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In The Light Of Darkness – A photographer's ... - Schilt Publishing

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Dear friends,<br />

Just as we were rounding off this autumn catalogue, the terrible<br />

news reached us of the deaths of the war photographers Tim<br />

Hetherington and Chris Hondros, both killed by mortar fire on 20<br />

April during the gruesome fighting in the Libyan city of Misrata.<br />

Although we all know – and they better than anybody else – that<br />

such risks are ever-present in their profession, it does nothing to<br />

soften the blow, and our grief and anger are just as intense. Our<br />

heartfelt thoughts go out to their friends and family.<br />

<strong>The</strong> news came as an even greater shock to us because it<br />

happened just as we were finishing putting together Kate Brooks’<br />

<strong>In</strong> <strong>The</strong> <strong>Light</strong> <strong>Of</strong> <strong>Darkness</strong> – A photographer’s journey After 9/11,<br />

which is also featured in this catalogue. Kate had been in Libya<br />

just weeks before the tragedy took place, and her accounts of the<br />

situation there were alarming and moving. <strong>The</strong> events she<br />

experienced there caused her to question whether she should<br />

continue with what she was doing: constantly placing herself in<br />

extremely dangerous situations, with all its mental consequences,<br />

driven by the need to show to the outside world as objective a<br />

picture as possible of what happens in such wars. <strong>The</strong> fact that<br />

two of her dearest colleagues were to be killed at that very location<br />

didn’t make it any easier for Kate, to put it mildly; their deaths<br />

moved her profoundly. <strong>The</strong> quality of her work convinces us all yet<br />

again that the vital efforts made by people like Kate have to<br />

continue to be made; we have to allow top-class journalists to<br />

show us what is going on in the world. With Kate’s book, <strong>Schilt</strong><br />

<strong>Publishing</strong> lets us experience once more a homage to the<br />

indispensable work of war photographers.<br />

Donald Weber, Sergey Chilikov and Lorena Guillen Vaschetti are<br />

the other photographers to be introduced to you in this brochure.<br />

All three the cream of the crop of international photography in<br />

their own field.<br />

<strong>In</strong> his book <strong>In</strong>terrogations, the Canadian Donald Weber shows us<br />

the bizarre world of the post-Soviet era in Ukraine, the core of the<br />

book being formed by photographs of some extraordinarily brutal<br />

instances of police interrogation.<br />

A striking overview of the works of the Russian master Sergey<br />

Chilikov is the first tangible result of a hopefully successful and<br />

lengthy collaboration between <strong>Schilt</strong> <strong>Publishing</strong> and the Russian<br />

photo agency Gallery.Photographer.ru.<br />

With her eye-catching and intriguing book Historia, Memoria,<br />

Silencios, the Argentine art photographer Lorena Guillen Vaschetti<br />

touches a totally different nerve; that of a family that has virtually<br />

disappeared – her own. Her story is fascinating while at the same


time it forces the reader to re-think the role of photography in the<br />

context of the history of a family.<br />

Hot off the press: World Press Photo and <strong>Schilt</strong> <strong>Publishing</strong> have<br />

agreed to extend their collaboration and, in addition to their<br />

existing partnership with regard to the World Press Photo Yearbook,<br />

to produce a totally new version of the annual Joop Swart<br />

Masterclass book. This will be a much more extensive publication,<br />

purely focussed on the photography aspect, providing an<br />

outstanding account every year of the promising young talents in<br />

the world of photojournalism. Many previous participants of the<br />

Masterclass – that has been organized for the last 17 years – are<br />

now some of the most renowned names in photography. <strong>Schilt</strong><br />

<strong>Publishing</strong> is proud to be more directly involved with World Press<br />

Photo’s rich range of super talents.<br />

I would also like to take this opportunity to make three official<br />

announcements of great significance! My wife Maria Louise<br />

<strong>Schilt</strong>-Thissen, who has been running the legal department of the<br />

publishing company for the last six months, will from now on also<br />

be taking a more active part in the fields of press contacts and PR.<br />

And following the establishing of a <strong>Schilt</strong> <strong>Publishing</strong> office in the<br />

US (run by the irrepressible Mary Bisbee-Beek and Randall Beek),<br />

from May 2011 the publishing company will have an office in<br />

London. Anna Pfab, a familiar face for many of you via her work at<br />

the English quality magazine Foto8 and the affiliated renowned<br />

Host Gallery, has been invited to represent the interests in the UK<br />

of <strong>Schilt</strong> <strong>Publishing</strong> and the photographers that have already been<br />

published and will be published in the future. Needless to say, we<br />

are more than delighted that she has accepted!<br />

And last but not least: the publishing house will be moving to a<br />

new location this summer. We are relocating to a new building in<br />

Amsterdam, appropriately enough situated in the ‘photographers’<br />

area on the newly developed island of IJburg!<br />

Elsewhere in this brochure you will find all the addresses and<br />

other necessary information of the various offices.<br />

As long as we all continue to refuse to accept mediocrity, a<br />

wonderful future lies ahead of us.<br />

Maarten <strong>Schilt</strong><br />

Amsterdam, April 2011<br />

<strong>Schilt</strong><br />

<strong>Publishing</strong><br />

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Kate Brooks <strong>In</strong> <strong>The</strong> <strong>Light</strong> <strong>Of</strong> <strong>Darkness</strong><br />

Sergey Chilikov Selected Works<br />

Donald Weber <strong>In</strong>terrogations<br />

Lorena Guillen Vaschetti Hostoria, Memoria, Silencios<br />

World Press Photo Masterclass 2011<br />

Yuri Kozyrev Iraq – <strong>The</strong> Full Story<br />

Sophie Zenon Roads Over Troubled Water<br />

Jason Eskenazi & Valeri Nistratov Title Nation<br />

Thomas Dworzak Kavkaz<br />

Elliot Ross Animal<br />

Michelle Sank <strong>The</strong> Submerged<br />

Martin Parr / Quentin Bajac Parr by Parr<br />

Suzan van de Roemer <strong>The</strong> Power of Resilience<br />

Stanley Greene Black Passport<br />

FotoFest 2010 Biennal Contemporary U.S. Photography<br />

George Georgiou Fault Lines<br />

Heather McClintock <strong>The</strong> <strong>In</strong>nocent<br />

Jane Hilton Dead Eagle Trail<br />

Damion Berger <strong>In</strong> <strong>The</strong> Deep End<br />

Rena Effendi Pipe Dreams<br />

Marcus Bleasdale <strong>The</strong> Rape of a Nation<br />

Dave Anderson One Block<br />

Frederick C. Baldwin & Wendy Watriss Looking at the U.S. 1957-1986<br />

Ferit Kuyas Chongqing – City of Ambition<br />

Monique Stauder Latitude Zero<br />

Carl De Keyzer Trinity<br />

Robert Knoth Certificate no. 000358/<br />

Robert Knoth Hira Mandi<br />

Harry Gruyaert Edges<br />

Lucia Ganieva Tiltenberg<br />

Chris de Bode Tour du Monde<br />

Ahmet Polat ...Neither here nor there...<br />

Willem Poelstra 112* Ambulance Amsterdam<br />

Emilie Hudig <strong>In</strong> Control<br />

Martijn van de Griendt Smokin’ Boys Smokin’ Girls<br />

Ata Kandó Photographer<br />

Michiel Hegener <strong>The</strong> Kurds of Iraq<br />

Lana Šlezić Forsaken<br />

Arlene Gottfried Sometimes Overwhelming<br />

Carin Verbruggen Under_Exposed<br />

www.schiltpublishing.com<br />

<strong>Schilt</strong> <strong>Publishing</strong> 3


Kate Brooks<br />

<strong>In</strong> <strong>The</strong> <strong>Light</strong> <strong>Of</strong> <strong>Darkness</strong><br />

A photographer’s journey after 9/11<br />

Design: Heijdens Karwei, Amsterdam.<br />

ISBN 978 90 5330 758 8<br />

Format: 20.5 x 24 cm. (portrait)<br />

Hardbound with dust jacket<br />

240 pages with approx. 100 photos in<br />

full colour<br />

World rights; German rights sold<br />

(Benteli)<br />

August 2011<br />

£27.50 / $45<br />

This book is a collection of photographs and personal essays that<br />

chronicle a young woman’s ten-year passage from the mountains of<br />

Tora Bora to the uprisings in the Arab world at the beginning of 2011<br />

that led, amongst other things, to the resignation of president Hosni<br />

Mubarak of Egypt and the cruel war in Libya.<br />

Kate Brooks’ images portray the harsh beauty and poignant pain of a<br />

region mired in conflict, while the accompanying essays relate her<br />

experiences as a woman photojournalist in the Muslim world.<br />

At the age of 23, following the Twin Tower attacks, Kate Brooks moved<br />

to Pakistan to photograph the impact of U.S. foreign policy in the<br />

region. <strong>In</strong> 2003, she covered the American invasion of Iraq from<br />

Kurdistan and for Time she began to photograph the beginning of the<br />

Iraqi insurgency. Since then, she has expanded her focus to include life<br />

in Iran, Gaza, Pakistan, Lebanon and Afghanistan – a place she returns<br />

to regularly.<br />

Brooks’ photographs have been published in <strong>The</strong> New Yorker,<br />

Smithsonian, Newsweek, <strong>The</strong> Atlantic and Time.<br />

Her work will be shown in the Southeast Museum of Photography,<br />

Daytona State College, Daytona Beach, www.smponline.org. Both the<br />

exhibition opening and the book launch will take place there on<br />

9/11/2011<br />

4<br />

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Sergey Chilikov<br />

Selected Works 1978-<br />

Design: MV LevievanderMeer,<br />

Amsterdam<br />

ISBN 978 90 5330 760 1<br />

Format: 22 x 24.5 cm. (portrait)<br />

Hardbound with dust jacket<br />

192 pages with approx. 150 photos in<br />

b/w and full colour<br />

World rights; German rights sold<br />

(Benteli)<br />

October 2011<br />

£27.50 | $45<br />

Sergey Chilikov was born in 1953 and graduated from Mari<br />

Pedagogical <strong>In</strong>stitute with an MA in Philosophy (1983). From 1976<br />

till 1991 Chilikov lectured at Yoshkar-Ola University. <strong>In</strong> 1993 he<br />

completed a book on Russian philosophy, ‘<strong>The</strong> Owner of a Thing,<br />

or the Anthology of Subjectivity’.<br />

Chilikov’s photography career began in 1976 in the FACT group<br />

(S. Chilikov, Y. Evlampiev, V. Voetsky, E. Likhosherst, V. Mikhaylov).<br />

Very soon he became a leader of non-conformist photography in his<br />

region. Together with a group of like-minded individuals, he managed<br />

to organize exhibitions and festivals and to deal quite peacefully with<br />

official Photosoyuses. <strong>In</strong> 1980-1989 Chilikov organized the Analytical<br />

Photo Exhibitions (Yoshkar-Ola biennale) and the annual open-air<br />

photo festival on Kundysh River. <strong>In</strong> 1988 he participated in the final<br />

exhibition of the FACT group at the Na Kashirke exhibition hall<br />

(Moscow).<br />

Since 1989 Chilikov has been working on a travel series about cities<br />

in the Soviet Union. His series, entitled ‘Photo Provocations’, ‘<strong>The</strong><br />

Countryside Glam’, ‘<strong>The</strong> Beach’, ‘<strong>The</strong> Gambling’, ‘<strong>The</strong> Philosophy of<br />

a Journey’ and others, depict the hidden eroticism of people of the<br />

countryside that appears even more vital when it contrasts with<br />

depressing surroundings.<br />

6<br />

<strong>Schilt</strong> <strong>Publishing</strong><br />

Gallery.Photographer.ru, situated in Moscow, represents Sergey<br />

Chilikov; this book is being published in close cooperation with<br />

the agency.


Donald Weber Text by Larry Frolick<br />

<strong>In</strong>terrogations<br />

Design: Heijdens Karwei, Amsterdam.<br />

ISBN 978 90 5330 759 5<br />

Format: 17 x 24 cm. (portrait)<br />

Hardbound<br />

176 pages with approx. 90 photos in<br />

full colour<br />

World rights<br />

October 2011<br />

£24.90 / $40<br />

After a lone trip to Chernobyl in 2005, Donald Weber soon returned to<br />

the abandoned site of the nuclear disaster and spent the next six years<br />

in Russia and Ukraine<br />

photographing the ruins of the unstoppable storm we call history.<br />

Travelling and living with ordinary people who had endured much, and<br />

survived everything, Weber began to see the modern State as a<br />

primitive and bloody sacrificial rite of unnamed Power.<br />

<strong>In</strong>terrogations is the result of his personal quest to uncover the hidden<br />

meaning of the bloody 20th Century. <strong>In</strong> dialogue with writer Larry<br />

Frolick – whose own ancestors had been decimated in the final months<br />

of WW II – Weber insistently and provocatively addresses his questions<br />

both to the living survivors and to the ghosts of the State’s<br />

innumerable victims, resurrecting their final hours by taking their point<br />

of view, and performing a kind of incantatory meditation over their<br />

private encounters with Power.<br />

<strong>The</strong> policemen, working girls, thugs, dissidents and hustlers who<br />

inhabit these pages are all orphans of a secret History; the outline of<br />

our collective fate takes shape in Weber’s epic work, expanding our<br />

awareness of what it means to be an actor in<br />

today’s dark opera.<br />

A regular contributor to the literary quarterly, Descant, Larry travels<br />

yearly to Asia, the Middle East, and the Arctic from his family home in<br />

Niagara on the Lake, Ontario, Canada. His personal interests include<br />

collecting vintage audio equipment from the 1970s, hard bebop,<br />

cycling, and the war poetry of the Great War.<br />

Donald Weber originally worked as<br />

an architect in Rotterdam with urban<br />

theorist Rem Koolhaas’ <strong>Of</strong>fice for<br />

Metropolitan Architecture. He<br />

freelanced for many publications in<br />

Canada and abroad before devoting his<br />

artistic career to an epic study of how<br />

Power deploys an all-encompassing<br />

theatre, implicating everyone in its<br />

secret collaboration with both masters<br />

and victims.<br />

His projects include ‘<strong>The</strong> Underclass<br />

and Its Bosses: Crime & Punishment<br />

in Ukraine’, which won the Lange-<br />

Taylor Documentary Prize; ‘Bastard<br />

Eden, Our Chernobyl’, which won the<br />

Photolucida Book Award; ‘<strong>The</strong><br />

Drunken Bride, Russia Unveiled’,<br />

which won a Guggenheim Fellowship;<br />

‘Cities Under Siege’, which won a<br />

Canada Council Fellowship. He is<br />

represented by the photo agency VII<br />

Network.<br />

Larry Frolick is an award-winning<br />

author and social critic with a special<br />

interest in post-modern global culture.<br />

His published works include four<br />

non-fiction books and scores of journal<br />

essays and magazine articles based on<br />

deep field research, on diverse<br />

subjects. Among his numerous awards<br />

are four National Magazine Awards<br />

(Canada); the 2006 Alexander Ross<br />

Award for Canada’s Best New Magazine<br />

Journalist; and the 2006 Lange-Taylor<br />

Prize (USA) for a long-term<br />

collaboration with Weber on a<br />

documentary project, ‘<strong>The</strong> Human is<br />

an Atom that Won’t Be Split’, about<br />

the post-Soviet experience of Ukraine’s<br />

underclass.<br />

Larry is currently completing three new<br />

books, including ‘Melt Down’, another<br />

documentary collaboration with<br />

photographer Don Weber on life with<br />

nuclear decay in four international<br />

societies.<br />

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Lorena Guillen<br />

Vaschetti<br />

Design: MV LevievanderMeer<br />

ISBN 978 90 5330 761 8<br />

Format: 19.2 x 22.5 cm. (portrait)<br />

Bound with open spine and laid in<br />

a thick carton cover<br />

84 pages with 43 photos<br />

in full colour<br />

World rights<br />

October 2011<br />

£29.90 / $50<br />

Hostoria, Memoria, Silencios<br />

‘My mother and I are the only members left of a big Italian family. She<br />

decided that throwing away all family slides was a big favour to me: ‘It<br />

happened already’, she said, ‘and everybody is gone anyway…’<br />

I had the chance to recover only a box containing some slides,<br />

metallic cans and small pieces of paper describing the destinations of<br />

the family’s trips and other details. <strong>The</strong> wonderful individual slides I<br />

was able to see were made before I was born.<br />

But there were others that had been carefully tied with elastic bands<br />

and papers, or they were inside closed metallic cans. I was more<br />

interested in these than in the ones I could see. How much I could or<br />

wanted to know of the past? Would the images tell all the truth? What<br />

is the role of photography in a family’s history? And what do I do with<br />

that “gift”?<br />

I decided to let the tied up slides, the small metal cans and the pieces<br />

of paper speak to me not from the content of the images themselves<br />

but from the questions they were posing me. I never opened them.<br />

And I am still listening…<br />

I photographed with high-tech digital technology to underline the<br />

distance in time, technology and concept between one generation and<br />

the other (my grandfather Renato Vaschetti and mine). <strong>The</strong> original<br />

format of the images is 40 x 40 cm., glicée prints.’<br />

Lorena Guillen Vaschetti was born<br />

in Rosario, Argentina, in 1974 but grew<br />

up in Buenos Aires. She attended<br />

photography schools in Argentina, the<br />

United States and Italy from the age of<br />

14. She studied Architecture and<br />

Anthropology and taught courses in<br />

art and culture at the university,<br />

including Architectural History and<br />

Habitat <strong>The</strong>ory. After receiving her<br />

degree in Architecture she committed<br />

to Photography.<br />

Her first exhibition was in New York in<br />

2002. Since then, Lorena’s work has<br />

been shown in galleries and museums<br />

in different countries such as the<br />

United States, Denmark, Germany,<br />

Ireland, Uruguay and Argentina. Her<br />

images are included in museum and<br />

private collections.<br />

10<br />

<strong>Schilt</strong> <strong>Publishing</strong>


Sirio MagnaBosco, 2007<br />

World Press Photo<br />

Masterclass 2011<br />

Design: Heijdens Karwei, Amsterdam.<br />

ISBN 978 90 5330 762 5<br />

Format: 17 x 24 cm. (portrait)<br />

Paperback with flaps<br />

160 pages with approx. 100 photos in<br />

duotone and full colour<br />

World rights; German rights sold<br />

(Benteli)<br />

November 2011<br />

£12.50 / $30<br />

<strong>The</strong> Joop Swart Masterclass has been organized by World Press<br />

Photo every year since 1994 and has established itself as one of the<br />

most prestigious events of its kind. It has played host to some of the<br />

finest young photographers from around the world, bringing them<br />

into contact with some of the most established members of the<br />

profession of photojournalism. <strong>The</strong> masterclass owes its name to<br />

World Press Photo’s late chairman, who was a passionate supporter<br />

of young photography talent. Since its inception, the masterclass has<br />

provided a springboard for participants destined to become the<br />

cream of the crop of photojournalists. To name just a few: Giorgia<br />

Fiorio, Kadir van Lohuizen, Jodi Bieber, Paolo Pellegrin, Olivier<br />

Culmann, Stephan Vanfleteren, Joachim Ladefoged, Balazs Gardi,<br />

Jonas Bendiksen, Pep Bonet, Tim Hetherington, Justin Jin, Lynsey<br />

Addario, Alexander Gronsky, Martin Kollar, Gillian Laub, Simon<br />

Roberts, Naomi Harris, Benjamin Lowy, Pieter ten Hoopen,<br />

Samantha Appleton, Alfredo D’Amato, Rena Effendi, Lana Šlezić,<br />

Stephanie Sinclair, Mikhael Subotzky, Newsha Tavakolian, Olivia<br />

Arthur, Christoph Bangert, Kate Brooks, Alexandra Demenkova,<br />

Cédric Gerbehaye, Rafal Milach, Peter van Agtmael, Kathryn Cook,<br />

Dominic Nahr…<br />

At the beginning of each year, 18 independent selection committees<br />

nominate over 170 young photographers from across the globe as<br />

candidates for the masterclass, inviting each to submit a portfolio of<br />

work for consideration. After the selection by an independent<br />

committee, the twelve finalists are asked to produce a photo essay in<br />

which they give their interpretation of the theme chosen that year by<br />

the selection committee. An edit of all twelve participants’ photo<br />

stories is made and published in the Masterclass book.<br />

During the 6-day long masterclass, six internationally known<br />

professionals from the world of photography dedicate a week of their<br />

time sharing their personal experience and expertise with the<br />

students. Each year, the programme of the Joop Swart Masterclass is<br />

tailored to the specific learning needs of the students but in general<br />

includes: review sessions serving to evaluate the participating<br />

photographers’ work and their approach; interactive group sessions<br />

on specific topics related to the experience and expertise of the<br />

masters; one-on-one sessions; editing exercises and the launch of<br />

this book.<br />

Gihan Tubbeh, 2009<br />

Giulio Di Sturco, 2010 Dominic Nahr, 2010<br />

For the first time, the book has been co-published by World Press<br />

Photo and <strong>Schilt</strong> <strong>Publishing</strong>. <strong>Schilt</strong> <strong>Publishing</strong> also produces the<br />

World Press Yearbook, which is published in seven different<br />

languages.<br />

12<br />

<strong>Schilt</strong> <strong>Publishing</strong>


Expected<br />

Winter 2011/2012<br />

New Retail Prices<br />

Yuri Kozyrev<br />

Iraq<br />

<strong>The</strong> Full Story<br />

Michelle Sank<br />

<strong>The</strong> Submerged<br />

Text by Liz Wells<br />

ISBN 978 90 5330 743 4<br />

Martin Parr<br />

Parr by Parr<br />

Text by Quentin Bajac<br />

ISBN 978 90 5330 737 3<br />

Suzan van de Roemer<br />

<strong>The</strong> Power of Resilience<br />

Survivors of the Volendam blaze<br />

Text by Eddy Veerman<br />

£29.95 | $55<br />

ISBN 978 90 5330 747 2<br />

Texts by Brian Bennett<br />

and Michael Ware<br />

Sophie Zenon<br />

Roads Over<br />

Troubled Water<br />

A quest for the soul<br />

Une chasse à l’âme<br />

Bilder aus Kambodscha<br />

ISBN 978 90 5330 696 3<br />

September 2010<br />

Jason Eskenazi &<br />

Valeri Nistratov<br />

Title Nation<br />

ISBN 978 90 5330 739 7<br />

£16.95 | $30<br />

£23 | $50<br />

De kracht van Volendam<br />

Overlevenden van de<br />

Nieuwjaarsbrand<br />

Tekst: Eddy Veerman<br />

ISBN 978 90 5330 749 6<br />

€ 23<br />

ISBN 978 90 5330 741 0<br />

£29.95 | $55<br />

£125 | $250<br />

Stanley Greene<br />

Black Passport<br />

Compiled by<br />

Teun van der Heijden<br />

FotoFest 2010 Biennial<br />

Contemporary<br />

U.S. Photography<br />

ISBN 978 90 5330 721 2 (set)<br />

ISBN 978 90 5330 670 3<br />

£24.90 | $45<br />

£37.50<br />

Thomas Dworzak<br />

Kavkaz<br />

ISBN 978 90 5330 699 4<br />

Eliott Ross<br />

Animal<br />

Text by Manfred Zollner<br />

September 2010<br />

ISBN 978 90 5330 730 4<br />

£55 | $95<br />

£29.95 | $60<br />

Special edition<br />

Special edition<br />

ISBN 978 90 5330 703 8<br />

Edition of 50 copies<br />

£625 | $1.000<br />

ISBN 978 90 5330 736 6<br />

Edition of 50<br />

£225 | $350<br />

George Georgiou<br />

Fault Lines<br />

Turkey from East to West<br />

ISBN 978 90 5330 715 1<br />

Heather McClintock<br />

<strong>The</strong> <strong>In</strong>nocent<br />

Casualties of the Civil<br />

War in Northern Uganda<br />

£32.50 | $55<br />

ISBN 978 90 5330 697 0<br />

£24.90 | $39.90<br />

14 <strong>Schilt</strong> <strong>Publishing</strong><br />

<strong>Schilt</strong> <strong>Publishing</strong> 15


Jane Hilton<br />

Dead Eagle Trail<br />

America’s Twenty-First<br />

Century Cowboys<br />

ISBN 978 90 5330 717 5<br />

£32.50 | $55<br />

Damion Berger<br />

<strong>In</strong> <strong>The</strong> Deep End<br />

ISBN 978 90 5330 713 7<br />

£37.50 | $65<br />

Special edition<br />

ISBN 978 90 5330 714 4<br />

Rena Effendi<br />

Pipe Dreams<br />

A chronicle of lives<br />

along the pipeline<br />

ISBN 978 90 5330 695 6<br />

£32.50 | $55<br />

Ferit Kuyas<br />

Chongqing –<br />

City of Ambition<br />

Texts by Diana Edkins<br />

& Bill Kouwenhoven<br />

ISBN 978 90 5330 682 6<br />

Monique Stauder<br />

Latitude Zero<br />

With two forewords by<br />

Paul <strong>The</strong>roux<br />

ISBN 978 90 5330 719 9<br />

£42.50 | $69.90<br />

Carl De Keyzer<br />

Trinity<br />

ISBN 978 90 5330 594 2<br />

£35 | $55<br />

Special edition<br />

ISBN 978 90 5330 718 2<br />

Edition of 50 copies<br />

£225 | $350<br />

Edition of 50 copies<br />

£425 | $700<br />

Special edition<br />

ISBN 978 90 5330 704 5<br />

Edition of 4 x 25 copies<br />

£425 | $700<br />

£32.50 | $55<br />

Special edition<br />

ISBN 978 90 5330 705 2<br />

Edition of 50 copies<br />

£225 | $350<br />

Special edition<br />

ISBN 978 90 5330 720 5<br />

Edition of 50 copies<br />

£425 | $700<br />

Marcus Bleasdale<br />

<strong>The</strong> Rape of a Nation<br />

Foreword by John le Carré<br />

ISBN 978 90 5330 671 0<br />

£32.50 | $55<br />

Special editions<br />

ISBN 978 90 5330 725 0<br />

Dave Anderson<br />

One Block<br />

A New Orleans Neighbourhood<br />

Rebuilds<br />

Text by Chris Rose<br />

ISBN 978 90 5330 712 0<br />

£32.50<br />

Frederick C. Baldwin &<br />

Wendy Watriss<br />

Looking at the U.S.<br />

1957-1986<br />

<strong>In</strong>terview & essay by<br />

Xavier Canonne<br />

ISBN 978 90 5330 673 4<br />

Robert Knoth<br />

Certificate no. 000358/<br />

Nuclear devastation in<br />

Kazakhstan, Ukraine, Belarus,<br />

the Urals and Siberia<br />

Text by Antoinette de Jong<br />

ISBN 978 90 5330 506 5<br />

Robert Knoth<br />

Hira Mandi<br />

ISBN 978 90 5330 620 8<br />

£19.90 | $35<br />

Special edition<br />

ISBN 978 90 5330 707 6 (sold)<br />

ISBN 978 90 5330 708 3<br />

Edition of 25 copies, also signed by<br />

Special edition<br />

£42.50 | $65<br />

£37.50 | $ 65<br />

ISBN 978 90 5330 709 0<br />

John le Carré<br />

ISBN 978 90 5330 724 3<br />

Special edition<br />

ISBN 978 90 5330 710 6<br />

£625.00 | $1.000<br />

Edition of 50 copies<br />

ISBN 978 90 5330 706 9<br />

ISBN 978 90 5330 711 3<br />

ISBN 978 90 5330 702 1<br />

£225 | $350<br />

Edition of 100 copies, just a few left<br />

Prices starting at £1300 | $2000<br />

Edition of 75 copies<br />

£175 | $250<br />

£425 | $700<br />

16<br />

<strong>Schilt</strong> <strong>Publishing</strong><br />

<strong>Schilt</strong> <strong>Publishing</strong> 17


Harry Gruyaert<br />

Edges<br />

ISBN 978 90 5330 701 4<br />

£57.50 | $97.50<br />

Lucia Ganieva<br />

Tiltenberg<br />

ISBN 978 90 5330 685 7<br />

£21 | $35<br />

Chris de Bode<br />

Tour du Monde<br />

Colombia, Cuba, Senegal,<br />

Eritrea, Qatar, China<br />

ISBN 978 90 5330 723 6<br />

Lana Šlezić<br />

Forsaken<br />

ISBN 978 90 5330 573 7<br />

£24.90<br />

Arlene Gottfried<br />

Sometimes Overwhelming<br />

ISBN: 978 90 5330 595 9<br />

£39.90<br />

Carin Verbruggen<br />

Under_Exposed<br />

ISBN 978 90 5330 615 4<br />

£35 | $55<br />

£18.95 | $32<br />

Ahmet Polat<br />

...Neither here<br />

nor there...<br />

ISBN 978 90 5330 652 9<br />

Willem Poelstra<br />

112* Ambulance<br />

Amsterdam<br />

ISBN 978 90 5330 634 5<br />

Emilie Hudig<br />

<strong>In</strong> Control<br />

ISBN 978 90 5330 684 0<br />

£16.50 |$ 27.50<br />

£14.90 | $27.50<br />

£24.90 | $42.50<br />

Martijn van de Griendt<br />

Smokin’ Boys<br />

Smokin’ Girls<br />

ISBN 978 90 5330 633 8<br />

Ata Kandó<br />

Photographer<br />

Text by Rosan Hollak<br />

ISBN 978 90 5330 612 3<br />

Michiel Hegener<br />

<strong>The</strong> Kurds of Iraq<br />

ISBN 978 90 5330 617 8<br />

£ 29.90 | $49.90<br />

£14.95 | $24.95<br />

£29.90 | $49.90<br />

18<br />

<strong>Schilt</strong> <strong>Publishing</strong><br />

<strong>Schilt</strong> <strong>Publishing</strong> 19


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