowing<br />

up” is, we suspect, a case for <strong>the</strong><br />

X-Files.<br />

I have a peculiar problem with my<br />

sound system which I cannot resolve. My<br />

system consists of an NAD 5300 integrated<br />

amplifier, Cambridge Audio DiscMagic and<br />

S-700 DAC. All components are powered<br />

through a hospital laboratory-grade voltage<br />

conditioner.<br />

On occasion <strong>the</strong> volume will momentarily<br />

dip (no more that a tenth of a second) to<br />

inaudibility and <strong>the</strong>n back to normal volume.<br />

This occurs at all volume settings. I was told<br />

to run ground wires from both CD player<br />

components to <strong>the</strong> amplifi er ground post.<br />

It now happens much less frequently, but<br />

never<strong>the</strong>less it still does.<br />

This problem has existed before I<br />

upgraded to <strong>the</strong> S-700, but would occur<br />

once or twice when listening through a CD.<br />

When I upgraded to <strong>the</strong> S-700, <strong>the</strong> sound<br />

would cut out maybe two to three times per<br />

cut on a CD.<br />

Roland Auffrey<br />

CAMPBELLTON, NB<br />

The cause seems evident, Roland: it<br />

has to be <strong>the</strong> transport, not <strong>the</strong> DAC,<br />

since <strong>the</strong> problem existed before <strong>the</strong><br />

DAC arrived. All sorts of problems can<br />

throw a transport off stride, but <strong>the</strong> fact<br />

that grounding reduced <strong>the</strong> problem<br />

points to one likely cause: static electricity.<br />

The effects of static on electronic<br />

equipment, and especially on equipment<br />

with digital controls, are often underestimated.<br />

We once lost a $900 computer<br />

hard disc just by touching it with an<br />

index finger, much as God touches Adam<br />

on <strong>the</strong> ceiling of <strong>the</strong> Sistine Chapel. A<br />

similar spark would lock up a solid state<br />

preamplifier so solidly we had to unplug<br />

it for a full minute before it would work<br />

again. And we’ve seen momentary CD<br />

dropouts as well. All we needed to do<br />

was touch a light switch.<br />

But that doesn’t happen to us anymore.<br />

We are regular users of antistatic<br />

fluid. We don’t buy <strong>the</strong> commercial<br />

<strong>version</strong> for $8 a litre, but a home-made<br />

substitute: fabric softener diluted 4:1<br />

ULTRA HIGH FIDELITY <strong>Magazine</strong> 17

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