poster colour.pdf
poster colour.pdf
poster colour.pdf
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Tempera<br />
The MILAN tempera range combines high quality and non-toxic pigments, water, a binder<br />
and calcium carbonate, among other components. Its 16 <strong>colour</strong>s are light resistant,<br />
opaque and mixable. MILAN tempera is notable for its viscosity and plasticity.
Pigments<br />
The pigments used in MILAN <strong>poster</strong><strong>colour</strong>s<br />
are of the highest quality, lightfast and safe,<br />
complying with European (EN71) and North<br />
American ASTM regulations.<br />
The 16 <strong>colour</strong>s of the range can be blended<br />
together.
Safe<br />
MILAN tempera is safe, odourless and<br />
non toxic.<br />
Drying<br />
Dries quickly and can be used on<br />
paper, cardboard and wood, among<br />
other media.<br />
Washable<br />
Washable from most types of fabrics.<br />
Suitable for children<br />
of three years old and<br />
upwards.
Application<br />
MILAN tempera can be applied with<br />
a sponge brush, which allows the<br />
application of a uniform layer of paint<br />
to the paper. MILAN sponge brushes<br />
allow the creation of a variety of<br />
different types of prints on paper.<br />
The brushes for water<strong>colour</strong>s and<br />
tempera allow detail painting as well<br />
as painting of large surfaces.<br />
sponge brushes<br />
brushes and sponge<br />
brushes
Techniques:<br />
monotypes<br />
MONOTYPES<br />
Creation of Monotypes<br />
(monotype is a unique and<br />
original type of printing).<br />
Firstly, a thick paint is applied<br />
on a sheet of paper.<br />
The monotype is obtained by<br />
placing a new sheet of paper<br />
on the drawing and pressing<br />
the two sheets of paper<br />
together, while the drawing<br />
is wet. The thick paint allows<br />
several different monotypes<br />
of the same painting.
Techniques<br />
50% white Solid <strong>colour</strong> wash of <strong>colour</strong><br />
Tone effects Textures Water<strong>colour</strong>s<br />
The <strong>colour</strong> can be mixed with 50% white to create a<br />
solid and opaque tone. The white tone can be mixed<br />
with water to create a wash of <strong>colour</strong>.<br />
MILAN tempera can be used directly<br />
from the pot, with a bristle brush,<br />
such as brushes 212 and 211.<br />
The paint allows textures to be created on<br />
the paper.<br />
The MILAN tempera allows washes and<br />
creates transparencies of tones. The<br />
transparent strokes resemble the effects<br />
of water<strong>colour</strong>s.
Techniques<br />
Transparency Coloured paper Overlapping<br />
Paint can be applied with a pony hair<br />
brush and water. The painting allows<br />
transparencies of tone.<br />
The strokes produce transparencies,<br />
overlapping two different <strong>colour</strong>s.<br />
On <strong>colour</strong>ed paper, the <strong>colour</strong> has been<br />
applied directly and it is distinguished by its<br />
opacity and homogeneity. The tone has a lot<br />
of transparency, when applied with water.<br />
The strokes are homogeneous, opaque<br />
and shiny. The brown tone has been<br />
applied over the blue tone.
Available formats<br />
28 ml<br />
40 ml 125 ml 1000 ml<br />
500 ml
03 212<br />
BWM 10 244<br />
03406<br />
03 206<br />
03 19 906
NONSTOP<br />
INNOVATION<br />
www.milan.es