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Lightness and Brightness and Other Confusions

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05<br />

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20<br />

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40<br />

50<br />

C<br />

60<br />

90<br />

70<br />

80<br />

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50<br />

90<br />

40<br />

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Equal NCS chromaticness (c)<br />

Equal NCS whiteness (w)<br />

Equal NCS blackness (s)<br />

Figure 16. Chromaticness, blackness <strong>and</strong> whiteness in the NCS system<br />

<strong>Brightness</strong> has an indirect, non-linear correlation with luminance; it is a<br />

perceived quantity that cannot be instrumentally measured. For example the<br />

full moon can be bright <strong>and</strong> luminous – almost dazzling – at night, but<br />

viewed in the very different global setting of daylight (this is sometimes possible)<br />

it will look only pale, a mere ghost of its nocturnal appearance, although<br />

its measured luminance will be the same as at night. The difference in<br />

the mode of appearance <strong>and</strong> the experience of brightness is, of course, due to<br />

adaptation <strong>and</strong> contrast – <strong>and</strong> this is exactly how brightness differs from both<br />

lightness <strong>and</strong> luminance.<br />

One speaks of the sun, the moon or a lamp as being bright, but of a table or<br />

room as being brightly lit or illuminated (it is idiomatic in English, though, to<br />

speak of a room or a l<strong>and</strong>scape filled with daylight as being bright). There are<br />

instances where the two modes of experience merge, as in self -luminous<br />

objects or surfaces in darkness being illuminated by cropped beams of light<br />

with for example theatrical profile projectors (which can lead to an illusion of<br />

self-luminance). Various types of image projection (slide-, overhead-, film-<br />

72

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