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TC Today - Teachers College Columbia University

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Hold That Smile—All Day<br />

Artist and doctoral student Jun Gao uses long-term exposure photography<br />

to capture unseen qualities of stillness and light<br />

When the artist Jun Gao decided to photograph<br />

<strong>Columbia</strong> <strong>University</strong>’s Low Plaza<br />

recently, he arrived before sunrise. By the<br />

time he had set up three homemade cameras—two for color,<br />

one for black and white—he had been joined by children<br />

running back and forth at a nearby book fair, curious passersby<br />

and the occasional inquisitive security guard.<br />

In the afternoon, a friend came by. “We enjoyed the<br />

sunshine, the peaceful and beautiful Sunday with numerous<br />

lovely little kids, and shared ideas of art and philosophy,”<br />

says Gao, a doctoral student in <strong>TC</strong>’s Art and Art<br />

Education program.<br />

In the evening, after the moon “started to shed soft light<br />

on Alma Mater”—the famous statue of <strong>Columbia</strong>’s Athenalike<br />

icon—the camera is finally down.<br />

“We kind of assume photography is instantaneous,<br />

but I believe time in photography should be as long as we<br />

want, or as short as we want,” says Gao, conceding that this<br />

philosophy puts him at odds with the apparent goals of<br />

modern camera makers, who produce ever quicker modes<br />

of picture taking. “If the time is too short or too fast, the<br />

outcome is totally different. Time should be one of the keys<br />

to decide what the image should look like. But normally,<br />

we really don’t consider that.”<br />

28 T C T O D A Y l s p r i n g 2 0 1 1<br />

“Alma Mater–The Providence of <strong>Columbia</strong> <strong>University</strong>-I,” by Jun Gao

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