09.09.2014 Views

Lightness and Brightness and Other Confusions

Lightness and Brightness and Other Confusions

Lightness and Brightness and Other Confusions

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

ence derives its origin from multiple sources that are external as well as internal.<br />

Our visual experience of the world does not emanate from a series of static<br />

retinal images. Our vision has access to a dynamic flow of continuously varying<br />

retinal information interplaying with complex information from all other<br />

senses, about spatial colour <strong>and</strong> light relations, about spatial movements,<br />

about our present position in space. In accordance with Merleau-Ponty’s<br />

‘human world’ JAMES J. GIBSON 22 describes an ecological approach to perception;<br />

there is a tight perceptual attunement between human beings <strong>and</strong> their<br />

environment. The perceptual relationship between the outer world <strong>and</strong> the<br />

human inner world is natural <strong>and</strong> without hindrance. The perceptual systems<br />

have developed for millions of years interplaying with the surrounding world<br />

(Gibson 1979).<br />

ALVA NOË 23 referring to Gibson, comments that “the perceptual world (the<br />

environment) – – is not a separate place or world; it is the world thought of<br />

from our st<strong>and</strong>point (or any animal’s st<strong>and</strong>point).” (Noë 2004, p 156). It is<br />

the world “for us” 24 , the special human perceptual niche, in ecological balance<br />

with the human environment. Gibson <strong>and</strong> Noë regard man as ecologically<br />

integrated in a world, where appearances are genuine features of the<br />

environment; hence colour <strong>and</strong> light, in Gibson’s ecological sense, are natural<br />

but non-physical (Noë 2004, p 155). We know nothing more except that they<br />

exist <strong>and</strong> give us impressions <strong>and</strong> order in time <strong>and</strong> space. The Swedish perceptual<br />

colour notation system Natural Colour System (NCS) is natural in<br />

Gibson’s sense.<br />

One world, several aspects<br />

The ultimate aim of human perception <strong>and</strong> cognition is to achieve <strong>and</strong> maintain<br />

a constant <strong>and</strong> coherent world. Gibson calls attention to the fact that the<br />

perceptive registration process is successive, but it is nevertheless experienced<br />

as if it were simultaneous. (Gibson 1958, p 184).<br />

Human perception is often described as structuring information from the<br />

outer world. Attention is not so often called to the fact that one of the most<br />

basic functions of the perception process is to select <strong>and</strong> discard information<br />

in order to make it more comprehensible. The flow of potential information<br />

in the outer world is immense. The human perceptual niche is narrow <strong>and</strong><br />

22<br />

American psychologist, 1904–1979<br />

23 American philosopher, 1964–<br />

24<br />

For us refers to Immanuel Kant, who makes a distinction between the-thing-in-itself<br />

(das Ding an Sich; the world beyond the phenomena) <strong>and</strong> the-thing-for-us (das Ding<br />

für uns; the world as experienced through our knowledge. (Kant (2004, pp 325–327).<br />

22

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!