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Reader’s<br />

<strong>Guide</strong><br />

Keep<strong>Toronto</strong>Reading.ca/onebook


Program Partners<br />

“I’m delighted to have Consolation chosen<br />

as the <strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong>’s inaugural<br />

<strong>One</strong> <strong>Book</strong>. I consider the novel a love letter<br />

to <strong>Toronto</strong> and it thrills me to have it requited.”<br />

– Michael Redhill<br />

<br />

Jarvis Collegiate<br />

Sir Sandford Fleming Academy<br />

R.H. King Academy<br />

The York School


Join <strong>Toronto</strong>’s first annual<br />

community read project<br />

Imagine if everybody in <strong>Toronto</strong> were on the same page.<br />

Michael Redhill’s <strong>Toronto</strong> <strong>Book</strong> Award-winning novel Consolation<br />

is our first <strong>One</strong> <strong>Book</strong> selection. A haunting story of <strong>Toronto</strong>’s<br />

vanished past and changing present, Consolation digs beneath<br />

the surfaces of the city and its inhabitants to raise compelling<br />

questions about progress, loss and the nature of history.<br />

All month long, the <strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong> and our partners<br />

throughout the city will be holding author events, book giveaways,<br />

walking tours, in-person and online discussions and more.<br />

Consult Keep<strong>Toronto</strong>Reading.ca/onebook for dates, times,<br />

locations and details.<br />

Praise for Consolation<br />

“Some of the best historical fiction about <strong>Toronto</strong>… Home and<br />

muse, the city that has ignited Redhill’s imagination will captivate<br />

and haunt the imagination of readers of this luminous novel.”<br />

– Vancouver Sun<br />

“A beautiful and dreamy story, gorgeously written and movingly<br />

told, about the myriad ways the past lingers just below the<br />

surface of the present and inevitably shapes the future. It<br />

is the story of a family, but also the story of <strong>Toronto</strong>, a city<br />

that’s constantly re-creating itself and, in so doing, constantly<br />

shrugging off its awkward past. Redhill’s recreation of old<br />

<strong>Toronto</strong> is so vivid you can almost hear the rumble of carriage<br />

wheels on the cobblestones as you turn the pages.”<br />

– Calgary Herald


A warm welcome from the mayor<br />

<strong>One</strong> of the qualities that makes <strong>Toronto</strong> great is the vast range of<br />

opportunities it offers for cultural engagement and civic dialogue.<br />

I’m thrilled to support the latest addition to the city’s cultural life:<br />

Keep <strong>Toronto</strong> Reading <strong>One</strong> <strong>Book</strong>.<br />

The selection of Consolation as our first title not only celebrates<br />

our city, but also showcases the work of one of <strong>Toronto</strong>’s most<br />

talented authors. Michael Redhill’s novel raises many issues of<br />

great urgency to <strong>Toronto</strong>: can we reconcile the need to preserve<br />

the city’s past with its rapid growth? In a city constantly renewed<br />

by immigration, how do we create our environment, and how<br />

does it change us? How do we look after the needs of the most<br />

vulnerable among us?<br />

I look forward to all of us coming together to discuss these vital<br />

ideas and to celebrate the wealth of literature we have in <strong>Toronto</strong>.<br />

Mayor David Miller<br />

Rossin House, 1867. Octavius Thompson.<br />

<strong>Toronto</strong> Reference <strong>Library</strong><br />

2 Michael Redhill Consolation


Josephine Bryant<br />

Kathy Gallagher Ross<br />

greetings from the Chief librarian<br />

and the Board chair<br />

For three years now, Keep <strong>Toronto</strong> Reading has brightened up<br />

the winter by bringing people together for the month of February<br />

to celebrate the joy of reading. This year, for the first time, we’re<br />

taking it a step further by inviting all of <strong>Toronto</strong> to join a city-wide<br />

book club. Welcome to Keep <strong>Toronto</strong> Reading <strong>One</strong> <strong>Book</strong>.<br />

We’re proud to present Michael Redhill’s wonderful novel,<br />

Consolation, as our first <strong>One</strong> <strong>Book</strong> selection. We’re sure that<br />

the people of <strong>Toronto</strong> will find much to discuss in this vivid,<br />

complex and moving story of the city’s past and present.<br />

We, and our partners across the city, invite you to participate<br />

in the many events exploring and celebrating Consolation<br />

throughout the month. Borrow one of our many copies of the<br />

book, come out to a reading, a panel discussion, or a walking<br />

tour and see what it’s like when everybody’s on the same page.<br />

Chief Librarian,<br />

<strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong><br />

Chair, <strong>Toronto</strong> <strong>Public</strong><br />

<strong>Library</strong> Board<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 3


About Consolation<br />

There is a vast part of this city with mouths buried in it… Mouths capable of<br />

speaking to us. But we stop them up with concrete and build over them and<br />

whatever it is they wanted to say gets whispered down empty alleys and turns<br />

into wind…<br />

These are among the last words of Professor David Hollis before he throws<br />

himself off a ferry into the frigid waters of Lake Ontario. A renowned professor<br />

of forensic geology, David leaves in his wake both a historical mystery and an<br />

academic scandal. He postulated that on the site where a sports arena is about<br />

to be built lie the ruins of a Victorian boat containing an extraordinary treasure:<br />

a strongbox full of hundreds of never-seen photographs of early <strong>Toronto</strong>, a<br />

priceless record of a lost city. His colleagues, however, are convinced that he<br />

faked his research materials.<br />

Determined to vindicate him, his widow, Marianne, sets up camp in a hotel<br />

overlooking the construction site, watching and waiting for the boat to be<br />

unearthed. The only person to share her vigil is John Lewis, fiancé to her<br />

daughter, Bridget. An orphan who had come to love David as his own father,<br />

John finds himself caught in a struggle between mother and daughter, all the<br />

while keeping a dark secret from both women.<br />

Interwoven into the contemporary story is another narrative set in 1850s<br />

<strong>Toronto</strong>: the tale of Jem Hallam, a young apothecary struggling to make a living<br />

in the harsh new city so he can bring his wife and daughters from England.<br />

Crushed by ruthless competitors, he develops an unlikely friendship with two<br />

other down-on-their-luck <strong>Toronto</strong>nians: Samuel Ennis, a brilliant but dissolute<br />

Irishman, and Claudia Rowe, a destitute widow. Together they establish a<br />

photography business and set out to create images of a fledgling city where<br />

wooden sidewalks are put together with penny nails; where Indians spear<br />

salmon at the river mouth and the occasional bear ambles down King Street;<br />

where department stores display international wares and fine mansions sit<br />

cheek-by-jowl with shantytowns.<br />

Consolation moves back and forth between David Hollis’s legacy and Jem<br />

Hallam’s struggle to survive, ultimately revealing a mysterious connection<br />

between the two narratives. Exquisitely crafted and masterfully written, Michael<br />

Redhill’s superlative book reveals how history is often transformed into a species<br />

of fantasy, and how time alters the contours of even the things we hold most<br />

certain. As complex and layered as the city whose story it tells, Consolation<br />

evokes the mysteries of love and memory, and what suffering the absence of the<br />

beloved truly means.<br />

4 Michael Redhill Consolation


Photo of Michael Redhill: Cylla Von Tiedemann<br />

About the Author<br />

Michael Redhill is the publisher and one of the editors of Brick, a<br />

literary magazine; the author of the novel Martin Sloane, a finalist<br />

for the 2001 Giller Prize; and the short story collection Fidelity.<br />

He has also written four poetry collections, including Asphodel,<br />

published in 1997, and Light-Crossing, published in 2001. His<br />

most recent works for the theatre are Goodness and Building<br />

Jerusalem, winner of a Dora Award.<br />

Consolation, Redhill’s second novel, was awarded the 2007<br />

<strong>Toronto</strong> <strong>Book</strong> Award and nominated for the 2007 Man <strong>Book</strong>er<br />

prize.<br />

Michael Redhill is currently spending a year in France with his<br />

partner and their two sons.<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 5


Looking north-east (left and middle) and east on King (p. 7) from the top of the Rossin House,<br />

circa 1856. Armstrong, Beere & Hime. <strong>Toronto</strong> Reference <strong>Library</strong> and City of <strong>Toronto</strong> Archives<br />

“I knew there was something in the pictures I wanted to write about.<br />

But the more I scribbled things down, the more I began to recognize a<br />

resonance between that dead city, no stitch of which exists anymore,<br />

and modern <strong>Toronto</strong>.”<br />

– Michael Redhill<br />

Jem Hallam’s <strong>Toronto</strong><br />

Barbara Myrvold, Librarian and Historian, <strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong><br />

When Jem Hallam, hero of Michael Redhill’s Consolation, arrived<br />

in <strong>Toronto</strong> in 1856, he came to a city on the verge of great<br />

change, one that would be almost unrecognizable to residents<br />

today. At the time, the city was essentially bordered by Dufferin<br />

Street, Lake Ontario, the Don River and Bloor Street.<br />

With 30,775 residents in 1851, it was the largest city in<br />

Canada West (now Ontario), but was considerably smaller than<br />

Montreal (57,715) and Quebec City (42,052) in Canada East.<br />

Although growth had slowed from the previous two decades,<br />

<strong>Toronto</strong>’s population still increased almost 45 percent between<br />

1851 and 1861, when the city’s population reached 44,821.<br />

Some of <strong>Toronto</strong>’s most striking buildings went up in the late<br />

1840s and 1850s, including the Provincial Lunatic Asylum and<br />

Trinity College on Queen Street West near the city limits, <strong>Toronto</strong><br />

Mechanics’ Institute (the predecessor of <strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong>),<br />

St. Michael’s Cathedral, St. Lawrence Hall, St. James Cathedral<br />

and University College, to name a few. Several of these buildings<br />

survive to enrich today’s <strong>Toronto</strong>.<br />

6 Michael Redhill Consolation


Michael Redhill’s inspiration for Consolation included a panoramic series of<br />

photographs taken in 1856 from atop the Rossin House Hotel, located at the<br />

corner of King and York Streets until 1969. See the photos that inspired Redhill<br />

on display at <strong>Toronto</strong> Reference <strong>Library</strong> and City of <strong>Toronto</strong> Archives in February.<br />

<strong>Toronto</strong>’s People<br />

Despite his initial loneliness and isolation, the fictional Hallam<br />

shared a similar background and experiences with the majority of<br />

<strong>Toronto</strong>nians of the time. With two-thirds born outside of Canada<br />

in 1851, <strong>Toronto</strong> was a city of immigrants. Ninety percent of the<br />

newcomers had emigrated from Great Britain. The so-called<br />

“foreign-born,” those whose birthplace was neither Canada nor<br />

Britain, came from the United States, Germany, Holland and “all<br />

other places.”<br />

These modest numbers increased over time, as did the variety<br />

of source countries, contributing to the city’s diversity. <strong>Toronto</strong>’s<br />

Black population swelled to 526 residents in 1851; Canada<br />

became a safe haven once the United States passed the Fugitive<br />

Slave Act (1850).<br />

Religion reflected the Anglo-Celtic origin of most <strong>Toronto</strong>nians.<br />

Three-quarters were Protestant in 1851. The Church of England<br />

comprised the largest group with 37 percent. The exodus from<br />

famine-stricken Ireland in the late 1840s had given <strong>Toronto</strong> a<br />

sizeable Roman Catholic population (25 per cent in 1851). Jews,<br />

the only non-Christians, formed less than one percent, but their<br />

population tripled during the decade from 57 to 153 in 1861.<br />

The Changing Face of <strong>Toronto</strong><br />

Immigration was not the only force changing the city. <strong>Toronto</strong><br />

entered the railway era on May 16, 1853 when the <strong>Toronto</strong><br />

steam-engine of the Ontario, Simcoe & Huron Railroad pulled<br />

four cars to Machell’s Corners (Aurora); by the end of the<br />

decade, service extended in all directions — to Collingwood on<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 7


the Northern, to Sarnia and Montreal on the Grand Trunk, and via<br />

the Great Western’s Hamilton link, to London and the American<br />

Midwest.<br />

As its regional reach extended more widely, the city’s<br />

commercial institutions also grew. The <strong>Toronto</strong> Stock Exchange<br />

was established in 1852, the Canada Permanent Buildings<br />

and Savings Society in 1855 and the Bank of <strong>Toronto</strong> in 1856.<br />

Reflecting this rising prosperity, the Rossin House, a five-storey<br />

luxury hotel, opened at King and York in May 1857. Hand in hand<br />

with these developments, <strong>Toronto</strong> suffered a severe crash in 1857,<br />

and the economic downturn lasted well into the early 1860s.<br />

The physical face of the city began to change, as <strong>Toronto</strong><br />

became the main railway hub of Canada West. The railways’<br />

need for land led to a 100-foot landfill strip across the harbour in<br />

the mid-1850s, the beginning of the eastern Esplanade and the<br />

first of many lakefills, which would gradually move the shoreline<br />

southwards.<br />

Industrial and residential areas started to separate, at least<br />

for the more affluent. By 1851, most <strong>Toronto</strong>nians lived north of<br />

Queen. For the wealthy, Rosedale was planned in 1854 with villa<br />

lots on winding streets — the first break from <strong>Toronto</strong>’s historic<br />

grid pattern. Migration north (and west) continued in the 1850s,<br />

as the gentry subdivided original park lots between Queen and<br />

Bloor and laid out new streets, targeting working and middle<br />

classes. Slums including Macauleytown became more congested<br />

as poor immigrants crammed into shoddy shanty dwellings.<br />

Growth of Services<br />

In spite of poverty and crowding, the crumbling, fire-prone slums<br />

where Hallam first meets Ennis and Rowe in Consolation were<br />

changing in the 1850s, as government services and regulations<br />

increased. Sewers and gaslights, installed on many streets<br />

in the 1840s, were expanded to new areas. Roads were laid<br />

with macadam and sidewalks with plank boards. Following the<br />

great fire of 1849, the city required new development in the<br />

downtown area to be more fire-resistant. Nevertheless, almost<br />

three-quarters of <strong>Toronto</strong>’s 8,438 houses were frame in 1861,<br />

although the proportion of brick dwellings was increasing and<br />

shanties had disappeared; fewer than 40 houses were stone.<br />

Four fire stations operated in 1856; steam-powered fire engines<br />

replaced hand-pumped machines by 1861.<br />

8 Michael Redhill Consolation


There was… a science to determining how time passes. Human beings<br />

interrupt the natural cycles of growth and decay with their communities<br />

and their structures, but they don’t stop those cycles. Rather, the<br />

process is continued, like river water flowing around a stone. Except<br />

the river water is made of cities and buildings, and the stone is pushed<br />

underground and lost forever…<br />

– Consolation<br />

Work and Leisure<br />

<strong>Toronto</strong>nians worked at many jobs in the 1850s, with labourers<br />

and female servants comprising the two largest groups. The<br />

fictional Hallam’s occupations expanded over the course of the<br />

decade; the number of “chemists, druggists and apothecaries”<br />

doubled from 29 to 57, while four “daguerrists” were transformed<br />

into 12 “photographists.” Armstrong & Beere, the real-life firm<br />

who took the photographs of <strong>Toronto</strong> that inspired Consolation,<br />

advertised itself in 1855-6 as “Engineers, Draughtsmen and<br />

Photographists over Simpson & Dunspaugh, Chemists, King<br />

Street.” (A third ‘photographist’, Humphrey Lloyd Hime, joined the<br />

firm in 1857.)<br />

King Street was the city’s main commercial, cultural and<br />

ceremonial thoroughfare. <strong>Toronto</strong>’s three daily newspapers were<br />

located there – George Brown’s Globe, James Beaty’s Leader<br />

and the Colonist, edited by Samuel Thompson. St. Lawrence<br />

Hall, on King East, offered sophisticated activities including<br />

recitals by the Swedish Nightingale, Jenny Lind, and lectures by<br />

the American abolitionist, Frederick Douglass. The Royal Lyceum<br />

Theatre, next to the Rossin House, was a principal stop for<br />

touring companies.<br />

Travelling circuses led parades through the city to the Fair<br />

Green on the lakeshore. People danced the Elephant Polka<br />

and the Grand Trunk Mazurka at charity and military balls. In the<br />

summertime, pleasure steamers went to <strong>Toronto</strong> Island (actually<br />

a peninsula until a violent storm in 1858). There was a wide<br />

variety of societies to support the less fortunate, including the<br />

“deserving” and “undeserving” poor. For some, social activities<br />

centred at the city’s 35 churches, while for others leisure hours<br />

were spent at <strong>Toronto</strong>’s 200 hotels, taverns and saloons.<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 9


6<br />

<strong>Toronto</strong> 1856<br />

Detail from Plan of the City of <strong>Toronto</strong>,<br />

Charles Unwin, 1858. <strong>Toronto</strong> Reference<br />

<strong>Library</strong><br />

You can also explore <strong>Toronto</strong> then and<br />

now with our online, interactive map at<br />

Keep<strong>Toronto</strong>Reading.ca/onebook


5<br />

7<br />

2<br />

1<br />

4<br />

3<br />

Legend of COnsolation locations 1. J. Hallam, Apothecary<br />

2. Rossin House Hotel 3. Browne’s Wharf 4. Parliament Buildings<br />

5. Osgoode Hall 6. Samuel Ennis’s Shanty 7. Jem Hallam’s Rooms


Gould Street Presbyterian Church, circa 1856. Photo by Armstrong,<br />

Beere and Hime. City of <strong>Toronto</strong> Archives.<br />

Excerpt from Consolation<br />

…He remembered freshly his first glimpse of the city, as the<br />

ferry came around the western side of the island that lay off its<br />

shore: a vision of spires and yellow brick and white stone set<br />

against a wall of trees. And from that distance — even as the ferry<br />

bore down on Brown’s Wharf at the foot of Yonge Street — the<br />

seeming feebleness of the little twists of smoke and steam rising<br />

up from different buildings, Lilliputian industry while all around<br />

it raw nature went about its effortless business. Who thinks of<br />

making a city in the rough? he’d thought, seeing the place for the<br />

first time, and he knew from the expressions on the faces of the<br />

newly arrived that this was the wondering thing that occurred to<br />

everyone that made landfall here.<br />

Some greater shocks were in store for those brave enough<br />

to leave their ships. Streets paved with little more than the<br />

accumulation of grit pressed into them by boots. Wooden


Osgoode Hall, circa 1856. Photo by Armstrong, Beere and Hime.<br />

City of <strong>Toronto</strong> Archives.<br />

“I doubt a four-foot piece of the True Cross would be enough to<br />

stop work on a site in this city. You find a three-week-old potato<br />

chip in Montreal, they raise a velvet rope around it and have a<br />

minute of silence. But here, no.”<br />

sidewalks put together with penny nails. Tar-acrid log shanties<br />

with bank buildings made of Kingston stone in their backyards.<br />

German and French spoken freely in the streets and canoes out<br />

in the lake with actual Indians in them, spearing salmon at the<br />

river mouth. Then that same lake, frozen to stillness between<br />

December and April, ice-clenched with nothing coming in or out<br />

of it. And centred in it, with misplaced pride, a stuttering attempt<br />

at making an English town out of nothing, like a voice straining to<br />

be heard from a great distance. It would actually be funny, Hallam<br />

had thought, if he didn’t have to live here.<br />

Excerpt from Consolation by Michael Redhill. Copyright © 2006 Caribou River Ltd.<br />

Published by Doubleday Canada. Reproduced by arrangement with the Publisher.<br />

All rights reserved.<br />

For a digitized and annotated excerpt from the book,<br />

go to Keep<strong>Toronto</strong>Reading.ca/onebook<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 13


Questions for Discussion<br />

1. In an interview with <strong>Toronto</strong> Life, Michael Redhill said that he<br />

wrote Consolation out of love and anger. How do you see<br />

these two motivations at play in the novel?<br />

2. Marianne says to John: “You make no choices. You allow<br />

yourself to be moved by other things… You’re like powder<br />

that has to have some ingredient added to make it active.”<br />

Do you agree with her judgment or do you think she’s too<br />

hard on John? How does John grow as a character over the<br />

course of the novel?<br />

3. John says to Marianne, with respect to her husband, “You<br />

loved him, but you didn’t accept him.” Would you call this a<br />

fair comment and why or why not?<br />

4. Why do you think the author chose to leave the end of the<br />

novel open? How would the stories continue in your view?<br />

Does Jem return to <strong>Toronto</strong> to be with Claudia? Can John<br />

and Bridget ever pick up where they left off?<br />

5. Do you think that the character Howard Rosen is correct in<br />

thinking that Sam was based on him?<br />

6. “Time was linear: it went forward and back. But up and<br />

down was organic, it was growth and decay.” Discuss the<br />

theme of time in relation to photography, urban development<br />

and the characters’ subjective experiences.<br />

7. What resonances, if any, did you notice between the<br />

historical and contemporary narratives?<br />

8. Both David Hollis and Jem Hallam comment on the isolation<br />

experienced by <strong>Toronto</strong>nians. For David, it’s a symptom of<br />

modernity. For Jem, it’s the result of a harsh climate. Do you<br />

agree with either view?<br />

9. Both David Hollis and Sam Ennis, as dying men, describe<br />

themselves as lucky. Why do you think they feel this way?<br />

14 Michael Redhill Consolation


10. David asks John, “Do you think you’re awake?” What<br />

does he mean by that? How would you answer that same<br />

question?<br />

11. Discuss the role of family in Consolation, especially with<br />

respect to John and Jem.<br />

12. Do you think the struggles of Victorian and modern-day<br />

<strong>Toronto</strong> are all that different? Why or why not?<br />

13. How does the <strong>Toronto</strong> depicted in Consolation compare<br />

with the view you have of the city either first-hand, or<br />

through other books you’ve read or movies you’ve seen?<br />

Did the novel change the way you look at your own<br />

community — its past, present and future?<br />

14. Loss permeates the novel — loss of life, love and the<br />

remnants of the past. How do the main characters cope<br />

with loss? How are they consoled?<br />

15. Were you surprised to find out who narrates Jem Hallam’s<br />

story? How did the discovery affect your reading of the<br />

novel as a whole?<br />

16. Jem refused to mail his letters to his family because they<br />

were “full of lies too egregious for sending.” Howard Rosen<br />

described John’s manuscript as “trying to fix a lie with<br />

another lie.” Discuss the role of deceit in the novel.<br />

17. Both Jem and David are faced with tremendously difficult<br />

decisions: Jem, to let Claudia stay with him or fend for<br />

herself; John, whether or not to drive David to the ferry<br />

docks — and his death. Do you think each character makes<br />

the right choice?<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 15


Court Street Firehall, 1860.<br />

<strong>Toronto</strong> Reference <strong>Library</strong><br />

Events<br />

Meet the author<br />

Celebrate the launch of our first <strong>One</strong> <strong>Book</strong> program featuring<br />

music by Mary Lou Fallis, dramatic readings, and a discussion<br />

with Consolation author Michael Redhill.<br />

Monday, February 4, 7 p.m., <strong>Toronto</strong> Reference <strong>Library</strong><br />

Bring your copy of Consolation to a candle-lit dinner with<br />

Michael Redhill at historic Gibson House and experience <strong>Toronto</strong><br />

as it was in the 1850s.<br />

$25. Pre-payment and pre-registration required.<br />

Phone 416-395-7432 for reservations.<br />

Tuesday, February 5, 7 p.m., Gibson House Museum,<br />

5172 Yonge St., North York Centre Subway<br />

<strong>Book</strong> signing with Michael Redhill.<br />

Wednesday, February 6, 1:30 p.m., Nicholas Hoare <strong>Book</strong>s,<br />

45 Front St. E.<br />

Join <strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong> book club members in an informal<br />

chat with the author of Consolation.<br />

Wednesday, February 6, 6:30 p.m., North York Central <strong>Library</strong>,<br />

Concourse. Open to all.<br />

Submit your questions to author Michael Redhill at our online<br />

book club: bookbuzz.torontopubliclibrary.ca.<br />

16 Michael Redhill Consolation


Experience the <strong>Book</strong><br />

<strong>Book</strong> Talks<br />

Ryerson professor and book lover Suanne Kelman presents an<br />

in-depth look at Consolation.<br />

Thursday, February 7, 2 p.m., Brentwood Branch<br />

Thursday, February 7, 7 p.m., Beaches Branch<br />

Tuesday, February 12, 7 p.m., Don Mills Branch<br />

Friday, February 22, 1:30 p.m., Agincourt Branch<br />

Lost City<br />

Preservationists and developers debate <strong>Toronto</strong>’s past and future.<br />

Monday, February 11, 7 p.m., St. Lawrence Hall, 157 King St. E.<br />

First Days<br />

A panel of immigrant writers – including authors Shyam<br />

Selvadurai and Goran Simic — discuss their early days in <strong>Toronto</strong>,<br />

and share memories of the hope and the loneliness of arrival in a<br />

new city.<br />

Wednesday, February 13, 7 p.m., Parkdale Branch<br />

In the Footsteps of the Black Victorians – A Walking Tour<br />

Saturday, February 16, 1 to 3 p.m., St. Lawrence Market.<br />

Mackenzie House admission of $4 applies. Please RSVP.<br />

Call 416-392-6915 for details.<br />

All Month:<br />

• Visit Keep<strong>Toronto</strong>Reading.ca/onebook to download Michael<br />

Redhill’s audio walking tour and to view an annotated and<br />

illustrated virtual chapter of Consolation<br />

• Check out CBC Radio’s Here and Now with Matt Galloway and<br />

the <strong>Toronto</strong> Star for <strong>One</strong> <strong>Book</strong> news and programs<br />

• Visit Spacing <strong>Toronto</strong> at spacing.ca/toronto for articles from<br />

contributing writers about Consolation’s <strong>Toronto</strong><br />

• Discuss Consolation at the <strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong>’s online book<br />

club: bookbuzz.torontopubliclibrary.ca<br />

• Check Keep<strong>Toronto</strong>Reading.ca/onebook for updated details<br />

and new activities<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 17


Parliament Buildings, circa 1856.<br />

Photo by Armstrong, Beere and Hime.<br />

<strong>Toronto</strong> Reference <strong>Library</strong> and City of<br />

<strong>Toronto</strong> Archives.<br />

Exhibits<br />

See <strong>Toronto</strong> in pictures as<br />

it was in the 1850s.<br />

• View the photographs that inspired Consolation at the <strong>Toronto</strong><br />

Reference <strong>Library</strong> or the City of <strong>Toronto</strong> Archives.<br />

• Visit <strong>Toronto</strong> Culture Division’s exhibits, A Glimpse of Black Life<br />

in Victorian <strong>Toronto</strong>, 1850-1860 and The Black Press in Canada<br />

West at the <strong>Toronto</strong> Reference <strong>Library</strong>.<br />

• See virtual exhibits of Victorian <strong>Toronto</strong> online at<br />

historicity.torontopubliclibrary.ca:<br />

• All Aboard <strong>Toronto</strong>! Railways and the Growth of the City<br />

• <strong>Toronto</strong>: A Place of Meeting<br />

18 Michael Redhill Consolation


<strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong>’s <strong>Book</strong> Clubs are<br />

located across the City<br />

Agincourt<br />

Albert Campbell<br />

Alderwood<br />

Annette<br />

Beaches<br />

Bendale<br />

Bloor/Gladstone<br />

Brentwood<br />

Cedarbrae<br />

Cliffcrest<br />

Danforth/Coxwell<br />

Davenport<br />

Deer Park<br />

Don Mills<br />

Downsview<br />

Eatonville<br />

Eglinton Square<br />

Elmbook Park<br />

Fairview<br />

Forest Hill<br />

Goldhawk Park<br />

Guildwood<br />

High Park<br />

Leaside<br />

Locke Branch<br />

Long Branch<br />

Malvern<br />

McGregor Park<br />

Mimico<br />

Morningside<br />

Mount Pleasant<br />

New <strong>Toronto</strong><br />

Northern District<br />

Northern Elms<br />

North York<br />

Central <strong>Library</strong><br />

Palmerston<br />

Pape/Danforth<br />

Parliament<br />

Port Union<br />

Rexdale<br />

Richview<br />

Riverdale<br />

Runnymede<br />

S. Walter Stewart<br />

Sanderson<br />

Spadina<br />

St. Lawrence<br />

Taylor Memorial<br />

Weston<br />

Wychwood<br />

York Woods<br />

Yorkville<br />

<strong>Book</strong> Buzz, an online <strong>Book</strong> Club<br />

Join us for an online discussion of Consolation by going to<br />

www.torontopubliclibrary.ca and clicking on <strong>Book</strong> Clubs.<br />

Keep<strong>Toronto</strong>Reading.ca/onebook • <strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong> 19


Further Reading<br />

Other Works by Michael Redhill<br />

Fiction<br />

Martin Sloane<br />

Doubleday, 2001<br />

Fidelity<br />

Doubleday, 2003<br />

Drama<br />

Building Jerusalem<br />

Playwrights Union Canada, 2001<br />

Goodness<br />

Coach House Press, 2005<br />

Poetry<br />

Impromptu Feats of Balance<br />

Wolsak and Wynn, 1990<br />

Lake Nora Arms<br />

Coach House Press, 1993;<br />

House of Anansi, 2001<br />

Asphodel<br />

McClelland & Stewart, 1997<br />

Light-Crossing<br />

House of Anansi, 2001<br />

Related <strong>Book</strong>s<br />

Fiction<br />

Alias Grace<br />

Margaret Atwood<br />

McClelland & Stewart, 1996<br />

Baldwin Street<br />

Alvin Rakoff<br />

Bunim & Bannigan Ltd., 2007<br />

Cabbagetown<br />

Hugh Garner<br />

McGraw-Hill Ryerson, 1978, 2003<br />

The City Man<br />

Howard Akler<br />

Coach House Press, 2005<br />

In the Skin of a Lion<br />

Michael Ondaatje<br />

McClelland & Stewart, 1987<br />

Natasha and Other Stories<br />

David Bezmozgis<br />

Harper Flamingo Canada, 2004<br />

This Ain’t No Healing Town<br />

edited by Barry Callaghan<br />

Exile Editions, 1995<br />

Under the Dragon’s Tail, Poor Tom is<br />

Cold, A Journeyman to Grief<br />

and other mysteries<br />

Maureen Jennings<br />

McClelland & Stewart<br />

What We All Long For<br />

Dionne Brand<br />

Knopf Canada, 2005<br />

Witness to Life<br />

Terence M. Green<br />

Tom Doherty Assoc., 1999<br />

Non-fiction<br />

Inside <strong>Toronto</strong>: Urban Interiors, 1880s to 1920s<br />

Sally Gibson<br />

Cormorant <strong>Book</strong>s, 2006<br />

I’ve Got a Home in Glory Land: A Lost Tale of the<br />

Underground Railroad<br />

Karolyn Smardz Frost<br />

Thomas Allen, 2007<br />

Lost <strong>Toronto</strong><br />

William Dendy<br />

Oxford University Press, 1978<br />

<strong>Toronto</strong> to 1918: An Illustrated History<br />

J.M.S. Careless<br />

James Lorimer & Co., 1984<br />

A <strong>Toronto</strong> Album: Glimpses of the City That Was<br />

Mike Filey<br />

Dundurn Group, 2001<br />

<strong>Toronto</strong>, No Mean City<br />

Eric Arthur<br />

University of <strong>Toronto</strong> Press, 1986<br />

20 Michael Redhill Consolation


KEEP<br />

TORONTO<br />

READING 2008


<strong>Toronto</strong> <strong>Public</strong> <strong>Library</strong> gratefully acknowledges<br />

The Printing House for their donation of<br />

printing services for the first annual<br />

<strong>One</strong> <strong>Book</strong> Reader’s <strong>Guide</strong>.<br />

www.torontopubliclibrary.ca

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