Lightness and Brightness and Other Confusions
Lightness and Brightness and Other Confusions
Lightness and Brightness and Other Confusions
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conventional concepts, which can be used with rather high precision within<br />
the profession but are almost unintelligible to others.<br />
A scientific approach to visual experience dem<strong>and</strong>s attentive observations.<br />
Pictures made for this purpose can convey what has been observed, but for<br />
communication <strong>and</strong> analysis of the observation there is also a need for more<br />
specific terms than the conventional or artistic ones. The concept of perceived<br />
light denotes attentively observed light, which can be described by concepts,<br />
such as light level, light distribution, shadows, reflections, glare <strong>and</strong> the<br />
colour of light. These concepts, which have been specifically investigated <strong>and</strong><br />
presented by Anders Liljefors (2005), all denote aspects of light as a visual<br />
experience, aspects that cannot be identified or quantified in any other way<br />
than through attentive visual observation.<br />
Examples of perceptual concepts related to light<br />
Conventional <strong>and</strong> artistic approach<br />
Dark, light, bright, illumination, shadow, highlight, reflection, mixing,<br />
blending, morning light, dusk, haze, penumbra, harsh light, soft light,<br />
dazzle, glitter, warm light, cool light, Mediterranean light, Nordic light,<br />
divine light<br />
Visual research approach<br />
<strong>Brightness</strong>, light level, light distribution, shadow, reflection, glare,<br />
colour of light<br />
Perceptual aspects of ‘colour’<br />
Like light, the word colour is used conventionally without much need for<br />
concept definition. All humans with non-defective colour vision can broadly<br />
agree on how to name the colours we see around us, according to conventions<br />
<strong>and</strong> traditions within each culture. Also in literature <strong>and</strong> other artistic or<br />
symbolic contexts a colour or a combination of colours can be described <strong>and</strong><br />
understood with the help of basic colour terms like red or blue or by words<br />
alluding to a know material or situation, like s<strong>and</strong> or sunset. Just as for light,<br />
the only way to determine whether the term is relevant for the specific experience<br />
is by casual or attentive observations <strong>and</strong> by referring to what we see,<br />
have seen or have indirect experience of.<br />
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