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#REC 4/2005 COVER - Universal Audio

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®<br />

VOL. TWENTY TWO<br />

NUMBER TWO<br />

NOVEMBER 2008<br />

USA $5.99<br />

CANADA $5.99<br />

$5.99US $5.99CAN<br />

11<br />

0 09281 03050 8


The version 5.0 software features a completely redesigned user<br />

interface and new features such as L.O.D.E. (dynamic plug-in load<br />

balancing) and Session Map (which maintains bi-directional session<br />

compatibility between UAD-1 and 2 equipped computers), as well<br />

as Load Lock and Live Track, both of which we will discuss below.<br />

All version 5.0 plug-ins feature a new tool bar, but are otherwise<br />

unchanged. As of this writing all but a few plug-ins have been coded and<br />

ported to the new cards, and the remaining plug-ins are in the works.<br />

B Y P A U L V N U K J R .<br />

After more rumors, speculation and wishful thinking than<br />

could be caused by a Led Zeppelin reunion tour, the wait is<br />

over! The <strong>Universal</strong> <strong>Audio</strong> UAD-2 is here, and by the time you<br />

read this, thousands will have already found homes in Macs<br />

and PCs worldwide. Some early details were published in last<br />

month’s Fast Forward, but here are our first test results.<br />

What’s new<br />

Like the original UAD-1, the UAD-2 is a DSP accelerator<br />

card and is the necessary centerpiece for running <strong>Universal</strong><br />

<strong>Audio</strong>’s Powered Plug-in system. The UAD-2 is available in<br />

three flavors: Solo, Duo and Quad, offering approximately<br />

2.5x, 5x and 10x the power of the original UAD-1.<br />

Each card is available in three bundles. All come with the Mix<br />

Essentials II plug-ins (1176SE, RealVerb Pro, the Pultec EQP-1A,<br />

and some good basic channel strip FX) and vouchers to buy more<br />

plug-ins online. The card can be bought alone with a $50 voucher<br />

(a good choice if you’re crossgrading from the UAD-1), in a<br />

Flexi package with $500 in vouchers, or in a Nevana package<br />

with $100 in vouchers plus one or more Neve plug-ins included.<br />

Also new: version 5.0 of the powered plug-in software,<br />

with increased configuration options and a snazzy new<br />

interface, and new plug-ins to follow shortly—see last<br />

month’s cover for a sneak peek at one of the new arrivals,<br />

which were mentioned in that issue’s Fast Forward.<br />

The hardware<br />

The UAD-2 is a 1x PCIe card—the Solo is a half-height<br />

short card (nice for small-form computers), and the Duo and<br />

the Quad are full-height, short cards. All three cards make<br />

use of between one and four Analog Devices SHARC processing<br />

chips for their power.<br />

As with the original, up to four cards can be used together<br />

in one computer, and the new cards can be combined<br />

with up to four original UAD-1s.<br />

The software<br />

The plug-ins come in VST and AU; Pro Tools/LE RTAS support<br />

is coming soon. They are compatible with Mac OS X<br />

10.4 and higher, and all versions of Windows XP and Vista.<br />

Meter & Control Panel<br />

Similar to the Version 4.0<br />

meter, the new one (see<br />

Figure 1) displays the DSP,<br />

Program Memory (UAD-2<br />

only), and Memory load for<br />

Fig. 1<br />

each card in the system.<br />

Large blue buttons to the left<br />

of each meter allow for quick bypass of each card.<br />

At the top of the meter is a drop-down menu that opens the UAD<br />

Control Panel with a choice of System<br />

info, Plug-in info, Configuration, and<br />

Help & Support pages.<br />

Fig. 2<br />

System Info<br />

System Info (Figure 2) displays<br />

the current software version as well<br />

as a graphic representation of each<br />

installed card. It features a numeric<br />

breakdown of each card’s power<br />

consumption and plug-in latency.<br />

On the left of each card are<br />

enable/disable buttons, which can<br />

shut off a card completely when<br />

clicked prior to loading a DAW<br />

session or if disengaged during a<br />

running session. This does not disable<br />

active plug-ins, but only keeps<br />

further plug-ins from loading.<br />

Plug-ins<br />

Plug-ins (Figure 3) shows all currently<br />

available plug-ins, and displays<br />

which ones are authorized<br />

for your cards. For those that are<br />

not, you can choose to start the<br />

Fig. 3 14-day demo mode as well as<br />

purchase and authorize plug-ins<br />

automatically from this page.<br />

If you have a UAD-1 and a UAD-2 installed, on this page you must<br />

also choose which card will run each plug-in—plug-ins cannot run on<br />

both versions of the card simultaneously. If no option for the UAD-2<br />

is present, those plug-ins have not yet been ported to the new card.<br />

The “?” Buttons are direct links to the installed PDF manual.<br />

Configuration and Help<br />

In this window (Figure 4) you will find configuration choices for both<br />

the UAD-1 and -2. The UAD-2 section starts with a DSP load limit that<br />

can be set to avoid processor overloads in your DAW.<br />

34<br />

RECORDING NOVEMBER 2008


<strong>Universal</strong> <strong>Audio</strong> UAD-2<br />

The next button, a new feature<br />

called DSP Load Lock, is<br />

best illustrated with an example:<br />

A plug-in such as the<br />

Neve 88RS channel strip is<br />

made up of individual Comp,<br />

EQ, and Filter sections.<br />

Turning these sections on or<br />

off changes its power consumption.<br />

Say you have only<br />

been using the EQ section<br />

and you engage the Filters,<br />

and your card is already<br />

maxed out by other plug-ins.<br />

You run the risk of overloading<br />

the card’s DSP. Load Lock<br />

solves this by loading each<br />

plug-in at its maximum power<br />

Fig. 4<br />

level from the start, holding<br />

DSP in reserve for when you<br />

need it. The flip side is that<br />

this can waste valuable processing power if you never use certain<br />

features of a plug-in.<br />

Another new button, Extra Buffering, adds an additional 64 buffer<br />

samples for certain DAWs such as ACID, Vegas, and SONAR to run<br />

smoothly. I tested this in ACID and it worked like a charm.<br />

The UAD-1 section of this page also adds a DSP load limit section,<br />

but is otherwise similar to the version 4.0 software. Here you<br />

can also choose how the plug-in controls respond to input data<br />

and mouse movements in your DAW.<br />

The Help & Support menu offers direct links to the UA web site.<br />

Tool bar and Live Track<br />

The new plug-in tool bar (shown in Figure 5) includes card identification<br />

(UAD-1 or 2), a help button, a direct buy link for demoed<br />

plug-ins, a new preset manager (complete with copy and paste<br />

functions), and the Live Track switch (UAD-2 only).<br />

Live Track is one<br />

of the most talked<br />

about features of the<br />

Fig. 5<br />

new UAD-2. In simple<br />

terms, Live Track<br />

lowers the internal<br />

latency of the card<br />

to an imperceptible level, allowing realtime tracking or monitoring<br />

through your favorite UA plug-ins.<br />

Installation<br />

Recording was provided with a UAD-2 Solo card just before the<br />

product line was announced, and this was forwarded to me for these<br />

tests. Since my old studio PC had no PCIe slots, and the UAD-2 is PCIe<br />

only, this review made a nice excuse for upgrading to a powerful new<br />

PC from ADK Pro <strong>Audio</strong>, my favorite music PC builder, and I installed<br />

the UAD-2 Solo into an Intel quad-core PC running Windows XP.<br />

Installation was a plug-and-play affair. Once the version 5.0 software<br />

is installed and you register for an account at uaudio.com, authorization<br />

is almost completely automated. You can also authorize your<br />

card from another computer by downloading and installing a .reg file.<br />

UAD-2 in the real world<br />

On UA’s web site (see www.uaudio.com/support/uad/<br />

charts.html) you will find a chart detailing the number of plug-in<br />

instances possible on the new UAD-2 cards, which I found to be quite<br />

accurate. On a Solo card you can get 18 stereo 1176LNs or 20<br />

mono Neve 1073s or 4 stereo Neve 33609s, and so on.<br />

Note that the “2.5 times the power” claim is a rough average.<br />

While many plug-ins manage this improvement, you may notice<br />

that other plug-ins such as the LA-2A or the Cambridge offer only<br />

slightly more instances, and a few such as the Real Verb or the EX1<br />

EQ/Comp offer the same or lower. On the flip side, other plug-ins<br />

can actually run as many as a factor of five more instances on the<br />

UAD-2. So your numbers will depend on what you use.<br />

Bust my buffers<br />

While a plug-in’s power lives on the card, the cards do have an<br />

effect on both your CPU and your sound card’s drivers. Here are<br />

my results for my ADK quad PC with a Lynx AES-16 audio interface.<br />

In Cubase 4, at a very low ASIO setting of 64 samples, I was<br />

able to load 10 stereo 1176LNs with my ASIO meter hovering<br />

around 50%. Adding more caused occasional meter spikes and<br />

audible glitches. Raising the buffer to 128 samples dropped the<br />

ASIO load to 25% and solved the glitch problem. Filling the card<br />

to its max brought the ASIO meter back to around 50% with no<br />

spikes present, but I had to be careful when adding additional<br />

native plug-ins or softsynths, lest they return.<br />

Moving to “mix-standard” settings of 512 or 1024 samples,<br />

my ASIO meter showed barely any activity above 10%, even<br />

with a full card and a host of native plug-ins.<br />

Live Tracking<br />

To test out the Live Track feature, I did some vocal, guitar<br />

and percussion passes through a mono 1176LN while monitoring<br />

through the Plate 140. I experienced zero perceptible<br />

latency. Put simply—it works. However, at an ASIO setting of 64<br />

(common for low-latency tracking), this was almost all I could run.<br />

Granted, the Plate 140 is one of the larger plug-ins. Without the<br />

reverb, I could run 5 mono 1176s each with Live Track engaged. I<br />

could also run 12 mono 1176LNs on a session, but with only two in<br />

Live Track mode, before the ASIO meter pegged out.<br />

So Live Track is fine for simple multi-channel tracking, but if you<br />

plan to overdub onto a plug-in heavy session, you may need to disable<br />

some plug-ins first. In all my tests my PC’s CPU load never<br />

exceeded 10%.<br />

Conclusion<br />

Was the UAD-2 worth the wait? In my opinion, without a<br />

doubt! The UAD-2 gives you more power with better load balancing<br />

and plug-in handling, and is a huge improvement over<br />

everything that made the UAD-1 the leader in its class.<br />

Is it right for you? Stop by UA’s web site and have a look.<br />

There are a few bugs to be worked out in some DAWs, and a<br />

few items marked “coming soon”, but in the software world this<br />

is an exceptionally complete and stable initial release.<br />

If you already own a UAD-1, you can crossgrade all of your<br />

existing plug-ins to the UAD-2 for free until the end of 2008.<br />

After that, it’s just $25 per plug-in with a cap of $250, and<br />

can be paid for with UAD vouchers.<br />

A staggering final thought: on four Quad cards, you can<br />

run 288 stereo 1176LN or 192 stereo Neve 1073 plug-ins,<br />

or... you get the idea. This is going to be fun!<br />

Prices (all MAP):<br />

UAD-2 Solo: $499 alone, $799 Flexi, $699 Nevana 32<br />

UAD-2 Duo: $899 alone, $1199 Flexi, $1499 Nevana 64<br />

UAD-2 Quad: $1499 alone, $1799 Flexi, $1999 Nevana 128<br />

More from: <strong>Universal</strong> <strong>Audio</strong>, Inc., 1700 Green Hills Road,<br />

Scotts Valley, CA 95066. 877/698-2834 (877/MY-<br />

UAUDIO), www.uaudio.com or www.uad-2.com.<br />

36<br />

RECORDING NOVEMBER 2008

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