Please note - Swinburne University of Technology

Please note - Swinburne University of Technology Please note - Swinburne University of Technology

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developing the creative writing ability to condense the information into a script of pre-determined timelength that will effectively communicate the message to its intended target, and layout the script ready for client approval and recording. Integral to this process is the development of a clear understanding of the nature of the listening audience and their interaction with the radio medium, to effectively deliver the advertising message. Assessment Students will be required to present client briefs completed as part of structured assignments, and to prepare and present finished scripts. References Schulberg, B., Radio Advertising, Illinois, NTC Business Books, 1989 Crompton, A,, The Craft of Copywriting, 2nd edn, London, Hutchinson Business, 1987 AMI 18 Radio Advertising Production No. of hours per week: three hours Prerequisites: pass in AM1 13 Radio Presentation 1 and AM1 17 Advertising Copywriting. Subject aims and description This subject will develop the skills to identify the structures of sound and the nature of human auditory responses. Students will develop basic recording and editing skills, progressing to advanced multi-track recording and digital recording and editing. Students will be able to record commercials, promotional scripts and programs to a standard ready for professional broadcasting. Assessment Assessment will require students to take a written script to the final recorded commercial ready for broadcast. Through a series of graded assignments, skills will be assessed in recorded voice clarity, the use of music and sound effects, creativity, correct identification and labelling and technical quality. References Baird. -- -, L. - ed.. - Guide to Radio Production, .. Svdney, - Australian Film, TV and Radio ~'chool , 1992 Borwick, J. ed., Sound Recording Practice, 2nd edn, Oxford, Oxford University Press, 1980 ~ ~ 2 0 The 2 Fifth Estate: New Media No. of hours per week: three hours Prerequisites: AM1 02 or AM103, and AP112 for students majoring in Australian Studies Assessment: continuous Subject aims and description This subiect examines the convergence of broadcasting and telecom;nunications in the context of political, economic and social change associated with new media. New communications technologies, such as cable and pay television, teletext and videotext, video-cassette recorders, domestic and direct broadcast satellites, and video disc are discussed in the context of chanaes to traditional broadcasting systems. Notions s;ch as technological determinism, media plurality, information access and equity, are related to an alleged new information revolution. The effects of new communications technologies on content, diversity and social needs in Australia are canvassed. As well, the cultural implications of new choices of media, made possible by technological change, are examined for special groups. References Barr, T., Challenges and Change, Melbourne, Oxford University Press, 1987 Barr, T. The Electronic Estate. Ringwood, Penguin, 1985 Mosco, V., The Pay-per-Society - Computers and Communications in the Information Age, Norwood, N.J., Ablex, 1989 Reinecke, I. and Schultz, J., The Phone Book, Ringwood, Penguin, 1983 Wheelwright, E. and Buckley, K., (eds), Communications and the Media in Australia, Sydney, Allen and Unwin, 1987 Westerway, Peter. Electronic Highways, Sydney, Allen and Unwin, 1990 ~ ~ 2 0 Popular 3 Culture No. of hours per week: three hours Prerequisites: AM 1 02 or AM 1 03 Assessment: continuous Subject aims and description This subject will introduce issues and debates in contemporary culture and cultural analysis. It will investigate the diversity of images, ideologies, meanings and practices which comprise popular culture. Attention will be drawn to the ongoing developments and changes in popular culture in Australia in the 1990s. Special empahsis will be placed on the role and significance of the media and its representations of popular culture. The subject will also consider the commercial and institutional imperatives shaping popular culture and its multiple relations to political processes. Major theoretical reference points in this subject will include marxist, feminist, post-modern and structuralist analysis of late capitalism. Consideration will be given to the ongoing debates which surround cultural meanings and practices in the current Australian context. The central aim of the subject is to encourage students to engage in a critical analysis of the culture around them. Students will be able to draw on their own experiences of culture and critically examine their own contructions of meaning, and the pleasures of involvement. References Fiske, J. Understanding Popular Culture, Boston, Unwin Hyman, 1989 Fiske, J. Reading the Popular, Boston, Unwin Hyman, 1989 Milner, A. Contemporary Cultural Theory: An Introduction, Sydney, Allen & Unwin, 1991 O'Sullivan, T. et al, Key Concepts in Communication, London, Methuen, 1983 ~ ~ 2 0 5 Special Issues in the Media No. of hours per week: three hours Prerequisites: AM1 02 or AM1 03 Assessment: continuous Subject aims and description This subject will investigate the major relationships between women and the media today. The general framework of enquiry will comprise representation, audience reception and media consumption practices, and employment. Students will be encouraged to develop a variety of skills in the exploration of issues pertaining to women. These involve both textual analysis, in particular the study of representations of women in media texts, and the examination of critical theory and research exploring issues in representation, reception and employment. Two particular concerns here include the special needs and practices of women as audiences and media users, and the structures and conditions affecting women's employment in the media,

o especially given the current legislation governing equal opportunity. References Blonski, A. et al. (eds) Don't Shoot Darling: Women's Independent Filmaking in Australia, Richmond, Greenhouse, 1987 Modleski, T. (ed) Studies in Entertainment: Critical Approaches to Mass Culture, Bloomington, Indiana University Press, 1986 Kuhn, A. Women's Pictures: Feminism and Cinema, London, Routledge and Kegan Paul, 1982. Johnson, L. The Unseen Voice: A cultural Study of Early Australian Radio, London, Routledge, 1988 Kaplan, E.A. Regarding Television: Critical Approaches - an anthology (Frederick, Md), University Publications of America, 1983 Fair Exposure, Canberra, Australian Government Printing Service, 1983 AMZO~ Making News - The Theory and Practice of lournalism No. of hours per week: four hours Prerequisites: AM1 02 or AM1 03 and any stage two media studies subject or equivalent Assessment: continuous L r. 3 Subject aims and description This subject takes both a theoretical and,practical approach ; C to the study of the media in ~ustralia. It IS divided into two areas of study: (i) a theoretical and critical view of the function and nature of the press in Austral!? (two hours per week); and (ii) practical lessons in news wrltlng (two hours W per week).The first area of study offers an historical overview of the changing role of the press and examines the sociopolitical, ideological and economic influences which have 8 shaped the modern newspaper industry in Australia. Newspaper traditions in other countries - such as the United c. States, the Soviet Union, Europe and South East Asia - will be compared and different newspapers in Australia will be examined for their similarities and differences. Key issues include freedom of the press, the concentration of newspaper ownership, the power of the press, the structure of news organisations, ethics, news values, bias, media accountability, defamation, privacy, and advertising.The second area of study will focus on practical news writing and production skills. Students will be encouraged to write and submit stories for publication in community newspapers. Students will also iearn basic computer word processing and desktop publishing skills. References Bennett, W.L. News: The Politics of Illusion, 2nd edn, New York, Longman, 1988 Roscho, B. Newsmaking, Chicago, University of Chicago Press, 1975 Tiffen, R. The News From South-East Asia: the Sociology of Newsmaking, Institute of Southeast Asian Studies, Singapore, 1978 Tiffen, R. News and Powec Sydney, Allen & Unwin. 1989 Evans, H. Editinq and Design: Book I; Newsman's English. New edn, ond don, ~eineman, 1986 *AMZO~ Cultural Representation in Australia No. of hours per week: three hours Prerequisites: AM102 orAM103, and AP112 for students majoring in Australian Studies Assessment: continuous Subject aims and description This subject explores processes of construction and maintenance of cultural identities in Australia. The first half of the subject concentrates on the representation of nationalism in film and television. The enquiry then broadens to consider representations of cultural difference, marginality and resistance. Included here is some analysis of cultural representation from the point of view of Aboriginal people, women and cultural minorities. Processes of cultural construction and demarcation are of central significance in this subject. The major visual texts to be analysed will be Australian feature films, with some consideration of Australian television and independent film. References Murray, 5. ed., Australian Cinema, St. Leonards, NSW, Allen & Unwin, 1993 O'Regan, T. Australian Television Culture, St. Leonards. NSW, Allen & Unwin, 1993 Dermody, S. and Jacka, E. The Screening ofAustralia. 2 volumes, Paddington, Currency Press, 1987 Turner, G. National Fictions: Literature, Film & the Construction of Australian Narrative. Sydney, Allen & Unwin, 1986 * Not available to students who have previously passed AM204 Media and Australian Society AM~OO Cinema Studies No. of hours per week: four hours Prerequisite: AM1 02 and any two stage two media studies subjects or equivalent Assessment: continuous Subject aims and description The viewing material for this subject is a selection of films arranged generically (e.g. the musical, or the horror film, or the western, or the science-fiction film), thematically (the romantic drama, or the journey film, or the domestic drama), or stylistically (the films noirs, or the problems of realism, or 'to cut or not to cut?'). These films will provide study samples for a pursuit of ideas introduced during the previous two years of the course into a systematic analysis of film. The emphasis is upon the practice of film criticism. Attention is focused upon the usefulness of structuralist and semiological studies, and their function in relation to the humanist discourse which dominates more traditional critical work. In this context, particular questions to do with the developing study of film will be on the agenda for ongoing consideration: for example, the ways in which ideology is inscribed into the works examined (as well as into the methods of examination), for various systems of representation, for the usefulness of the work of the 'frameby-frame heretics', for the kinds of relationships constructed between a film and its viewer, for the place of 'the author' in this process in relation to the formal and thematic organisation of the works which bear hislher name, for the usefulness of 'genre' studies, for the function of the 'star system', and for the relationship between the film, the industry and the culture in which they exist. References Bordwell, D. and Thompson, K. Film Art: An Introduction. 4th edn, New York, McGraw-Hill, 1993 Cook, P. (ed.) The Cinema Book. London, B.F.I., 1985 Grant, B.K. (ed.) Film Genre Reader. Austin, University of Texas Press, 1986 Ray, R.B. A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton, Princeton University Press, 1985 Schatz, T. Hollywood Genres. New York, Random House, 1981 Wood, R. Hollywood From Vietnam To Reagan. New York, Columbia University Press, 1986 Cineaction, Cinema Papers, The Journal of Popular Film and Television, Screen, Wide Angle, Film Comment

developing the creative writing ability to condense the<br />

information into a script <strong>of</strong> pre-determined timelength that<br />

will effectively communicate the message to its intended<br />

target, and layout the script ready for client approval and<br />

recording. Integral to this process is the development <strong>of</strong> a<br />

clear understanding <strong>of</strong> the nature <strong>of</strong> the listening audience<br />

and their interaction with the radio medium, to effectively<br />

deliver the advertising message.<br />

Assessment<br />

Students will be required to present client briefs completed<br />

as part <strong>of</strong> structured assignments, and to prepare and<br />

present finished scripts.<br />

References<br />

Schulberg, B., Radio Advertising, Illinois, NTC Business Books, 1989<br />

Crompton, A,, The Craft <strong>of</strong> Copywriting, 2nd edn, London,<br />

Hutchinson Business, 1987<br />

AMI 18<br />

Radio Advertising Production<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: pass in AM1 13 Radio Presentation<br />

1 and AM1 17 Advertising Copywriting.<br />

Subject aims and description<br />

This subject will develop the skills to identify the structures <strong>of</strong><br />

sound and the nature <strong>of</strong> human auditory responses. Students<br />

will develop basic recording and editing skills, progressing to<br />

advanced multi-track recording and digital recording and<br />

editing. Students will be able to record commercials,<br />

promotional scripts and programs to a standard ready for<br />

pr<strong>of</strong>essional broadcasting.<br />

Assessment<br />

Assessment will require students to take a written script to<br />

the final recorded commercial ready for broadcast. Through a<br />

series <strong>of</strong> graded assignments, skills will be assessed in<br />

recorded voice clarity, the use <strong>of</strong> music and sound effects,<br />

creativity, correct identification and labelling and technical<br />

quality.<br />

References<br />

Baird. -- -, L. - ed.. - Guide to Radio Production, .. Svdney, - Australian Film, TV<br />

and Radio ~'chool , 1992<br />

Borwick, J. ed., Sound Recording Practice, 2nd edn, Oxford, Oxford<br />

<strong>University</strong> Press, 1980<br />

~ ~ 2 0 The 2 Fifth Estate: New Media<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM1 02 or AM103, and AP112 for<br />

students majoring in Australian Studies<br />

Assessment: continuous<br />

Subject aims and description<br />

This subiect examines the convergence <strong>of</strong> broadcasting and<br />

telecom;nunications in the context <strong>of</strong> political, economic and<br />

social change associated with new media. New<br />

communications technologies, such as cable and pay<br />

television, teletext and videotext, video-cassette recorders,<br />

domestic and direct broadcast satellites, and video disc are<br />

discussed in the context <strong>of</strong> chanaes to traditional<br />

broadcasting systems. Notions s;ch as technological<br />

determinism, media plurality, information access and equity,<br />

are related to an alleged new information revolution. The<br />

effects <strong>of</strong> new communications technologies on content,<br />

diversity and social needs in Australia are canvassed. As well,<br />

the cultural implications <strong>of</strong> new choices <strong>of</strong> media, made<br />

possible by technological change, are examined for special<br />

groups.<br />

References<br />

Barr, T., Challenges and Change, Melbourne, Oxford <strong>University</strong> Press,<br />

1987<br />

Barr, T. The Electronic Estate. Ringwood, Penguin, 1985<br />

Mosco, V., The Pay-per-Society - Computers and Communications in<br />

the Information Age, Norwood, N.J., Ablex, 1989<br />

Reinecke, I. and Schultz, J., The Phone Book, Ringwood, Penguin,<br />

1983<br />

Wheelwright, E. and Buckley, K., (eds), Communications and the<br />

Media in Australia, Sydney, Allen and Unwin, 1987<br />

Westerway, Peter. Electronic Highways, Sydney, Allen and Unwin,<br />

1990<br />

~ ~ 2 0 Popular 3 Culture<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM 1 02 or AM 1 03<br />

Assessment: continuous<br />

Subject aims and description<br />

This subject will introduce issues and debates in<br />

contemporary culture and cultural analysis. It will investigate<br />

the diversity <strong>of</strong> images, ideologies, meanings and practices<br />

which comprise popular culture. Attention will be drawn to<br />

the ongoing developments and changes in popular culture in<br />

Australia in the 1990s. Special empahsis will be placed on the<br />

role and significance <strong>of</strong> the media and its representations <strong>of</strong><br />

popular culture.<br />

The subject will also consider the commercial and institutional<br />

imperatives shaping popular culture and its multiple relations<br />

to political processes. Major theoretical reference points in<br />

this subject will include marxist, feminist, post-modern and<br />

structuralist analysis <strong>of</strong> late capitalism. Consideration will be<br />

given to the ongoing debates which surround cultural<br />

meanings and practices in the current Australian context.<br />

The central aim <strong>of</strong> the subject is to encourage students to<br />

engage in a critical analysis <strong>of</strong> the culture around them.<br />

Students will be able to draw on their own experiences <strong>of</strong><br />

culture and critically examine their own contructions <strong>of</strong><br />

meaning, and the pleasures <strong>of</strong> involvement.<br />

References<br />

Fiske, J. Understanding Popular Culture, Boston, Unwin Hyman, 1989<br />

Fiske, J. Reading the Popular, Boston, Unwin Hyman, 1989<br />

Milner, A. Contemporary Cultural Theory: An Introduction, Sydney,<br />

Allen & Unwin, 1991<br />

O'Sullivan, T. et al, Key Concepts in Communication, London,<br />

Methuen, 1983<br />

~ ~ 2 0 5 Special Issues in the Media<br />

No. <strong>of</strong> hours per week: three hours<br />

Prerequisites: AM1 02 or AM1 03<br />

Assessment: continuous<br />

Subject aims and description<br />

This subject will investigate the major relationships between<br />

women and the media today. The general framework <strong>of</strong><br />

enquiry will comprise representation, audience reception and<br />

media consumption practices, and employment. Students<br />

will be encouraged to develop a variety <strong>of</strong> skills in the<br />

exploration <strong>of</strong> issues pertaining to women. These involve<br />

both textual analysis, in particular the study <strong>of</strong><br />

representations <strong>of</strong> women in media texts, and the<br />

examination <strong>of</strong> critical theory and research exploring issues<br />

in representation, reception and employment. Two particular<br />

concerns here include the special needs and practices <strong>of</strong><br />

women as audiences and media users, and the structures<br />

and conditions affecting women's employment in the media,

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