In The Light Of Darkness â A photographer's ... - Schilt Publishing
In The Light Of Darkness â A photographer's ... - Schilt Publishing
In The Light Of Darkness â A photographer's ... - Schilt Publishing
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Dear friends,<br />
Just as we were rounding off this autumn catalogue, the terrible<br />
news reached us of the deaths of the war photographers Tim<br />
Hetherington and Chris Hondros, both killed by mortar fire on 20<br />
April during the gruesome fighting in the Libyan city of Misrata.<br />
Although we all know – and they better than anybody else – that<br />
such risks are ever-present in their profession, it does nothing to<br />
soften the blow, and our grief and anger are just as intense. Our<br />
heartfelt thoughts go out to their friends and family.<br />
<strong>The</strong> news came as an even greater shock to us because it<br />
happened just as we were finishing putting together Kate Brooks’<br />
<strong>In</strong> <strong>The</strong> <strong>Light</strong> <strong>Of</strong> <strong>Darkness</strong> – A photographer’s journey After 9/11,<br />
which is also featured in this catalogue. Kate had been in Libya<br />
just weeks before the tragedy took place, and her accounts of the<br />
situation there were alarming and moving. <strong>The</strong> events she<br />
experienced there caused her to question whether she should<br />
continue with what she was doing: constantly placing herself in<br />
extremely dangerous situations, with all its mental consequences,<br />
driven by the need to show to the outside world as objective a<br />
picture as possible of what happens in such wars. <strong>The</strong> fact that<br />
two of her dearest colleagues were to be killed at that very location<br />
didn’t make it any easier for Kate, to put it mildly; their deaths<br />
moved her profoundly. <strong>The</strong> quality of her work convinces us all yet<br />
again that the vital efforts made by people like Kate have to<br />
continue to be made; we have to allow top-class journalists to<br />
show us what is going on in the world. With Kate’s book, <strong>Schilt</strong><br />
<strong>Publishing</strong> lets us experience once more a homage to the<br />
indispensable work of war photographers.<br />
Donald Weber, Sergey Chilikov and Lorena Guillen Vaschetti are<br />
the other photographers to be introduced to you in this brochure.<br />
All three the cream of the crop of international photography in<br />
their own field.<br />
<strong>In</strong> his book <strong>In</strong>terrogations, the Canadian Donald Weber shows us<br />
the bizarre world of the post-Soviet era in Ukraine, the core of the<br />
book being formed by photographs of some extraordinarily brutal<br />
instances of police interrogation.<br />
A striking overview of the works of the Russian master Sergey<br />
Chilikov is the first tangible result of a hopefully successful and<br />
lengthy collaboration between <strong>Schilt</strong> <strong>Publishing</strong> and the Russian<br />
photo agency Gallery.Photographer.ru.<br />
With her eye-catching and intriguing book Historia, Memoria,<br />
Silencios, the Argentine art photographer Lorena Guillen Vaschetti<br />
touches a totally different nerve; that of a family that has virtually<br />
disappeared – her own. Her story is fascinating while at the same
time it forces the reader to re-think the role of photography in the<br />
context of the history of a family.<br />
Hot off the press: World Press Photo and <strong>Schilt</strong> <strong>Publishing</strong> have<br />
agreed to extend their collaboration and, in addition to their<br />
existing partnership with regard to the World Press Photo Yearbook,<br />
to produce a totally new version of the annual Joop Swart<br />
Masterclass book. This will be a much more extensive publication,<br />
purely focussed on the photography aspect, providing an<br />
outstanding account every year of the promising young talents in<br />
the world of photojournalism. Many previous participants of the<br />
Masterclass – that has been organized for the last 17 years – are<br />
now some of the most renowned names in photography. <strong>Schilt</strong><br />
<strong>Publishing</strong> is proud to be more directly involved with World Press<br />
Photo’s rich range of super talents.<br />
I would also like to take this opportunity to make three official<br />
announcements of great significance! My wife Maria Louise<br />
<strong>Schilt</strong>-Thissen, who has been running the legal department of the<br />
publishing company for the last six months, will from now on also<br />
be taking a more active part in the fields of press contacts and PR.<br />
And following the establishing of a <strong>Schilt</strong> <strong>Publishing</strong> office in the<br />
US (run by the irrepressible Mary Bisbee-Beek and Randall Beek),<br />
from May 2011 the publishing company will have an office in<br />
London. Anna Pfab, a familiar face for many of you via her work at<br />
the English quality magazine Foto8 and the affiliated renowned<br />
Host Gallery, has been invited to represent the interests in the UK<br />
of <strong>Schilt</strong> <strong>Publishing</strong> and the photographers that have already been<br />
published and will be published in the future. Needless to say, we<br />
are more than delighted that she has accepted!<br />
And last but not least: the publishing house will be moving to a<br />
new location this summer. We are relocating to a new building in<br />
Amsterdam, appropriately enough situated in the ‘photographers’<br />
area on the newly developed island of IJburg!<br />
Elsewhere in this brochure you will find all the addresses and<br />
other necessary information of the various offices.<br />
As long as we all continue to refuse to accept mediocrity, a<br />
wonderful future lies ahead of us.<br />
Maarten <strong>Schilt</strong><br />
Amsterdam, April 2011<br />
<strong>Schilt</strong><br />
<strong>Publishing</strong><br />
4<br />
6<br />
8<br />
10<br />
12<br />
14<br />
15<br />
16<br />
17<br />
18<br />
19<br />
Kate Brooks <strong>In</strong> <strong>The</strong> <strong>Light</strong> <strong>Of</strong> <strong>Darkness</strong><br />
Sergey Chilikov Selected Works<br />
Donald Weber <strong>In</strong>terrogations<br />
Lorena Guillen Vaschetti Hostoria, Memoria, Silencios<br />
World Press Photo Masterclass 2011<br />
Yuri Kozyrev Iraq – <strong>The</strong> Full Story<br />
Sophie Zenon Roads Over Troubled Water<br />
Jason Eskenazi & Valeri Nistratov Title Nation<br />
Thomas Dworzak Kavkaz<br />
Elliot Ross Animal<br />
Michelle Sank <strong>The</strong> Submerged<br />
Martin Parr / Quentin Bajac Parr by Parr<br />
Suzan van de Roemer <strong>The</strong> Power of Resilience<br />
Stanley Greene Black Passport<br />
FotoFest 2010 Biennal Contemporary U.S. Photography<br />
George Georgiou Fault Lines<br />
Heather McClintock <strong>The</strong> <strong>In</strong>nocent<br />
Jane Hilton Dead Eagle Trail<br />
Damion Berger <strong>In</strong> <strong>The</strong> Deep End<br />
Rena Effendi Pipe Dreams<br />
Marcus Bleasdale <strong>The</strong> Rape of a Nation<br />
Dave Anderson One Block<br />
Frederick C. Baldwin & Wendy Watriss Looking at the U.S. 1957-1986<br />
Ferit Kuyas Chongqing – City of Ambition<br />
Monique Stauder Latitude Zero<br />
Carl De Keyzer Trinity<br />
Robert Knoth Certificate no. 000358/<br />
Robert Knoth Hira Mandi<br />
Harry Gruyaert Edges<br />
Lucia Ganieva Tiltenberg<br />
Chris de Bode Tour du Monde<br />
Ahmet Polat ...Neither here nor there...<br />
Willem Poelstra 112* Ambulance Amsterdam<br />
Emilie Hudig <strong>In</strong> Control<br />
Martijn van de Griendt Smokin’ Boys Smokin’ Girls<br />
Ata Kandó Photographer<br />
Michiel Hegener <strong>The</strong> Kurds of Iraq<br />
Lana Šlezić Forsaken<br />
Arlene Gottfried Sometimes Overwhelming<br />
Carin Verbruggen Under_Exposed<br />
www.schiltpublishing.com<br />
<strong>Schilt</strong> <strong>Publishing</strong> 3
Kate Brooks<br />
<strong>In</strong> <strong>The</strong> <strong>Light</strong> <strong>Of</strong> <strong>Darkness</strong><br />
A photographer’s journey after 9/11<br />
Design: Heijdens Karwei, Amsterdam.<br />
ISBN 978 90 5330 758 8<br />
Format: 20.5 x 24 cm. (portrait)<br />
Hardbound with dust jacket<br />
240 pages with approx. 100 photos in<br />
full colour<br />
World rights; German rights sold<br />
(Benteli)<br />
August 2011<br />
£27.50 / $45<br />
This book is a collection of photographs and personal essays that<br />
chronicle a young woman’s ten-year passage from the mountains of<br />
Tora Bora to the uprisings in the Arab world at the beginning of 2011<br />
that led, amongst other things, to the resignation of president Hosni<br />
Mubarak of Egypt and the cruel war in Libya.<br />
Kate Brooks’ images portray the harsh beauty and poignant pain of a<br />
region mired in conflict, while the accompanying essays relate her<br />
experiences as a woman photojournalist in the Muslim world.<br />
At the age of 23, following the Twin Tower attacks, Kate Brooks moved<br />
to Pakistan to photograph the impact of U.S. foreign policy in the<br />
region. <strong>In</strong> 2003, she covered the American invasion of Iraq from<br />
Kurdistan and for Time she began to photograph the beginning of the<br />
Iraqi insurgency. Since then, she has expanded her focus to include life<br />
in Iran, Gaza, Pakistan, Lebanon and Afghanistan – a place she returns<br />
to regularly.<br />
Brooks’ photographs have been published in <strong>The</strong> New Yorker,<br />
Smithsonian, Newsweek, <strong>The</strong> Atlantic and Time.<br />
Her work will be shown in the Southeast Museum of Photography,<br />
Daytona State College, Daytona Beach, www.smponline.org. Both the<br />
exhibition opening and the book launch will take place there on<br />
9/11/2011<br />
4<br />
<strong>Schilt</strong> <strong>Publishing</strong>
Sergey Chilikov<br />
Selected Works 1978-<br />
Design: MV LevievanderMeer,<br />
Amsterdam<br />
ISBN 978 90 5330 760 1<br />
Format: 22 x 24.5 cm. (portrait)<br />
Hardbound with dust jacket<br />
192 pages with approx. 150 photos in<br />
b/w and full colour<br />
World rights; German rights sold<br />
(Benteli)<br />
October 2011<br />
£27.50 | $45<br />
Sergey Chilikov was born in 1953 and graduated from Mari<br />
Pedagogical <strong>In</strong>stitute with an MA in Philosophy (1983). From 1976<br />
till 1991 Chilikov lectured at Yoshkar-Ola University. <strong>In</strong> 1993 he<br />
completed a book on Russian philosophy, ‘<strong>The</strong> Owner of a Thing,<br />
or the Anthology of Subjectivity’.<br />
Chilikov’s photography career began in 1976 in the FACT group<br />
(S. Chilikov, Y. Evlampiev, V. Voetsky, E. Likhosherst, V. Mikhaylov).<br />
Very soon he became a leader of non-conformist photography in his<br />
region. Together with a group of like-minded individuals, he managed<br />
to organize exhibitions and festivals and to deal quite peacefully with<br />
official Photosoyuses. <strong>In</strong> 1980-1989 Chilikov organized the Analytical<br />
Photo Exhibitions (Yoshkar-Ola biennale) and the annual open-air<br />
photo festival on Kundysh River. <strong>In</strong> 1988 he participated in the final<br />
exhibition of the FACT group at the Na Kashirke exhibition hall<br />
(Moscow).<br />
Since 1989 Chilikov has been working on a travel series about cities<br />
in the Soviet Union. His series, entitled ‘Photo Provocations’, ‘<strong>The</strong><br />
Countryside Glam’, ‘<strong>The</strong> Beach’, ‘<strong>The</strong> Gambling’, ‘<strong>The</strong> Philosophy of<br />
a Journey’ and others, depict the hidden eroticism of people of the<br />
countryside that appears even more vital when it contrasts with<br />
depressing surroundings.<br />
6<br />
<strong>Schilt</strong> <strong>Publishing</strong><br />
Gallery.Photographer.ru, situated in Moscow, represents Sergey<br />
Chilikov; this book is being published in close cooperation with<br />
the agency.
Donald Weber Text by Larry Frolick<br />
<strong>In</strong>terrogations<br />
Design: Heijdens Karwei, Amsterdam.<br />
ISBN 978 90 5330 759 5<br />
Format: 17 x 24 cm. (portrait)<br />
Hardbound<br />
176 pages with approx. 90 photos in<br />
full colour<br />
World rights<br />
October 2011<br />
£24.90 / $40<br />
After a lone trip to Chernobyl in 2005, Donald Weber soon returned to<br />
the abandoned site of the nuclear disaster and spent the next six years<br />
in Russia and Ukraine<br />
photographing the ruins of the unstoppable storm we call history.<br />
Travelling and living with ordinary people who had endured much, and<br />
survived everything, Weber began to see the modern State as a<br />
primitive and bloody sacrificial rite of unnamed Power.<br />
<strong>In</strong>terrogations is the result of his personal quest to uncover the hidden<br />
meaning of the bloody 20th Century. <strong>In</strong> dialogue with writer Larry<br />
Frolick – whose own ancestors had been decimated in the final months<br />
of WW II – Weber insistently and provocatively addresses his questions<br />
both to the living survivors and to the ghosts of the State’s<br />
innumerable victims, resurrecting their final hours by taking their point<br />
of view, and performing a kind of incantatory meditation over their<br />
private encounters with Power.<br />
<strong>The</strong> policemen, working girls, thugs, dissidents and hustlers who<br />
inhabit these pages are all orphans of a secret History; the outline of<br />
our collective fate takes shape in Weber’s epic work, expanding our<br />
awareness of what it means to be an actor in<br />
today’s dark opera.<br />
A regular contributor to the literary quarterly, Descant, Larry travels<br />
yearly to Asia, the Middle East, and the Arctic from his family home in<br />
Niagara on the Lake, Ontario, Canada. His personal interests include<br />
collecting vintage audio equipment from the 1970s, hard bebop,<br />
cycling, and the war poetry of the Great War.<br />
Donald Weber originally worked as<br />
an architect in Rotterdam with urban<br />
theorist Rem Koolhaas’ <strong>Of</strong>fice for<br />
Metropolitan Architecture. He<br />
freelanced for many publications in<br />
Canada and abroad before devoting his<br />
artistic career to an epic study of how<br />
Power deploys an all-encompassing<br />
theatre, implicating everyone in its<br />
secret collaboration with both masters<br />
and victims.<br />
His projects include ‘<strong>The</strong> Underclass<br />
and Its Bosses: Crime & Punishment<br />
in Ukraine’, which won the Lange-<br />
Taylor Documentary Prize; ‘Bastard<br />
Eden, Our Chernobyl’, which won the<br />
Photolucida Book Award; ‘<strong>The</strong><br />
Drunken Bride, Russia Unveiled’,<br />
which won a Guggenheim Fellowship;<br />
‘Cities Under Siege’, which won a<br />
Canada Council Fellowship. He is<br />
represented by the photo agency VII<br />
Network.<br />
Larry Frolick is an award-winning<br />
author and social critic with a special<br />
interest in post-modern global culture.<br />
His published works include four<br />
non-fiction books and scores of journal<br />
essays and magazine articles based on<br />
deep field research, on diverse<br />
subjects. Among his numerous awards<br />
are four National Magazine Awards<br />
(Canada); the 2006 Alexander Ross<br />
Award for Canada’s Best New Magazine<br />
Journalist; and the 2006 Lange-Taylor<br />
Prize (USA) for a long-term<br />
collaboration with Weber on a<br />
documentary project, ‘<strong>The</strong> Human is<br />
an Atom that Won’t Be Split’, about<br />
the post-Soviet experience of Ukraine’s<br />
underclass.<br />
Larry is currently completing three new<br />
books, including ‘Melt Down’, another<br />
documentary collaboration with<br />
photographer Don Weber on life with<br />
nuclear decay in four international<br />
societies.<br />
84<br />
<strong>Schilt</strong> <strong>Publishing</strong>
Lorena Guillen<br />
Vaschetti<br />
Design: MV LevievanderMeer<br />
ISBN 978 90 5330 761 8<br />
Format: 19.2 x 22.5 cm. (portrait)<br />
Bound with open spine and laid in<br />
a thick carton cover<br />
84 pages with 43 photos<br />
in full colour<br />
World rights<br />
October 2011<br />
£29.90 / $50<br />
Hostoria, Memoria, Silencios<br />
‘My mother and I are the only members left of a big Italian family. She<br />
decided that throwing away all family slides was a big favour to me: ‘It<br />
happened already’, she said, ‘and everybody is gone anyway…’<br />
I had the chance to recover only a box containing some slides,<br />
metallic cans and small pieces of paper describing the destinations of<br />
the family’s trips and other details. <strong>The</strong> wonderful individual slides I<br />
was able to see were made before I was born.<br />
But there were others that had been carefully tied with elastic bands<br />
and papers, or they were inside closed metallic cans. I was more<br />
interested in these than in the ones I could see. How much I could or<br />
wanted to know of the past? Would the images tell all the truth? What<br />
is the role of photography in a family’s history? And what do I do with<br />
that “gift”?<br />
I decided to let the tied up slides, the small metal cans and the pieces<br />
of paper speak to me not from the content of the images themselves<br />
but from the questions they were posing me. I never opened them.<br />
And I am still listening…<br />
I photographed with high-tech digital technology to underline the<br />
distance in time, technology and concept between one generation and<br />
the other (my grandfather Renato Vaschetti and mine). <strong>The</strong> original<br />
format of the images is 40 x 40 cm., glicée prints.’<br />
Lorena Guillen Vaschetti was born<br />
in Rosario, Argentina, in 1974 but grew<br />
up in Buenos Aires. She attended<br />
photography schools in Argentina, the<br />
United States and Italy from the age of<br />
14. She studied Architecture and<br />
Anthropology and taught courses in<br />
art and culture at the university,<br />
including Architectural History and<br />
Habitat <strong>The</strong>ory. After receiving her<br />
degree in Architecture she committed<br />
to Photography.<br />
Her first exhibition was in New York in<br />
2002. Since then, Lorena’s work has<br />
been shown in galleries and museums<br />
in different countries such as the<br />
United States, Denmark, Germany,<br />
Ireland, Uruguay and Argentina. Her<br />
images are included in museum and<br />
private collections.<br />
10<br />
<strong>Schilt</strong> <strong>Publishing</strong>
Sirio MagnaBosco, 2007<br />
World Press Photo<br />
Masterclass 2011<br />
Design: Heijdens Karwei, Amsterdam.<br />
ISBN 978 90 5330 762 5<br />
Format: 17 x 24 cm. (portrait)<br />
Paperback with flaps<br />
160 pages with approx. 100 photos in<br />
duotone and full colour<br />
World rights; German rights sold<br />
(Benteli)<br />
November 2011<br />
£12.50 / $30<br />
<strong>The</strong> Joop Swart Masterclass has been organized by World Press<br />
Photo every year since 1994 and has established itself as one of the<br />
most prestigious events of its kind. It has played host to some of the<br />
finest young photographers from around the world, bringing them<br />
into contact with some of the most established members of the<br />
profession of photojournalism. <strong>The</strong> masterclass owes its name to<br />
World Press Photo’s late chairman, who was a passionate supporter<br />
of young photography talent. Since its inception, the masterclass has<br />
provided a springboard for participants destined to become the<br />
cream of the crop of photojournalists. To name just a few: Giorgia<br />
Fiorio, Kadir van Lohuizen, Jodi Bieber, Paolo Pellegrin, Olivier<br />
Culmann, Stephan Vanfleteren, Joachim Ladefoged, Balazs Gardi,<br />
Jonas Bendiksen, Pep Bonet, Tim Hetherington, Justin Jin, Lynsey<br />
Addario, Alexander Gronsky, Martin Kollar, Gillian Laub, Simon<br />
Roberts, Naomi Harris, Benjamin Lowy, Pieter ten Hoopen,<br />
Samantha Appleton, Alfredo D’Amato, Rena Effendi, Lana Šlezić,<br />
Stephanie Sinclair, Mikhael Subotzky, Newsha Tavakolian, Olivia<br />
Arthur, Christoph Bangert, Kate Brooks, Alexandra Demenkova,<br />
Cédric Gerbehaye, Rafal Milach, Peter van Agtmael, Kathryn Cook,<br />
Dominic Nahr…<br />
At the beginning of each year, 18 independent selection committees<br />
nominate over 170 young photographers from across the globe as<br />
candidates for the masterclass, inviting each to submit a portfolio of<br />
work for consideration. After the selection by an independent<br />
committee, the twelve finalists are asked to produce a photo essay in<br />
which they give their interpretation of the theme chosen that year by<br />
the selection committee. An edit of all twelve participants’ photo<br />
stories is made and published in the Masterclass book.<br />
During the 6-day long masterclass, six internationally known<br />
professionals from the world of photography dedicate a week of their<br />
time sharing their personal experience and expertise with the<br />
students. Each year, the programme of the Joop Swart Masterclass is<br />
tailored to the specific learning needs of the students but in general<br />
includes: review sessions serving to evaluate the participating<br />
photographers’ work and their approach; interactive group sessions<br />
on specific topics related to the experience and expertise of the<br />
masters; one-on-one sessions; editing exercises and the launch of<br />
this book.<br />
Gihan Tubbeh, 2009<br />
Giulio Di Sturco, 2010 Dominic Nahr, 2010<br />
For the first time, the book has been co-published by World Press<br />
Photo and <strong>Schilt</strong> <strong>Publishing</strong>. <strong>Schilt</strong> <strong>Publishing</strong> also produces the<br />
World Press Yearbook, which is published in seven different<br />
languages.<br />
12<br />
<strong>Schilt</strong> <strong>Publishing</strong>
Expected<br />
Winter 2011/2012<br />
New Retail Prices<br />
Yuri Kozyrev<br />
Iraq<br />
<strong>The</strong> Full Story<br />
Michelle Sank<br />
<strong>The</strong> Submerged<br />
Text by Liz Wells<br />
ISBN 978 90 5330 743 4<br />
Martin Parr<br />
Parr by Parr<br />
Text by Quentin Bajac<br />
ISBN 978 90 5330 737 3<br />
Suzan van de Roemer<br />
<strong>The</strong> Power of Resilience<br />
Survivors of the Volendam blaze<br />
Text by Eddy Veerman<br />
£29.95 | $55<br />
ISBN 978 90 5330 747 2<br />
Texts by Brian Bennett<br />
and Michael Ware<br />
Sophie Zenon<br />
Roads Over<br />
Troubled Water<br />
A quest for the soul<br />
Une chasse à l’âme<br />
Bilder aus Kambodscha<br />
ISBN 978 90 5330 696 3<br />
September 2010<br />
Jason Eskenazi &<br />
Valeri Nistratov<br />
Title Nation<br />
ISBN 978 90 5330 739 7<br />
£16.95 | $30<br />
£23 | $50<br />
De kracht van Volendam<br />
Overlevenden van de<br />
Nieuwjaarsbrand<br />
Tekst: Eddy Veerman<br />
ISBN 978 90 5330 749 6<br />
€ 23<br />
ISBN 978 90 5330 741 0<br />
£29.95 | $55<br />
£125 | $250<br />
Stanley Greene<br />
Black Passport<br />
Compiled by<br />
Teun van der Heijden<br />
FotoFest 2010 Biennial<br />
Contemporary<br />
U.S. Photography<br />
ISBN 978 90 5330 721 2 (set)<br />
ISBN 978 90 5330 670 3<br />
£24.90 | $45<br />
£37.50<br />
Thomas Dworzak<br />
Kavkaz<br />
ISBN 978 90 5330 699 4<br />
Eliott Ross<br />
Animal<br />
Text by Manfred Zollner<br />
September 2010<br />
ISBN 978 90 5330 730 4<br />
£55 | $95<br />
£29.95 | $60<br />
Special edition<br />
Special edition<br />
ISBN 978 90 5330 703 8<br />
Edition of 50 copies<br />
£625 | $1.000<br />
ISBN 978 90 5330 736 6<br />
Edition of 50<br />
£225 | $350<br />
George Georgiou<br />
Fault Lines<br />
Turkey from East to West<br />
ISBN 978 90 5330 715 1<br />
Heather McClintock<br />
<strong>The</strong> <strong>In</strong>nocent<br />
Casualties of the Civil<br />
War in Northern Uganda<br />
£32.50 | $55<br />
ISBN 978 90 5330 697 0<br />
£24.90 | $39.90<br />
14 <strong>Schilt</strong> <strong>Publishing</strong><br />
<strong>Schilt</strong> <strong>Publishing</strong> 15
Jane Hilton<br />
Dead Eagle Trail<br />
America’s Twenty-First<br />
Century Cowboys<br />
ISBN 978 90 5330 717 5<br />
£32.50 | $55<br />
Damion Berger<br />
<strong>In</strong> <strong>The</strong> Deep End<br />
ISBN 978 90 5330 713 7<br />
£37.50 | $65<br />
Special edition<br />
ISBN 978 90 5330 714 4<br />
Rena Effendi<br />
Pipe Dreams<br />
A chronicle of lives<br />
along the pipeline<br />
ISBN 978 90 5330 695 6<br />
£32.50 | $55<br />
Ferit Kuyas<br />
Chongqing –<br />
City of Ambition<br />
Texts by Diana Edkins<br />
& Bill Kouwenhoven<br />
ISBN 978 90 5330 682 6<br />
Monique Stauder<br />
Latitude Zero<br />
With two forewords by<br />
Paul <strong>The</strong>roux<br />
ISBN 978 90 5330 719 9<br />
£42.50 | $69.90<br />
Carl De Keyzer<br />
Trinity<br />
ISBN 978 90 5330 594 2<br />
£35 | $55<br />
Special edition<br />
ISBN 978 90 5330 718 2<br />
Edition of 50 copies<br />
£225 | $350<br />
Edition of 50 copies<br />
£425 | $700<br />
Special edition<br />
ISBN 978 90 5330 704 5<br />
Edition of 4 x 25 copies<br />
£425 | $700<br />
£32.50 | $55<br />
Special edition<br />
ISBN 978 90 5330 705 2<br />
Edition of 50 copies<br />
£225 | $350<br />
Special edition<br />
ISBN 978 90 5330 720 5<br />
Edition of 50 copies<br />
£425 | $700<br />
Marcus Bleasdale<br />
<strong>The</strong> Rape of a Nation<br />
Foreword by John le Carré<br />
ISBN 978 90 5330 671 0<br />
£32.50 | $55<br />
Special editions<br />
ISBN 978 90 5330 725 0<br />
Dave Anderson<br />
One Block<br />
A New Orleans Neighbourhood<br />
Rebuilds<br />
Text by Chris Rose<br />
ISBN 978 90 5330 712 0<br />
£32.50<br />
Frederick C. Baldwin &<br />
Wendy Watriss<br />
Looking at the U.S.<br />
1957-1986<br />
<strong>In</strong>terview & essay by<br />
Xavier Canonne<br />
ISBN 978 90 5330 673 4<br />
Robert Knoth<br />
Certificate no. 000358/<br />
Nuclear devastation in<br />
Kazakhstan, Ukraine, Belarus,<br />
the Urals and Siberia<br />
Text by Antoinette de Jong<br />
ISBN 978 90 5330 506 5<br />
Robert Knoth<br />
Hira Mandi<br />
ISBN 978 90 5330 620 8<br />
£19.90 | $35<br />
Special edition<br />
ISBN 978 90 5330 707 6 (sold)<br />
ISBN 978 90 5330 708 3<br />
Edition of 25 copies, also signed by<br />
Special edition<br />
£42.50 | $65<br />
£37.50 | $ 65<br />
ISBN 978 90 5330 709 0<br />
John le Carré<br />
ISBN 978 90 5330 724 3<br />
Special edition<br />
ISBN 978 90 5330 710 6<br />
£625.00 | $1.000<br />
Edition of 50 copies<br />
ISBN 978 90 5330 706 9<br />
ISBN 978 90 5330 711 3<br />
ISBN 978 90 5330 702 1<br />
£225 | $350<br />
Edition of 100 copies, just a few left<br />
Prices starting at £1300 | $2000<br />
Edition of 75 copies<br />
£175 | $250<br />
£425 | $700<br />
16<br />
<strong>Schilt</strong> <strong>Publishing</strong><br />
<strong>Schilt</strong> <strong>Publishing</strong> 17
Harry Gruyaert<br />
Edges<br />
ISBN 978 90 5330 701 4<br />
£57.50 | $97.50<br />
Lucia Ganieva<br />
Tiltenberg<br />
ISBN 978 90 5330 685 7<br />
£21 | $35<br />
Chris de Bode<br />
Tour du Monde<br />
Colombia, Cuba, Senegal,<br />
Eritrea, Qatar, China<br />
ISBN 978 90 5330 723 6<br />
Lana Šlezić<br />
Forsaken<br />
ISBN 978 90 5330 573 7<br />
£24.90<br />
Arlene Gottfried<br />
Sometimes Overwhelming<br />
ISBN: 978 90 5330 595 9<br />
£39.90<br />
Carin Verbruggen<br />
Under_Exposed<br />
ISBN 978 90 5330 615 4<br />
£35 | $55<br />
£18.95 | $32<br />
Ahmet Polat<br />
...Neither here<br />
nor there...<br />
ISBN 978 90 5330 652 9<br />
Willem Poelstra<br />
112* Ambulance<br />
Amsterdam<br />
ISBN 978 90 5330 634 5<br />
Emilie Hudig<br />
<strong>In</strong> Control<br />
ISBN 978 90 5330 684 0<br />
£16.50 |$ 27.50<br />
£14.90 | $27.50<br />
£24.90 | $42.50<br />
Martijn van de Griendt<br />
Smokin’ Boys<br />
Smokin’ Girls<br />
ISBN 978 90 5330 633 8<br />
Ata Kandó<br />
Photographer<br />
Text by Rosan Hollak<br />
ISBN 978 90 5330 612 3<br />
Michiel Hegener<br />
<strong>The</strong> Kurds of Iraq<br />
ISBN 978 90 5330 617 8<br />
£ 29.90 | $49.90<br />
£14.95 | $24.95<br />
£29.90 | $49.90<br />
18<br />
<strong>Schilt</strong> <strong>Publishing</strong><br />
<strong>Schilt</strong> <strong>Publishing</strong> 19
Distribution (except North America)<br />
Thames & Hudson Ltd<br />
UK Sales <strong>Of</strong>fice<br />
Christian Frederking<br />
Sales and Marketing Director<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E c.frederking@thameshudson.co.uk<br />
Jonathan Earl<br />
Head of Sales<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E j.earl@thameshudson.co.uk<br />
Andrius Juknys<br />
Manager, Distributed books<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E a.juknys@thameshudson.co.uk<br />
Mark Garland<br />
Distributed Sales Co-ordinator<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E m.garland@thameshudson.co.uk<br />
UK Territory Managers<br />
David Howson<br />
Key Accounts and London<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E d.howson@thameshudson.co.uk<br />
London:E1, EC1-4, N1, NW1, SE1, SW3,<br />
SW7, W1, W2, W8, W11, WC2<br />
Gethyn Jordan<br />
Key Accounts Manager<br />
National Wholesalers<br />
T 020 7845 5000<br />
F 020 7845 5055<br />
E g.jordan@thameshudson.co.uk<br />
Leslie Bolt<br />
T 07984 034496<br />
E l.bolt@thameshudson.co.uk<br />
Bedfordshire, Berkshire,<br />
Buckinghamshire, Cambridgeshire,<br />
Essex, Hertfordshire, Northants, Kent,<br />
Middlesex, Norfolk, Suffolk, Surrey,<br />
East Sussex, West Sussex, London<br />
E2-18, N3-22, NW2-11, SW4-6, SW8-20,<br />
SE2-26, W3-7, W9-14<br />
Kay Hardy<br />
T 07984 033062<br />
E k.hardy@thameshudson.co.uk<br />
Channel Islands, Cornwall, Devon,<br />
Dorset, Gloucestershire, Hampshire,<br />
Herefordshire, Oxfordshire, Somerset,<br />
Central and South Wales, Warwickshire,<br />
West Midlands, Wiltshire,<br />
Worcestershire<br />
Barry Richards<br />
T 07770 881873<br />
E b.richards@thameshudson.co.uk<br />
Cheshire, Cumbria, Derbyshire, Isle of<br />
Man, Lancashire, Leicestershire,<br />
Lincolnshire, Greater Manchester,<br />
Merseyside, Northamptonshire,<br />
Nottinghamshire, Shropshire,<br />
Staffordshire, North Wales, Yorkshire<br />
Karim White<br />
T +353 868280353<br />
E k.white@thameshudson.co.uk<br />
Cleveland, Co. Durham, Northumberland,<br />
Scotland, Tyne & Wear, Ireland<br />
Subsidiaries, Agents and<br />
Representatives Abroad<br />
Central & South America<br />
Brazil and South America<br />
Sara Ticci<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E s.ticci@thameshudson.co.uk<br />
<strong>The</strong> Caribbean<br />
John Edgeler<br />
Edgeler Book Services Ltd<br />
3 Ashacre Lane<br />
Worthing<br />
UK<br />
BN13 2DA<br />
M +44 7801 866936<br />
T/F +44 1903 265925<br />
E j.edgeler@ntlworld.com<br />
Mexico and Central America<br />
Sara Ticci<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E s.ticci@thameshudson.co.uk<br />
Europe<br />
Austria and Germany (except South)<br />
Michael Klein<br />
c/o Vertreterbüro Würzburg<br />
Huebergasse 1<br />
D-97070 Würzburg<br />
Germany<br />
T +49 931 17 405<br />
F +49 931 17 410<br />
E klein@sitwell.de<br />
Belgium, Netherlands, Luxembourg<br />
Bas van der Zee<br />
President Kennedylaan 66 huis,<br />
1079 NG Amsterdam,<br />
Netherlands<br />
T + 31 (0) 623137695<br />
E s.vanderzee@thameshudson.co.uk<br />
Eastern Europe<br />
Stephen Embrey<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E s.embrey@thameshudson.co.uk<br />
France<br />
<strong>In</strong>terart S.A.R.L.<br />
1 rue de l’Est<br />
75020 Paris<br />
T (1) 43 49 36 60<br />
F (1) 43 49 41 22<br />
E commercial@interart.fr<br />
Germany, South and Switzerland<br />
Ian Bartley<br />
Export Sales Department<br />
Thames & Hudson Ltd.<br />
E i.bartley@thameshudson.co.uk<br />
Ireland<br />
Karim White<br />
48 West Road<br />
East Wall<br />
Dublin 3<br />
Ireland<br />
T/F +353 1 855 9528<br />
E k.white@thameshudson.co.uk<br />
Italy, Spain and Portugal<br />
Sara Ticci<br />
Export Sales Department<br />
Thames & Hudson Ltd<br />
E s.ticci@thameshudson.co.uk