winter meal deal - Now Then

winter meal deal - Now Then winter meal deal - Now Then

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Dr Syntax made his name in 2003 with Foreign Beggars on the quasi-classic UK hip hop magnum opus Asylum Speakers. Since then he’s toured the world, supported Wu Tang Clan, the Pharcyde and People Under the Stairs, made a solo album and formed various collaborations. Now Then chatted to the Doc about past success and future promise. NOW THEN: First off, what got you in to emceeing? I’m from Oxfordshire, a proper little village out in the sticks, so I had a lot of time on my hands. Watching MTV Rap and MTV Base and listening to Westwood’s radio show led to me getting obsessed with hip hop. This was a time when people weren’t really listening to hip hop, especially where I’m from, so it was new, exciting, deviant. I started listening to Public Enemy, NWA and Big Daddy Kane, people with a very rebellious message. So I started writing little kiddy raps and it went from there. My attitude towards it is just to be myself and to speak on things that I find amusing or important. I feel like as long as I can have an interesting conversation with someone about a topic, I can try writing a rap about it. I’m going to sound like David Brent here, but I’m just an entertainer. NT. Your most recent album is called ‘Self Taught’ as well, that’s a nod towards the way you developed early on, isn’t it? Yeah, the name does reflect my background in the country and having limited exposure to things. You’ve got kids now whose parents are playing them Dr Dre, so they see it as normal, but I had to go out and find it. NT. Foreign Beggars’ Asylum Speakers kickstarted your career. How did you get involved with them? In 2003 the hip hop scene in this country was very different. There were nights going on in cities all over the country, sometimes two or three a week. Me and a few friends were totally hungry and got up at every open mic night we could. I’ve got to give props to Pavan (Orifice Vulgatron) - he was the ringleader of the whole thing. I bumped into him because he was just all over the scene, everywhere in London. Foreign Beggars’ timing was perfect, they had something fresh. There are loads of guests on that album because it reflected a close-knit scene. It was great fun. Everyone’s old and bitter and jaded now, though(!) NT. You’re part of the Beer and Rap Roadshow with Stig of the Dump. Your sense of humour seems to be a key element of the collaboration , was that intentional? Yeah, semi-intentional. When we started touring there was a lot of serious, po-faced hip hop. I’ve got nothing against ‘serious’ music, but for people outside the scene it looked like no-one was having any fun. Me and Stig are serious about having emcee skills, but we just want to get up there and have a laugh. We’ve also got DJ Manipulate on board now, who’s absolutely ridiculous at cuts and scratching. We’re trying to incorporate these different elements into our show, along with some freestyle sections. I learnt a lot about putting together a proper show from touring with Foreign Beggars. NT. You’ve just released ‘Breathe’, a collaboration with Skrein under the name Skreintax. How did that come about? It’s been a long time coming. We were both touring with Foreign Beggars and just started writing together on the tour bus. We’ve got different styles and approaches but I think it ties together quite well. Our first album, Scene Stealers is out next month, with productions from Dag Nabbit and Nutty P and guest appearances from Stig, Sir Smurf Lil’ and Metropolis, among others. It’s a nice little package. It was due for release in a previous incarnation a few years ago, but there were label politics, and then we both did our solo albums... NT. Your verse in ‘Breathe’ is about the environment. Is that something you feel strongly about? It’s something everyone should feel strongly about because it’s so fucked up, but it’s not something I profess to be an expert on. Also if you look at the whole album, there are parts where we’ve come up with a subject and both approached it completely differently. I don’t like to get too preachy when I’m rapping, like I know something you don’t. Being a big fan of people like Sage Francis and Aesop Rock - people who take an authoritative tone - I think it’s interesting, but you have to be telling people something they don’t already know or you’ll come across pompous. NT. What’s in the pipeline? Scene Stealers next month, a mixtape with new material and a few dubs called Off the Radar Vol. 2 with DJ Mac-Man and Manipulate, out in March (hopefully), and a tour to promote it. Stig also has an album called Moodswings coming out next year. NT. What’s your advice to aspiring emcees? Everyone and their gran is an emcee nowadays. Everyone’s got a Myspace page and a demo. Take your time, build on it, don’t be too quick to get out there and make sure you’re in it for the right reasons. Scene Stealers by Skreintax is out next month on Dented. Dr Syntax will be administering vocal prescriptions with Stig of the Dump, DJ Manipulate & the Edger at Wordlife on 27th November, Raynor Lounge, SUSU. MIMO. myspace.com/drsyntax SAM WALBY speaking to DR. SYNTAX.

DR. SYNTAX not so foreign beggar. PAGe forty-five.

Dr Syntax made his name in 2003 with Foreign<br />

Beggars on the quasi-classic UK hip hop<br />

magnum opus Asylum Speakers. Since then<br />

he’s toured the world, supported Wu Tang<br />

Clan, the Pharcyde and People Under the<br />

Stairs, made a solo album and formed various<br />

collaborations. <strong>Now</strong> <strong>Then</strong> chatted to the Doc<br />

about past success and future promise.<br />

NOW THEN: First off, what got you in to emceeing?<br />

I’m from Oxfordshire, a proper little village out in the<br />

sticks, so I had a lot of time on my hands. Watching MTV<br />

Rap and MTV Base and listening to Westwood’s radio show<br />

led to me getting obsessed with hip hop. This was a time<br />

when people weren’t really listening to hip hop, especially<br />

where I’m from, so it was new, exciting, deviant. I started<br />

listening to Public Enemy, NWA and Big Daddy Kane, people<br />

with a very rebellious message. So I started writing little<br />

kiddy raps and it went from there. My attitude towards it is<br />

just to be myself and to speak on things that I find amusing<br />

or important. I feel like as long as I can have an interesting<br />

conversation with someone about a topic, I can try writing<br />

a rap about it. I’m going to sound like David Brent here, but<br />

I’m just an entertainer.<br />

NT. Your most recent album is called ‘Self Taught’ as<br />

well, that’s a nod towards the way you developed<br />

early on, isn’t it?<br />

Yeah, the name does reflect my background in the<br />

country and having limited exposure to things. You’ve got<br />

kids now whose parents are playing them Dr Dre, so they<br />

see it as normal, but I had to go out and find it.<br />

NT. Foreign Beggars’ Asylum Speakers kickstarted<br />

your career. How did you get involved with them?<br />

In 2003 the hip hop scene in this country was very<br />

different. There were nights going on in cities all over the<br />

country, sometimes two or three a week. Me and a few<br />

friends were totally hungry and got up at every open mic<br />

night we could. I’ve got to give props to Pavan (Orifice<br />

Vulgatron) - he was the ringleader of the whole thing. I<br />

bumped into him because he was just all over the scene,<br />

everywhere in London. Foreign Beggars’ timing was perfect,<br />

they had something fresh. There are loads of guests on that<br />

album because it reflected a close-knit scene. It was great<br />

fun. Everyone’s old and bitter and jaded now, though(!)<br />

NT. You’re part of the Beer and Rap Roadshow with<br />

Stig of the Dump. Your sense of humour seems to<br />

be a key element of the collaboration , was that<br />

intentional?<br />

Yeah, semi-intentional. When we started touring there<br />

was a lot of serious, po-faced hip hop. I’ve got nothing<br />

against ‘serious’ music, but for people outside the scene<br />

it looked like no-one was having any fun. Me and Stig are<br />

serious about having emcee skills, but we just want to get<br />

up there and have a laugh. We’ve also got DJ Manipulate<br />

on board now, who’s absolutely ridiculous at cuts and<br />

scratching. We’re trying to incorporate these different<br />

elements into our show, along with some freestyle sections.<br />

I learnt a lot about putting together a proper show from<br />

touring with Foreign Beggars.<br />

NT. You’ve just released ‘Breathe’, a collaboration<br />

with Skrein under the name Skreintax. How did that<br />

come about?<br />

It’s been a long time coming. We were both touring<br />

with Foreign Beggars and just started writing together on<br />

the tour bus. We’ve got different styles and approaches<br />

but I think it ties together quite well. Our first album, Scene<br />

Stealers is out next month, with productions from Dag<br />

Nabbit and Nutty P and guest appearances from Stig, Sir<br />

Smurf Lil’ and Metropolis, among others. It’s a nice little<br />

package. It was due for release in a previous incarnation<br />

a few years ago, but there were label politics, and then we<br />

both did our solo albums...<br />

NT. Your verse in ‘Breathe’ is about the environment.<br />

Is that something you feel strongly about?<br />

It’s something everyone should feel strongly about<br />

because it’s so fucked up, but it’s not something I profess<br />

to be an expert on. Also if you look at the whole album,<br />

there are parts where we’ve come up with a subject and<br />

both approached it completely differently. I don’t like to<br />

get too preachy when I’m rapping, like I know something<br />

you don’t. Being a big fan of people like Sage Francis and<br />

Aesop Rock - people who take an authoritative tone - I think<br />

it’s interesting, but you have to be telling people something<br />

they don’t already know or you’ll come across pompous.<br />

NT. What’s in the pipeline?<br />

Scene Stealers next month, a mixtape with new<br />

material and a few dubs called Off the Radar Vol. 2<br />

with DJ Mac-Man and Manipulate, out in March<br />

(hopefully), and a tour to promote it. Stig also has an<br />

album called Moodswings coming out next year.<br />

NT. What’s your advice to aspiring emcees?<br />

Everyone and their gran is an emcee nowadays.<br />

Everyone’s got a Myspace page and a demo. Take your<br />

time, build on it, don’t be too quick to get out there and<br />

make sure you’re in it for the right reasons.<br />

Scene Stealers by Skreintax is out next month on Dented.<br />

Dr Syntax will be administering vocal prescriptions with<br />

Stig of the Dump, DJ Manipulate & the Edger at Wordlife<br />

on 27th November, Raynor Lounge, SUSU. MIMO.<br />

myspace.com/drsyntax<br />

SAM WALBY<br />

speaking to<br />

DR. SYNTAX.

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