A N E M P L O Y E E A R T E x H I B I T I O N - UAW-Chrysler.com
A N E M P L O Y E E A R T E x H I B I T I O N - UAW-Chrysler.com
A N E M P L O Y E E A R T E x H I B I T I O N - UAW-Chrysler.com
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2010-2011<br />
artists<br />
at work<br />
An Employee Art Exhibition
“Art washes away from the soul the dust of everyday life.”<br />
– Pablo Picasso<br />
FOREWORD<br />
artistsat work<br />
2010-2011 Exhibition Celebrates Employee Creativity,<br />
Partnership and Promising Future for <strong>UAW</strong>-<strong>Chrysler</strong><br />
Our new gallery of employee art continues a union-management tradition that began in 1999 and continues to<br />
reveal the diverse talents that exist among our workforce, from the shop floor to executive offices. This exhibition is<br />
a tribute to the creative energy among employees that will help to fulfill the promise of a bright future for the <strong>UAW</strong><br />
and <strong>Chrysler</strong> Group LLC. It also is a celebration of our <strong>UAW</strong>-<strong>Chrysler</strong> partnership and working together to achieve a<br />
shared vision of success.<br />
The 2010-2011 Artists at Work Exhibition is the eighth juried art show sponsored by the <strong>UAW</strong>-<strong>Chrysler</strong> National<br />
Training Center. It is the only employee art program of its kind in the country jointly sponsored by a major corporation<br />
and a labor union.<br />
Judges from the professional art <strong>com</strong>munity selected 85 pieces in various visual media created by 39 <strong>UAW</strong>represented<br />
and non-bargaining unit employees who represent a cross section of the <strong>Chrysler</strong> Group workforce.<br />
Twenty-three of the artists are <strong>UAW</strong> members from 12 locals, while 16 are management or other non-represented<br />
employees. They work at 15 <strong>Chrysler</strong> Group locations in the United States.<br />
Judges chose first-, second- and third-place award winners and eight honorable mention recipients for 2010-2011.<br />
Their artwork will be exhibited at the <strong>UAW</strong>-<strong>Chrysler</strong> Technology Training Center in Warren, Mich., for the next year.<br />
CREDITS:<br />
Photography of Art:<br />
R.H. Hensleigh<br />
Other Photography:<br />
Ron Perry, <strong>UAW</strong> Local 140<br />
Joseph R. Losier, <strong>UAW</strong> Local 869<br />
Greg Bridges, <strong>UAW</strong> Local 1268<br />
For the first time, Artists at Work extends into the <strong>com</strong>munity by recognizing the artistic talent of inner-city kids<br />
through a partnership between the <strong>UAW</strong>-<strong>Chrysler</strong> NTC and the Woodbridge Community Youth Center in Detroit.<br />
The exhibition includes photographs by children from the center’s after-school program.<br />
Marilyn Finkel, an art consultant and art history professor at Oakland Community College in Farmington Hills, Mich.,<br />
serves as advisor for Artists at Work. The judges for 2010-2011 were Gilda Snowden, a professional artist; Paul<br />
Holoweski, an art consultant, and Joseph Sim, an artist and art installer who teaches at Oakland Community College.<br />
Since its inception, Artists at Work has showcased 1,017 pieces of art by 486 <strong>Chrysler</strong> Group employees.<br />
October 14, 2010
1st-place<br />
winner<br />
Dennis Sabatowich<br />
Darfur<br />
Welded Sculpture<br />
48” x 12” x 12”<br />
UNIQUE Metal Sculpture RAISES AWARENESS<br />
OF Humanitarian Crisis IN AFRICA<br />
Whether he’s working in the metal shop at Warren Truck Assembly or in an artist’s<br />
studio, Dennis Sabatowich elevates welding to its highest level. He uses his skills,<br />
first learned on the production line 35 years ago, to transform metal into thoughtprovoking<br />
art forms.<br />
Tapping his fertile imagination, the <strong>UAW</strong> Local 140 member has impressed judges<br />
with his welded sculptures in a variety of Detroit area art shows. Darfur, his winning<br />
entry in the 2010-2011 Artists at Work <strong>com</strong>petition, is no exception.<br />
Mr. Sabatowich’s empathetic piece symbolizes an innocent victim of the ongoing<br />
civil war that began in 2003 in the Darfur region of western Sudan. Several<br />
hundred thousand civilians have died as a result of <strong>com</strong>bat or starvation and<br />
disease. Millions of others have been forced to flee their homes; many are living in<br />
refugee camps.<br />
“I was trying to picture what an individual would look like after weeks of wandering<br />
in a desert, looking for help,” says Mr. Sabatowich, who has been a weld inspector<br />
for the last 10 of his 37 years at Warren Truck Assembly.<br />
“Your village was burned to the ground, village people are killed and the lucky ones<br />
flee into the desert with just the clothes on their backs.”<br />
Darfur is an example of what Mr. Sabatowich calls “found art.” He typically uses<br />
discarded auto parts or scrap metal to create his one-of-a-kind pieces. In this case,<br />
his raw materials included a drain culvert, muffler part, valve seal, drill bit and<br />
fence post cap.<br />
He worked on Darfur in the metal shop at the College for Creative Studies in<br />
Detroit, where he has taken several welding classes through the Continuing<br />
Education Program.<br />
A four-time exhibitor in Artists at Work, Mr. Sabatowich captured second place in<br />
the 2005-2006 show.<br />
Mr. Sabatowich has two other welded sculptures in the exhibition on page 13.<br />
1
artistsat work<br />
B<br />
A<br />
A. Emulation<br />
Wood Turning<br />
6¼” High x 5” Dia.<br />
B. Hollow Form<br />
Wood Turning<br />
6” High x 6½” Dia.<br />
C. Snake Eyes<br />
Wood Turning<br />
4” High x 6” Dia.<br />
C<br />
An Artisan of Wood FINDS ‘GREAT JOY’ AS HE UPHOLDS<br />
TRADITION OF Craftsmanship<br />
As a wood turner, Loel Gnadt is helping to preserve a<br />
centuries-old art form and the craftsmanship it requires.<br />
He uses simple tools such as chisels and gouges<br />
to shape his pieces while they spin on a wood lathe<br />
and create objects such as bowls, platters, Christmas<br />
ornaments, vases and wine bottle stoppers.<br />
Loel Gnadt<br />
2nd-place<br />
winner<br />
It’s a painstaking process that<br />
yields “great joy and satisfaction<br />
when the more <strong>com</strong>plicated pieces <strong>com</strong>e out just as I envisioned<br />
them,” says Mr. Gnadt, an electrician and <strong>UAW</strong> Local 869<br />
member at Warren Stamping. “I feel like I hit a home run.”<br />
So it is with his winning entry that consists of Emulation, a vase;<br />
Snake Eyes, a candy dish, and Hollow Form, a rounded vessel that made the biggest<br />
impression on Artists at Work judges.<br />
Mr. Gnadt, a <strong>Chrysler</strong> employee since July 1999, also has shown his work in other art<br />
exhibits and galleries. “I always had a feeling of creativity in my bones and I thought it was<br />
going to be expressed through music,” he says, “but that didn’t work itself out.”<br />
Tuesday Morning – Belvidere, Illinois<br />
Photography<br />
4½” x 8’<br />
RICHARD WEBER<br />
3rd-place<br />
winner<br />
Montage of Photos Captures a Moment in Time Worth Preserving<br />
Richard Weber was on a mission the morning he used his Nikon D90 to record a slice of small-town America before it was<br />
too late.<br />
The result was a panoramic view of downtown Belvidere, Ill., that reveals his eye for great shots and camera savvy as well<br />
as his sense of history as a photographer.<br />
“I felt it was important to capture this street-level view of our small-town America because, once a large period of time<br />
passes, you can’t go back to record it,” says Mr. Weber, a <strong>UAW</strong> Local 1268 member at Belvidere Assembly.<br />
He used Adobe Photoshop to add ground, sky and trees and merged 45 photographs together to form one 8-foot-long<br />
print that became his winning entry, Tuesday Morning – Belvidere, Illinois.<br />
Mr. Weber, an assembler since November 2009, was exposed to photography at the age of 7 when he sat on his mother’s<br />
lap in the dark room of the family’s suburban Chicago home.<br />
He took photography classes in high school and again in college as part of his Bachelor’s of Art Degree from Northern<br />
Illinois University.<br />
2<br />
Mr. Weber likens photography to painting – but only up to a certain point. “Taking photos differs from painting in that it<br />
can be so instantaneously rewarding, especially with the advent of the digital format, which allows you to edit and delete<br />
your shots right on the spot.”
C<br />
A<br />
B<br />
D<br />
E<br />
JOSEPH AUITO<br />
JOINT ACTIVITIES REPRESENTATIVE<br />
<strong>UAW</strong> Local 412<br />
Warren Truck Assembly<br />
A. Anticlastic Silver Bracelet<br />
Jewelry<br />
1” High x 3” Dia.<br />
B. The Orchestra and the Twanger<br />
Welded Sculpture<br />
30” x 36” x 18”<br />
FRITZ BENDER<br />
BODY CLOSURES ENGINEER<br />
<strong>Chrysler</strong> Technology Center<br />
C. Bold and Cold<br />
Photography<br />
12” x 18”<br />
PAUL BESH<br />
PIPEFITTER<br />
Detroit Office Warehouse<br />
<strong>UAW</strong> Local 412<br />
D. Reeds<br />
Photography<br />
17” x 11”<br />
E. Falling Water<br />
Photography<br />
17” x 11”<br />
3
artistsat work<br />
A<br />
C<br />
D<br />
B<br />
E<br />
4<br />
PAUL BESH<br />
(continued)<br />
A. Moody Day<br />
Photography<br />
11” x 17”<br />
B. Pines<br />
Photography<br />
11” x 17”<br />
STEPHEN BIESIADA<br />
INSPECTOR<br />
Toledo North Assembly<br />
<strong>UAW</strong> Local 12<br />
C. Cove Island<br />
Acrylic Painting<br />
16” x 20”<br />
D. Merc in the Park<br />
Acrylic Painting<br />
13” x 17”<br />
MARGARET BRIGGS<br />
STRUCTURAL ENGINEER<br />
<strong>Chrysler</strong> Technology Center<br />
E. A Quiet Place<br />
Oil Painting<br />
16” x 20”
F<br />
G<br />
I<br />
J<br />
H<br />
PAUL CALVERT<br />
MATERIAL HANDLER<br />
Belvidere Assembly<br />
<strong>UAW</strong> Local 1268<br />
F. Statue of Liberty<br />
Glass Engraving<br />
3½’ x 2½’<br />
CHRISTINA CARELS<br />
ADVANCED PRICING ANALYST<br />
<strong>Chrysler</strong> Technology Center<br />
G. Water Dancing<br />
Photography<br />
30” x 20”<br />
H. Early Dawn<br />
Photography<br />
20” x 30”<br />
MICHAEL CATTANE<br />
PHOTOGRAPHER<br />
PRODUCT DESIGN OFFICE<br />
<strong>Chrysler</strong> Technology Center<br />
I. Fort George Keyhole Island<br />
Photography<br />
36” x 24”<br />
J. White Tulip<br />
Ho n o r a b l e Me n t i o n<br />
Photography<br />
36” x 24”<br />
5
artistsat work<br />
A<br />
B<br />
D<br />
E<br />
C<br />
6<br />
MIOCHI COVINGTON<br />
TEAM LEADER<br />
Trenton Engine<br />
<strong>UAW</strong> Local 372<br />
A. Southern Woman<br />
Acrylic Painting<br />
10½” x 8½”<br />
B. Winter 2007<br />
Photography<br />
10” x 8 “<br />
C. New Center Area<br />
Photography<br />
10” x 8”<br />
WILLIAM CZEISZPERGER<br />
TOOLMAKER<br />
Sterling Stamping<br />
<strong>UAW</strong> Local 1264<br />
D. Canadian Goose<br />
Wood Carving<br />
5½” x 10” x 4”<br />
SABRINA DAO<br />
DATA ARCHITECT<br />
<strong>Chrysler</strong> Technology Center<br />
E. Tanzanian Brothers<br />
Photography<br />
11” x 14”<br />
F. Zanzibar Girl<br />
Photography<br />
11” x 9”<br />
G. Draperies, Carlsbad Caverns<br />
National Park<br />
Photography<br />
12” x 18”
H<br />
F<br />
I<br />
G<br />
J<br />
K<br />
L<br />
JAMES DONNELLON<br />
PRODUCT ENGINEER<br />
<strong>Chrysler</strong> Technology Center<br />
H. Blue-Green Transition Vase with<br />
Optic Spiral<br />
Ho n o r a b l e Me n t i o n<br />
Blown Glass<br />
5½” High x 4” Dia.<br />
I. Southwest Series: Crackled Amber<br />
with Green and Blue<br />
Ho n o r a b l e Me n t i o n<br />
Blown Glass<br />
4½” High x 6” Dia.<br />
J. Classic Green Vase with Apricot and<br />
Blue Trails<br />
Ho n o r a b l e Me n t i o n<br />
Blown Glass<br />
7” High x 4” Dia.<br />
K. Blue Vase with Trails of Aventurine<br />
Blue, Gold and Bristol Green<br />
Ho n o r a b l e Me n t i o n<br />
Blown Glass<br />
7½ “ High x 4” Dia.<br />
L. Small Blue-Green Transition<br />
Bowl with Aventurine Blue and<br />
Apricot Trails<br />
Ho n o r a b l e Me n t i o n<br />
Blown Glass<br />
4½” High x 6” Dia.<br />
7
artistsat work<br />
A<br />
E<br />
B<br />
F<br />
D<br />
C<br />
G<br />
8<br />
GEORGE FARRELL<br />
INVENTORY CONTROL ANALYST<br />
Mopar World Headquarters<br />
<strong>UAW</strong> Local 889<br />
A. The Burning Bush<br />
Photography<br />
20” x 30”<br />
B. Happy Decade<br />
Photography<br />
12” x 16”<br />
C. The Résumé<br />
Photography<br />
12” x 16”<br />
PAUL FENTON<br />
SYSTEMS PROGRAMMER<br />
<strong>Chrysler</strong> Technology Center<br />
D. Dumb Luck<br />
Acrylic on Plywood Painting<br />
27” x 34”<br />
DAVID FLEMING<br />
COMPUTER SYSTEMS ADMINISTRATOR<br />
<strong>Chrysler</strong> Technology Center<br />
E. Golden-Crowned Kinglet<br />
Wood Carving<br />
7” x 6” x 7”<br />
F. Cardinal<br />
Wood Carving<br />
7” x 11” x 7”<br />
G. Cedar Waxwing<br />
Wood Carving<br />
11” x 8” x 7”
H<br />
I<br />
J<br />
L<br />
K<br />
M<br />
STANFORD J. GILES<br />
MILLWRIGHT<br />
Kokomo Casting<br />
<strong>UAW</strong> Local 1166<br />
H. Charger Time<br />
Ho n o r a b l e Me n t i o n<br />
Metal Engraving<br />
12” x 21” x 1½”<br />
SHAN HAQ<br />
PROJECT CHIEF<br />
BODY CLOSURES ENGINEERING<br />
<strong>Chrysler</strong> Technology Center<br />
I. Big City, Bright Lights –<br />
Pittsburgh’s Night Life<br />
Photography<br />
12” x 18”<br />
J. Nature’s Last Stand<br />
Photography<br />
12” x 18”<br />
PHILLIP H. HILL, SR.<br />
TOOLMAKER, JIG & FIXTURE<br />
Mt. Elliott Tool and Die<br />
<strong>UAW</strong> Local 212<br />
K. Paper Mosaic I<br />
Drawing<br />
16” x 21”<br />
L. Paper Mosaic II<br />
Ho n o r a b l e Me n t i o n<br />
Drawing<br />
17” Dia.<br />
M. Wings<br />
Mixed Media<br />
24” x 36”<br />
9
artistsat work<br />
A<br />
B<br />
E<br />
F<br />
D<br />
C<br />
10<br />
KENNETH KIERNICKI<br />
INDUSTRIAL SCULPTOR<br />
<strong>Chrysler</strong> Technology Center<br />
<strong>UAW</strong> Local 412<br />
A. Black Hole Sun<br />
Wood Turning<br />
1 5 /8” High x 7” Dia.<br />
B. Owl<br />
Wood Turning<br />
2 7 /16” High x 6 7 /8” Dia.<br />
ALAN LAICA<br />
Powertrain Virtual Analysis Engineer<br />
<strong>Chrysler</strong> Technology Center<br />
C. Flowering Plant<br />
Photography<br />
12” x 8”<br />
D. Bryce Canyon<br />
Photography<br />
8” x 12”<br />
MICHAEL M. LYNCH<br />
SKILLED TRADES SAFETY TRAINER<br />
Belvidere Assembly<br />
<strong>UAW</strong> Local 1268<br />
E. Corks<br />
Ho n o r a b l e Me n t i o n<br />
Photography<br />
32” x 24”<br />
LINDA MONTES<br />
ASSEMBLER<br />
Belvidere Assembly<br />
<strong>UAW</strong> Local 1268<br />
F. Shy<br />
Photography<br />
14” x 11”
G<br />
I<br />
J<br />
H<br />
K<br />
RYAN NOWAK<br />
SYSTEMS ENGINEER<br />
AUTOMATIC TRANSMISSION SYSTEMS<br />
<strong>Chrysler</strong> Technology Center<br />
G. Colorful Balls<br />
Photography<br />
8½” x 11”<br />
H. Power<br />
Photography<br />
8½” x 11”<br />
BILL PASHARIKOVSKI<br />
ELECTRICIAN<br />
<strong>Chrysler</strong> Technology Center<br />
<strong>UAW</strong> Local 412<br />
I. Green<br />
Photography<br />
14” x 11”<br />
J. Window<br />
Photography<br />
14” x 11”<br />
K. Contrast Creek<br />
Photography<br />
11” x 14”<br />
11
artistsat work<br />
A<br />
B<br />
C<br />
E<br />
F<br />
D<br />
RON PERRY<br />
TEAM LEADER<br />
Warren Truck Assembly<br />
<strong>UAW</strong> Local 140<br />
A. Who’s Looking at Who<br />
Photography<br />
10” x 8”<br />
B. Little Girl with Beret<br />
Photography<br />
20” x 16”<br />
ROBERT W. RAWLINGS<br />
MILLWRIGHT<br />
<strong>Chrysler</strong> Technology Center<br />
<strong>UAW</strong> Local 412<br />
D. Sun, Sea, Sky<br />
Metal Sculpture<br />
14” x 14” x 3”<br />
E. Fall<br />
Sheet Metal Sculpture<br />
10” x 14” x 4”<br />
12<br />
C. The Red Door<br />
Photography<br />
16” x 20”<br />
F. Lines #2<br />
Photography<br />
16” x 24”
G<br />
H<br />
J<br />
K<br />
I<br />
L<br />
M<br />
CRAIG REED<br />
MACHINE REPAIRMAN<br />
Kokomo Transmission<br />
<strong>UAW</strong> Local 685<br />
G. Old Roadster #1<br />
Photography<br />
12” x 17”<br />
H. Old Roadster #2<br />
Photography<br />
12” x 17”<br />
I. Old Roadster #3<br />
Photography<br />
12” x 17”<br />
DENNIS SABATOWICH<br />
WELD INSPECTOR<br />
Warren Truck Assembly<br />
<strong>UAW</strong> Local 140<br />
J. Faces<br />
Welded Sculpture<br />
46” x 15” x 11½”<br />
K. Face<br />
Welded Sculpture<br />
14½” x 6” x 6”<br />
ROGER C. SAGER<br />
POWERTRAIN SYSTEMS ENGINEER<br />
Chelsea Proving Grounds<br />
L. Trout Dinner<br />
Oil on Canvas Painting<br />
14” x 18”<br />
M. Old Farm<br />
Oil on Canvas Painting<br />
16” x 20”<br />
13
artistsat work<br />
A<br />
C<br />
D<br />
E<br />
B<br />
GUNTHER SCHABESTIEL<br />
PHOTOGRAPHER<br />
<strong>Chrysler</strong> Technology Center<br />
<strong>UAW</strong> Local 412<br />
A. Cape Canaveral Seashore<br />
Photography<br />
12” x 18”<br />
B. Tulips<br />
Photography<br />
13” x 32”<br />
CATHERINE STOEY<br />
PHOTOGRAPHER<br />
<strong>Chrysler</strong> Technology Center<br />
<strong>UAW</strong> Local 412<br />
C. Power Steering<br />
Photography<br />
24” x 36”<br />
D. Dodge Truck<br />
H o n o r a b l e Me n t i o n<br />
Photography<br />
30” x 24”<br />
14<br />
E. Go Dodge<br />
Photography<br />
30” x 24”
J<br />
F<br />
I<br />
G<br />
H<br />
K<br />
TRAVERS TODD<br />
ASSISTANT MANAGER<br />
CORPORATE FIRE OPERATIONS<br />
<strong>Chrysler</strong> Technology Center<br />
F. Polar Kiss<br />
Photography<br />
16” x 24”<br />
G. Cactus Blossom<br />
Photography<br />
16” x 24”<br />
H. Cone Flower<br />
Photography<br />
16” x 24”<br />
ALAN VENTURA<br />
Purchasing Agent<br />
Milwaukee Parts Distribution Center<br />
<strong>UAW</strong> Local 75<br />
I. Nancy<br />
Acrylic Painting<br />
10” x 8”<br />
J. Windy<br />
Acrylic Painting<br />
16” x 20”<br />
JON WENDRYHOSKI<br />
IT MANAGER<br />
Advance Mfg. Engineering<br />
<strong>Chrysler</strong> Technology Center<br />
K. Urn of Valhalla<br />
Ceramics<br />
12” High x 10½” Dia.<br />
15
artistsat work<br />
A<br />
D<br />
B<br />
C<br />
E<br />
16<br />
TAMMIE WILSON<br />
HUMAN RESOURCES ASSISTANT<br />
<strong>UAW</strong>-<strong>Chrysler</strong><br />
National Training Center<br />
A. Untitled<br />
Photography<br />
20” x 24”<br />
B. Oasis<br />
Ho n o r a b l e Me n t i o n<br />
Photography<br />
20” x 20”<br />
GHEVARGHESE YOHANNAN<br />
ELECTRICIAN<br />
Sterling Stamping<br />
<strong>UAW</strong> Local 1264<br />
C. Roots and Growth<br />
Ho n o r a b l e Me n t i o n<br />
Wood Sculpture<br />
45” x 47” x 38”<br />
JULIE Y. ZHU<br />
PRODUCT DEVELOPMENT ENGINEER<br />
<strong>Chrysler</strong> Technology Center<br />
D. Cannon Beach Sunset<br />
Photography<br />
30” x 20”<br />
E. Light Beam<br />
Photography<br />
20” x 30”
YOUTH IN FOCUS:<br />
PHOTOGRAPHS REVEAL CREATVITY OF DETROIT CHILDREN AND REFLECT<br />
SUCCESS OF PARTNERSHIP WITH WOODBRIDGE COMMUNITY CENTER<br />
The exhibition includes a new section devoted to the photography of children from the Woodbridge Community Youth<br />
Center in Detroit. Kids enrolled in photography classes, taught by respected photojournalist Monica A. Morgan, were<br />
invited to enter their work in a special category of the 2010-2011 Artists at Work program. It’s designed to encourage<br />
development of their artistic talents and showcase their creativity. Judges chose the best photograph from among<br />
those submitted by the five children who entered the <strong>com</strong>petition. Each of the selected photographs is 8” x 12”.<br />
A<br />
B<br />
This initiative represents an expansion of the partnership between the Woodbridge youth center, <strong>UAW</strong>-<strong>Chrysler</strong><br />
National Training Center and the Leave the Light on Foundation. The foundation, established by <strong>UAW</strong> Vice President<br />
General Holiefield, director of the union’s <strong>Chrysler</strong> Department, has supported the center’s mission of providing a<br />
diverse after-school program for disadvantaged youth. That support includes funding for the photography classes.<br />
Since it opened in June 2007, the center has offered a safe haven and maintained a program that fills a void created<br />
by a severe shortage of youth services in Detroit’s historic Woodbridge <strong>com</strong>munity near Wayne State University.<br />
C<br />
D<br />
E<br />
Aminah Brown<br />
Age 12<br />
8th Grade<br />
Henry Ford Center<br />
for Creative Studies<br />
A. Beauty Calls<br />
Amanie Hendon<br />
Age 10<br />
5th Grade<br />
Edmonson Elementary School<br />
B. Calm<br />
Rekeisha Lake<br />
Age 11<br />
6th Grade<br />
Edmonson Elementary School<br />
C. Christmas in Detroit<br />
Sakinah Phifer<br />
Age 11<br />
7th Grade<br />
Detroit Academy<br />
of Arts and Science<br />
D. My Toy Red Challenger<br />
Markquitta Reed<br />
Age 11<br />
7th Grade<br />
University Preparatory Academy<br />
E. Fantasia
artists<br />
at work<br />
2010-2011<br />
<strong>UAW</strong>-<strong>Chrysler</strong><br />
JOINT ACTIVITIES<br />
BOARD<br />
General Holiefield<br />
Vice President<br />
Director, <strong>Chrysler</strong><br />
Department, <strong>UAW</strong><br />
Co-Chairman<br />
Tim Bressler<br />
Administrative Assistant<br />
to Vice President<br />
Director, <strong>Chrysler</strong><br />
Department, <strong>UAW</strong><br />
Keith Mickens<br />
Assistant Director,<br />
<strong>Chrysler</strong> Department, <strong>UAW</strong><br />
and Co-Director<br />
<strong>UAW</strong>-<strong>Chrysler</strong><br />
National Training Center<br />
Alphons A. Iacobelli<br />
Vice President<br />
Union Relations<br />
<strong>Chrysler</strong> Group LLC<br />
Co-Chairman<br />
Glenn Shagena<br />
Director, Manufacturing<br />
HR and Employee Relations<br />
<strong>Chrysler</strong> Group LLC<br />
Michael Jessamy<br />
Director<br />
Health, Safety and<br />
Medical Operations<br />
<strong>Chrysler</strong> Group LLC<br />
Michael Brown<br />
Director, Employee Relations<br />
<strong>Chrysler</strong> Group LLC<br />
and Co-Director<br />
<strong>UAW</strong>-<strong>Chrysler</strong><br />
National Training Center<br />
The Artists at Work Exhibition may be viewed online at www.uaw-chrysler.<strong>com</strong><br />
<strong>UAW</strong>-<strong>Chrysler</strong><br />
National Training Center<br />
2211 East Jefferson Avenue<br />
Detroit, Michigan 48207