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Issue 71 Spring 2007<br />

A beautiful picture of Abbie<br />

for everyone to enjoy


Contents<br />

Information Exchange celebrates the journey that we all<br />

make along the 'journey of understanding' about the<br />

special babies, children, <strong>you</strong>ng people and adults who<br />

share our lives. It exists as a Forum and support for all<br />

who have, along with sensory <strong>need</strong>s, other complex ones.<br />

Information Exchange is compiled with help from many<br />

corners of the world - ideas written and spoken, ideas<br />

seen and experiences shared. It is fully independent and<br />

the Editorial Team work hard on a voluntary basis to<br />

bring out the magazine - three times a year. There are<br />

also unseen supporters of the magazine who help in<br />

many ways.<br />

Information Exchange has a buzz that is fostered when<br />

readers get together through the magazine itself. The<br />

basic remit of the magazine is the exchange of<br />

information in an accessible and unbiased way. There is<br />

a delight in newly found discoveries, sensory trinkets,<br />

soothing aromas, new ideas, books, technology, issues<br />

to discuss and Rag Bag ideas to share.<br />

Information Exchange is for everyone - family members,<br />

parents, carers, educators, therapists or anyone who<br />

<strong>need</strong>s to find out more or gain confidence from others<br />

by reading, challenging and discussing. In this inclusive<br />

way, everyone is learning and growing together through<br />

the medium of the magazine.<br />

Copyright<br />

<strong>We</strong> have requests to reprint articles that have<br />

appeared in Information Exchange from time to time.<br />

Please note that such requests are passed on to the<br />

original authors for their decision on publication.<br />

Price - £6.00 per individual copy<br />

Advertising Rates<br />

Back Cover £350.00<br />

Full Page £250.00<br />

Half Page £150.00<br />

Quarter Page £75.00<br />

Disclaimer<br />

The views expressed in Information Exchange are those of<br />

individual authors and so do not necessarily represent the<br />

views of the Editorial Team. Also, neither the individual<br />

contributors nor the team can be held responsible for any<br />

consequences resulting from the purchase or use of<br />

equipment, toys, techniques or ideas featured or advertised<br />

in the magazine.<br />

Contents<br />

2 Issue 71 Spring 2007<br />

Editors page 3<br />

Abbie and the drums 4<br />

‘The dark dark tale’ box 5<br />

Book Reviews 6<br />

A Singing Sack 7<br />

Lilli Nielsen writes ... 8-9<br />

Education 10<br />

Sensabout – new resource from Sally Slater 11<br />

Teenage Chillout 12<br />

News from “New Scientist” 13<br />

Beauty is in the eye of the beholder 14-15<br />

Rag Bag To Buy 16-19<br />

Rag Bag To Make 20-22<br />

Rag Bag To Do 23<br />

The Sensory ‘Auditory’ wall by Audrey Forbes 24<br />

Smart Moves 25<br />

Electronic Exchange 26<br />

Setting up an exciting visual environment 27<br />

Hirstwood Multisensory Training 28<br />

An incredible journey 29<br />

SLD forum – exchange of ideas 30<br />

“The Magic Classroom” 31<br />

Thank <strong>you</strong> to Abbie<br />

and her parents Nick<br />

and Mandy Jones for<br />

giving permission for the beautiful picture<br />

of Abbie to be seen on the front cover.<br />

Sally Silverman tells me they are amazing<br />

parents, and are so modest. They have<br />

set up a website for Abbie on<br />

www.abmanic.co.uk<br />

Abbie is also very special too!


Editorial<br />

Editorial<br />

Dear readers,<br />

<strong>We</strong>lcome to a spring issue full of ideas<br />

and articles for <strong>you</strong> to enjoy – and also<br />

ponder upon.<br />

I wonder if we realise what a rich multisensory resource<br />

is waiting for all special children and teenagers in the<br />

community. <strong>We</strong> can stick to the tried and tested visit to<br />

shops or the park or try something new.<br />

Last night I took my grandchildren to an amazing<br />

wrestling event for the evening. What a multisensory<br />

experience, the cheering crowd, the feeling of being<br />

welcomed into a large crowd, the bright lights, a fog<br />

machine (for the grand entrance of the wrestlers) the<br />

amazing antics of the wrestlers, some dressed in loud<br />

brash outfits. The master of ceremonies ‘using call and<br />

respond’ to egg on the crowd and giving permission for<br />

everyone to shriek, yell and gesture as much as <strong>you</strong><br />

wanted! Even the ring itself was a wonderful resonance<br />

bard.<br />

I am pleased to say there were special children and<br />

people in the audience; the theatre had fine facilities to<br />

accommodate all. A <strong>you</strong>ng man who was a wheelchair<br />

user was as loud in his sounds and movements as<br />

everyone else –a wrestling match is a<br />

great leveller. So, use <strong>you</strong>r<br />

imagination. Get out there and use<br />

what is waiting for the very special<br />

person.<br />

Best sensory wishes,<br />

Flo Longhorn<br />

<strong>We</strong> <strong>need</strong> <strong>you</strong>!<br />

Please send <strong>you</strong>r ideas<br />

articles, an interesting<br />

buy or idea to make.<br />

Without <strong>you</strong>, the<br />

magazine will not be<br />

full to the brim with<br />

exciting reading, in the<br />

summer!<br />

The editor!<br />

Issue 71 Spring 2007<br />

The Information Exchange Editorial Team<br />

Flo Longhorn: Managing Editor, Consultant in Special<br />

Education<br />

Catherine de Haas: Parent and Speech and<br />

Language Therapist<br />

Pat Robinson: Subscriptions Secretary<br />

Roger Longhorn: <strong>We</strong>bmaster<br />

Kay Evans: Teacher and regular reader of IE<br />

Sue Granger: A volunteer who lives in France<br />

Sally Slater: Consultant in Special Education<br />

Karen Buckley: Advisory teacher working in Sheffield<br />

Additional advice and support from Sally Silverman<br />

our roving reporter<br />

Kate Sullivan, Bronwen Campbell and Naomi<br />

Rosenberg: Support teachers for the Sensory Impaired<br />

Service in Bristol<br />

Evelyn Varma who lives in Somerset: Editing and Word<br />

Processing<br />

And <strong>you</strong> - the reader, send <strong>you</strong>r ideas and articles to<br />

the Editor!<br />

Subscriptions<br />

All enquiries to:<br />

Sara Cliff<br />

Subscriptions<br />

Information Exchange<br />

1A Potters Cross<br />

Wootton<br />

Bedfordshire<br />

MK43 9JG<br />

Tel and Fax: 01234 764108<br />

Email: saraCERL@aol.com<br />

Editorial and Administration Address<br />

Flo Longhorn: Managing Editor<br />

1A Potters Cross<br />

Wootton<br />

Bedfordshire MK43 9JG<br />

OR<br />

24 Fazantenlaan<br />

Bredene-Am-Zee<br />

B8450 Belgium<br />

Tel/Fax: 0845 127 5281<br />

Email: Flocatalyst@aol.com<br />

3


Abbie and the drums<br />

Abbie had a great time using the Timponi Drum, tapping<br />

with the drumstick, tapping with her hands, trying to<br />

‘catch’ the coloured spots which were being projected<br />

onto the drum.<br />

Trying to ‘eat’ the spots on the drum.<br />

4 Issue 71 Spring 2007<br />

She had a great time with the Timponi drum, but an<br />

even greater time lying under this type of drum.<br />

She loved it, lots of smiling, laughing, eye contact,<br />

stilling, reaching up to tap drum herself. I wanted to<br />

know what it was like so tried it myself. What an<br />

amazing experience. The vibration and sound was<br />

great, a real ‘in <strong>you</strong>r tummy’ feeling.<br />

Thank <strong>you</strong> so much to Gill for taking time to write<br />

this article and take some amazing photos<br />

– And to the star, Abbie!<br />

– Gill Scutt<br />

Nursery Nurse, Sensory Support Service, Bristol.


‘The dark dark tale’ box<br />

– as told by staff at Curnow School in Cornwall<br />

Recently I visited Curnow School in Cornwalll and was<br />

made very welcome. A member of staff showed me this<br />

really good story box. The story is printed on the box<br />

with the contents. This means that the all the parts can<br />

go back at the end of the story – nothing gets lost.<br />

Here is the story with some of the special effects.<br />

Thank <strong>you</strong> Curnow School!<br />

In a dark dark wood<br />

‘In the dark dark wood there<br />

was a dark dark house’<br />

In a dark dark wood<br />

There was a dark dark house<br />

And in that dark dark house<br />

There was a dark dark door<br />

And behind the dark dark door<br />

Was a dark dark stairway<br />

Up the stairs was a dark dark room<br />

And in that dark dark room<br />

Issue 71 Spring 2007<br />

‘In the dark dark house there was<br />

a dark dark door’<br />

‘Behind the dark dark door there were<br />

some dark dark stairs’<br />

(The door opens and the stairs are made of carpet<br />

so fingers can climb them)<br />

‘And at the top of the dark stairs was<br />

a dark cupboard’<br />

(The stairs are cut out of black card and lie on a piece of<br />

card. When the card is moved, it looks as if <strong>you</strong> are<br />

moving up the stairs too)<br />

‘And in the dark<br />

dark cupboard<br />

was a dark<br />

dark box’<br />

(The box is painted<br />

black inside and out<br />

with a Velcro latch)<br />

‘And in the dark<br />

dark box there<br />

was – a mouse!’<br />

In a dark dark wood<br />

(A little box is placed<br />

inside the cupboard<br />

and inside is a mouse!<br />

You could vary the contents of the box so the listeners<br />

have an extra surprise!)<br />

There was a dark dark cupboard<br />

And in that dark dark cupboard<br />

Was a dark dark shelf<br />

And on that dark dark shelf<br />

There was a dark dark box<br />

And in that dark dark box<br />

................ There were mice!<br />

5


Book Reviews<br />

“Music Makers“<br />

by Hannah Mortimer (2006)<br />

Music circle times to include<br />

everyone.<br />

A practical book for all early<br />

years’ settings who are looking for<br />

ideas of additional activities to<br />

motivate participation by their<br />

pupils. Intended for use by nonmusic<br />

specialists, this book includes more than 40<br />

activities to encourage listening, enjoyment, movement,<br />

communication and understanding. All activities are<br />

linked to the ‘Early Learning Goals’ and ‘Birth to Three<br />

Framework’ and in addition, record keeping and<br />

planning sheets are included. – A useful publication and<br />

very good value at £12. Fits in with special children as<br />

well.<br />

Available from QEd.<br />

Tel: 01785 620 364<br />

www.qed.uk.com<br />

Handbook on Medication for Carers of<br />

People with Learning Difficulties<br />

I have been shown this<br />

book written by a<br />

pharmacist Miriam<br />

Wilcher. I thought it looked<br />

excellent and that <strong>you</strong><br />

might like to share – says<br />

Mandie Lewis in Bristol!<br />

Thanks Mandie!<br />

Go to: www.amazon.co.uk and<br />

search for: “Handbook<br />

–Medication – Carers”<br />

Sensory Stimulation<br />

”Sensory-Focused Activities for<br />

People with Physical and Multiple<br />

Disabilities” by Susan Fowler<br />

<strong>We</strong> learn about the world<br />

constantly through our senses and<br />

by interacting with it. Children<br />

explore and play in different<br />

environments and in doing so they find out what burns<br />

them or hurts them, what can be eaten, which things<br />

smell nice and what different sounds signify. This process<br />

of exploration and learning continues throughout our lives.<br />

Because of physical, sensory or intellectual disabilities<br />

many people have not had the same opportunities to<br />

explore and interact with their environment. Sensoryfocused<br />

activities are designed to provide environments<br />

in which people with disabilities can have the<br />

opportunity to use their senses to learn about and<br />

interact more meaningfully with the world.<br />

This photocopiable resource provides the reader with a<br />

step-by-step approach to organising sensory-focused<br />

activities for carers and other professionals working with<br />

people with physical, multiple or complex disabilities.<br />

Importantly, it also presents information on sensory<br />

stimulation within a framework that embraces the<br />

person’s daily environment. Activity ideas are based<br />

around food, drink, personal and household care and<br />

crafts and are kept simple so they can be slotted into<br />

daily routine with minimum disruption.<br />

Assessment forms and checklists will help carers and<br />

support staff to monitor and understand their clients’<br />

<strong>need</strong>s and progress.<br />

Published with Scope from Jessica Publishers<br />

Price: £29.99<br />

www.jkp.com<br />

6 Issue 71 Spring 2007<br />

From the editor<br />

Susan has written a very useful multisensory book –<br />

especially for older students. It s full of ideas that<br />

incorporate everyday living skills.<br />

There are lots of unusual ideas such as homemade<br />

cosmetics.<br />

Within the book are also some useful checklists that<br />

are easily adapted.<br />

<strong>We</strong>ll done Susan! This book fills a sensory gap for<br />

teenagers and students.


A Singing Sack<br />

A Singing Sack!<br />

Adapted from<br />

www.Under5s.co.uk<br />

When <strong>you</strong> are thinking of singing songs or nursery<br />

rhymes…<br />

•Have <strong>you</strong> ever wondered what to sing today?<br />

•How to introduce a new song?<br />

•How to encourage the children to suggest a song to<br />

sing, that is the same one as yesterday, and last week?<br />

•help… I can’t think of<br />

anything?<br />

The answer lies in a<br />

‘singing sack!’<br />

It is easy to make, and<br />

everyone can make one, all<br />

<strong>you</strong> <strong>need</strong> is a bag such as a<br />

draw-string bag, a pillow case, a strong canvas bag.<br />

The bag can be decorated with the singers handprints or<br />

musical items sewn on securely-how about bells!<br />

When <strong>you</strong> get together for a song, pull out the singing<br />

sack and let it lead the music session. Choose someone<br />

to delve into the sack,a nd select an object, and off <strong>you</strong><br />

go.<br />

In larger settings, it may help to have a song list – a list<br />

of songs relating to objects, so that if different<br />

practitioners are carrying out the activity, they have<br />

inspiration, and then to change and vary the toys<br />

occasionally.<br />

What do <strong>you</strong> put in a ‘singing sack’?<br />

Anything that inspires a song! Think about objects that<br />

are already used as objects of reference such as a<br />

wooden spoon for cookery-link it to a cooking song such<br />

as the ‘Queen of hearts, she made some tarts…..’ add a<br />

heart to personalise the rhyme as well.<br />

A selection of small world objects, pictures, or real<br />

objects that l relate to lots of different songs could also<br />

be used.<br />

Issue 71 Spring 2007<br />

Here are some ideas……<br />

Nursery rhymes<br />

A toy bus The wheels on<br />

the bus<br />

A fresh pea pod How many peas in a<br />

pea pod pressed<br />

A doll Rock a bye Baby<br />

A stethoscope Miss Polly had a dolly who<br />

was sick, sick, sick<br />

A happy face If <strong>you</strong>’re happy and <strong>you</strong> know it<br />

A rabbit Little Peter Rabbit had a fly<br />

upon his nose<br />

A teddy When Goldilocks went to the<br />

house of bears<br />

Teddy Bear, Teddy Bear<br />

If <strong>you</strong> go down to the woods today<br />

A scarecrow I’m a dingle dangle<br />

scarecrow<br />

A spider Little Miss Muffet<br />

There was an old lady who<br />

swallowed a fly<br />

You can change the singing sack to<br />

relate to <strong>you</strong>r theme – if <strong>you</strong> are doing<br />

a spring theme, add spring animals – colours then add<br />

a rainbow, or little boy blue, for weather <strong>you</strong> can add a<br />

rain hat, or a piece of drain pipe (for Incy Wincy Spider<br />

to climb). …<br />

Think about students too and use the latest top hits for<br />

the singing sack. Find out what they like best of all and<br />

include in the sack – use a cd player to back up the<br />

objects with the stars singing along:<br />

Queen – we are the champions – a football scarf and<br />

colours<br />

The theme from Coronation street – a bar of Cadburys<br />

chocolate<br />

Lady in red – a red dress<br />

7


Lilli Nielsen writes.....<br />

Here is the third article<br />

by Lilli Nielsen about her<br />

work with very special<br />

people<br />

This article describes how<br />

Lilli devised the HOPSA dress to enable<br />

children to move around without help,<br />

despite being unable to walk.<br />

The HOPSA-Dress<br />

Scientific research?<br />

Or just the evidence gained from<br />

the improvement in children?<br />

In the beginning of the 1980s<br />

we got a new pupil in our<br />

classroom. She was 7 years old;<br />

she was blind and suffered from<br />

cerebral palsy. She did not have<br />

any verbal language but she<br />

was very good in smiling. She<br />

was unable to control head<br />

movements and so also unable<br />

to sit unsupported. Her hands were always clenched<br />

and each was situated next to each side of her head.<br />

Her legs were very thin and she was always found with<br />

very cold legs. The colour of the skin on her legs was<br />

violet and red showing that the blood circulation was<br />

very poor. Her feet were dropped.<br />

In order to make her feet and legs warmer we gave her<br />

massage, vibrating footbath, thick woollen socks, fur<br />

backs, and <strong>you</strong> just name it.<br />

Of course she also had a physiotherapist who treated<br />

her 2-3 times per week. She has had physiotherapy for<br />

years before she came to our classroom.<br />

None of these efforts had helped<br />

the girl to achieve warm feet.<br />

At that time I could only see one<br />

thing that would help, namely that the girl started to<br />

move her legs by her own.<br />

I designed the HOPSA-dress, which at that time was<br />

attached to a hook in the ceiling. I placed her so high<br />

up that she was unable to touch the floor but had the full<br />

freedom to touch the material placed under her feet. This<br />

was sometimes a plastic dog bed with warm water,<br />

sometimes big pieces of silk paper, or wrapping paper,<br />

sometimes 50 plastic balls.<br />

8 Issue 71 Spring 2007<br />

The girl was very pleased. During the first month she<br />

had difficulties in holding her head up. To support her in<br />

this aspect we placed a neck bag (such one <strong>you</strong> use in<br />

the airplane on long distance flight) under her chin. After<br />

a few months she became able to control her head<br />

movements. Gradually she also learned to bend her<br />

ankles. And she achieved warm legs.<br />

To be sure that the environment was renewed now and<br />

again we sometimes hung the HOPSA-dress so high up<br />

that there were space for an ESSEF Board with a<br />

Resonance Board placed upside down on top of it to be<br />

placed under her feet. On the Resonance Board we<br />

placed some glass marbles. The<br />

girl found out that if she pressed<br />

a little on the board the marbles<br />

would run to the left or right<br />

according to which foot she used.<br />

After 8-9 months she did not have the dropped feet any<br />

longer.<br />

Then she started to walk in circles, an activity I could not<br />

accept (she is blind and will never be able to see how<br />

we walk). To help her to learn to walk straight forward<br />

we got a track attached to the ceiling. Now the girl<br />

could walk up and down the corridor along a wall to<br />

which was attached several objects for her to play with.<br />

Her coordination between arms and leg movements<br />

became better and better.<br />

In other settings we facilitated her learning to use hands<br />

in midline organisation, and we also facilitated her<br />

learning to swallow without spastic reactions, etc. etc.<br />

Having seen her reaction to the HOPSA-dress I began to<br />

expose other children to this devise. Or I should rather<br />

say learners because I have done<br />

this for learners of all ages. The<br />

oldest one was 81 years old.<br />

So what is it that the HOPSA-dress is<br />

doing?<br />

Here is a list, which surely is not the final list.<br />

1. The blood circulation is enhanced. Better blood<br />

circulation affects the function of the lungs, the<br />

brain, the muscles and the renewing of cells of the<br />

skeleton as well as the rest of the body.<br />

2. The muscle strength is enhanced, which also means<br />

that the receptors for haptic perception become less


Lilli Nielsen writes.....<br />

lazy than in the past, which again means that the<br />

brain get more input to work with. This again helps<br />

the learner to control his movement, and makes it<br />

easier for the learner suffering from cerebral palsy<br />

to counteract his spastic reactions.<br />

3. Increased intestinal functioning<br />

4. Better bronchial condition<br />

5. Increased the ability to use feet for tactile<br />

orientation (especially very important for the visual<br />

impaired learner.<br />

6. Learning to balance, an ability, which is very<br />

important to achieve in order to be able to walk.<br />

7. As a whole activities performed while in the<br />

HOPSA-dress impact the learner’s entire health<br />

conditions.<br />

Details about the hopsa suit can be found at the website<br />

www.lilliworks.org<br />

Who is<br />

Dr. Lilli Nielsen R?<br />

Dr. Lilli Nielsen (Dr. phil) grew up in a family with four blind siblings. She has<br />

been working with disabled people for over thirty years. For 29 years, she<br />

acted as an advisor in the field of special educational <strong>need</strong>s at the national<br />

institute for blind and visually impaired children and <strong>you</strong>ng people in Denmark.<br />

She is a trained preschool teacher and psychologist.<br />

She was awarded a doctorate (PhD) by the<br />

University of Aarhus for her investigation into spatial<br />

perceptions in congenitally blind children. In 1997,<br />

the Queen of Denmark awarded her the “Knights<br />

Cross of the Order of the Dannebrog” for her work with<br />

disabled children and <strong>you</strong>ng people.<br />

Dr Lilli Nielsen has already written ten books on her<br />

work with disabled children. And in 1999, the first<br />

video was released on the use of perceptualizing aids.<br />

Issue 71 Spring 2007<br />

9


Education<br />

The Whitworth Art<br />

Gallery: Manchester<br />

The Art Treasure<br />

Chest<br />

A specially designed<br />

teaching resource for<br />

children with special educational <strong>need</strong>s.<br />

Packed full of activities and resources, the Art Treasure<br />

Chest brings the Gallery and its artworks to life.<br />

Resources and activities have been tried and tested on<br />

children with a range of special educational <strong>need</strong>s.<br />

Some groups felt the chest was a “wonderful idea”, “a<br />

great hands on experience” for their children and they<br />

“could use it again as it was a wonderful idea, all the<br />

children enjoyed looking at objects and being able to<br />

feel the textures and hear sounds – especially the<br />

visually impaired”.<br />

Teacher’s commented that their experience with the<br />

chest has helped the children “understand the gallery is<br />

a place of beauty and fun”. One teacher commented<br />

that she intends to “use it a lot with all age groups”<br />

and another said that she would “return in the future to<br />

explore more of the Gallery”.<br />

When <strong>you</strong>r group visit, they will be assisted by two<br />

members of our Treasure Chest team – volunteers who<br />

know the Gallery and can provide support during <strong>you</strong>r<br />

visit.<br />

<strong>We</strong> recommend no more than 12 pupils per visit and<br />

that sessions last no longer than 90 minutes.<br />

The Art Treasure Chest is FREE.<br />

For further information please email<br />

education.whitworth@manchester.ac.uk or telephone<br />

0160 275 7453<br />

Try <strong>you</strong>r local museum or<br />

gallery and see if they<br />

have similar resources<br />

10 Issue 71 Spring 2007<br />

Courses and Conferences<br />

Sensory Tool Kit and<br />

Tools for Teens<br />

Edinburgh 15th to 17th May 2007<br />

London 23rd to 25th May 2007<br />

Cork 29th to 31st May 2007<br />

Do <strong>you</strong> <strong>need</strong> some tools to address SENSORY<br />

INTEGRATION, SENSORY PROCESSING and<br />

CHALLENGING classroom behaviours in INCLUSIVE<br />

classrooms? The sensory Tool Kit TM workshop inservices<br />

school administrators, psychologists, social<br />

workers, nurses, regular education teachers, special<br />

education teachers, occupational therapists,<br />

physiotherapists, speech therapists and parents.<br />

SI Network UK and Ireland Ltd are delighted to<br />

announce that Diana Henry OT will be coming to<br />

Edinburgh. She will present a three day course on<br />

Sensory Processing. www.sensoryintegration.org.uk<br />

The three day course will cost £350 or £515 to include<br />

all equipment, handouts and copies of Diana’s books<br />

‘Tool Chest’ and ‘Sensory Integration (SI) Tools for<br />

Teens: Strategies to Promote Sensory Processing’.<br />

Further details from<br />

www.sensoryintegration.org.uk<br />

Aromatherapy and massage for<br />

children with complex <strong>need</strong>s –<br />

an introduction<br />

This course is with Jane Harrison who is co-author the<br />

excellent book’ aromatherapy and massage for people<br />

with learning difficulties’ and has taught courses in the<br />

subject both here and abroad.<br />

This practical course will give participants an<br />

introduction to massage, concentrating on its use to<br />

relax or invigorate children with complex <strong>need</strong>s.<br />

The dates are<br />

15 may Leeds<br />

8 June Birmingham<br />

28 June Preston<br />

2 July Leeds<br />

Organised by the RNIB further details on<br />

www.rnib.org.uk/training<br />

Or call 0121 665 4221


Sensabout – new resource from Sally Slater<br />

Splashing away in the harbour –<br />

A ‘Sensabout’ multisensory experience<br />

Sally Slater, on the editorial board of Information<br />

Exchange, has been involved with other colleagues in<br />

beginning a new range of interactive materials. These<br />

materials have been carefully designed to meet the<br />

requirements of all learners, and in particular, complex<br />

<strong>need</strong>s.<br />

Sensabout is an inclusive educational package created<br />

around the theme of simple shapes found in different<br />

places.<br />

The package contains<br />

•A DVD of 60 photos with sound effects<br />

•Original songs<br />

•Recording sheets linked to P levels<br />

•A resource book that has photocopiable materials<br />

The first resource pack is called<br />

‘Stars at the harbour’<br />

which focuses on stars found in the<br />

harbour and at the seaside<br />

-with photos, songs and activities.<br />

Issue 71 Spring 2007<br />

Here is an example:<br />

The beach Party<br />

You can use the photos depicting the<br />

party on an interactive board, the<br />

special song ‘Lets dress up for the party,<br />

dress in our finery, shine and sparkle…..’<br />

There is a list of suggested props such as glitter face<br />

paints, steel band instruments….<br />

There are ideas on how to link the<br />

props and actions<br />

‘Hands around and enjoy the drinks at<br />

the party<br />

Experience ice and lemon, smell rum<br />

and gin!’<br />

So this is a pack of high quality materials at a very<br />

reasonable cost.<br />

<strong>We</strong>ll done Sally and associates!<br />

Flo Longhorn<br />

Look at the website www.sensabout.com<br />

11


Teenage Chillout<br />

The Beauty/Barber Shop<br />

This is a Propbox for a beauty<br />

or barber shop. It Includes<br />

collections of objects and<br />

materials for teenagers to<br />

discover, use and find out more.<br />

The materials can be set up in a<br />

corner or in a big barber or beauty box. (updated<br />

2006)<br />

•Combs, brushes, pins, hairnets, clippers, curlers<br />

•towel, plastic apron, plastic basin, smocks, small cape<br />

(to drape on shoulders) donated from beauty shop (or<br />

small blanket with clothes pin can be substituted)<br />

•pretend nail polish, emery board nail dryer, nail polish<br />

bottles<br />

•shaving mug, shavers<br />

•make-up, make-up brushes<br />

•wigs or hair pieces, bobby pins, hair accessories<br />

(ribbons, bows, barrettes, large scrunchies, hair clips)<br />

•hair dryers and/or curling tongs with the cords cut off<br />

(watch out for the curling tongs with bristles – they can<br />

really tangle hair)<br />

•clean empty shampoo/conditioner and hairspray<br />

bottles (hot-glue caps on if necessary)<br />

•cash register and play money/credit cards<br />

•make scissors out of heavy cardboard and attach two<br />

pieces with a fastener,<br />

•mirror, broom & dustpan, telephone, appointment<br />

book, paper, pencils, magazines for waiting room, old<br />

hairstyle books or pictures from magazines pasted into<br />

a book or put into a PowerPoint presentation.<br />

Visit www.allthedaze.com and click on the Propbox link<br />

for more ideas.<br />

iZ<br />

A unique mix of character and<br />

music creates a personality with<br />

attitude. His horn glows and his<br />

eyes move to express his inner<br />

“cool”. Create <strong>you</strong>r own personal<br />

mix by picking a beat, rhythm and<br />

lead. He speaks, laughs, farts and<br />

burps while his eyes move. Connects to <strong>you</strong>r iPod (or<br />

other music source) to play <strong>you</strong>r tunes – and he can<br />

stand on any single leg.<br />

Approximate price: £25<br />

Available from: Vivid Imaginations Ltd.<br />

Tel: 01702 200660<br />

www.evivid.co.uk<br />

The following solar mobile and girly pink ideas for<br />

teenagers are all available from www.initialideas.co.uk<br />

Tel: 08702 402407<br />

Solar System Mobile<br />

Explore the wonders of the<br />

solar system on the ceiling of<br />

<strong>you</strong>r own room! A huge<br />

ceiling mobile featuring all<br />

nine planets orbiting around a<br />

light up sun. Transforms a<br />

child’s room and captivates<br />

them at bedtime! Includes<br />

remote control to turn on the<br />

movement of planets and an<br />

audio CD teaching<br />

fascinating facts on the<br />

planets and solar system. An<br />

educational masterpiece!<br />

Price: £35<br />

Be Tickled Pink…<br />

…with this see-through<br />

inflatable bath pillow<br />

filled with light fluffy pink<br />

feathers inside! It seems<br />

completely incongruous<br />

resting <strong>you</strong>r head on a<br />

pillow filled with feathers<br />

whilst in the bath but it<br />

sure does give <strong>you</strong> a feeling of luxury and relaxation!<br />

Ideal for the beach, by the pool, in the sensory room or<br />

even for travel. With suckers on the underside to attach.<br />

Inflatable Feather Bath Pillow Price: £4.99<br />

For a Girl’s Car!<br />

12 Issue 71 Spring 2007<br />

The Pink Car Kit is a pink zipped bag containing the<br />

following: Notepad,<br />

pencil and pen, tax<br />

disc holder, air<br />

freshener, emergency<br />

hammer with light and<br />

seat belt cutter,<br />

disposable gloves, torch with strobe effect and flashing<br />

hazard, jump leads, ice scraper, mobile phone charger<br />

with all necessary bits and of course instructions on how<br />

to use the jump leads etc.!<br />

Price: £29.99


News from “New Scientist”<br />

This article was abstracted from ‘New Scientist ‘ and is of interest to<br />

readers who are involved with children who are over sensitive to sounds;<br />

this may be a reason why.<br />

You can download white brown or pink noise from the web.<br />

Just do a search, any feedback is welcome! The editor<br />

Hyperacusis<br />

Imagine waking up one day to find that the world has become louder. Sounds that were once tolerable<br />

– running water, footsteps, and a ringing phone – are suddenly deafening. It’s as if someone has<br />

turned up the volume. You want to run and hide but it follows <strong>you</strong> everywhere.<br />

This is the world experienced by sufferers of hyperacusis – literally excessive sensitivity to normal sounds.<br />

It can range from an annoyance to a completely debilitating disorder. Sufferers don’t have better<br />

hearing than everyone else; rather, they perceive sounds to be much louder than they actually are.<br />

While an average person can tolerate anything up to 100 decibels, which corresponds to the sound of<br />

a car horn blasting in <strong>you</strong>r ear, the maximum level someone with hyperacusis can tolerate is usually only<br />

60 decibels, the level of normal conversation. An ordinary voice sounds more like gunshots. To a<br />

sufferer, even the sound of their own voice can be intolerable.<br />

What causes hyperacusis? Nobody knows. It can be brought on by, among other things, head injuries,<br />

and exposure to extremely loud sounds, Lyme disease and autism. It has also been linked with tinnitus, a<br />

disorder that causes people to hear phantom sounds, such as ringing or buzzing.<br />

Is there a cure? Not yet, though there are treatments. The most successful is a therapy using so-called<br />

“pink noise” – a sound spectrum in which the amplitude decreases with increasing frequency; so low<br />

notes are louder than higher ones. It is a good model for everyday environmental sounds. If<br />

hyperacusis sufferers can gradually be desensitised to pink noise they will learn to better tolerate the<br />

sounds of the outside world. They can do this by listening to specially recorded pink noise CDs, or<br />

better still by wearing custom-fitted sound generators that transmit pink noise straight into the ear.<br />

New Scientist, 15 July 2006<br />

Issue 71 Spring 2007<br />

13


Beauty is in the eye of the beholder<br />

IF YOU CAN’T SEE THE BABY IN THE PICTURE, DON’T GIVE UP.<br />

ITS REALLY COOL WHEN IT ACTUALLY APPEARS. THIS IS NOT<br />

A JOKE AND NO – NOTHING IS GOING TO JUMP OUT AT YOU!<br />

‘When a baby is born, they open their eyes and have a<br />

peep into the world around<br />

Soon a face hovers into view and the baby alerts, looks<br />

and shows lots of interest in this face. The face responds<br />

and cuddles and loves the baby. The reason the baby<br />

shows so much interest in the face is because there is a<br />

special reflex in the lens of each eye called the ‘face<br />

reflex’. This means that most babies cannot help but seek<br />

and look for a face so they can bond and survive.<br />

This face reflex stays with most of us all our lives- hence<br />

we see faces in the clouds, in doodles, in soot in the<br />

chimney…!<br />

Faces are stored in the brain along side facial emotions.<br />

Can <strong>you</strong> remember dipping into this face box in the<br />

brain, feeling the ‘brain strain’ as <strong>you</strong> try to remember<br />

and put a name to a face <strong>you</strong> have seen before. What<br />

a relief when it pops out!<br />

Children with autism have a different way of looking at<br />

faces, they are usually not too keen to look and avoid<br />

eye contact like the plague. Research tells us that when<br />

they do scan a face and the brain stores it –it is not<br />

stored in a specific area for faces but goes into general<br />

You have to have an open mind,<br />

Don’t look for a baby, and <strong>you</strong> will see the baby.<br />

14 Issue 71 Spring 2007<br />

memory storage. Perhaps this reflects in how they find it<br />

hard to read emotions in faces, as they cannot recall<br />

emotional faces from the correct area of the brain.<br />

Babies who are born with visual impairment will <strong>need</strong><br />

alternatives to seeking out faces to survive; this can be<br />

through touch, smell and sounds, a bigger challenge for<br />

them for them than just looking at a face.<br />

When we see faces upside down, the brain interprets<br />

them in a different way. It interprets the face as an<br />

object, without any emotional input.<br />

Have a look at the famous ‘ Mona Lisa’ painting upside<br />

down. Most probably <strong>you</strong>r brain will store this as an<br />

object and not with emotions. It is just the face of the<br />

Mona Lisa.


Beauty is in the eye of the beholder<br />

Now look at the same picture which is now the right<br />

way up-do <strong>you</strong> see<br />

a difference as the<br />

brain looks, and<br />

now reads it with<br />

emotion and then<br />

stores it? You will<br />

probably see a<br />

rather miserable<br />

looking Mona!<br />

Wheelchair or buggy users will probably see a lot of<br />

upside down faces if the person involved does not move<br />

down to their eye level. Then they can read the face with<br />

more meaning, as it is the right way up!<br />

Now have a look at the picture below<br />

You will probably see the face of an old man with a<br />

beard first-<strong>you</strong>r eye reflex leaping into action! But now<br />

try and look at it in a different way, using <strong>you</strong>r little grey<br />

cells to help <strong>you</strong>. You should see a woman sitting on<br />

grass under a tree, looking at the view in the distance.<br />

What <strong>you</strong> have done, is overridden <strong>you</strong>r urge to look at<br />

a face and used abstract thought, imagination and logic<br />

to work out what else <strong>you</strong> can see in the picture.<br />

This is what very special people find the hardest thing to<br />

do, to switch from a built in reflex or concrete thinking to<br />

abstract imaginative thought. They are not ready to enter<br />

the stage of ‘theory of the mind’, which means they have<br />

difficulty in using imagination, curiosity and abstract<br />

thought.<br />

Issue 71 Spring 2007<br />

When working with very special learners think about<br />

using this desire to search for faces, in planning for them.<br />

For example, look at the skills they will be sharpening<br />

when looking at a range of faces<br />

• Seen on a face power point put on an interactive board<br />

• Seen in a scrapbook of faces<br />

• A symbol face painted with glow paint<br />

• Their own face in a mirror<br />

• A face with a false nose or<br />

glasses<br />

• a face made with pasta<br />

In order to identify a face they have to recognise a<br />

whole range of face features:<br />

• The contours of a face<br />

• The boundaries of the face-where it begins and ends<br />

• The edges of face parts-such as the nose<br />

• The brightness and contrast within the face<br />

• Shadings of colour<br />

• The symmetry of two sides of the face<br />

• The parts of the face<br />

• The whole face<br />

• Figure/ground discrimination-seeing the face distinct from<br />

the backgroun<br />

Quite a lot of work and what excellent literacy targets to<br />

aim for!<br />

There is a lot of research work being done in this<br />

interesting area; here are some references for those who<br />

want to follow this in more depth.<br />

I have a big power point presentation of ‘male faces’ – I<br />

use this for recognition of faces, reading of faces, sex<br />

education, history time line of ‘<strong>you</strong>ng to old’, art<br />

appreciation and fun! I am happy to share this with <strong>you</strong>.<br />

If <strong>you</strong> would like a copy of this then send me a CD with an<br />

enclosed envelope addressed to <strong>you</strong>rself- and I will copy<br />

and send it to <strong>you</strong>. It is too big to send by email!<br />

My address is on page 2 of the magazine<br />

Flo Longhorn<br />

15


Rag Bag To Buy – <strong>you</strong>nger children<br />

Family House<br />

This Family House features table, chairs and oven<br />

together with 2 figures. The<br />

set features bold colours<br />

and no small parts.<br />

Approximate price £13<br />

Available from Playmobil<br />

Tel: 08704170007<br />

www.playmobil.com<br />

DJ Piano<br />

An electronic keyboard with integral microphone and 4function<br />

mixer for mixing music, fun and creativity.<br />

Features a drum button, a lights and sounds effect<br />

sphere, a joystick with fun sounds and a “scratch” effect<br />

lever. You can also select different musical sounds by<br />

simply pressing one of the six corresponding buttons.<br />

The keyboard has 3 modes<br />

of play.<br />

Approximate price £20<br />

Available from Chicco<br />

Tel: 01623 750870<br />

www.chicco.co.uk<br />

Mamma Lullaby Night Light<br />

A cot panel that allows mum to record her voice and<br />

replay it to help her child sleep or to reassure them<br />

when they wake. It has a double function: it projects soft,<br />

coloured lights to the rhythm of sweet classical or new<br />

age melodies and relaxing nature<br />

sounds.<br />

Approximate price £20<br />

Available from Chicco<br />

Tel: 01623 750870<br />

www.chicco.co.uk<br />

Funky Footprints<br />

Following the footprints triggers silly sounds. Also a<br />

counting mode.<br />

Approximate price: £15<br />

Available from: Early<br />

Learning Centre<br />

Tel: 08705 352352<br />

www.elc.co.uk<br />

Discovery Dome<br />

Combines fun and developmental activities with a child’s<br />

very own play space, to interact with the world. Each<br />

wall of the Discovery Dome has specially designed<br />

activities to develop manual dexterity and introduce<br />

colours, shapes and numbers<br />

for hours of fun!<br />

Approximate price: £40<br />

Available from TOMY<br />

Tel: 02380 662600<br />

www.tomy.co.uk<br />

Learn-Around Playground<br />

Links physical movements to learning experiences. Over<br />

45 interactive touch points introduce the alphabet,<br />

numbers, language, opposite words, music, different<br />

textures, colours and shapes,<br />

growing more age appropriate.<br />

Approximate price: £60<br />

Available from LEAPFROG<br />

Tel: 0800 169 5435<br />

www.leapfroguk.com<br />

Ideal Blox<br />

16 Issue 71 Spring 2007<br />

A wonderful educational puzzle which can be used at<br />

the individual development level of each child. It works<br />

on spatial awareness and three dimensional reasoning.<br />

It is excellent for children with learning difficulties as it<br />

provides a fun and frustration<br />

free learning tool.<br />

Approximate price: £9 - £13<br />

Available from: Oops A Daisy<br />

Tel: 01895270089<br />

www.oopsadaisyltd.com<br />

Kiddie Tune Bench<br />

Take <strong>you</strong>r pick of the instruments and join in the music. A<br />

unique toy.<br />

Size: 10 x 34 x 34cm<br />

Price: £37.99<br />

Available from:<br />

www.woodandtoys.co.uk<br />

Telephone: 0845 458 9292


Rag Bag To Buy<br />

Rainbow Sound Blocks<br />

These six different shape and colour blocks can be<br />

stored in the wooden box. Beads can be seen through<br />

the transparent coloured surface and when each block<br />

is shaken it will produce its own sound according to the<br />

size and number of beads. Fun can be had fitting the<br />

blocks back into the container when play is finished.<br />

Approximate price: £20<br />

Available from: DKL<br />

Marketing<br />

Tel: 08700 129090<br />

www.dkl.co.uk<br />

FurReal Cuddle Chimp<br />

Chimp is the lovable, huggable chimpanzee that just<br />

adores being cuddled! He can reach out to give <strong>you</strong> a<br />

hug and loves to clap his hands when he’s happy.<br />

Watch his facial expressions change and listen to him<br />

make realistic baby chimp sounds.<br />

“Feed” him when he gets hungry<br />

with his banana shaped bottle.<br />

Approximate price: £35<br />

Available from: Hasbro<br />

Tel: 00800 2242 7276<br />

www.hasbro.co.uk<br />

This Knight’s tent and cushions would make a<br />

magnificent little room for older children or teenagers.<br />

A wonderful exciting environment!<br />

Knight’s Tent<br />

Even Knights have to take a break<br />

sometime. Rest from <strong>you</strong>r adventures<br />

in <strong>you</strong>r Knight’s Tent. Includes floor<br />

mat. Cushions sold separately – see<br />

below.<br />

Price: £109.99<br />

Cushions<br />

Merlins and Artus Cushions<br />

Price: £29.99<br />

Available from:<br />

www.woodandtoys.co.uk<br />

Tel: 0845 458 9292<br />

Issue 71 Spring 2007<br />

Fun Gripper Target Toss<br />

Fun target for throwing activities. Different sized pockets<br />

give increasing levels of difficulty. The target is<br />

collapsible and folds away for easy storage. Set<br />

includes: Target, three Grip Balls,<br />

three Fling Socks and a storage<br />

bag.<br />

Price: £25.95<br />

Available from: PE Essentials<br />

www.daviessports.co.uk<br />

Songmitts<br />

Available from: Madeleine Lindley Ltd.<br />

Telephone: 0160 683 4400 Fax: 0161 682 6801<br />

email: books@madeleinelindley.com<br />

www.madeleinelindley.com<br />

Rag bag to make<br />

A cheap and effective mobile<br />

All <strong>you</strong> <strong>need</strong> is a<br />

hanging basket, put a<br />

screw in the ceiling.<br />

Attach the basket and<br />

fill with what ever is<br />

dangly and fun! This<br />

mobile was<br />

photographed at<br />

Curnow school in<br />

Cornwall, and was<br />

filled with daffodils and a rustly pom-pom.<br />

If <strong>you</strong> put the basket on a chain, it can be<br />

lowered to wheel chair height for best<br />

interaction.<br />

17


Rag Bag To Buy<br />

Tocki<br />

Tocki designs products to stimulate the senses. Ann and Harry Tock make all the products. They recently won the<br />

Gold award from the National Toy and Leisure Libraries Association for their stunning products. The tubes come in<br />

all different sizes and are all very strong and beautiful. Here are selections of the Tocki Toys.<br />

Glitterscopes<br />

These Glitterscopes<br />

are similar to a<br />

kaleidoscope and<br />

used with the tubes,<br />

create a firework effect, which is amazing.<br />

Musical Mushrooms<br />

Massage and the senses<br />

Assemble and then press<br />

down to get an extra reward<br />

of music. Tunes available are:<br />

Teddy Bears Picnic,<br />

Greensleeves, and theme<br />

from Love Story.<br />

18 Issue 71 Spring 2007<br />

Top Hat Twister<br />

Tubes which revolve and are<br />

interchangeable.<br />

The Willis Wheel<br />

It turns right or left-handed<br />

and has 6 tubes which<br />

cascade down to fill the<br />

centre with colour. The<br />

original and most popular<br />

mirror background.<br />

Gold Award Winner<br />

A request from Australia<br />

Andrew Short from Australia wrote to tell me about his experiences with remedial massage.<br />

He has cerebral palsy and he reports:<br />

‘My therapist and I have found that blind folding me during massage means that my muscles are not<br />

as tense. I just wondered if <strong>you</strong> were interested to know.’<br />

Andrew has found that by closing down the major sensory channel of vision, that he can concentrate more on<br />

control and relaxation of his body. He also told me that he did not smell any of the aromatherapy oils used during<br />

his sessions.<br />

So he has taken it a step further and reported:<br />

‘Today I took my ear plugs and my blindfold and went to my massage, when I arrived the therapist put the ear plugs<br />

in my ears and helped me tie on my blindfold (It also covered my ears) I could hear but not as much and it was<br />

harder to hear the therapist’s voice. I lay down and we had the massage, it took a while to make my breathing<br />

silent) the main thing I could hear was the plugs in my ears. I found the experience in silence to be relaxing. The<br />

therapist was pleased and my muscles were relaxed.<br />

<strong>We</strong> tried walking with the plugs and blindfold but not so good.<br />

The interesting thing is that I could smell better, than just using the blindfold.’<br />

So help please!<br />

Andrew would like to know if anyone who reads Information Exchange has had similar experiences<br />

in the use of massage that could be useful to him.<br />

You can contact him via Flo<br />

flocatalyst@aol.com


Rag Bag To Buy from Sally Silverman & colleagues in Bristol<br />

Sharing Sheet<br />

Check out this black and white bag for life<br />

from Sainsburys at the moment. Cost 50p.<br />

They say they are selling like hot cakes, but<br />

keep <strong>you</strong>r eyes open there will be more.<br />

Look up the eBay Home page. Go to Toys / Special Needs + Autism.<br />

There is a treasure trove of light up toys and gadgets like this spinning<br />

ball torch £2.99.<br />

Thanks to Kathleen Bebbington for telling us about this.<br />

“Zebbie Zebra” (far left) £4.99 from The Book Cupboard, Gloucester<br />

Road Bristol. “Funny Boxer” £2.99 also from The Book Cupboard<br />

I have tried to buy some more of the zebras, book cupboard no longer<br />

doing them so contacted the company direct they are actually reviewing<br />

them at present and it will be updated with 'Debbie Zebra'!!! shortly. They<br />

are going to send me one of their catalogues which hopefully will be useful.<br />

Kath.<br />

These Dizzy Discs Glow in the Dark!<br />

Found for £2.95p each in the Explore@Bristol shop.<br />

Look up www.wildthingsgifts.com .<br />

Can only buy wholesale but the disc shown is animated on-line.<br />

Great wand, £2.00 at Explore@Bristol shop. (GMG Novelties DT11 7TE Dorset U.K.)<br />

Gentle slow colour change or flashing mode. Soft coating for small hands.<br />

This sheet will come out on an “every now and again” basis when we have enough juicy items to share.<br />

<strong>We</strong>’ll include items to make/buy/ to find. The aim is that by sharing we’ll help each other to help the children. So enjoy and share.<br />

<strong>We</strong>’ll compile the sheets only through emailed contributions. Please feel free to pass on to families / friends / colleagues.<br />

All emailed contributions to<br />

kath_morgan@Bristol-city.gov.uk or sallysilverman@talktalk.net Sensory Support Service Bristol<br />

Issue 71 Spring 2007<br />

19


Rag Bag To Make – from Kay Evans<br />

Make paper bag fish<br />

•Find paper bags – 1 each<br />

•Choose a paint colour or two<br />

•Use <strong>you</strong>r fingers to paint the bags<br />

on both sides and add an eye to the bottom end of<br />

the bag<br />

•When dry stuff the bag and make a fish shape by<br />

tying string around the bag.<br />

Double Bubbles<br />

Check for allergies first!<br />

•Spread newspaper over the work surface<br />

or work on a washable surface<br />

(outdoors if desired!)<br />

•Mix 1 part washing up liquid, 1 part washable paint,<br />

and 2 parts water. Stir well.<br />

•Blow out through a straw into the mixture until enough<br />

bubbles fill the bowl<br />

•Press paper on to the bubbles to make a print<br />

•Mix up a 2nd colour and repeat but print on top of<br />

<strong>you</strong>r 1st colour bubble print.<br />

Real octopus exploration!<br />

•Buy enough frozen squid or<br />

small octopus and let them<br />

defrost.<br />

•Divide into two halves and play<br />

with half of the squids/octopus<br />

– explore them but do not allow the students to eat<br />

them/ mouth them in order to play safely.<br />

•Count their eyes and legs<br />

•This could all be repeated with fresh crabs and prawns<br />

•Dip them in a dish of paint and use them to make<br />

prints.<br />

•Dispose of these and cook the other half of them<br />

gently in olive oil to taste them!<br />

Freezing cold!<br />

•Fill a new balloon or latex glove<br />

with water and freeze it.<br />

•When they are frozen explore<br />

the shapes that have been made<br />

before and after tearing of the moulded shape.<br />

•See if the shapes sink or swim in a bowl of room<br />

temperature water.<br />

20 Issue 71 Spring 2007<br />

How to Make Balloon Plants<br />

Making Balloon Plants is a<br />

wonderful activity! You can also<br />

use them to give as gifts, or to<br />

make at parties. Children love<br />

making them and <strong>you</strong> will enjoy<br />

watching <strong>you</strong>r new plant grow.<br />

•Hold a balloon firmly by the<br />

neck (the neck is the long part).<br />

Use a funnel, and pour 1 ⁄2 cup of<br />

dirt into the balloon. (Try to find<br />

clear balloons to use.)<br />

•Keep holding the balloon by the neck and add about<br />

1 ⁄4 cup of water through the funnel. Be sure the soil in<br />

the balloon is wet, though it shouldn’t be soggy.<br />

•Use the funnel to drop the radish seeds into the<br />

balloon. Don’t turn the balloon over.<br />

•If the balloon is dirty, wipe it carefully with a<br />

washcloth.<br />

•Now <strong>you</strong>’re ready to blow up <strong>you</strong>r balloon! Keep<br />

holding it gently by the neck. Now carefully blow air<br />

into the balloon. You <strong>need</strong> to keep the balloon from<br />

tipping.<br />

•Tie a knot in the neck to keep the air in the balloon.<br />

Tie a ribbon around the knot.<br />

•Tie the balloon to a hook or other place near a<br />

window. The neck should be the top.<br />

•Your balloon plant is ready to begin growing!<br />

Cress numbers<br />

What <strong>you</strong> will <strong>need</strong>:<br />

Card, foil, dark paper, glue,<br />

blotting paper and cress seeds<br />

What to do:<br />

•Cut out squares of card: cover them in foil, folded over<br />

the sides<br />

•Cut out a number to fit on the card made from blotting<br />

paper or double thickness kitchen paper<br />

•Dampen the paper and cover it with the seeds<br />

•Cover it with the dark paper for a couple of days until<br />

they sprout, then uncover it in the light to grow.<br />

•You will discover a magic number growing!<br />

Thank<strong>you</strong> Kay for <strong>you</strong>r sensory ideas<br />

to make.


Rag Bag To Make – Kay Evans<br />

Potato Pete<br />

What <strong>you</strong> <strong>need</strong>:<br />

Potatoes – cut off the top and<br />

bottom & hollow out, Damp cotton<br />

wool, cress seeds, plastic trays and<br />

cloves, pen for facial features<br />

What to do:<br />

•Draw or ‘model’ his facial features<br />

•Put the dampened cotton wool into the potato shell<br />

and cover with cress seeds.<br />

•Potato Pete will develop his own crazy hairstyles,<br />

sitting on the tray!<br />

Fractions<br />

This sounds a difficult aim but it is<br />

easy to show by using different<br />

fruits and vegetables cut in half<br />

and or quarters. Look at the seeds<br />

and their patterns, then enjoy their<br />

smells, feel them and eat to finish.<br />

Soap sculpture<br />

(check for allergies and be careful if students tend to<br />

mouth things)<br />

What <strong>you</strong> <strong>need</strong>:<br />

Lux flakes, warm water in a tray, paint<br />

What to do:<br />

•Froth up the flakes in the tray of water<br />

•Make shapes in the bubbles<br />

•Add the paint and do the same sort of things<br />

The shapes that result are quite a sight to see!<br />

Paint with Baby Oil<br />

What <strong>you</strong> <strong>need</strong>:<br />

Baby oil, coloured construction<br />

paper, Q-tips, paper<br />

What to do:<br />

•Using light coloured construction paper, try painting a<br />

design with baby oil. Anywhere that has baby oil<br />

becomes transparent when held to the light or hung in<br />

a window.<br />

•Try this technique on a photocopied image – follow<br />

with the Q-tip and see what it looks like<br />

Issue 71 Spring 2007<br />

Bubble Wrap Print<br />

Enable children to explore the<br />

bubble wrap, feeling and noisily<br />

popping the puffy bubble pouches<br />

before expecting them to paint on it.<br />

Who can resist popping those clear, smooth bubble<br />

pouches! After exploring, bubble wrap becomes an<br />

intriguing printing material with unusual and beautiful<br />

results. Let children pop and play first and the painting<br />

activity will go much more smoothly. Usually children are<br />

often more captivated by mixing the paints in the baking<br />

tray than painting on the bubble wrap.<br />

What <strong>you</strong> <strong>need</strong>:<br />

•Newspaper<br />

•Bubble wrap (any size bubbles), approximately 9 x<br />

12 square or larger (Note: big bubbles make big dots,<br />

and little bubbles make little dots)<br />

•Masking tape, tempura paints, shallow baking pan,<br />

paintbrush,<br />

•Large sheets of paper, wet sponge<br />

What to do:<br />

•Cover a table with newspaper then place a sheet of<br />

bubble wrap on the table, taping down corners to<br />

hold.<br />

•Put several puddles of different colours of paint in the<br />

baking pan next to the bubble wrap. Place a<br />

paintbrush next to the pan. If necessary place loops of<br />

masking tape to keep it from sliding around the table.<br />

•Have a stack of extra paper handy for multiple prints.<br />

Be sure the paper is larger than the wrap.<br />

•Paint directly onto the bubble wrap with as many<br />

colours as desired. The more colours the merrier!<br />

•When the bubble wrap is covered with colours, press<br />

a sheet of paper onto the bubble wrap and lift off a<br />

multi-coloured print.<br />

•Remove the print to a drying area and repeat with<br />

fresh paper. If bubble wrap becomes murky with colour,<br />

simply wipe it off with a wet sponge and begin again.<br />

Variations:<br />

Explore lifting prints from other textured materials,<br />

suggestions include:<br />

•Grass •<strong>We</strong>lcome mat<br />

•Gravel path •Wire screen<br />

•Un-crumpled tin foil<br />

Explore lifting prints from items glued to cardboard,<br />

suggestions include:<br />

•Buttons •Plasters<br />

•Bottle caps •String<br />

•Masking tape<br />

21


Rag Bag To Make<br />

A Springtime rabbit hutch<br />

A lovely hutch for a<br />

springtime rabbit<br />

You will <strong>need</strong>:<br />

•Fluffy cotton wool<br />

•A round box<br />

•Coloured paper, doyleys,<br />

ribbon<br />

•Straw or shredded paper<br />

How to make the rabbit hutch:<br />

•Decorate outside the round box with the ribbons,<br />

papers and doyleys<br />

•Inside the box, line with green paper and blue for the<br />

bottom<br />

•Place the shredded paper or straw in the hutch<br />

•Fashion a rabbit shape from the cotton wool, adding<br />

eyes and ears<br />

•There <strong>you</strong> are, a very happy<br />

bunny in a new hutch!<br />

A twirling wind vane<br />

hanging from the ceiling and<br />

introducing a pupil in the class.<br />

Crepe paper magic fantasia<br />

You will <strong>need</strong> lots of crepe<br />

paper in a whole rainbow<br />

of colours<br />

•Rip and tear the paper<br />

into small pieces – look<br />

at the colours and forms<br />

as <strong>you</strong> make a pile of all the colourful scraps<br />

•Everyone can choose some pieces and place them on<br />

a piece of white paper or card<br />

•Take a water spray bottle and gently soak the pieces<br />

on the paper<br />

•Watch for the magic to happen as <strong>you</strong> lift off some of<br />

the pieces of crepe and see the magic smudgy colours<br />

beneath<br />

•Spray again and remove some more<br />

•Let it dry and <strong>you</strong> could laminate it as a special<br />

colourful place mat<br />

Art Activities<br />

22 Issue 71 Spring 2007<br />

String Painting<br />

•Use a short stiff piece of string as a<br />

‘brush’ on the paper.<br />

•Use a long coiling piece of string with clothes peg on<br />

end as a handle in a small dish of paint.<br />

•Fold paper in half and coil string inside it. Apply<br />

gentle pressure on top and pull string gently out.<br />

Sand, salt or sawdust<br />

•Children paint pictures on paper using<br />

clear clue (cellulose adhesive).<br />

•Using sand, salt or sawdust in a shaker<br />

(which can be made from a plastic<br />

container) shake sand, salt or sawdust over the picture<br />

– then place the surplus into a box in the centre of the<br />

table. This gives a textured picture’ effect.<br />

Wax resist<br />

•Warm a candle or wax crayon slightly<br />

(e.g. on a radiator).<br />

•The children draw with this and then paint<br />

over the drawing with a very pale wash of<br />

colour.<br />

•If this is done with a candle it is like ‘magic’ painting,<br />

as the original drawing ‘magically appears’.<br />

OR use brown wrapping paper or greaseproof paper to<br />

draw on, with finger dipped in cooking oil. Allow ‘oil’<br />

picture to set, then wash over with paint.<br />

Finger Painting<br />

•Use a cold water paste (NOT with<br />

fungicide).<br />

•Spread paste over sugar paper.<br />

•Have small dishes of ready mixed<br />

paint and teaspoons (or paint in squeezy bottles)<br />

ready.<br />

•Sprinkle several colours over paste – then mix with<br />

fingers or a comb.<br />

•Dry powder paint can be sprinkled on in the same<br />

way.<br />

OR mix cold water paste and powder paint to give a<br />

deep rich colour.<br />

•Let children crayon thickly all over a piece of thick<br />

paper using different colours.<br />

•The quickest way is to use the side of a wax crayon.<br />

•Cover the whole sheet with the paste.<br />

•The children can then draw on the paste with fingers<br />

and the crayon will show through.


Rag Bag To Do<br />

An idea to share with other IE colleagues from St Anne’s<br />

Community Special School, <strong>We</strong>lton, East Yorkshire <strong>We</strong><br />

think we saw the poem about snow in an old issue of I.E.<br />

but we then put it to music and adapted it for various<br />

times and seasons. This is a lesson starter linked to the<br />

weather and a sense of time, which the children in our<br />

class of 2-5 year olds, really enjoy.<br />

<strong>We</strong> haven’t come up with an idea for days which are just<br />

‘dull’ – but we are working on it!<br />

The weather and a sense of time<br />

Set up<br />

The children are<br />

•Placed in a small circle<br />

•They hold a sheet or cloth which is wafted up and<br />

down to the tune-‘Frere Jacques’<br />

•Then it is pulled over everyone’s head on the final line<br />

To the tune ‘Frere Jacques’ we sing the following:<br />

•Snow is falling, snow is falling<br />

•Round the town, round the town.<br />

•Everywhere is covered,<br />

everywhere is covered<br />

•In a white gown, in a white gown<br />

(white sheet)<br />

•Sun is shining, sun is shining<br />

•Round the town, round the town<br />

•Everyone is covered, everyone is<br />

covered<br />

•In a yellow gown, in a yellow gown<br />

(Yellow sheet)<br />

•Wind is blowing, wind is<br />

blowing<br />

•Round the town, round the town<br />

•Everyone is covered, everyone<br />

is covered<br />

•With a warm gown, with a warm gown (knitted<br />

blanket to cover everyone)<br />

(This rhyme is said very quickly so the cover makes<br />

good draught!)<br />

•It is freezing, it is freezing<br />

•Round the town, round the town<br />

•Everyone is covered, everyone<br />

is covered<br />

•In a crinkly gown in a crinkly<br />

gown (survival blanket)<br />

Issue 71 Spring 2007<br />

•Fog is falling, fog is falling<br />

•Round the town, round the town<br />

•Everyone is covered, everyone is<br />

covered<br />

•In a grey gown in a grey gown<br />

(grey sheet)<br />

•Rain is falling, rain is falling<br />

•Round the town, round the town<br />

•Everyone is covered, everyone is<br />

covered<br />

•In a glistening gown, in a glistening<br />

gown (blue sheet)<br />

•Rain is falling, sun is shining<br />

•Round the town, round the town<br />

•Everyone is covered, everyone is covered<br />

•In a rainbow gown, in a rainbow gown (multicoloured<br />

sheet)<br />

•Leaves are falling, leaves are falling<br />

•Round the town, round the town<br />

•Everyone is covered, everyone is covered<br />

•In an orange gown, in an orange gown<br />

(orange sheet)<br />

•Grass is growing grass is growing<br />

•Round the town, round the town<br />

•Everyone is covered, everyone is<br />

covered<br />

•In a green gown, in a green gown (green sheet)<br />

•Night is falling, night is falling<br />

•Round the town, round the town<br />

•Everywhere is covered, everywhere<br />

is covered<br />

•In a black gown, in a black gown<br />

(black velvet sheet)<br />

Materials <strong>need</strong>ed<br />

Sheets or large pieces of material in the following<br />

colours. Some look super with sequins added:<br />

White, yellow, pale blue with sequins, orange with felt<br />

leaves attached, multicoloured with coloured sequins,<br />

green, a knitted blanket, a survival blanket, grey, black<br />

velvet<br />

You are stars! Thank <strong>you</strong> to everyone at St Anne’s<br />

school for this very sensory activity-such fun!<br />

The editor<br />

23


The Sensory ‘Auditory’ wall by Audrey Forbes<br />

I sent out a number of begging letters to firms in the<br />

Bristol area where my school is situated. One reply was<br />

from a local firm who invited me to come, look and see<br />

what I'd like to take away with me, as fabric for another<br />

potential sensory drama.<br />

One of the fabrics was a net that's used as prisoners<br />

wash bags. The firm sews them up as 'laundry' bags and<br />

sends them on to prisons. I thought this could be quite an<br />

interesting fabric to have, so the firm gave me 10 metres<br />

or so of fabric amongst other pieces I was allowed to<br />

take away.<br />

The Managing Director, David Neary of Severnside<br />

Fabrics Ltd, allowed me to take away whatever I wanted<br />

without any charge whatsoever. His was the only<br />

response from a dozen or so letters I’d written to local<br />

firms and it was a very welcome one to receive!<br />

The fabric is basically a soft mesh nylon net that I<br />

thought would be useful for future sensory dramas or<br />

perhaps something to use in my classroom as well.<br />

One of the children in my class has cerebral visual<br />

impairment, is learning to balance and potentially could<br />

be mobile in the future. Following discussion with our<br />

class Physiotherapist, I thought we could use this fabric in<br />

order to develop his balance further.<br />

I stapled the fabric onto wooden door frames we have<br />

in the classroom and with my trusty assistants Zoe and<br />

Sam, chose objects I thought he might find interesting<br />

to explore and use. My little boy<br />

(aged 4) uses his<br />

auditory channel<br />

as his main way<br />

of accessing, so<br />

we have<br />

constructed his<br />

very own 'auditory' wall for him to<br />

explore using material donated by<br />

Severnside Fabrics. Bells, crinkly cellophane, Persil soap<br />

bags filled with a variety of items, rope for hand holds<br />

and musical instruments have all been tied onto the white<br />

nylon net. Its early days,<br />

but has been a success<br />

so far and he's spent<br />

some time exploring his<br />

own 'auditory' wall<br />

whilst standing and<br />

balancing unaided. My<br />

Physio thinks I ought to<br />

patent it.<br />

24 Issue 71 Spring 2007<br />

<strong>We</strong> have also tried it out the ‘wall’ with non mobile<br />

children in ‘tumble forms’, supportive seats, standing<br />

frames or side lying couches. The downside of this is that<br />

they have to access the materials sideways and will<br />

<strong>need</strong> adult support to cope with this. Responses have<br />

been really good and we will continue to use this in the<br />

future.<br />

Potential areas that we could to develop in the future<br />

could highlight 'areas' to develop sensory awareness -<br />

hard/soft, rough/smooth etc. Maybe use it rather like an<br />

old fashioned 'rag rug' looping different materials<br />

through the holes or use it as part of our ‘theme’ work in<br />

class or throughout the school. It's got a lot of potential<br />

and is a very simple idea.<br />

So my message to <strong>you</strong> is to approach <strong>you</strong>r local firms<br />

and see what they can offer <strong>you</strong>. In my experience, firms<br />

are very accommodating and will help <strong>you</strong> out!<br />

Audrey Forbes<br />

Look at me<br />

I can<br />

balance!


Smart Moves<br />

Thank <strong>you</strong> to Karen<br />

Buckley for sending in<br />

these details about Smart<br />

Moves – a motor<br />

learning programme that<br />

could be used with an<br />

inclusive group of pupils<br />

Smart Moves is a motor learning programme for the<br />

development of motor skills, which are essential for<br />

children to be included effectively in mainstream school<br />

P.E. lessons. Designed by Sharon Drew, Occupational<br />

Therapist; it supports children who move and learn<br />

differently at Key Stage One and Two. In particular it<br />

would benefit pupils with Developmental Coordination<br />

Disorder/Dyspraxia and those who experience<br />

coordination difficulties. It could be considered as wave<br />

2/3 intervention for physical education.<br />

It contains a screening tool (called the Movement<br />

Abilities Profile) which is related to developmental norms<br />

for motor skills and to the physical education curriculum.<br />

However, it is designed in such a way that findings can<br />

be easily interpreted by an Occupational Therapist or<br />

Physiotherapist should a referral be necessary. The<br />

purpose of the screen is to provide an initial baseline<br />

from which to measure future progress against and to<br />

help with goal setting. It is not a diagnostic assessment.<br />

There is a flipbook of activities divided into; warm up,<br />

main activity and cool down activities. Both Movement<br />

Abilities Profile and activities are subdivided into four<br />

areas; ‘methods of travel’, ‘balance/linking actions’,<br />

‘ball skills - sending and receiving’, ‘team games –<br />

dodge/chase’ and can be carried out with equipment<br />

that is generally available in school. The programme is<br />

easily understood and administered by the nonspecialist.<br />

Programme delivery is flexible and can be<br />

matched to the time and space available. There is a<br />

strong emphasis on pupils setting their own targets and<br />

monitoring their own progress which reflects current<br />

government guidance. Hence if the initial screening<br />

identifies many areas of weakness but the pupil is<br />

interested only in improving his football skills so he can<br />

be included in playground football, then the targets set<br />

and the activities used would reflect this. It is possible to<br />

include the activities in whole class physical education<br />

lessons and with a little imagination; most of the activities<br />

can be easily adapted to have a literacy or numeracy<br />

teaching component. The delivery of the programme<br />

also aims to promote teamwork and cooperation,<br />

Issue 71 Spring 2007<br />

valuing each individual contribution and so promotes<br />

self-esteem. The children are encouraged to problem<br />

solve, suggest improvements to activities and evaluate<br />

their own performance at the end of each session.<br />

I have been involved in testing pilot materials for this<br />

programme and have given regular feedback to the<br />

author. Every child who I have worked with has enjoyed<br />

this programme and all have improved their physical<br />

skills, most showing an improvement in handwriting and<br />

an increased level of confidence and self esteem as their<br />

physical prowess grows. I have enjoyed teaching using<br />

these materials, because the activities are fun and<br />

motivating.<br />

It costs £85 (including postage and packing) for the<br />

programme. The materials are provided on a CD Rom<br />

so the initial outlay is the only outlay. You can buy it<br />

through Smart Consultancy & Coaching Ltd. (www.<br />

smartcc.co.uk).<br />

Written by;<br />

Maggie Goley, Teacher with Derbyshire Local<br />

Authority Support Service for Special Educational<br />

Needs.<br />

Taking part and collaborating together<br />

Ending the session with a handshake!<br />

25


Electronic exchange<br />

Online games that are switch enabled<br />

Inclusive technology has teamed up with CBBC to<br />

modify several CBeebies games so they can be<br />

operated using switches. This makes them ideal for<br />

pupils with impaired physical motor function to<br />

stimulate and motivate interaction.<br />

http://tinyurl.com/1kkwa<br />

Relaxation Time – taken from<br />

the ECAPPS newsletter! Thanks<br />

Mandy! ~ the editor<br />

“Reduce <strong>you</strong>r stress levels listening to<br />

soothing sounds online”.<br />

This site has a number of sounds that could be used<br />

within activities such as sensory stories/sensory drama.<br />

The sounds are listed in groups:<br />

•Nature Sounds (e.g. jungle, waves, waterfalls)<br />

•Animal (e.g. ducks, seagulls, tigers)<br />

•People (e.g. snoring, traffic, playground)<br />

•Miscellaneous (e.g. clocks, cycles, vehicles)<br />

Click on the images that represent the sound and <strong>you</strong><br />

will hear the sound and see a number of pictures<br />

relating to the sound. The pictures are clear, making this<br />

a great screen related activity also.<br />

www.getrelaxed.com<br />

TacPac now have a website!<br />

A fun, multi-sensory activity pack for all children learning<br />

to communicate in the early years. www.tacpac.co.uk<br />

Multisensory story telling information<br />

www.dundee.ac.uk/pamis/projects<br />

Select Projects on the Homepage and scroll down to<br />

Multi-sensory Stories and Sensitive Stories.<br />

Have a look at the research project Real Lives: Real<br />

Stories – Developing Literacy Skills through Multisensory<br />

Story-telling in Children and Young People with<br />

Profound and Multiple Learning Disabilities. This project<br />

produced 50 personalised multi-sensory stories in<br />

collaboration with parents, carers and teachers. The<br />

benefits of the stories were explored through a<br />

questionnaire for parents and teachers, and a<br />

behavioural analysis of the responses of the children<br />

across repeated readings.<br />

Also visit Multi-sensory Stories to see the brochure ‘The<br />

Multi-sensory Story Library’. This section lists the books<br />

and some of the materials used. The concepts may<br />

inspire content ideas <strong>you</strong> can use to create some books<br />

for the people <strong>you</strong> support.<br />

GIZMO<br />

Fancy a shirt that displays a video<br />

message to match <strong>you</strong>r mood, a sofa that<br />

glows in the dark or even curtains that<br />

flash You’re in luck – from next year,<br />

photonic textiles from Philips will make<br />

that possible. Waterproof LEDs and<br />

wires are woven into the cloth and<br />

pre-programmed graphics will flash<br />

and appear to move over the surface.<br />

For early e-garments check out<br />

http:/tinyurl.com/lsuwo<br />

For those working with ‘deaf<br />

blind’ children and adults<br />

Time to visit www.nud.dk in English<br />

NUD has launched a brand new website.<br />

Whilst some information is only available in the Nordic<br />

languages, we have an English section featuring news,<br />

library catalogue, publications and more. So, if <strong>you</strong><br />

have not yet visited, now is the time to direct <strong>you</strong>r<br />

browser to www.nud.dk and click ‘English’<br />

Free tickets for special students,<br />

12-18 year olds, workshops and shows –<br />

education workshops as well<br />

www.mousetrap.org.uk<br />

London Theatre challenge for Special Schools – further<br />

details from; georgette@mousetrap.org.uk<br />

Boogie Beebies<br />

26 Issue 71 Spring 2007<br />

A website that provides simple dances for<br />

<strong>you</strong>nger children to aid coordination and<br />

listening skills – http://tinyurl.com/p39ry<br />

A Message from Catherine de Haas<br />

‘I have received a copy of the new<br />

‘Inclusive Technology’ catalogue today. It<br />

has new products suitable for very special<br />

people, for as little as £9. Personal talker -<br />

£10 one talk. Also information in the<br />

catalogue about how to choose a<br />

communication aid. The on line catalogue is out of date<br />

but the SITE can be used to order the current catalogue.<br />

www.inclusive.co.uk To me this is something that has<br />

been <strong>need</strong>ed for some time, affordable voice recorders<br />

that can be scattered strategically round a class room,<br />

that are easy for pupils to activate themselves, and that<br />

they may take home in their pockets and continue to<br />

utilise communication opportunities that would not<br />

otherwise be there.’


Setting up an exciting visual environment<br />

Overhead projectors (OHP’s) are nearly obsolete now<br />

we have data projectors. At Coventry Art Gallery I saw<br />

a fascinating OHP set up that was lots of fun and could<br />

be used by everyone.<br />

A space had been set up with boxes of ‘see through’<br />

sensory materials and a table upon which to work. On<br />

the table, the OHP was switched on and the see through<br />

materials could be placed on the glass.<br />

When the lights were dimmed in the room, the OHP<br />

glowed with beautiful colours and materials.<br />

Issue 71 Spring 2007<br />

Then a sheet was hung up and the colourful images<br />

projected on to the white background. A multi sensory<br />

light display!<br />

Special learners could easily place the materials on the<br />

OHP glass to their own preference – and create their<br />

own exciting experience!<br />

Materials in the ‘see through’ box included:<br />

•feathers<br />

•cellophanes<br />

•see through bubble wrap<br />

•laminates<br />

•glitter<br />

•voiles<br />

•see through silks<br />

•toffee wrappers<br />

•shredded cellophane<br />

Flo Longhorn<br />

27


Hirstwood Multisensory Training Thank <strong>you</strong> Richard Hirstwood<br />

www.hirstwoodtraining.com<br />

28 Issue 71 Spring 2007


An incredible journey<br />

Last summer, Mike Ayres, who designs<br />

wonderful sensory studios amongst other<br />

things, donated a wonderful box of<br />

sensory materials to the Woodside<br />

Sanctuary in Johannesburg. The box<br />

arrived at the sanctuary for abandoned children and<br />

special people, bringing great excitement. When it was<br />

opened we found it was full of many wonderful<br />

materials including parachutes, twirling shapes, and also<br />

many glittery sticks.<br />

These materials were<br />

distributed within the Sanctuary<br />

and also to many small centres<br />

for special children, who do<br />

not have funds for specialised<br />

equipment.<br />

Some materials also went to an<br />

institution for people with<br />

dementias; the parachutes<br />

brought great fun into their<br />

lives.<br />

A Willow Cane Sculpture<br />

A variation on the willow canes was a structure made<br />

of basket weaving cane. Here <strong>you</strong> see a <strong>you</strong>ng visitor<br />

threading ribbons and glittery materials on to the<br />

structure.<br />

A growing piece of art as everyone contributed on<br />

the day.<br />

Issue 71 Spring 2007<br />

One of the glittery<br />

sticks made a<br />

special trip as<br />

Sylvia, a senior<br />

occupational<br />

therapist from<br />

Jo’burg, was going<br />

to Mauritius to<br />

lecture and advise<br />

on helping special<br />

children in that<br />

country. She took a<br />

parachute to<br />

demonstrate its<br />

many uses and<br />

also some glitter sticks. Here <strong>you</strong> have a photo of a<br />

special teenager looking with great intent at the glittery<br />

stick. It was being used as a visual stimulation to see<br />

how much she could actually see-as well as a source of<br />

great pleasure.<br />

Thanks Mike! From everyone!<br />

This was photographed at Coventry Art Gallery.<br />

The willow canes were just heaped together with a<br />

box of exciting sensory materials.<br />

Anyone was invited to thread, weave or create a<br />

pattern on the willow canes.<br />

29


SLD forum – exchange of ideas<br />

Sensory markers and calendars – taken from SLD<br />

forum – written by FAL(sld-forum@lists.becta.org.uk)<br />

Smashing to read all contributions to the sensory<br />

markers and calendars. It must be so helpful to get huge<br />

sensory clues at the beginning of the day to point the<br />

way forward to the delights to come! It is also special if<br />

families or carers also know about them and use them in<br />

the home during holidays and weekends. Otherwise it is<br />

a blank day to anticipate.<br />

Just a few sensory pointers:<br />

Smells<br />

If <strong>you</strong> use bergamot which is suggested as a smell, then<br />

take care it is not put directly on the skin to smell. This is<br />

because if <strong>you</strong> use ultra violet light in the following 24<br />

hours, there is a chance of bad reactions on the skin.<br />

Interestingly, on a scale of odour intensity (Tisserand) it<br />

scores 4 whilst camomile and cardamom have the<br />

strongest odours.<br />

By the way, <strong>you</strong> can now buy fabrics by the metre which<br />

are impregnated with micro-encapsulated smells which<br />

are released through touch and movement. I have<br />

contact with an art student who is designing smelly<br />

clothes using these materials, for very special children –<br />

wow!<br />

Johanna de Haas a very special teenager (Making<br />

friends with Johanna) uses a fragrance for each day<br />

with body spray, talc shampoo so she carries the<br />

reminder on her all day. It is as follows:<br />

A peep into Spring<br />

With ideas sent to us by Freda Leask in Scotland who wrote a<br />

lovely leaflet called ‘ideas for the vision group’. Sally sent<br />

them on to Information Exchange, with her permission. More<br />

in the summer IE – thank <strong>you</strong> Freda!<br />

OUTDOORS<br />

Water Play<br />

Equipment<br />

Water play tray, buckets of water, hose, watering can,<br />

floating toys, fairy liquid, food colouring, protective clothing.<br />

Ideas<br />

Watch and listen as water is poured in. Splash each other.<br />

Float bright toys. Push them to each other. Put in the food<br />

colouring and watch the changes. Watch the hose spraying,<br />

watering can sprinkling. Watch the ‘fairy<br />

liquid’ go in. Splash and make bubbles.<br />

Do this outside!<br />

Monday – Strawberry<br />

Tuesday – Dewberry<br />

<strong>We</strong>dnesday – Peach<br />

Thursday – Mink<br />

Friday – coconut<br />

Saturday – Lavender<br />

Sunday – Vanilla<br />

30 Issue 71 Spring 2007<br />

Sounds<br />

With the music, very recent brain research has flagged<br />

up rap music as the one which makes the brain ignite all<br />

over – much more impact than Mozart… But do make<br />

sure <strong>you</strong> check on the words as they can be quite<br />

spectacular and rude!<br />

The music used at Ty Gwyn School in Wales (modest<br />

souls) is as follows:<br />

Monday – Tranquility<br />

Tuesday – Pan Pipes<br />

<strong>We</strong>dnesday – Peaceful Pachabel<br />

Thursday – Lord of the Dance<br />

Friday – Taize<br />

Touch<br />

If <strong>you</strong> use a touch cue then try for quite rough textures<br />

as these are vibratory and send strong messages via<br />

touch receptors to the brain. <strong>We</strong> also sense colour<br />

through our skin – the radiation sense – so go for<br />

colours to link to touch as well, babies adore red<br />

followed by yellow. Try a red nail brush!<br />

Best sensory wishes<br />

Flo Longhorn<br />

Windmills and ‘fly in the sky’ materials<br />

Equipment<br />

Reflective windmills, crepe paper ribbons,<br />

bubbles.<br />

Ideas<br />

Use this for outdoor activities. Encourage<br />

children to look as they hold up their<br />

windmill. Who wants this windmill? Look for eye contact.<br />

Give to whoever looks. Take turns. Get them to hold on to<br />

crepe paper ribbons and watch them in the wind. Draw<br />

attention to each other and to what is happening.<br />

Extend the activity and ‘Let’s go Fly a Kite’<br />

Resources<br />

Bright kite, coats, hats, fan.<br />

Ideas<br />

Sing the song in the classroom. Show the kite.<br />

Go up and down.<br />

Get coats and hats on. Talk about windy<br />

weather and the <strong>need</strong> to keep warm.<br />

Outside – talk about the weather again etc. Fly the kite.<br />

Indoors in the dark room, look at the kites; use the fan to<br />

make the tails blow. Sing the song (the one from Mary<br />

Poppins is great! – the editor)


“The magic classroom”<br />

taken from Barbara Prashnig “The power of diversity” Network Educational Press<br />

Issue 71 Spring 2007<br />

31

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