The Tutoring Book - California State University, Sacramento
The Tutoring Book - California State University, Sacramento
The Tutoring Book - California State University, Sacramento
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Tips for <strong>Tutoring</strong> Reading<br />
73<br />
Kathryn Leedom<br />
Fall 2010<br />
<strong>The</strong> types of reading that occur in the writing center are very diverse, but essentially almost all<br />
tutoring sessions involve some sort of reading. This reading could be an essay prompt, a draft of a paper,<br />
a literary text, or a research article, but is certainly not limited to these things. Strategies for reading in the<br />
writing center differ depending on what kind of reading students present us. For example, the way in<br />
which one approaches fiction or creative writing should not be the same way in which one examines a<br />
research article, secondary source, or scientific study. Our knowledge of a specific kind of text (for<br />
instance, many tutors may be well-versed in humanities and less knowledgeable in the sciences, or vice<br />
versa) can affect the things we should look out for and be aware of in our tutoring sessions.<br />
General Reading Strategies<br />
<strong>The</strong>re are a few techniques one can use during each step of the reading process that are helpful for<br />
most reading situations.<br />
Before You Read<br />
Before jumping into a text, skim over the entire work. Look at the organizational<br />
structure (what does the structure of the article/novel/essay suggest? Can you identify a few main<br />
points from the structure?), consider the context or discourse community in which the writing<br />
resides, think about the title of the text, and note whether the work was written by a singular<br />
author or collaboratively. Sometimes even reading the last sentence or two of the text before<br />
reading the entire thing can be helpful. That way you are aware of where the text is headed and<br />
what the most important ideas are. This may help anxious readers relax and later, readily identify<br />
evidence the author uses to support the main ideas mentioned near the end.<br />
While You Read<br />
While reading, encourage the student to think about what has already been identified<br />
before starting. One of the first things to look for is the author’s purpose in writing. Why is the<br />
author writing? What is the main point of the text? Are there sub-points? Encourage students to<br />
underline or make notes in the margin of the text while reading, and stress the importance of<br />
“marking up” the writing in order to break the text down into manageable pieces. Sometimes<br />
students feel more comfortable using pencil, and sometimes they will want to use highlighters.<br />
Either way, try to help them identify what is worth marking or what can be left untouched. Often,<br />
authors will give verbal cues that point to what is important, such as “ultimately,” “in other<br />
words,” “I wish to focus on,” or action words like “we should,” or “if this does not occur, this<br />
will happen.”<br />
After You Read<br />
After reading the text completely, identify the context of the writing. What audience is<br />
the author writing for? Was this piece of writing published in a scholarly journal or an<br />
entertainment magazine? Read over the notes the student made, and read the highlighted or<br />
underlined portions again. Try to make connections between each main point identified, and see if<br />
the student is able to discern between a main idea and evidence for that idea. A good exercise to<br />
employ after reading is summarizing. Help the student go through each section of the text, and<br />
write a sentence or two summary of that section or main point. By summarizing, the student is