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2010-2011<br />

artists<br />

at work<br />

An Employee Art Exhibition


“Art washes away from the soul the dust of everyday life.”<br />

– Pablo Picasso<br />

FOREWORD<br />

artistsat work<br />

2010-2011 Exhibition Celebrates Employee Creativity,<br />

Partnership and Promising Future for <strong>UAW</strong>-<strong>Chrysler</strong><br />

Our new gallery of employee art continues a union-management tradition that began in 1999 and continues to<br />

reveal the diverse talents that exist among our workforce, from the shop floor to executive offices. This exhibition is<br />

a tribute to the creative energy among employees that will help to fulfill the promise of a bright future for the <strong>UAW</strong><br />

and <strong>Chrysler</strong> Group LLC. It also is a celebration of our <strong>UAW</strong>-<strong>Chrysler</strong> partnership and working together to achieve a<br />

shared vision of success.<br />

The 2010-2011 Artists at Work Exhibition is the eighth juried art show sponsored by the <strong>UAW</strong>-<strong>Chrysler</strong> National<br />

Training Center. It is the only employee art program of its kind in the country jointly sponsored by a major corporation<br />

and a labor union.<br />

Judges from the professional art <strong>com</strong>munity selected 85 pieces in various visual media created by 39 <strong>UAW</strong>represented<br />

and non-bargaining unit employees who represent a cross section of the <strong>Chrysler</strong> Group workforce.<br />

Twenty-three of the artists are <strong>UAW</strong> members from 12 locals, while 16 are management or other non-represented<br />

employees. They work at 15 <strong>Chrysler</strong> Group locations in the United States.<br />

Judges chose first-, second- and third-place award winners and eight honorable mention recipients for 2010-2011.<br />

Their artwork will be exhibited at the <strong>UAW</strong>-<strong>Chrysler</strong> Technology Training Center in Warren, Mich., for the next year.<br />

CREDITS:<br />

Photography of Art:<br />

R.H. Hensleigh<br />

Other Photography:<br />

Ron Perry, <strong>UAW</strong> Local 140<br />

Joseph R. Losier, <strong>UAW</strong> Local 869<br />

Greg Bridges, <strong>UAW</strong> Local 1268<br />

For the first time, Artists at Work extends into the <strong>com</strong>munity by recognizing the artistic talent of inner-city kids<br />

through a partnership between the <strong>UAW</strong>-<strong>Chrysler</strong> NTC and the Woodbridge Community Youth Center in Detroit.<br />

The exhibition includes photographs by children from the center’s after-school program.<br />

Marilyn Finkel, an art consultant and art history professor at Oakland Community College in Farmington Hills, Mich.,<br />

serves as advisor for Artists at Work. The judges for 2010-2011 were Gilda Snowden, a professional artist; Paul<br />

Holoweski, an art consultant, and Joseph Sim, an artist and art installer who teaches at Oakland Community College.<br />

Since its inception, Artists at Work has showcased 1,017 pieces of art by 486 <strong>Chrysler</strong> Group employees.<br />

October 14, 2010


1st-place<br />

winner<br />

Dennis Sabatowich<br />

Darfur<br />

Welded Sculpture<br />

48” x 12” x 12”<br />

UNIQUE Metal Sculpture RAISES AWARENESS<br />

OF Humanitarian Crisis IN AFRICA<br />

Whether he’s working in the metal shop at Warren Truck Assembly or in an artist’s<br />

studio, Dennis Sabatowich elevates welding to its highest level. He uses his skills,<br />

first learned on the production line 35 years ago, to transform metal into thoughtprovoking<br />

art forms.<br />

Tapping his fertile imagination, the <strong>UAW</strong> Local 140 member has impressed judges<br />

with his welded sculptures in a variety of Detroit area art shows. Darfur, his winning<br />

entry in the 2010-2011 Artists at Work <strong>com</strong>petition, is no exception.<br />

Mr. Sabatowich’s empathetic piece symbolizes an innocent victim of the ongoing<br />

civil war that began in 2003 in the Darfur region of western Sudan. Several<br />

hundred thousand civilians have died as a result of <strong>com</strong>bat or starvation and<br />

disease. Millions of others have been forced to flee their homes; many are living in<br />

refugee camps.<br />

“I was trying to picture what an individual would look like after weeks of wandering<br />

in a desert, looking for help,” says Mr. Sabatowich, who has been a weld inspector<br />

for the last 10 of his 37 years at Warren Truck Assembly.<br />

“Your village was burned to the ground, village people are killed and the lucky ones<br />

flee into the desert with just the clothes on their backs.”<br />

Darfur is an example of what Mr. Sabatowich calls “found art.” He typically uses<br />

discarded auto parts or scrap metal to create his one-of-a-kind pieces. In this case,<br />

his raw materials included a drain culvert, muffler part, valve seal, drill bit and<br />

fence post cap.<br />

He worked on Darfur in the metal shop at the College for Creative Studies in<br />

Detroit, where he has taken several welding classes through the Continuing<br />

Education Program.<br />

A four-time exhibitor in Artists at Work, Mr. Sabatowich captured second place in<br />

the 2005-2006 show.<br />

Mr. Sabatowich has two other welded sculptures in the exhibition on page 13.<br />

1


artistsat work<br />

B<br />

A<br />

A. Emulation<br />

Wood Turning<br />

6¼” High x 5” Dia.<br />

B. Hollow Form<br />

Wood Turning<br />

6” High x 6½” Dia.<br />

C. Snake Eyes<br />

Wood Turning<br />

4” High x 6” Dia.<br />

C<br />

An Artisan of Wood FINDS ‘GREAT JOY’ AS HE UPHOLDS<br />

TRADITION OF Craftsmanship<br />

As a wood turner, Loel Gnadt is helping to preserve a<br />

centuries-old art form and the craftsmanship it requires.<br />

He uses simple tools such as chisels and gouges<br />

to shape his pieces while they spin on a wood lathe<br />

and create objects such as bowls, platters, Christmas<br />

ornaments, vases and wine bottle stoppers.<br />

Loel Gnadt<br />

2nd-place<br />

winner<br />

It’s a painstaking process that<br />

yields “great joy and satisfaction<br />

when the more <strong>com</strong>plicated pieces <strong>com</strong>e out just as I envisioned<br />

them,” says Mr. Gnadt, an electrician and <strong>UAW</strong> Local 869<br />

member at Warren Stamping. “I feel like I hit a home run.”<br />

So it is with his winning entry that consists of Emulation, a vase;<br />

Snake Eyes, a candy dish, and Hollow Form, a rounded vessel that made the biggest<br />

impression on Artists at Work judges.<br />

Mr. Gnadt, a <strong>Chrysler</strong> employee since July 1999, also has shown his work in other art<br />

exhibits and galleries. “I always had a feeling of creativity in my bones and I thought it was<br />

going to be expressed through music,” he says, “but that didn’t work itself out.”<br />

Tuesday Morning – Belvidere, Illinois<br />

Photography<br />

4½” x 8’<br />

RICHARD WEBER<br />

3rd-place<br />

winner<br />

Montage of Photos Captures a Moment in Time Worth Preserving<br />

Richard Weber was on a mission the morning he used his Nikon D90 to record a slice of small-town America before it was<br />

too late.<br />

The result was a panoramic view of downtown Belvidere, Ill., that reveals his eye for great shots and camera savvy as well<br />

as his sense of history as a photographer.<br />

“I felt it was important to capture this street-level view of our small-town America because, once a large period of time<br />

passes, you can’t go back to record it,” says Mr. Weber, a <strong>UAW</strong> Local 1268 member at Belvidere Assembly.<br />

He used Adobe Photoshop to add ground, sky and trees and merged 45 photographs together to form one 8-foot-long<br />

print that became his winning entry, Tuesday Morning – Belvidere, Illinois.<br />

Mr. Weber, an assembler since November 2009, was exposed to photography at the age of 7 when he sat on his mother’s<br />

lap in the dark room of the family’s suburban Chicago home.<br />

He took photography classes in high school and again in college as part of his Bachelor’s of Art Degree from Northern<br />

Illinois University.<br />

2<br />

Mr. Weber likens photography to painting – but only up to a certain point. “Taking photos differs from painting in that it<br />

can be so instantaneously rewarding, especially with the advent of the digital format, which allows you to edit and delete<br />

your shots right on the spot.”


C<br />

A<br />

B<br />

D<br />

E<br />

JOSEPH AUITO<br />

JOINT ACTIVITIES REPRESENTATIVE<br />

<strong>UAW</strong> Local 412<br />

Warren Truck Assembly<br />

A. Anticlastic Silver Bracelet<br />

Jewelry<br />

1” High x 3” Dia.<br />

B. The Orchestra and the Twanger<br />

Welded Sculpture<br />

30” x 36” x 18”<br />

FRITZ BENDER<br />

BODY CLOSURES ENGINEER<br />

<strong>Chrysler</strong> Technology Center<br />

C. Bold and Cold<br />

Photography<br />

12” x 18”<br />

PAUL BESH<br />

PIPEFITTER<br />

Detroit Office Warehouse<br />

<strong>UAW</strong> Local 412<br />

D. Reeds<br />

Photography<br />

17” x 11”<br />

E. Falling Water<br />

Photography<br />

17” x 11”<br />

3


artistsat work<br />

A<br />

C<br />

D<br />

B<br />

E<br />

4<br />

PAUL BESH<br />

(continued)<br />

A. Moody Day<br />

Photography<br />

11” x 17”<br />

B. Pines<br />

Photography<br />

11” x 17”<br />

STEPHEN BIESIADA<br />

INSPECTOR<br />

Toledo North Assembly<br />

<strong>UAW</strong> Local 12<br />

C. Cove Island<br />

Acrylic Painting<br />

16” x 20”<br />

D. Merc in the Park<br />

Acrylic Painting<br />

13” x 17”<br />

MARGARET BRIGGS<br />

STRUCTURAL ENGINEER<br />

<strong>Chrysler</strong> Technology Center<br />

E. A Quiet Place<br />

Oil Painting<br />

16” x 20”


F<br />

G<br />

I<br />

J<br />

H<br />

PAUL CALVERT<br />

MATERIAL HANDLER<br />

Belvidere Assembly<br />

<strong>UAW</strong> Local 1268<br />

F. Statue of Liberty<br />

Glass Engraving<br />

3½’ x 2½’<br />

CHRISTINA CARELS<br />

ADVANCED PRICING ANALYST<br />

<strong>Chrysler</strong> Technology Center<br />

G. Water Dancing<br />

Photography<br />

30” x 20”<br />

H. Early Dawn<br />

Photography<br />

20” x 30”<br />

MICHAEL CATTANE<br />

PHOTOGRAPHER<br />

PRODUCT DESIGN OFFICE<br />

<strong>Chrysler</strong> Technology Center<br />

I. Fort George Keyhole Island<br />

Photography<br />

36” x 24”<br />

J. White Tulip<br />

Ho n o r a b l e Me n t i o n<br />

Photography<br />

36” x 24”<br />

5


artistsat work<br />

A<br />

B<br />

D<br />

E<br />

C<br />

6<br />

MIOCHI COVINGTON<br />

TEAM LEADER<br />

Trenton Engine<br />

<strong>UAW</strong> Local 372<br />

A. Southern Woman<br />

Acrylic Painting<br />

10½” x 8½”<br />

B. Winter 2007<br />

Photography<br />

10” x 8 “<br />

C. New Center Area<br />

Photography<br />

10” x 8”<br />

WILLIAM CZEISZPERGER<br />

TOOLMAKER<br />

Sterling Stamping<br />

<strong>UAW</strong> Local 1264<br />

D. Canadian Goose<br />

Wood Carving<br />

5½” x 10” x 4”<br />

SABRINA DAO<br />

DATA ARCHITECT<br />

<strong>Chrysler</strong> Technology Center<br />

E. Tanzanian Brothers<br />

Photography<br />

11” x 14”<br />

F. Zanzibar Girl<br />

Photography<br />

11” x 9”<br />

G. Draperies, Carlsbad Caverns<br />

National Park<br />

Photography<br />

12” x 18”


H<br />

F<br />

I<br />

G<br />

J<br />

K<br />

L<br />

JAMES DONNELLON<br />

PRODUCT ENGINEER<br />

<strong>Chrysler</strong> Technology Center<br />

H. Blue-Green Transition Vase with<br />

Optic Spiral<br />

Ho n o r a b l e Me n t i o n<br />

Blown Glass<br />

5½” High x 4” Dia.<br />

I. Southwest Series: Crackled Amber<br />

with Green and Blue<br />

Ho n o r a b l e Me n t i o n<br />

Blown Glass<br />

4½” High x 6” Dia.<br />

J. Classic Green Vase with Apricot and<br />

Blue Trails<br />

Ho n o r a b l e Me n t i o n<br />

Blown Glass<br />

7” High x 4” Dia.<br />

K. Blue Vase with Trails of Aventurine<br />

Blue, Gold and Bristol Green<br />

Ho n o r a b l e Me n t i o n<br />

Blown Glass<br />

7½ “ High x 4” Dia.<br />

L. Small Blue-Green Transition<br />

Bowl with Aventurine Blue and<br />

Apricot Trails<br />

Ho n o r a b l e Me n t i o n<br />

Blown Glass<br />

4½” High x 6” Dia.<br />

7


artistsat work<br />

A<br />

E<br />

B<br />

F<br />

D<br />

C<br />

G<br />

8<br />

GEORGE FARRELL<br />

INVENTORY CONTROL ANALYST<br />

Mopar World Headquarters<br />

<strong>UAW</strong> Local 889<br />

A. The Burning Bush<br />

Photography<br />

20” x 30”<br />

B. Happy Decade<br />

Photography<br />

12” x 16”<br />

C. The Résumé<br />

Photography<br />

12” x 16”<br />

PAUL FENTON<br />

SYSTEMS PROGRAMMER<br />

<strong>Chrysler</strong> Technology Center<br />

D. Dumb Luck<br />

Acrylic on Plywood Painting<br />

27” x 34”<br />

DAVID FLEMING<br />

COMPUTER SYSTEMS ADMINISTRATOR<br />

<strong>Chrysler</strong> Technology Center<br />

E. Golden-Crowned Kinglet<br />

Wood Carving<br />

7” x 6” x 7”<br />

F. Cardinal<br />

Wood Carving<br />

7” x 11” x 7”<br />

G. Cedar Waxwing<br />

Wood Carving<br />

11” x 8” x 7”


H<br />

I<br />

J<br />

L<br />

K<br />

M<br />

STANFORD J. GILES<br />

MILLWRIGHT<br />

Kokomo Casting<br />

<strong>UAW</strong> Local 1166<br />

H. Charger Time<br />

Ho n o r a b l e Me n t i o n<br />

Metal Engraving<br />

12” x 21” x 1½”<br />

SHAN HAQ<br />

PROJECT CHIEF<br />

BODY CLOSURES ENGINEERING<br />

<strong>Chrysler</strong> Technology Center<br />

I. Big City, Bright Lights –<br />

Pittsburgh’s Night Life<br />

Photography<br />

12” x 18”<br />

J. Nature’s Last Stand<br />

Photography<br />

12” x 18”<br />

PHILLIP H. HILL, SR.<br />

TOOLMAKER, JIG & FIXTURE<br />

Mt. Elliott Tool and Die<br />

<strong>UAW</strong> Local 212<br />

K. Paper Mosaic I<br />

Drawing<br />

16” x 21”<br />

L. Paper Mosaic II<br />

Ho n o r a b l e Me n t i o n<br />

Drawing<br />

17” Dia.<br />

M. Wings<br />

Mixed Media<br />

24” x 36”<br />

9


artistsat work<br />

A<br />

B<br />

E<br />

F<br />

D<br />

C<br />

10<br />

KENNETH KIERNICKI<br />

INDUSTRIAL SCULPTOR<br />

<strong>Chrysler</strong> Technology Center<br />

<strong>UAW</strong> Local 412<br />

A. Black Hole Sun<br />

Wood Turning<br />

1 5 /8” High x 7” Dia.<br />

B. Owl<br />

Wood Turning<br />

2 7 /16” High x 6 7 /8” Dia.<br />

ALAN LAICA<br />

Powertrain Virtual Analysis Engineer<br />

<strong>Chrysler</strong> Technology Center<br />

C. Flowering Plant<br />

Photography<br />

12” x 8”<br />

D. Bryce Canyon<br />

Photography<br />

8” x 12”<br />

MICHAEL M. LYNCH<br />

SKILLED TRADES SAFETY TRAINER<br />

Belvidere Assembly<br />

<strong>UAW</strong> Local 1268<br />

E. Corks<br />

Ho n o r a b l e Me n t i o n<br />

Photography<br />

32” x 24”<br />

LINDA MONTES<br />

ASSEMBLER<br />

Belvidere Assembly<br />

<strong>UAW</strong> Local 1268<br />

F. Shy<br />

Photography<br />

14” x 11”


G<br />

I<br />

J<br />

H<br />

K<br />

RYAN NOWAK<br />

SYSTEMS ENGINEER<br />

AUTOMATIC TRANSMISSION SYSTEMS<br />

<strong>Chrysler</strong> Technology Center<br />

G. Colorful Balls<br />

Photography<br />

8½” x 11”<br />

H. Power<br />

Photography<br />

8½” x 11”<br />

BILL PASHARIKOVSKI<br />

ELECTRICIAN<br />

<strong>Chrysler</strong> Technology Center<br />

<strong>UAW</strong> Local 412<br />

I. Green<br />

Photography<br />

14” x 11”<br />

J. Window<br />

Photography<br />

14” x 11”<br />

K. Contrast Creek<br />

Photography<br />

11” x 14”<br />

11


artistsat work<br />

A<br />

B<br />

C<br />

E<br />

F<br />

D<br />

RON PERRY<br />

TEAM LEADER<br />

Warren Truck Assembly<br />

<strong>UAW</strong> Local 140<br />

A. Who’s Looking at Who<br />

Photography<br />

10” x 8”<br />

B. Little Girl with Beret<br />

Photography<br />

20” x 16”<br />

ROBERT W. RAWLINGS<br />

MILLWRIGHT<br />

<strong>Chrysler</strong> Technology Center<br />

<strong>UAW</strong> Local 412<br />

D. Sun, Sea, Sky<br />

Metal Sculpture<br />

14” x 14” x 3”<br />

E. Fall<br />

Sheet Metal Sculpture<br />

10” x 14” x 4”<br />

12<br />

C. The Red Door<br />

Photography<br />

16” x 20”<br />

F. Lines #2<br />

Photography<br />

16” x 24”


G<br />

H<br />

J<br />

K<br />

I<br />

L<br />

M<br />

CRAIG REED<br />

MACHINE REPAIRMAN<br />

Kokomo Transmission<br />

<strong>UAW</strong> Local 685<br />

G. Old Roadster #1<br />

Photography<br />

12” x 17”<br />

H. Old Roadster #2<br />

Photography<br />

12” x 17”<br />

I. Old Roadster #3<br />

Photography<br />

12” x 17”<br />

DENNIS SABATOWICH<br />

WELD INSPECTOR<br />

Warren Truck Assembly<br />

<strong>UAW</strong> Local 140<br />

J. Faces<br />

Welded Sculpture<br />

46” x 15” x 11½”<br />

K. Face<br />

Welded Sculpture<br />

14½” x 6” x 6”<br />

ROGER C. SAGER<br />

POWERTRAIN SYSTEMS ENGINEER<br />

Chelsea Proving Grounds<br />

L. Trout Dinner<br />

Oil on Canvas Painting<br />

14” x 18”<br />

M. Old Farm<br />

Oil on Canvas Painting<br />

16” x 20”<br />

13


artistsat work<br />

A<br />

C<br />

D<br />

E<br />

B<br />

GUNTHER SCHABESTIEL<br />

PHOTOGRAPHER<br />

<strong>Chrysler</strong> Technology Center<br />

<strong>UAW</strong> Local 412<br />

A. Cape Canaveral Seashore<br />

Photography<br />

12” x 18”<br />

B. Tulips<br />

Photography<br />

13” x 32”<br />

CATHERINE STOEY<br />

PHOTOGRAPHER<br />

<strong>Chrysler</strong> Technology Center<br />

<strong>UAW</strong> Local 412<br />

C. Power Steering<br />

Photography<br />

24” x 36”<br />

D. Dodge Truck<br />

H o n o r a b l e Me n t i o n<br />

Photography<br />

30” x 24”<br />

14<br />

E. Go Dodge<br />

Photography<br />

30” x 24”


J<br />

F<br />

I<br />

G<br />

H<br />

K<br />

TRAVERS TODD<br />

ASSISTANT MANAGER<br />

CORPORATE FIRE OPERATIONS<br />

<strong>Chrysler</strong> Technology Center<br />

F. Polar Kiss<br />

Photography<br />

16” x 24”<br />

G. Cactus Blossom<br />

Photography<br />

16” x 24”<br />

H. Cone Flower<br />

Photography<br />

16” x 24”<br />

ALAN VENTURA<br />

Purchasing Agent<br />

Milwaukee Parts Distribution Center<br />

<strong>UAW</strong> Local 75<br />

I. Nancy<br />

Acrylic Painting<br />

10” x 8”<br />

J. Windy<br />

Acrylic Painting<br />

16” x 20”<br />

JON WENDRYHOSKI<br />

IT MANAGER<br />

Advance Mfg. Engineering<br />

<strong>Chrysler</strong> Technology Center<br />

K. Urn of Valhalla<br />

Ceramics<br />

12” High x 10½” Dia.<br />

15


artistsat work<br />

A<br />

D<br />

B<br />

C<br />

E<br />

16<br />

TAMMIE WILSON<br />

HUMAN RESOURCES ASSISTANT<br />

<strong>UAW</strong>-<strong>Chrysler</strong><br />

National Training Center<br />

A. Untitled<br />

Photography<br />

20” x 24”<br />

B. Oasis<br />

Ho n o r a b l e Me n t i o n<br />

Photography<br />

20” x 20”<br />

GHEVARGHESE YOHANNAN<br />

ELECTRICIAN<br />

Sterling Stamping<br />

<strong>UAW</strong> Local 1264<br />

C. Roots and Growth<br />

Ho n o r a b l e Me n t i o n<br />

Wood Sculpture<br />

45” x 47” x 38”<br />

JULIE Y. ZHU<br />

PRODUCT DEVELOPMENT ENGINEER<br />

<strong>Chrysler</strong> Technology Center<br />

D. Cannon Beach Sunset<br />

Photography<br />

30” x 20”<br />

E. Light Beam<br />

Photography<br />

20” x 30”


YOUTH IN FOCUS:<br />

PHOTOGRAPHS REVEAL CREATVITY OF DETROIT CHILDREN AND REFLECT<br />

SUCCESS OF PARTNERSHIP WITH WOODBRIDGE COMMUNITY CENTER<br />

The exhibition includes a new section devoted to the photography of children from the Woodbridge Community Youth<br />

Center in Detroit. Kids enrolled in photography classes, taught by respected photojournalist Monica A. Morgan, were<br />

invited to enter their work in a special category of the 2010-2011 Artists at Work program. It’s designed to encourage<br />

development of their artistic talents and showcase their creativity. Judges chose the best photograph from among<br />

those submitted by the five children who entered the <strong>com</strong>petition. Each of the selected photographs is 8” x 12”.<br />

A<br />

B<br />

This initiative represents an expansion of the partnership between the Woodbridge youth center, <strong>UAW</strong>-<strong>Chrysler</strong><br />

National Training Center and the Leave the Light on Foundation. The foundation, established by <strong>UAW</strong> Vice President<br />

General Holiefield, director of the union’s <strong>Chrysler</strong> Department, has supported the center’s mission of providing a<br />

diverse after-school program for disadvantaged youth. That support includes funding for the photography classes.<br />

Since it opened in June 2007, the center has offered a safe haven and maintained a program that fills a void created<br />

by a severe shortage of youth services in Detroit’s historic Woodbridge <strong>com</strong>munity near Wayne State University.<br />

C<br />

D<br />

E<br />

Aminah Brown<br />

Age 12<br />

8th Grade<br />

Henry Ford Center<br />

for Creative Studies<br />

A. Beauty Calls<br />

Amanie Hendon<br />

Age 10<br />

5th Grade<br />

Edmonson Elementary School<br />

B. Calm<br />

Rekeisha Lake<br />

Age 11<br />

6th Grade<br />

Edmonson Elementary School<br />

C. Christmas in Detroit<br />

Sakinah Phifer<br />

Age 11<br />

7th Grade<br />

Detroit Academy<br />

of Arts and Science<br />

D. My Toy Red Challenger<br />

Markquitta Reed<br />

Age 11<br />

7th Grade<br />

University Preparatory Academy<br />

E. Fantasia


artists<br />

at work<br />

2010-2011<br />

<strong>UAW</strong>-<strong>Chrysler</strong><br />

JOINT ACTIVITIES<br />

BOARD<br />

General Holiefield<br />

Vice President<br />

Director, <strong>Chrysler</strong><br />

Department, <strong>UAW</strong><br />

Co-Chairman<br />

Tim Bressler<br />

Administrative Assistant<br />

to Vice President<br />

Director, <strong>Chrysler</strong><br />

Department, <strong>UAW</strong><br />

Keith Mickens<br />

Assistant Director,<br />

<strong>Chrysler</strong> Department, <strong>UAW</strong><br />

and Co-Director<br />

<strong>UAW</strong>-<strong>Chrysler</strong><br />

National Training Center<br />

Alphons A. Iacobelli<br />

Vice President<br />

Union Relations<br />

<strong>Chrysler</strong> Group LLC<br />

Co-Chairman<br />

Glenn Shagena<br />

Director, Manufacturing<br />

HR and Employee Relations<br />

<strong>Chrysler</strong> Group LLC<br />

Michael Jessamy<br />

Director<br />

Health, Safety and<br />

Medical Operations<br />

<strong>Chrysler</strong> Group LLC<br />

Michael Brown<br />

Director, Employee Relations<br />

<strong>Chrysler</strong> Group LLC<br />

and Co-Director<br />

<strong>UAW</strong>-<strong>Chrysler</strong><br />

National Training Center<br />

The Artists at Work Exhibition may be viewed online at www.uaw-chrysler.<strong>com</strong><br />

<strong>UAW</strong>-<strong>Chrysler</strong><br />

National Training Center<br />

2211 East Jefferson Avenue<br />

Detroit, Michigan 48207

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