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Lightness and Brightness and Other Confusions

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Yellow +b*<br />

60<br />

50<br />

40<br />

Hue<br />

30<br />

20<br />

10<br />

-60 -50 -40 -30 -20 -10<br />

Green -a*<br />

10<br />

20<br />

30<br />

40<br />

50<br />

60<br />

Red +a*<br />

-10<br />

-20<br />

-30<br />

-40<br />

-50<br />

-60<br />

Blue -b*<br />

100<br />

90<br />

80<br />

70<br />

60<br />

50<br />

h<br />

<strong>Lightness</strong> (L*)<br />

40<br />

30<br />

Hue<br />

20<br />

10<br />

0<br />

10 20 30 40 50 60<br />

Chroma (C*)<br />

Figure 20. The L*C*h* colour space is a cylindrical variation of the spherical<br />

CIELAB space. The hue angle (indicating hue) rotates counter-clockwise<br />

from +a (red = 0˚). The chroma increases outwards from the central axis<br />

(grey scale = 0 chroma).<br />

Chromaticness <strong>and</strong> chromaticity<br />

Chromaticness is often given the same definition as chromaticity, i.e. the hue<br />

<strong>and</strong> saturation of a colour regarded independent of its brightness. The Collins<br />

English Dictionary still gives chromaticness as “the attribute of colour that<br />

involves both hue <strong>and</strong> saturation” (Collins 2000). Billmayer <strong>and</strong> Saltzman<br />

give chromaticness as follows: “Finally, when taken together, the hue <strong>and</strong><br />

saturation of a perceived colour are called its chromaticness”. In their book<br />

The Science of Color The optical Society of America’s Committee on Colorimetry<br />

defined chromaticness as follows: “Chromaticness consists of hue <strong>and</strong><br />

87

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