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Brochure - Queensland Art Gallery

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TIX<br />

TIX<br />

TIX<br />

<strong>Gallery</strong> of Modern <strong>Art</strong><br />

<strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong><br />

Level 3<br />

Level 2<br />

Media Lounge<br />

3.2<br />

3.6<br />

3.5<br />

3.4<br />

3.3<br />

Pavilion Walk River<br />

Lounge<br />

Pavilion Balcony<br />

3.1<br />

<strong>Gallery</strong> 3.1–3.2 / Indigenous Australian <strong>Art</strong><br />

<strong>Gallery</strong> 3.3–3.6 / Collection Display<br />

<strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong><br />

<strong>Gallery</strong> of Modern <strong>Art</strong><br />

Entrance<br />

Level<br />

Media Lounge<br />

14<br />

3.2<br />

3<br />

15<br />

3.1<br />

Watermall<br />

Cafe<br />

Members<br />

Lounge<br />

4<br />

3.6<br />

3.5<br />

Watermall<br />

<strong>Gallery</strong> 1 / APT5<br />

3.3<br />

<strong>Gallery</strong> 2 / Historical Asian <strong>Art</strong><br />

<strong>Gallery</strong> 15 / APT5<br />

Foyer<br />

17<br />

Entrance<br />

<strong>Gallery</strong><br />

Store<br />

Stanley Place<br />

entrance Melbourne St entrance<br />

2<br />

1<br />

3.4<br />

Pavilion Walk River<br />

Lounge<br />

Pavilion Balcony<br />

THE<br />

CHANGING The<br />

Past & APT5 TOUR<br />

Present<br />

Collection<br />

ART MUSEUM<br />

Members<br />

Lounge<br />

13<br />

12<br />

5<br />

6<br />

2.3<br />

Cinema Foyer<br />

2.2<br />

Media<br />

Alcove<br />

2.1<br />

<strong>Gallery</strong> 2.1 / Media <strong>Gallery</strong><br />

<strong>Gallery</strong> 2.2 / Cinema A<br />

<strong>Gallery</strong> 2.3 / Cinema B<br />

Watermall<br />

Level<br />

2.3<br />

Cinema Foyer Media Lounge<br />

<strong>Gallery</strong> 3–6 / APT5<br />

<strong>Gallery</strong> 7–9 / Historical International <strong>Art</strong><br />

<strong>Gallery</strong> 10–14 / Australian <strong>Art</strong><br />

11<br />

10<br />

9<br />

8<br />

<strong>Gallery</strong> 11 / Fairweather Room<br />

<strong>Gallery</strong> 14 / <strong>Queensland</strong> Heritage <strong>Gallery</strong><br />

<strong>Gallery</strong> 17 / APT5<br />

7<br />

2.2<br />

<strong>Gallery</strong><br />

of<br />

2.1<br />

Cultural<br />

Centre<br />

Level 1<br />

1.4<br />

1.3<br />

1.2<br />

Montague Rd<br />

William Jolly Bridge<br />

Modern<br />

<strong>Art</strong><br />

Stanley Place<br />

1.4<br />

State<br />

Library<br />

of<br />

<strong>Queensland</strong><br />

<strong>Queensland</strong><br />

<strong>Art</strong><br />

<strong>Gallery</strong><br />

Brisbane River<br />

Cultural Centre Tunnel<br />

River<br />

Room<br />

Victoria Bridge<br />

Foyer<br />

Cafe<br />

Library<br />

1.1<br />

ENTRY TO THE<br />

GALLERY OF MODERN ART<br />

IS FROM STANLEY PLACE<br />

Peel St<br />

1.3<br />

<strong>Queensland</strong><br />

Museum<br />

1.2<br />

Grey St<br />

Melbourne St<br />

Cinema Lounge<br />

<strong>Gallery</strong><br />

Store<br />

Modern<br />

Main<br />

Foyer<br />

Stanley<br />

Place<br />

entrance<br />

Foyer<br />

<strong>Gallery</strong> 1.1–1.3 / APT5<br />

<strong>Gallery</strong> 1.4 / Children’s <strong>Art</strong> Centre, Kids’ APT<br />

ENTRY TO THE<br />

QUEENSLAND ART GALLERY<br />

IS FROM MELBOURNE STREET<br />

AND STANLEY PLACE<br />

BUS / Alight at the Cultural Centre Busway,<br />

Melbourne Street.<br />

B<br />

TRAIN / Alight at South Brisbane Station, corner of<br />

Melbourne and Grey Streets.<br />

Cinema<br />

FERRY / Alight at South Bank 1 CityCat terminal /<br />

Cinema Lounge<br />

For train, bus and CityCat/Ferry timetable<br />

information, telephone TransInfo on 13 12 30 or visit A<br />

www.translink.com.au<br />

Cinema<br />

TAXI / Set-down in Stanley Place, from Grey Street<br />

(both directions) and the Cultural Centre Tunnel /<br />

A Yellow Cab taxi phone (13 19 24) is located in the<br />

foyer of the <strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> and the <strong>Gallery</strong><br />

of Modern <strong>Art</strong>. Taxi ranks are located outside the<br />

<strong>Queensland</strong> Performing <strong>Art</strong>s Centre on Grey Street<br />

and outside the Brisbane Convention and Exhibition<br />

Centre, corner of Glenelg and Merivale Streets.<br />

Main<br />

Foyer<br />

Entry<br />

1.1<br />

<strong>Queensland</strong><br />

Performing<br />

<strong>Art</strong>s<br />

Centre<br />

CAR / Paid parking is available at:<br />

<strong>Queensland</strong> <strong>Art</strong> <strong>Gallery</strong> / <strong>Queensland</strong> Museum<br />

Carpark / Enter from Grey Street or the Cultural<br />

Centre Tunnel.<br />

Stanley Place Carpark / Enter from Stanley Place<br />

or the Cultural Centre Tunnel.<br />

<strong>Queensland</strong> Performing <strong>Art</strong>s Centre Carpark /<br />

Enter from the Cultural Centre Tunnel.<br />

Brisbane Convention and Exhibition Centre<br />

Carpark / Enter from Grey or Merivale Streets.<br />

P1<br />

River<br />

Cafe<br />

P1<br />

Park Level<br />

Park<br />

entrance<br />

P2<br />

Waterfall<br />

Entry<br />

Park Entry<br />

P2<br />

<strong>Gallery</strong> P1 & P2 / Children’s <strong>Art</strong> Centre,<br />

Kids’ APT<br />

Restrooms<br />

Parents Room<br />

First Aid<br />

Cloak Room<br />

Information<br />

Telephone<br />

Cafe<br />

Library<br />

<strong>Gallery</strong> Store<br />

Cinema tickets<br />

Stanley Place South Bank Brisbane<br />

61(0) 7 3840 7303 | www.qag.qld.gov.au<br />

+


Tsuyoshi Ozawa New Nasubi <strong>Gallery</strong> by Eko Nugroho 2006<br />

A collaborative project by Tsuyoshi Ozawa with APT5 artists who were invited<br />

to create miniature exhibitions inside traditional Japanese milk-delivery boxes,<br />

Tsuyoshi Oxawa’s Nasubi <strong>Gallery</strong> project aims to make art available to a broader<br />

audience. GoMA / <strong>Gallery</strong> 1.2<br />

Jitish Kallat Public notice (detail) 2003<br />

Public notice refers to a speech delivered by president Jawaharlal Nehru on the<br />

occasion of Indian independence from British rule at midnight on 14 August 1947.<br />

The text is formed by rubber adhesive cement, which was then ignited to melt<br />

and distort the reflective surface. Burning the text evokes the metaphor of fire<br />

and its associations of death, sacrifice and renewal. GoMA / <strong>Gallery</strong> 1.3<br />

Dinh Q Lê Lotusland 1999<br />

This work focuses on the disturbing physical and psychological effects resulting<br />

from the use of chemical defoliants during the Vietnam–US War. The rate of<br />

births of conjoined twins rose dramatically after the use of the defoliant Agent<br />

Orange. In this installation, Lê paints the company names of various chemicals<br />

as monograms on children’s clothing. GoMA / <strong>Gallery</strong> 1.1<br />

Tsuyoshi Ozawa Chicken and spinach risotto/Brisbane, Australia (from<br />

‘Vegetable weapons’ series) 2005<br />

Ozawa invites women to prepare a meal typical of their country or region. The<br />

ingredients are assembled to form a parody of a weapon, and the women pose<br />

for photographs in the manner of soldiers holding their ‘vegetable weapons’. The<br />

images examine aspects of conflict, militarism and prejudice. GoMA / <strong>Gallery</strong> 1.2<br />

Yang Zhenzhong Light and easy no. 5 2002<br />

The ‘Light and easy’ photographs comment on the speed of urban development<br />

and cultural change in Shanghai. The objects being balanced reference a culture<br />

of speed, control, capitalistic desire and war. By suspending the gravity of<br />

Shanghai’s increasingly capitalist order in freeze-frame, Yang is able to capture<br />

time to reflect on history and progress. GoMA / <strong>Gallery</strong> 1.1<br />

Eko Nugroho Trick me please 2006<br />

Nugroho’s embroideries are inspired by punk-culture motifs and youth clothing<br />

designs. They show the irreverence that many young Indonesians show towards<br />

the political elite. The works are created in collaboration with professional<br />

machine embroiderers who usually embroider caps or patches.<br />

GoMA / <strong>Gallery</strong> 1.1

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