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Lightness and Brightness and Other Confusions

Lightness and Brightness and Other Confusions

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INDIRECT<br />

EXPERIENCE<br />

culturally transferred through<br />

history, traditions, customs, trends,<br />

scientific theories, art, poetry, etc.<br />

DIRECT<br />

EXPERIENCE<br />

CATEGORICAL<br />

PERCEPTION<br />

Figure 3. The graphic model shows levels of experience - from experiences<br />

based on categorical perception through direct experience of the world<br />

around to the indirect experience imbedded in cultural expressions. The<br />

three experience levels are mutually dependent <strong>and</strong> they are all implicitly<br />

present in all perceptions. Colour <strong>and</strong> light can be understood in many ways<br />

<strong>and</strong> on all levels. They can never be separated from the coherent experience<br />

of the world. (Model by Ulf Klarén 2010)<br />

The three experience levels are mutually dependant <strong>and</strong> they are all implicitly<br />

present in all perceptions. A perceived distinction between a red colour <strong>and</strong><br />

other colours is a basic (categorical) perception. The experience of the colour<br />

of a wall – whether in light or shadow – is a direct experience of the world<br />

around, <strong>and</strong> the knowledge that red has a special position in a colour system,<br />

that red surfaces absorb electromagnetic radiation in a special way, <strong>and</strong> that<br />

red houses may be of high social importance, is based on indirect experience.<br />

Our experience of the world is always a coherent whole but when using colour<br />

<strong>and</strong> light concepts it is, at the same time, important not to mix up their conceptual<br />

contexts.<br />

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