Richeson Casein Artist Colors - Richeson Art

Richeson Casein
Artist Colors
Painting by - Stephen Quiller
“I’ve used caseins for over 30 years
because I love the unique velvety
opaque and translucent visual qualities
it offers. On many of my paintings
I will work a luminous transparent
acrylic underlayer and build the casein
opaque and translucent layers over
the acrylic. The combination of visual
qualities is absolutely beautiful!”
Richeson Casein and Water Media
Internationally known artist, author
and workshop instructor Stephen
Quiller has made his mark exploring
the limitless opportunities of mixed
media in works that can be described
as a contemporary blend of abstract
and representational.
“I started out painting in a more
traditional way with transparent
watercolor,” explains Quiller, “but I
found it limited my options. I began
to explore other water-based paints,
and over time, I discovered a
combination of media helped me
better capture the spiritual essence
of the landscapes I was painting.
“I work with acrylics, casein, watercolor,
and gouache because they’re
compatible, yet have different characteristics
that lend themselves to
different aspects of a painting. I use
casein because I love its velvety
matte qualities and I find it’s the
perfect medium for depicting the low
winter light in the mountains around
my gallery and home in Colorado.”
An intuitive artist, Stephen Quiller
participates in the act of painting
rather than trying to dominate it.
He allows the subject matter to
speak to him as he progresses
and tell him which media will
work best at any given stage in
his paintings.
Quiller often does plein air paintings,
but for the pieces he’ll work
on later, he makes bold drawings
in black crayon and makes notes
about color and values. Then back
in his studio, Quiller sets to work
on 300lb. Richeson Premium
watercolor paper.
“When approaching a casein and
acrylic painting, I usually begin
with acrylics because when used
transparently, they have a rich,
vibrant glow and hold their intensity
after they dry.
“I tone my paper with thin
luminous washes that tint the
paper, rather than sealing it, so
that when I come in with casein,
the casein will bind to the paper.
As I progress through the painting, I
leave areas of the acrylic underpainting
exposed so that I can use casein
opaquely to diffuse the acrylic and
create a cloudy veil. If I want I can
also use casein for translucent
layers, light over dark. Normally, I
work with complementary colors,
cool over warm or vice versa.”
Although Quiller normally paints on
watercolor paper, he’s recently been
experimenting with textured hardboard,
a relatively new painting surface
consisting of a hardwood panel
coated with ph neutral and acid
free absorbent kaolin clay ground.
“I find hardboard responds well to
all the water media I use including
casein and it has a beautiful visual
quality that’s all its own. Another
advantage for water media painters
is that hardboard can be varnished
and shown without glass.”
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Richeson Casein Artist Colors
Q: Can I paint on canvas with casein?
A: Casein can be used on canvas,
although only in very thin application.
Since Casein in its cured state can
be brittle, we recommend that artists
paint on rigid surfaces. If you want the
texture of paint on canvas, mounting
the canvas on wood or panel is the best
solution.
Q: What other surfaces can I paint on
using casein?
A: Just about anything! Casein can be
used on interior walls, metal, wood, laminates,
metal, glass or ceramics. Clean
the surface thoroughly and on walls,
metal, wood or laminates, “prime” the
surface with a couple layers of gesso
or a PVA glue such as Weldbond (mix
50/50 with water). For slick surfaces
like glass, ceramics or metal, use denatured
alcohol to thoroughly clean the
surface. You can then prime the surface
with a PVA & water solution as above.
Q: What kind of watercolor paper
is recommended for casein?
A: Again, rigidity counts! You can paint
on 140lb. watercolor paper if the painting
will be properly framed shortly after
completion. 300 lb. paper is a much
better choice because of its stiffness
– and properly varnished and cradled
could even be framed without glass.
Q: What should I use for a palette?
A: Because casein will stain plastic palettes,
a butcher tray, porcelain tray or
a glass surface backed with a mid-tone
gray paper provides an excellent mixing
surface. Alternately, a disposable paper
palette can be used for its convenience
and ease of clean up.
Q: Can I keep casein from drying
on my palette?
A: Keep a spray bottle of water handy
and spritz the paint on your palette
periodically. Covering your palette with
plastic wrap (after spritzing) and putting
it in your fridge overnight will keep it
especially fresh. One can avoid the drying
issues entirely by only squeezing out
approximately as much paint as will be
used at one time.
Q: What grounds can I paint on?
A: Rabbit skin glue, PVA glue and acrylic
gesso. Just make sure there’s no oil on
the grounds.
Q: What kind of brushes work best
with casein and what is the best way
to clean them?
A: Casein, like acrylic, can be rough on
brushes if you don’t take good care of
them! Its heavy consistency can also
be an issue. Use bristle brushes or
synthetic soft hair, but never use one
made from sable! As with any painting
medium, use the end of the brush head
to pick up and apply paint: Paint getting
into the ferrule of the brush can damage
it! Keep your used brushes in a
brush washer with the heads immersed
in water until you clean them with water
and dish soap. For especially stubborn
colors, add a bit of ammonia to the
soap before washing. Rinse very well,
and be sure to “snap” your brush back
to its original shape before setting it out
to dry. Brush cleaners and conditioners
also work well and are another way to
keep your brushes usable for years to
come.
Q: How do I prepare a casein
painting for hanging?
A: You have several choices, depending
on the painting surface you’ve chosen.
If you’ve used paper, you should mount,
matte and frame as you would a watercolor.
If you’ve used a surface such as
panel, wood, glass, etc., you can choose
to let the casein cure for 2-3 weeks and
then hand-buff with a clean, lint-free
cotton cloth to bring up a satin sheen
that will serve as the final surface of
the painting. You may also choose to
varnish a casein painting. Using a gloss
varnish will produce a finish similar to
that of an oil painting.
Q: What about varnish?
A. Varnish is a matter of preference.
Richeson Casein Varnish or a gloss
varnish intensifies the color. Using a
matte acrylic varnish will preserve that
“authentic casein” look. Wait until the
surface has cured 2-3 weeks and no
longer reconstitutes with water and then
apply the varnish in the same manner
as you would for an acrylic or oil painting
(spray or airbrush application will
help you avoid brush marks). If you
don’t have time to wait, you can use a
spray varnish (applied in light coats in
a well-ventilated area) within a day of
the painting being dry to the touch. The
casein will continue to cure even when
varnished in this manner. Be sure to
follow the manufacturer’s safety recommendations
when using varnish.
Q: Are caseins archival?
A. Yes, properly done and with a protective
varnish, caseins can last longer
than oils, especially oils on canvas.
They also will not crack or yellow.
Q: How should I apply caseins?
A: You have a myriad of choices!
You can apply casein “juicy” like watercolors,
impasto like oils, or anything
in between. A rigid surface, such as a
canvas panel, is critical when applying
casein thickly (to prevent cracking if the
surface is flexed). You can use a painting
knife, brushes, cloth or even your
fingers to apply casein to your surface.
Q: Are casein paints transparent?
A: The degree of opacity varies from
color to color, with white being opaque
and affecting the opacity of other colors
it’s mixed with. When you make your
color chart, include a section for each
color combination to be applied over a
strip of a mid-tone gray. By doing this,
you create an opacity reference.
Q: Do casein colors mix like other
paints?
A: Yes! Wet casein does look about a
shade darker than it will when it dries.
Get to know the paint by making yourself
a color-mixing chart (a good idea no
matter what medium you are using!).
Q: Can I mix casein with other
mediums?
A: Yes you can! Use casein over watercolor
or gouache or as an underpainting
for acrylic, pastel or oils. If using casein
under oils, apply a barrier layer of
Kamar or Damar varnish over the casein
before the oil paint. Casein can also be
used under oils as an underpainting.
Q: What about glazes?
A: There are three methods of glazing
caseins, all of which are structured
around the need to avoid inadvertently
lifting a previously painted layer. First,
and most obvious, is to wait a couple
of weeks until the casein cures.
Second is to wait until the casein is
dry to the touch (just a few minutes
and can be accelerated by using a hair
dryer); prepare your glaze by adding a
small amount of paint to water or to
Casein Emulsion.
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Casein Color Studies & Underpainting
A little goes a long way – just be aware
that Casein Emulsion used “straight” in
this manner will dry to a semi-gloss finish,
not casein’s usual matte surface.
Painting by - R. Tate
For more information, visit
www.rtatepainting.com.
You can use acrylic flat varnish over
this area later if you prefer or it will
“even out” when you apply any finish
varnish to the whole painting. When
using this method, identify the area you
want to glaze and using a light touch,
carefully apply the glaze in one stroke
only for each brush width of area.
The final method is to use PVA
glue such as Weldbond. Mix 1 part
Weldbond to 3 parts water. This
solution can be applied with a foam
brush, but again, be sure to only apply
the glaze in one pass over an area. If
your painting is small enough, it may
be easier to pour the solution over the
painting rather than brush it on.
Get a flat pan a bit larger than the
painting. Hold the painting over the pan
and pour on the water/glue solution.
Tilt the painting to cover the entire
surface with the solution. (Reclaim
unused solution from the drip pan by
storing it in an airtight container). Wait
until the glue layer dries (accelerate
with a hair dryer if desired) and apply
your next paint glaze.
Q: What is half-tone black?
A: The pigment in half-tone black is
more finely dispersed than in the
other casein colors. Think of it as a
separate, transparent color, not “pale
black.” It is meant to be applied as a
glaze. Use it on your color mixing chart
to show the effects of half-tone black
over other casein colors. For instance,
half-tone black over burnt sienna
results in a beautiful purple.
Q. Why does the color chart show a
95% color + 5% white wash?
A. Adding a touch of white to your
casein colors will help you control
your washes. 5% white will make
washes lighten gradually from opaque
to transparent instead of changing too
rapidly. Try it, you won’t believe the
difference.
Casein & Color Studies
Although he had used casein in
college, Robert Tanenbaum didn’t
begin working with it seriously until the
early 1970’s when a fellow illustrator
recommended its use particularly
for highlights. It was much easier to
use casein instead of watercolor or
gouache.
With some experimentation,
Tanenbaum found that casein was
also perfect for tight details and textures,
and that its quick drying properties
made it ideal for preliminary color
sketches and for underpainting.
“Years ago, I learned that by doing
small preliminary color sketches, I
could work out the composition,
colors and value patterns. I could spot
problems early on, so that I could be
more spontaneous with my final images,
instead of laboring over them.
“I think casein is the best choice for
color sketches because it usually
dries within a few minutes and I can
make changes immediately or quickly
move onto the next stage.”
When doing his preliminary sketches,
Tanenbaum creates a relatively
detailed drawing of the figure. He then
begins by laying in the casein, using
the same techniques as he does with
oil – applying painterly brush strokes,
and blending and softening the edges
before the casein dries entirely.
Casein & Color Studies (con'd)
When he gets his color sketch to a
level he’s happy with, he’s ready to
approach his final oil painting. Again,
casein plays a major role.
Casein & Underpainting
“When I paint in oil, I still tone with
casein because I can use oil as soon
as the casein feels dry to the touch.
If I tone with oil, I have to wait for a
long time until it sets up. “For my oil
paintings, I use a stretched canvas,
which I re-gesso before I do a pencil
drawing. The pencil takes the gessoed
surface better and comes out black so
I can see it through the underpainting.
I spray the drawing with a workable
fixative, which sets the drawing so
that it won’t bleed into the paint or
disappear.
“Then I lay on an opaque casein
passage to completely cover the white
of the canvas, but I’m careful not to
lay it so thickly that it becomes impasto.
After that, I begin painting with oil.”
As long as an artist doesn’t lay on
casein too thickly, it’s an excellent
choice for underpainting because it’s
insoluble once it dries. The casein will
easily accept the oil and will form a
good mechanical bond,” explains Ross
Merrill, Former Chief of Conservation
for the National Gallery of Art in
Washington D.C.
“One thing an artist must never do
is underpaint oils with acrylic paint,”
says Merrill. “Acrylic paints are formulated
with a ‘closed’’ surface to protect
the paint from stains, grime and
other pollutants. This ‘closed’ surface
is non-absorbent and over time, the
oil on top could actually de-laminate
and come off in layers. Using acrylic
gesso, however, works fine with casein
or oil paint because it has an ‘open’
surface to accept the paint layer and
form a mechanical bond.”
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Richeson Casein
Artist Colors
Casein & Egg Tempera
Doug Wiltraut, an experienced egg
tempera painter, has discovered
the beautiful qualities casein has
to offer. While egg tempera is
characterized by its pureness of
color and luminosity, it also has
some qualities that make it a bit
difficult to work with.
Painting by - Douglas Wiltraut
Douglas Wiltraut, one of America's foremost painters in egg tempera and dry brush
watercolor. Currently the President of the National Society of Painters in Casein &
Acrylic, Inc., he has been the recipient of numerous national awards. He was the
subject of a feature article on egg tempera painting in both American Artist and
The Artist’s Magazine.
For more information on Doug and his work, visit www.douglaswiltraut.com.
First, egg tempera must be made
from “scratch” by the artist, and
because it is made from a perishable
item, new paint needs to be made
each day. This presents a challenge
in matching colors. Second, egg tempera
does not blend easily because
it is such a fast-drying medium. It
must be applied in numerous thin,
semi-opaque and transparent layers.
Many artists use a cross hatching
technique with their brush strokes to
create a clean, matte finish to their
paintings, but the process is generally
time-consuming.
While egg tempera is a unique
medium with a rich history, Richeson
Casein paints are able to achieve
some of the beautiful qualities of
egg tempera without some of its
drawbacks.
Richeson Casein paints are made
according to high quality standards
so you can be sure that every color
is the same each time you paint with
it. There are even color charts available
for you to see the colors before
you buy them.
Richeson Casein paints are also very
blendable. They can be applied in a
tight, detailed manner, or be diluted
with water to create a sweeping wash
across the surface. While casein
paints dry fairly quickly, they remain
workable for some time even after
they have dried.
Richeson Casein paints can also be
used with a variety of other mediums
including egg tempera! Egg tempera
artists now have a wonderful
addition to their palette with
Richeson Casein paints. By using
the two together, some interesting
effects can be achieved.
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Richeson Casein
Artist Colors
The Shiva Series
What is Casein?
Casein (kay'seen) is a quick-drying,
aqueous medium using a milk-based
binding agent, and is one of the
most durable mediums known to
man. Nine thousand year old casein
cave paintings have been discovered
in Asia, and later, the medium
was used by Byzantine, Roman and
Renaissance artists including the Old
Masters.
Detail of "A Walk in the Country" by John Molnar
John Molnar (1960-2010)
Born August 7, 1960, in Welland, Ontario, John Molnar
died October 13, 2010 in Toronto of leukemia-related
causes at age 50.
At the celebration of John Molnar’s life, one of his art
students recalled that John looked out on his class
one day and said, “Isn’t it a miracle we’re all here?
I mean, really." That pretty much sums up how John
felt about his life, his students and his art.
Although John had worked in commercial art, his
real passion was fine art, which he began to pursue
full-time in the late 1980s. Quickly becoming known for
his lush landscape paintings in casein, John became
the go-to person for expertise on the medium and
answered questions from artists all over the world.
John left a legacy of art that will keep his spirit alive
forever. His death is a great loss to painters everywhere,
especially in the medium of Casein.
Richeson Paints are tested in
accordance to: ASTM D-4236
and bear safety labels to the
standards issued by ACMI.
While many Shiva ® colors are
AP Approved non-toxic, certain
colors do bear the CL label
with safety warnings.
Known for their versatility and array
of capabilities, casein paints can be
used to create a variety of effects
from the rich opaques of oil to thin
watercolor washes. Because casein
has an exceptional integrity of color
and always dries to a perfect matte
finish, it is unexcelled for art
reproduction. The velvety matte
finish can also be buffed to a satin
sheen or varnished to produce a
resemblance to oils. Over time,
casein pigments become resistant to
moisture and as history has proven,
the medium has a durability and
permanence which has easily stood
the test of time.
Casein differs from other media, yet
it shares many of the same characteristics,
which make it a very versatile
medium that lends itself to many
techniques. Casein has the wash
capabilities of watercolor, the smooth
opacity of tempera and gouache,
and the richer textures of oils and
acrylics. Brushes dipped in casein
keep their finesse, producing clear,
crisp lines. Unlike oils, casein is a
clean, water-soluble medium
requiring no strong solvents.
And because it dries quickly, it’s
possible to lay on a glaze and move
onto the next stage within a few
hours instead of waiting for days,
or even months, for oil glazes
over oil to dry. In comparison to
watercolors, the main advantage of
casein is that it’s easily correctable.
It can be removed with a cloth,
brush or eraser.
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Richeson Casein Artist Colors
The Shiva Series
Shiva® Casein Colors – 32 colors available in open stock and sets
Titanium White Ivory Black Halftone Black Payne’s Grey Light Red Alizarin Crimson Venetian Red
120500 I 120501 I 120502 I 120503 I 120504 I 120505 III 120506 I
Rose Red Cadmium Red Deep Cadmium Red Pale Cadmium Red Scarlet Shiva Rose Yellow Ochre Cadmium Yellow Lt
120507 I 120508 I 120509 I 120510 I 120511 III 120512 I 120513 I
Cadmium Yellow Med Naples Yellow Cadmium Orange Cerulean Blue Cobalt Blue Ultramarine Blue Shiva Blue (Phthalo)
120514 I 120515 II 120516 I 120517 I 120518 I 120519 I 120520 I
Permasol Blue Shiva Violet Terra Verte Cadmium Green Shiva Green (Phthalo) Chrom. Oxide Green Burnt Sienna
120521 I 120522 II 120523 I 120524 I 120525 I 120526 I 120527 I
Key:
Burnt Umber Raw Sienna Raw Umber Golden Ochre
120528 I 120529 I 120530 I 120531 I
Lightfastness:
Excellent I Very Good II Fair III
100% color
50% color;
50% white
95% color; 5% white
(white helps to achieve
a luminous watercolor
wash effect)
Casein 1.25oz.
120500 Titanium White
120501 Ivory Black
120502 Half Tone Black
120503 Payne’s Grey
120504 Light Red
120505 Alizarin Crimson
120506 Venetian Red
120507 Rose Red
120508 Cadmium Red Deep
120509 Cadmium Red Pale
120510 Cadmium Red Scarlet
120511 Shiva Rose
120512 Yellow Ochre
120513 Cadmium Yellow Light
120514 Cadmium Yellow Medium
120515 Naples Yellow
120516 Cadmium Orange
120517 Cerulean Blue
120518 Cobalt Blue
120519 Ultramarine Blue
120520 Shiva Blue (Phthalo)
120521 Permasol Blue
120522 Shiva Violet
120523 Terra Verte
120524 Cadmium Green
120525 Shiva Green (Phthalo)
120526 Chromium Oxide Green
120527 Burnt Sienna
120528 Burnt Umber
120529 Raw Sienna
120530 Raw Umber
120531 Golden Ochre
Casein 5oz.
120532 Titanium White
74 1.800.233.2404 www.richesonart.com
Dealer Note: 1.25oz. tubes must be
purchased in boxes of 3.

Painting detail by Julie Jilek
www.juliejilek.com
Richeson Casein
Artist Color Sets
The Shiva Series
A
C
D
B
B
E
A. Basic Casein Set of 6
Set includes 1.25oz. tubes of:
titanium white, ivory black, rose red,
naples yellow, ultramarine blue, and
Shiva green (phthalo).
Number 120533
B. Wooden Box Set of 12
This set contains 1.25oz tubes which
are presented in a wooden slide-top
box. Includes: titanium white, ivory
black, rose red, light red, naples
yellow, yellow ochre, Shiva green,
ultramarine blue, Shiva blue,
Shiva violet, burnt sienna and
golden ochre.
Number 120541
C. Wooden Box Set of 6
Contains the same colors as above,
but this assortment comes packaged
in an elegant, slide-top wooden box.
Number 120542
Helpful Tips for Caseins
• Choose a rigid, non-oily surface for work
• Establish correct drawing and value
patterns with a thin underpainting
• Dilute caseins with water to make
washes & transparent glazes
• Casein colors, especially reds, oranges,
and yellows, tend to shift after drying
• Lighten colors by adding more water
or brighten them by adding powdered
pigment
• To correct an overly dark area, cover it
with a more opaque layer of a lighter
color
• When working on a gessoed panel,
correct any errors with an eraser or a
1:9 ammonia and water mixture
For more tips and complete information
on casein, including a variety of usage
instructions, see our printed Paint Color
Chart.
Number L20004
D. Casein Color Theory Set of 6
Perfect for color theory, casein has
little color shift, mixes easily!
Set includes 1.25oz. tubes of:
shiva rose, cadmium yellow light,
ultramarine blue deep, cadmium
orange, shiva green (phthalo), shiva
violet.
Number 120550
E. Casein Underpainting Set of 6
Watermedia and oil underpainting
material now a basic warm and cool
color set for every painter!
Set includes 1.25oz. tubes of:
burnt sienna, raw umber, paynes
grey, yellow ochre, cadmium red pale,
permasol blue.
Number 120560
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Richeson Casein Assortments
The Shiva Series
A. Richeson CASEIN
Full AssoRTment
Number 120537
1.25 Oz
6 - 120500 Titan White
6 - 120501 Ivory Black
3 - 120502 Shva Blck
3 - 120503 Paynes Grey
3 - 120504 Light Red
3 - 120505 Aliz Crimson
3 - 120506 Venetian Rd
3 - 120507 Rose Red
3 - 120508 Cad Red Dp
3 - 120509 Cad Red Pale
3 - 120510 Cad Red Scrlt
3 - 120511 Shiva Rose
3 - 120512 Yellow Ochre
3 - 120513 Cad Ylw Lt
3 - 120514 Cad Ylw Med
3 - 120515 Naples Ylw Hue
3 - 120516 Cad Orange
3 - 120517 Cerelean Blue
3 - 120518 Cobalt Blue
3 - 120519 Ultrmrine Bl Dp
3 - 120520 Shiva Blu (Phthalo)
3 - 120521 Permasol Blue
3 - 120522 Shiva Violet
3 - 120523 Terre Verte
3 - 120524 Cadmium Green
3 - 120525 Shiva Grn (Phthalo)
3 - 120526 Chrom Ox Grn
3 - 120527 Burnt Sienna
3 - 120528 Burnt Umber
3 - 120529 Raw Sienna
3 - 120530 Raw Umber
3 - 120531 Gold Ochre
3 - 120532 Ttnm Wht 5oz
3 - 120730 Casein Emulsion
3.75 oz
3 - 120732 Casein Varnish
3.75 oz
B. Richeson CASEIN
Narrow AssoRTment
Number 120538
1.25 Oz
12 - 120500 Titan White
12 - 120501 Ivory Black
6 - 120502 Shva Blck
6 - 120503 Paynes Grey
6 - 120504 Light Red
6 - 120505 Aliz Crimson
6 - 120506 Venetian Rd
6 - 120507 Rose Red
6 - 120508 Cad Red Dp
6 - 120509 Cad Red Pale
6 - 120510 Cad Red Scrlt
6 - 120511 Shiva Rose
6 - 120512 Yellow Ochre
12 - 120513 Cad Ylw Lt
6 - 120514 Cad Ylw Med
6 - 120515 Naples Ylw Hue
6 - 120516 Cad Orange
6 - 120517 Cerelean Blue
6 - 120518 Cobalt Blue
12 - 120519 Ultrmrine Bl Dp
6 - 120520 Shiva Blu (Phthalo)
6 - 120521 Permasol Blue
6 - 120522 Shiva Violet
6 - 120523 Terre Verte
6 - 120524 Cadmium Green
6 - 120525 Shiva Grn (Phthalo)
6 - 120526 Chrom Ox Grn
6 - 120527 Burnt Sienna
6 - 120528 Burnt Umber
6 - 120529 Raw Sienna
6 - 120530 Raw Umber
6 - 120531 Gold Ochre
6 - 120533 Basic 6/1.25oz
2 - 120730 Casein Emulsion
3.75 oz
2 - 120732 Casein Varnish
3.75 oz
All assortments include a FREE rack if requested with order.
Call Customer Service at 1.800.233.2404 for specific contents of our racks.
Filled Rack for Richeson Casein
Includes 3 – 1.25oz. tubes of an
assortment (6 black/6 white) of 30
different colors (popular colors -
duplicates),
3 – 5oz. tubes of Titanium White and
3 – 3.75oz. jars of mediums: Casein
Emulsion and Casein Varnish.
Number 120537
Empty Rack for Richeson Caseins
Dimensions are 25-1⁄2" x 24-1⁄4" x
5-1⁄2". Header measures 6-1⁄2" tall
and 23" wide.
Number 120536
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Richeson Casein Narrow Rack
This oak rack contains 6 each of 32
colors, plus duplicates of the most
popular colors for a total of 216
tubes! It also includes 2 each of the
following: Basic Sets of 6, Casein
Emulsion and Casein Varnish. Rack
and header are included free with
assortment if requested with order.
Display measures 15-3⁄4" wide by
44-1⁄8" high by 7-5⁄8" deep.
Additional 7-1⁄2" in height
with header.
Number 120538
Richeson Casein Narrow Rack
Empty
Number 120539
Empty Paint Tubes
Sold in packs of 144.
Number Description
120534 1.25oz. tube
120535 5oz. tube