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Tempera<br />

The MILAN tempera range combines high quality and non-toxic pigments, water, a binder<br />

and calcium carbonate, among other components. Its 16 <strong>colour</strong>s are light resistant,<br />

opaque and mixable. MILAN tempera is notable for its viscosity and plasticity.


Pigments<br />

The pigments used in MILAN <strong>poster</strong><strong>colour</strong>s<br />

are of the highest quality, lightfast and safe,<br />

complying with European (EN71) and North<br />

American ASTM regulations.<br />

The 16 <strong>colour</strong>s of the range can be blended<br />

together.


Safe<br />

MILAN tempera is safe, odourless and<br />

non toxic.<br />

Drying<br />

Dries quickly and can be used on<br />

paper, cardboard and wood, among<br />

other media.<br />

Washable<br />

Washable from most types of fabrics.<br />

Suitable for children<br />

of three years old and<br />

upwards.


Application<br />

MILAN tempera can be applied with<br />

a sponge brush, which allows the<br />

application of a uniform layer of paint<br />

to the paper. MILAN sponge brushes<br />

allow the creation of a variety of<br />

different types of prints on paper.<br />

The brushes for water<strong>colour</strong>s and<br />

tempera allow detail painting as well<br />

as painting of large surfaces.<br />

sponge brushes<br />

brushes and sponge<br />

brushes


Techniques:<br />

monotypes<br />

MONOTYPES<br />

Creation of Monotypes<br />

(monotype is a unique and<br />

original type of printing).<br />

Firstly, a thick paint is applied<br />

on a sheet of paper.<br />

The monotype is obtained by<br />

placing a new sheet of paper<br />

on the drawing and pressing<br />

the two sheets of paper<br />

together, while the drawing<br />

is wet. The thick paint allows<br />

several different monotypes<br />

of the same painting.


Techniques<br />

50% white Solid <strong>colour</strong> wash of <strong>colour</strong><br />

Tone effects Textures Water<strong>colour</strong>s<br />

The <strong>colour</strong> can be mixed with 50% white to create a<br />

solid and opaque tone. The white tone can be mixed<br />

with water to create a wash of <strong>colour</strong>.<br />

MILAN tempera can be used directly<br />

from the pot, with a bristle brush,<br />

such as brushes 212 and 211.<br />

The paint allows textures to be created on<br />

the paper.<br />

The MILAN tempera allows washes and<br />

creates transparencies of tones. The<br />

transparent strokes resemble the effects<br />

of water<strong>colour</strong>s.


Techniques<br />

Transparency Coloured paper Overlapping<br />

Paint can be applied with a pony hair<br />

brush and water. The painting allows<br />

transparencies of tone.<br />

The strokes produce transparencies,<br />

overlapping two different <strong>colour</strong>s.<br />

On <strong>colour</strong>ed paper, the <strong>colour</strong> has been<br />

applied directly and it is distinguished by its<br />

opacity and homogeneity. The tone has a lot<br />

of transparency, when applied with water.<br />

The strokes are homogeneous, opaque<br />

and shiny. The brown tone has been<br />

applied over the blue tone.


Available formats<br />

28 ml<br />

40 ml 125 ml 1000 ml<br />

500 ml


03 212<br />

BWM 10 244<br />

03406<br />

03 206<br />

03 19 906


NONSTOP<br />

INNOVATION<br />

www.milan.es

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