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1997 Swinburne Higher Education Handbook

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Library, 1979<br />

Buell, L. Literary Transcendentalism Style and Vision in the<br />

American Renaissance. Ithaca, Cornell University Press, 1973<br />

Cunliffe, M. The Literature of the United States. 4th edn, New<br />

York, Penguin, 1986<br />

Matthiesson, F.O. American Renaissance. London, Oxford<br />

University Press, 1977<br />

Thorp, W. American Writing in the 20th Catu ry. Ann Arbor,<br />

Michigan University Microfilms International, 1986<br />

AL304 Cross-Cultural Perspectives<br />

3 hours per week Hawthorn Prerequisite: two stage two<br />

literature subjects or approved equivalents<br />

Assessment: essay, class paper, examination, class<br />

contribution<br />

A subject in the Bachelor of Arts<br />

Objectives and Content<br />

The subject seeks to explore, by a close analysis of<br />

significant texts of cross-cultural encounters, the ways in<br />

which different cultures have sought to explain and interpret<br />

each other by thinking about and interacting with each<br />

other. It focuses on non-English writers from mainly India,<br />

Africa and the Caribbean and their creative manipulation of<br />

the English language to comment on their own traditions<br />

and history, or to interpret the interaction between Eastern!<br />

African and Western cultures and values.<br />

*AL306 Renaissance Literary Culture<br />

3 hours per week Hawthorn Prerequisite: two stage two<br />

literature subjects or approved equivalents<br />

Assessment: continuous<br />

A subject in the Bachelor of Arts<br />

Objectives and Content<br />

The principal aim of this subject is to critically investigate<br />

the ways in which we read and interpret the literature of the<br />

renaissance. Not losing sight of our position as late<br />

twentieth century readers, this subject explores the place<br />

that literature occupied within Renaissance culture as a<br />

whole. Drawing on contemporary theoretical models, it<br />

seeks to relate the historical phenomenon of the renaissance<br />

to the modern/postmodern debate.<br />

Recommended reading<br />

Healy, T. New Latitudes. Theory and English Renaissance<br />

Literature. London, Edward Arnold, 1992<br />

*Not available to students who have previously passed<br />

3 AL203 Renaissance Literature.<br />

Q<br />

(D<br />

AL307 Australian Literature<br />

U)<br />

3 hours per week Hawthorn Prerequisite: two stage two<br />

literature subjects or approved equivalents Assessment: essay,<br />

class paper and examination; class contribution<br />

A subject in the Bachelor of Arts<br />

Objectives and Content<br />

A study of the development of the novel, the short story<br />

and poetry in Australia from the nineteenth century to the<br />

present day. Comparisons will be invited between filmic and<br />

written texts, as well as a play reading. Students will make<br />

an oral presentation reviewing a text that is not set for<br />

study, and keep a journal as record/preparation for class<br />

discussions. Classes will be discussion based.<br />

Recommended reading<br />

Eagleton, T. Literary Theoly An Introduction. Oxford, Blackwell,<br />

1983<br />

Hergenhan, L. (ed.) The Penguin New Literary Histo ry of Australia.<br />

Ringwood, Penguin, 1988<br />

Hughes, R. 7le Fatal Shore. London, Collins Harvill, 1987<br />

Other stage three Literature subjects AIM3 10 & ALM3 12<br />

are listed in alpha-numeric code order on page 240.<br />

AL400 Reading and Writing Seminar<br />

2 hours per fortnight over two semesters Hawthorn<br />

Prerequisite: Bachelor of Business Assessment: folio and<br />

participation in seminars and workshops<br />

Subject in the Graduate Diploma in Writing<br />

Objectives and Content<br />

The aim of this subject is to present students with a wide<br />

variety of options in writing and its production, together<br />

with a time and a place to explore in greater depth elements<br />

of the elective subjects which are of special interest to them.<br />

Seminars may take a variety of forms, from 'Writers'<br />

Reading' sessions in which-original work is presented, to the<br />

formal and informal seminar, the writers' workshop, ..<br />

the<br />

element of dramatic performance. As part of their course<br />

students will be encouraged to attend and report on public<br />

functions such as the Melbourne Writers' Festival and<br />

participate in community arts events, e.g. open reading at<br />

various Melbourne venues. It is envisaged that students will<br />

produce a collection of their writing as part of the year's<br />

activities.<br />

Recommended reading<br />

Daniel, H. (ed.) Expressway. Ringwood, Penguin, 1989<br />

Daniel, H. (ed.) Millennium. Ringwood, Penguin, 1991<br />

AL401 Writing Projed<br />

2 hours per fortnight over two semestws Hawthorn<br />

Prequisite: (or corequisite for full-time students) AL400<br />

Reading and Writing Seminar Assessment: an extended<br />

piece of writing and workshop participation<br />

A subject in the Graduate Diploma in Writing<br />

Objectives and Content<br />

This subject provides students with the opportunity to work<br />

on an extended piece of writing in an atmosphere of<br />

support, encouragement and mutual critical advice. It allows<br />

for expansion and elaboration of themes encountered in<br />

previous writing subjects, with an anticipated outcome being<br />

'finding one's own voice'. A series of workshops will<br />

provide the basis for the evolution of the longer work out of<br />

preliminary drafts.<br />

Recommended reading<br />

Grenville, K. The Writing Book. A Workbook for Fiction Writers.<br />

Sydney, Allen & Unwin, 1990<br />

ALM series subjects be &gin on the next page

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