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DJ Food.<br />

Ninja Cuts.<br />

1000 Masks Mix.<br />

ninjatune.com<br />

myspace.com/strictlykev<br />

DENIS jones.<br />

humdrum virtue.<br />

denisjones.com<br />

OUT ON HUMBLESOUL.NET<br />

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andrerosto Let’s just say it consendreet<br />

packs a lot it. Highlights<br />

include the Zero dB remix of<br />

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‘Nightlite’,<br />

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‘Next Levels’<br />

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Denis Jones is the one-man-band<br />

of the future. A master of the loop<br />

pedal, Jones’ live performances<br />

showcase his ever-expanding<br />

soundscapes of woven guitar<br />

parts, inventive percussion, subtle<br />

beatboxing, wild noise-making and<br />

layer upon layer of luscious melodies<br />

and harmonious vocal effects.<br />

Whilst all this is triumphantly represented<br />

on record the truly winning<br />

qualities of ‘Humdrum Virtue’ lie<br />

in the depth and intelligence of<br />

songwriting lurking beneath the<br />

gadgetry which sets Jones apart<br />

from other hawkers of self-sampling<br />

trickery. Robbed of the visual impact<br />

of the live experience, Jones’<br />

outstanding technical skills bind together<br />

a varied collection of styles<br />

as Jones moves gracefully across<br />

genres, encompassing elements of<br />

folk, blues, country and electronica.<br />

‘Loop’ is a piece of downbeat<br />

electro soul, built out of delicate<br />

acoustic guitars, intricate beats<br />

derived form all manner of sources<br />

and a distinctive, heartfelt melody<br />

punctuated by tasteful touches of<br />

atmospheric vocal effects.<br />

This CD is a fantastic showcase for<br />

Ninjatune and its sister labels,<br />

Big Dada and Counter, but as a<br />

standalone mix it’s a bit much.<br />

At the end a sample stutters, “Don’t<br />

be fooled by the mask I wear, for I<br />

wear a thousand masks”.<br />

Yes, the label has 1000 masks but<br />

this particular mix suffers from trying<br />

them all on at once. Get the<br />

full 3CD compilation (ZENCD150) if<br />

you’re serious about exploring the<br />

glories of Ninjatune.<br />

SAM WALBY<br />

.<br />

This moves seamlessly into the stark<br />

‘Slumber’, a lone clean electric<br />

guitar improvising around a melancholy<br />

haunting production. In<br />

contrast ‘Third Song’ consists of so<br />

many complex parts, layers and<br />

sounds crying for the listener’s attention,<br />

you hardly know what to<br />

listen to first, reminding yourself that<br />

all this is being created by just one<br />

man.<br />

However ‘Humdrum Virtue’ shows<br />

Jones’ to be much more than an<br />

illusionist with a box of tricks. ‘Electricity’<br />

finds Jones’ unique vocal<br />

style and noise-making abilities,<br />

joined by double bass, drums and<br />

harmonica, creating a blues sound<br />

steeped in tradition but sizzling with<br />

freshness and modernity. Final track<br />

‘Beginning’ is a piece of timeless<br />

beauty- a true 21st Century folk<br />

song which develops out a looped<br />

but consistently changing acoustic<br />

guitar part, through superb electronic<br />

flourishes and the distant<br />

fanfare of a solitary trumpet.<br />

Denis Jones is one of the most exciting<br />

and innovative young talents<br />

in Britain. Get ‘Humdrum Virtue’ and<br />

discover why.<br />

WILL HUGHES.<br />

FLYING<br />

LOTUS.<br />

MYSPACE.COM/<br />

FLYINGLOTUS<br />

OUT ON WARP.<br />

Flying Lotus- Reset EP Warp Records<br />

Californian hip hop producer<br />

Flying Lotus has been known on<br />

the underground for a number<br />

of years, producing innotive and<br />

organic sounding beats not only<br />

for the Plug Research label, who<br />

released his first album, but also<br />

for the soundtrack to cult cartoon<br />

Adult Swim. He signed to Sheffield<br />

based Warp records in 2007 and<br />

subsequently released his Reset<br />

EP on the label. Influenced by a<br />

number of genres, from traditional<br />

south american sounds to soul, the<br />

EP serves as a pointer towards what<br />

this exceptional artist is capable<br />

of. Whilst staying true to his hip hop<br />

roots, the talented producer has<br />

moved towards a slightly more<br />

electronic sound with similarities to<br />

label mates Aphex Twin and Boards<br />

of Canada apparent in songs<br />

such as Dance Floor Stalker and<br />

Spicy Sammich. What is incredible<br />

about Flying Lotus’ production is<br />

that despite this heavy electronica<br />

influence he retains the warm<br />

sound born of the slightly out of<br />

kinter drum patterns and analogue<br />

sampling that have earned him<br />

comparisons with Madlib and J<br />

Dilla. With an album apparently in<br />

the pipeline-also on Warp- there is<br />

a great deal to look forward to from<br />

this exceptional producer.<br />

ben dorey.<br />

The<br />

Carol Anne<br />

Showband.<br />

MYSPACE.COM/<br />

thecarolanneshowband<br />

Sheffield based The Carol Anne<br />

Showband, serve up some lovely<br />

quirky blues here, complete with<br />

slide guitar, multiple vocal layering<br />

and subtle rhythms beat out accordingly.<br />

Throughout all four tracks one<br />

gets the impression that live is<br />

where these songs will truly come<br />

to life. The sing along harmonies<br />

and harmonica accompaniments<br />

lend a feeling of outright fun to the<br />

recordings, in particular, check out<br />

‘Two Steps’ a great number about<br />

the famous chip shop on Sharrowvale<br />

Road. However, one cannot<br />

escape the fact that blues should<br />

be enjoyed in the flesh so whilst it is<br />

certainly worth a visit to this webpage<br />

for a listen, I strongly recommend<br />

a glance at their gig listings<br />

and a trip out to see The Carol<br />

Anne Showband live very soon.<br />

www.myspace.com/thecarolanneshowband<br />

WILL HUGHES.<br />

Kickflip.<br />

Dat Sound<br />

Breakin Even Records<br />

With this release, one of Fat!<br />

Records consistent performers,<br />

yet again proves that he is on the<br />

ball production-wise, only this time,<br />

away from his main label releasing<br />

this particular track on ‘Breakin<br />

Even’. ‘Dat Sound’ brings a blend of<br />

funk fuelled guitar riffs chopped up<br />

that, in its entirety, wouldn’t be out<br />

of place in the middle of a Prince<br />

track! Expect the accessibility we’ve<br />

come to know and love along with<br />

that warm nu skool snap and bass<br />

line that makes Kickflip one of Sheffield’s<br />

(nay breakbeats?) finest.<br />

On the 12inch release there’s also a<br />

great bass heavy mix of ‘Disco Shit’<br />

by Jay Stewart (signed to ‘Breakin<br />

Even’) - a definite future breakbeat<br />

force to be reckoned. It’s no surprise<br />

that one of breakbeats up and<br />

coming stars and long time breakbeat<br />

jiver are matched together on<br />

this all round high quality release.<br />

myspace.com/bobkickflip<br />

breakinevenrecords.co.uk<br />

RICH SMOLENSKI.<br />

REVIEWS.<br />

REVIEWS.<br />

PAGE THIRTY-FIVE. CLARK//TURNING DRAGON. JOHN FAIRHURST//JOYS OF SPRING<br />

flying lotus.carolanne showband.kickflip. PAGE THIRTY-SIX.

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