Dr. Margaret Woodhull, Director of Humanities: MHMSS Programs
Dr. Margaret Woodhull, Director of Humanities: MHMSS Programs
Dr. Margaret Woodhull, Director of Humanities: MHMSS Programs
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MARGARET L. WOODHULL<br />
Master <strong>of</strong> <strong>Humanities</strong> and Master <strong>of</strong> Social Science Program<br />
University <strong>of</strong> Colorado Denver<br />
MC-01<br />
Campus Box 127<br />
Denver, CO 80217<br />
<strong>Margaret</strong>.woodhull@ucdenver.edu<br />
http://woodhull.net<br />
303-352-3926<br />
EDUCATION<br />
University <strong>of</strong> Texas, Austin, Texas<br />
Ph.D. in Art History, December 1999. Dissertation: Building Power: Women as Architectural Patrons<br />
During the Roman Empire, 30 BCE-54 CE<br />
Co-advisors: John R. Clarke and Penelope J.E. Davies<br />
M.A. in Art History, December 1993. Thesis: The “Deer Hunters” Sarcophagus at the San Antonio<br />
Museum <strong>of</strong> Art: An Exploration <strong>of</strong> Carving Techniques and Style<br />
Advisor: John R. Clarke<br />
American School <strong>of</strong> Classical Studies, Athens, Greece<br />
Summer Study Program, 1992<br />
Georgetown University, College <strong>of</strong> Arts and Sciences, Washington, D.C.<br />
B.A. in Art History, May 1988. Concentration in Renaissance and Modern art. Honors thesis: The<br />
Symbolist Roots <strong>of</strong> Abstraction in the Art and Music <strong>of</strong> Wassily Kandinsky and Arnold Schoenberg<br />
The Charles A. Strong Center, Villa le Balze, Fiesole (Florence), Italy<br />
Study abroad program sponsored by Georgetown University, Academic year 1986-1987<br />
PROFESSIONAL HONORS AND GRANTS<br />
2012 CLAS Dean’s Excellence Fund, University <strong>of</strong> Colorado Denver, Denver, CO<br />
2007 Faculty Development Grant, University <strong>of</strong> Colorado Denver, Denver, CO<br />
2001-2004 James F. Ruffin Endowed Pr<strong>of</strong>essorship, Rhodes College, Memphis TN<br />
2000 Haakon Teaching Fellowship, Southern Methodist University, Dallas, TX<br />
1999 Woodrow Wilson Dissertation Grant in Women’s Studies<br />
1998 Wells Foundation Grant, Univ. <strong>of</strong> Texas, Austin<br />
1998 Archaeological Institute <strong>of</strong> America, Graduate Student Annual Meeting Travel Award<br />
1997-1998 Fulbright Fellowship, Rome, Italy<br />
1997-1998 Woodruff Traveling Fellowship, Archaeological Institute <strong>of</strong> America (Croatia, Turkey,<br />
Syria, Lebanon)<br />
1996 Samuel H. Kress Foundation Fellowship in Field Archaeology<br />
1996 Tommy and Sherry Jacks Travel Grant, Univ. <strong>of</strong> Texas, Austin<br />
1995 Eleanor Greenhill Travel Grant, Univ. <strong>of</strong> Texas, Austin<br />
1993 Dean’s Travel Grant, Univ. <strong>of</strong> Texas, Austin<br />
1988 David Lloyd Kreeger Award for Scholarship in Art History, Georgetown University,<br />
Washington, DC
EMPLOYMENT AND TEACHING EXPERIENCE<br />
2010 Aug. to Present <strong>Director</strong>, Master <strong>of</strong> <strong>Humanities</strong> Program, College <strong>of</strong> Liberal Arts and Sciences,<br />
University <strong>of</strong> Colorado Denver<br />
Duties: Oversee and manage ca. 100-student graduate program, including advising<br />
students, teaching graduate seminars every semester, developing program publicity,<br />
alumni outreach, organizing Advisory Board meetings, curriculum development,<br />
developing assessment plans, managing and evaluating staff, managing program<br />
budget, organizing annual symposia and guest lecturers, working with Deans, faculty,<br />
staff and campus administrators to ensure smooth program operations, work with CU<br />
Foundation on program development and external funding, develop community<br />
outreach programs<br />
Courses: Graduate Seminars: Visual Arts: Interpretations and Contexts; Humanistic<br />
Impulse; Sex, Gender, and Visual Representation: Antiquity to the Present; The City in<br />
History and Theory; Beauty, Power, and the Sacred in Art and Culture; Art and Culture<br />
<strong>of</strong> Empires: Visual Constructions <strong>of</strong> Identity in the Age <strong>of</strong> Modern Imperialism; and<br />
Caves to Cathedrals to Contemporary Art; <strong>Humanities</strong> Methods and Texts (program<br />
core curriculum); Directed Readings and Research in Interdisciplinary <strong>Humanities</strong><br />
(program core curriculum); Imperial Designs: Art and Power in Athens and Rome;<br />
Roman Identities: Culture and Identity in Ancient Rome and Contemporary Thought;<br />
Women in the Arts in the Ancient Mediterrenean, Graduate Survey in Architectural<br />
History I.<br />
2005 to May 2010 Assistant <strong>Director</strong> and Senior Instructor, Master <strong>of</strong> <strong>Humanities</strong> and Master <strong>of</strong> Social<br />
Science <strong>Programs</strong>, College <strong>of</strong> Liberal Arts and Sciences, University <strong>of</strong> Colorado<br />
Denver<br />
Duties were similar to the above<br />
2005 Spring Instructor, Graduate Interdisciplinary Studies Program; adjunct instructor, Department<br />
<strong>of</strong> Architecture, University <strong>of</strong> Colorado, Denver<br />
Courses: Graduate seminar : Imperial Designs: Art and Power in Classical Athens and<br />
Rome; Graduate lecture course: History <strong>of</strong> Architecture I<br />
2001 to 2004 James F. Ruffin Endowed Pr<strong>of</strong>essorship in Classical Art and Archaeology, (Asst. Pr<strong>of</strong>.)<br />
Department <strong>of</strong> Art and Art History, Rhodes College, Memphis, TN<br />
Courses: Art and Architecture <strong>of</strong> Ancient Rome; Art and Architecture <strong>of</strong> Ancient<br />
Greece; Art and Architecture <strong>of</strong> Egypt and the Ancient Near East; Archaeological<br />
Methods; Women in the Arts in the Ancient Mediterranean; Art <strong>of</strong> Augustan Rome;<br />
Pompeii; Greek and Roman Sculpture; Cities and Sanctuaries <strong>of</strong> the Classical World;<br />
Search for Values in Light <strong>of</strong> Ancient History and Religion (core curriculum<br />
interdisciplinary <strong>Humanities</strong> course)<br />
2000-2001 Visiting Asst. Pr<strong>of</strong>essor <strong>of</strong> Art History, Department <strong>of</strong> Art and Art History, Rice<br />
University, Houston, TX<br />
Courses: Introduction to Art History, Greek Art and Architecture, Roman Art and<br />
Architecture, Roman Architecture.<br />
2000 Summer Visiting Asst. Pr<strong>of</strong>essor, Southern Methodist University, Summer Study Abroad Program,<br />
Italy<br />
Courses: five-week Art History course on art <strong>of</strong> Italy from the Classical to Baroque<br />
2000 Spring Haakon Teaching Fellow (Asst Pr<strong>of</strong>essor), Div. <strong>of</strong> Art History, Southern Methodist<br />
University, Dallas, TX<br />
Courses: graduate seminar: Women and Patronage in the Classical World, and<br />
undergraduate lecture course: Greek and Roman Sculpture<br />
1997-1999 Assistant Instructor, University <strong>of</strong> Texas at Austin, Department <strong>of</strong> Art and Art History,<br />
and the University Extension Program
Courses: Introduction to the Visual Arts<br />
1994-1995 Research Assistant for Annie Laurie Howard Regents Pr<strong>of</strong>essor, University <strong>of</strong> Texas at Austin,<br />
Department <strong>of</strong> Art and Art History. Research for John R. Clarke. Assisted research<br />
and performed editorial duties for book, Looking at Lovemaking, numerous articles, and<br />
public lectures; systematized photograph and slide collection.<br />
1996-1991 Teaching Assistant, University <strong>of</strong> Texas at Austin, Department <strong>of</strong> Art and Art History.<br />
MUSEUM EMPLOYMENT<br />
1998-99 Curatorial Assistant, San Antonio Museum <strong>of</strong> Art. Wrote entries on ancient sculpture<br />
for the San Antonio Museum <strong>of</strong> Art Handbook <strong>of</strong> the Collections; edited and contributed to<br />
the museum’s sculpture catalogue written by C. Vermeule.<br />
1989-1991 Archives Technician, Smithsonian Institution, Archives <strong>of</strong> American Art, Washington,<br />
D.C. Processed and catalogued collections for on-line catalog system; produced finding<br />
guide for archival collections covering WPA art projects; implemented basic<br />
conservation and preservation techniques for archival collections; provided reference<br />
services to patrons.<br />
PUBLICATIONS: ARTICLES, BOOK CHAPTERS, AND REVIEWS<br />
"Maternal Space in Imperial Rome," in Mothering and Motherhood in Ancient Greece and Rome, edd. Lauren<br />
Hackworth Petersen and Patricia Salzman-Mitchell, Austin, TX: University <strong>of</strong> Texas<br />
Press, Fall 2011.<br />
Book review <strong>of</strong> Natalie Boymel Kampen, Family Fictions in Roman Art, New York: Cambridge<br />
University Press, 2009; and Caroline Vout, Power and Eroticism in Imperial Rome,<br />
Cambridge, UK: Cambridge University Press, 2007 for Aurora: The Journal <strong>of</strong> the History<br />
<strong>of</strong> Art 10 (Fall 2009).<br />
Book review <strong>of</strong> Personification in the Greek World: From Antiquity to Byzantium. Edd. E. Stafford and J.<br />
Herrin (Hampshire, UK: Ashgate Press, 2005) for Aurora: The Journal <strong>of</strong> the History <strong>of</strong><br />
Art 7 (Fall 2006).<br />
“A New Face to Patronage: The Empress Livia and the Politics <strong>of</strong> Building in Early Imperial Rome.”<br />
The Proceedings <strong>of</strong> the International Association <strong>of</strong> Linguistics and Behavioral Sciences.<br />
November 2004. (non-refereed)<br />
“Matronly Patrons in the Early Roman Empire: the Case <strong>of</strong> Salvia Postuma,” in Women’s Influence on<br />
Culture in Antiquity. Ed. Fiona McHardy and Eiranne Marshall (Routledge Press, 2004)<br />
75-91.<br />
“Engendering Space: Octavia’s Portico in Rome.” Aurora: The Journal <strong>of</strong> the History <strong>of</strong> Art 4 (Fall 2003)<br />
13-33.<br />
Book review <strong>of</strong> The Art <strong>of</strong> Ancient Spectacle. Edd. Bettina Bergmann and Christine Kondoleon (NGA,<br />
Yale Univ. Press, 1999) for Aurora: The Journal <strong>of</strong> the History <strong>of</strong> Art 2 (Fall 2001) 136-42.<br />
Abstract “Antiquarianism and Political Legitimacy in Claudian Archtiecture.” American Journal <strong>of</strong><br />
Archaeology, 105.2 (April 2001) 283.<br />
BOOKS AND ARTICLES IN PREPARATION<br />
Women Building Rome: Gender and the Built Environment in the Early Roman Empire. A book-length study <strong>of</strong><br />
women’s architectural patronage in early imperial Rome. Prospectus submitted to<br />
Cambridge University Press, University <strong>of</strong> Michigan Press, and Oxford University<br />
Press (Spring 2013). <strong>Dr</strong>aft completed Fall 2013 for submission.<br />
“Rethinking Eumachia’s Building: Elite Women and Urban Space in Pompeii.” In preparation for<br />
submission in Fall 2013.
“The Power <strong>of</strong> the Past in Claudian Architecture.” An article-length study <strong>of</strong> antiquarianism in the<br />
architecture <strong>of</strong> the Roman emperor Claudius.<br />
“Memory, Rhetoric, and the Design <strong>of</strong> Libraries in the Roman World.” An article-length study<br />
positing a metaphorical relationship between the way Romans practiced mnemonic<br />
strategies and the architectural design <strong>of</strong> libraries in classical antiquity<br />
PUBLIC LECTURES<br />
2013 June “Aesthetics, Agency and the Gendered Body <strong>of</strong> Architecture in Rome,” to be<br />
presented at the American Society for Aesthetics, Rocky Mountain Division, Santa Fe,<br />
New Mexico (refereed conference paper)<br />
2012 May “Breaking Down Barriers to Build the City: Theorizing Gender and Space in<br />
Antiquity,” presented at Feminism and the Classics VI Conference, Brock University,<br />
Ontario, Canada (refereed conference paper)<br />
2009 January “Women Building Rome: Reconsidering the Porticus <strong>of</strong> Livia and Gender in Rome,”<br />
presented to a joint session <strong>of</strong> the annual meetings <strong>of</strong> the American Philological<br />
Association and Archaeological Institute <strong>of</strong> America and Women’s Classical Caucus in<br />
Philadelphia (refereed conference paper)<br />
2008 December "Women, Agency, and Public Patronage." Invited to lead a seminar <strong>of</strong> faculty at the<br />
University <strong>of</strong> Kansas, Hall Center for the <strong>Humanities</strong>, Lawrence, Kansas.<br />
2007 July “Dynastic Designs: Women, Architecture and Patronage in Imperial Rome.” Second<br />
International Conference on Interdisciplinary Social Sciences, Universidad de Granada, Granada,<br />
Spain (refereed conference paper)<br />
2005 September “The Empress Agrippina and the Politics <strong>of</strong> Architectural Patronage in Early<br />
Imperial Rome.” 14 th Annual Conference <strong>of</strong> the Women’s History Network, Southampton<br />
Institute, Southampton, UK (refereed conference paper)<br />
2004 November “A New Face to Patronage: The Empress Livia and the Politics <strong>of</strong> Building in Early<br />
Imperial Rome.” International Academy <strong>of</strong> Linguistics, Behavioral and Social Sciences, Annual<br />
Meeting, Cancun, Mexico (refereed conference paper)<br />
2002 April “Building Monarchy: Poisoned Mushrooms, Incest, and Agrippina’s Temple for the<br />
Divine Claudius.” First Annual Ruffin Lecture, Rhodes College, Memphis, TN<br />
2001 March “Eumachia’s Building in Pompeii: Civic Space for a Woman’s Face.” Rhodes College,<br />
Memphis, TN<br />
2001 January “Antiquarianism and Political Legitimacy in Claudian Architecture.” Archaeological<br />
Institute <strong>of</strong> America, Annual Meetings, San Diego, CA (refereed conference paper)<br />
2000 February "Room <strong>of</strong> her own?: Women, Architectural Patronage, and Feminine Concerns in the<br />
Early Roman Empire." Haakon Lecture, Meadows School <strong>of</strong> the Arts, Southern<br />
Methodist University<br />
1999 March “Engendering spaces: Octavia’s portico in Rome.” Conference: Women Art Patrons and<br />
Collectors: Past and Present, New York Public Library, New York, NY (refereed<br />
conference paper)<br />
1999 February “Building Identities: Architectural Patronage and Women in the Early Roman<br />
Empire.” Archaeological Institute <strong>of</strong> America, Central Texas Society, Austin (invited<br />
lecture)<br />
1998 September “Women and Architectural Patronage. Alien Influences in the City.” An Alien<br />
Influence: Women’s Role in Creating Culture, Dept. <strong>of</strong> Ancient History and Classics,<br />
University <strong>of</strong> Exeter, England (refereed conference paper)<br />
1998 December “Never out <strong>of</strong> sight: The case <strong>of</strong> Eumachia in Pompeii.” Archaeological Institute <strong>of</strong><br />
America, Annual Meetings, Washington D.C. (refereed conference paper)
1997 March “Women as Architectural Patrons: The Case <strong>of</strong> Salvia Postuma.” Midwest Art Historical<br />
Society, Annual Conference, Dallas Texas (refereed conference paper)<br />
1996 April Salvia Postuma’s Arch <strong>of</strong> the Sergii.” Mediterranean Interactions II. Yale University, New<br />
Haven, CT (refereed conference paper)<br />
PROFESSIONAL ACTIVITIES<br />
2012 January Secretary <strong>of</strong> Board <strong>of</strong> <strong>Director</strong>s, RedLine, Denver, CO<br />
2006 Fall Advisory Board Member, Public <strong>Humanities</strong> Center proposal to Dean <strong>of</strong> CLAS<br />
2006 October Session Chair, “Memory be damned: The Obliteration <strong>of</strong> Monuments in Rome from<br />
Antiquity to the Modern Era,” Conference: Constructions <strong>of</strong> Death, Mourning, and<br />
Memory in the Visual Arts,” Organized by the WAPACC and Aurora: The Journal <strong>of</strong> the<br />
History <strong>of</strong> Art, October 27-29, 2006, Woodcliff Lake, NJ<br />
2002-2004. President <strong>of</strong> the Mid-south chapter <strong>of</strong> the Archaeological Institute <strong>of</strong> America<br />
2002 April Session Chair, “Everything Old is New Again….Reuse <strong>of</strong> the Past in the Buildings <strong>of</strong><br />
Classical Antiquity,” Annual Meetings, Society <strong>of</strong> Architectural Historians, Richmond,<br />
VA<br />
EXCAVATION EXPERIENCE<br />
1995-1996, 2000 Trench Supervisor, Mugello Valley Archaeological Project at Poggio Colla (Etruscan<br />
site), Vicchio, Italy. <strong>Director</strong>: P. Gregory Warden.<br />
TRAVEL EXPERIENCE<br />
Extensive travel: Mexico, Italy, Spain, Turkey, Greece, France, Hungary, Sweden, Denmark, Belgium,<br />
England, Syria, Lebanon, and Libya<br />
LANGUAGES<br />
Reading Pr<strong>of</strong>iciency: Italian, French, German, Latin, ancient Greek, Spanish<br />
Speaking Pr<strong>of</strong>iciency: Italian<br />
PROFESSIONAL SERVICE AND MEMBERSHIPS<br />
1991-Present Member, Archaeological Institute <strong>of</strong> America<br />
1991-Present Member, College Art Association<br />
1996-Present Member, Society <strong>of</strong> Architectural Historians<br />
2002-2004 President, Archaeological Institute <strong>of</strong> America, Mid-south chapter (Memphis, TN)<br />
Life member Women’s Classical Caucus<br />
2004-Present Member, Midwest Art Historical Society<br />
2003-2005 Member, American Association <strong>of</strong> University Women<br />
1996-1999 Secretary, Archaeological Institute <strong>of</strong> America, Austin and Central Texas Society<br />
1994 President, Art History Graduate Student Association, University <strong>of</strong> Texas, Austin