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14 ULTRA HIGH FIDELITY <strong>Magazine</strong><br />

has a used A28 with a price tag that isn’t<br />

too painful.<br />

My current CD and tuner-based system<br />

is: Theta Pearl CD transport, MSB LinkIII<br />

DAC, Magnum-Dynalab MD-90 FM<br />

tuner, with homegrown silver interconnects<br />

to a bi-amp system consisting of a Moon<br />

I-5 (high frequencies) and Celeste 4070<br />

(low frequencies) into a PSB Subsonic 5<br />

subwoofer and Magnaplanar 1.6QR speakers<br />

through Cardas speaker cables. I like <strong>the</strong><br />

music this system produces — it is involving<br />

and reveals <strong>the</strong> quality of recordings.<br />

I am thinking of changing my amplification.<br />

I am trying to achieve better low level<br />

resolution by beefing up <strong>the</strong> power with <strong>the</strong><br />

relatively inefficient (86 dB) Maggies. The<br />

I-5 gives me a number of choices, but, as<br />

usual, tradeoffs between costs and equipment<br />

abound. I am looking at several options:<br />

1) Pair a Moon W-5 with <strong>the</strong> I-5 as<br />

preamp, ei<strong>the</strong>r biamped or as separates. The<br />

gain matching between <strong>the</strong> W-5 and I-5 in a<br />

bi-amp system may present a bigger problem<br />

than my current setup.<br />

2) Replace <strong>the</strong> 4070 and I-5 with a W-5<br />

and an ADCOM GFP-750.<br />

3) Replace <strong>the</strong> 4070 with a PS Audio<br />

HCA-2 with <strong>the</strong> I-5 as preamp. Biamping<br />

is possible, but gain matching would likely be<br />

a problem.<br />

4) Replace <strong>the</strong> 4070 and I-5 with <strong>the</strong><br />

HCA-2 and an ADCOM GFP-750.<br />

I usually purchase previously-owned<br />

equipment and would sell my surplus<br />

equipment. The estimated net costs range<br />

from +$4500 for Option 1 to -$100 for<br />

Option 4. I will have <strong>the</strong> option of testing<br />

<strong>the</strong> HCA-2 and GFP-750 combinations<br />

with my amplification. I am unlikely to be<br />

able to audition <strong>the</strong> W-5.<br />

Would <strong>the</strong>se options deliver better low<br />

level resolution than my current setup? Is<br />

using an I-5 as a preamp “overkill” and a<br />

waste of watts?<br />

Russell Chute<br />

AURORA, ON<br />

Continuing to use <strong>the</strong> Moon I-5 is<br />

not so much of a waste of watts as a waste<br />

of perfectly good resale value, Russell.<br />

Since you are in <strong>the</strong> habit of buying used<br />

gear, you know what we’re talking about:<br />

this is a perfectly good integrated amp<br />

that some audiophiles would be thrilled<br />

to buy. Selling it means being able to buy<br />

an excellent preamp (used, we presume),<br />

and using twin amplifiers will make<br />

matching of gain and phase much less<br />

of a chore.<br />

What we’ve just said about <strong>the</strong> I-5<br />

also goes for your 4070 amplifier, which<br />

is quite a lot older but has a legendary<br />

reputation.<br />

The Moon W-5 is by far <strong>the</strong> best<br />

choice. The smaller W-3 can be an<br />

option too, but may be hard to find on<br />

<strong>the</strong> second hand market. Of course a pair<br />

of W-3 amps would be a killer combo,<br />

but one great amp will beat two lesser<br />

ones, which is why we recommend passing<br />

on <strong>the</strong> Adcom. You can always add a<br />

superior second amplifier later.<br />

My current set-up: Marantz CD-17<br />

KI Mk 2 preamplifier, Restek Consens<br />

Line Level Power amplifier, Restek Correct<br />

amplifier, Mission 753 Freedom. Cables are<br />

MIT Terminator II (RCA), QED Silver<br />

Spiral (XLR) and Audioquest Bedrock<br />

(single wiring, with Audioquest Slate as<br />

jumper).<br />

I have been having problems getting a<br />

sharp stereo image and make <strong>the</strong> loudspeakers<br />

disappear completely as point sources of<br />

sound. No matter how I adjust <strong>the</strong> speaker<br />

position, <strong>the</strong> stereo image always tends to be<br />

on my right side, when I face <strong>the</strong> system from<br />

<strong>the</strong> sweep spot.<br />

So far I have been getting many feedbacks<br />

on this problem from many of my hi-fi gangs.<br />

Their answer include:<br />

The environment : <strong>the</strong>y said <strong>the</strong> environment<br />

is conducive for <strong>the</strong> set up as <strong>the</strong> left and<br />

right side is not balanced. On <strong>the</strong> left, <strong>the</strong>re<br />

is a side wall with a dining table and on <strong>the</strong><br />

right, <strong>the</strong>y is no wall, but <strong>the</strong>re is a sofa set.<br />

I don’t quite understand how this affects <strong>the</strong><br />

stereo image.<br />

Some said it was due to <strong>the</strong> equipment<br />

itself. Many commented that <strong>the</strong> Mission<br />

753 is <strong>the</strong> weakest link and I should change<br />

<strong>the</strong> speaker. They said <strong>the</strong> speaker does not<br />

match <strong>the</strong> amp. Some also commented about<br />

my speaker cable as well as interconnect.<br />

I intend to try biamping. However, my<br />

Restek preamp has only one set of pre-outs.<br />

How do I accomplish biamping here? Must<br />

I use <strong>the</strong> exact power amp and speaker cable<br />

for biamping?<br />

Michael Hor<br />

KUALA LUMPUR, Malaysia

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